i have enough
money, but i'd
like a little more,
okay, maybe
alot more. enough
to stop working
completely. enough
to pay off the bills
and buy a cadillac
convertible. enough
to walk around
in a shiny
suit with a big
hat, and shiny shoes.
i'd give myself
a nickname, like,
like, ummm, i can't
think of any right
now, but something
clever, maybe i'll
let my pals think of
a nickname for me.
i'd pay them for
the name. i'd have
a wad of cash in my
pocket at all times.
spreading happiness
and twenty dollar
bills everywhere i
went. mr. happy, yeah,
that'll be my new name.
hey mr. happy, what's
shaking, and i'd show
them what's shaking.
Friday, April 30, 2010
Thursday, April 29, 2010
snow cone
this girl i met
from texas has
big hair. it's blonde,
it's shiny and sits
like a cloud of cotton
candy on her pale
white head. her eyes
are a soft blue, like
the texas sky in june.
if not for the thin
stripes of pink lipstick
she'd be invisible,
she'd be a ghost in
the wind. i feel like
putting her on a
float and parading
her about town, for
no reason other than
that that is who she
is, the homecoming queen.
i could be her king.
perhaps her prince, or
at worst the foot
soldier who lays down
his life when the vikings
storm the castle.
okay, i'm dreaming, i
drifted off for a
moment thinking about
the girl from texas. i'm
okay now. she's tapping
me on the shoulder
and says that she's
in the mood for an icy
snowball cone, cherry
flavored. i think i'll run
off and get that for her,
after all, she is the queen.
from texas has
big hair. it's blonde,
it's shiny and sits
like a cloud of cotton
candy on her pale
white head. her eyes
are a soft blue, like
the texas sky in june.
if not for the thin
stripes of pink lipstick
she'd be invisible,
she'd be a ghost in
the wind. i feel like
putting her on a
float and parading
her about town, for
no reason other than
that that is who she
is, the homecoming queen.
i could be her king.
perhaps her prince, or
at worst the foot
soldier who lays down
his life when the vikings
storm the castle.
okay, i'm dreaming, i
drifted off for a
moment thinking about
the girl from texas. i'm
okay now. she's tapping
me on the shoulder
and says that she's
in the mood for an icy
snowball cone, cherry
flavored. i think i'll run
off and get that for her,
after all, she is the queen.
on the road
the oil needs changing,
the lights are all flashing
on the dashboard,
the engine is running
sluggish, it's getting harder
to climb the hills
or hug the curves with
any speed, and those tires
are getting thin and slick,
the tread is nearly gone.
the wipers blur the glass,
the filters are filled
with the soot of hard driving.
i'm nearly out of gas,
and the warranty on this
heap is expired, but i'm
going to try to get at least
another ten thousand miles
out this once sleek machine,
just hold on, let me take
a shower and shave, do
some push ups, let me
get ready to roll, beep
the horn and i'll be out.
the lights are all flashing
on the dashboard,
the engine is running
sluggish, it's getting harder
to climb the hills
or hug the curves with
any speed, and those tires
are getting thin and slick,
the tread is nearly gone.
the wipers blur the glass,
the filters are filled
with the soot of hard driving.
i'm nearly out of gas,
and the warranty on this
heap is expired, but i'm
going to try to get at least
another ten thousand miles
out this once sleek machine,
just hold on, let me take
a shower and shave, do
some push ups, let me
get ready to roll, beep
the horn and i'll be out.
Wednesday, April 28, 2010
mrs. barrett
the husband
long gone,
ten years perhaps,
the kids out
and older, now
on their own,
and she at home,
on the side porch,
with a cup
of tea,
some toast,
a book of well
worn poems
in her lap, an
afternoon alone,
a cloudy day,
a dream, a siamese
cat on the table
who waits
patiently for
love, for
the shallow
bowl of cream,
so i see
her as i pass
by, with a fly swatter
in her hand,
and let her be,
no need to stop
and break
the spell, so few
sweet moments
at any stage
of life, like
these.
long gone,
ten years perhaps,
the kids out
and older, now
on their own,
and she at home,
on the side porch,
with a cup
of tea,
some toast,
a book of well
worn poems
in her lap, an
afternoon alone,
a cloudy day,
a dream, a siamese
cat on the table
who waits
patiently for
love, for
the shallow
bowl of cream,
so i see
her as i pass
by, with a fly swatter
in her hand,
and let her be,
no need to stop
and break
the spell, so few
sweet moments
at any stage
of life, like
these.
different
my favorite fish
was the one with
three eyes. i didn't
notice it at first,
but then i did and
came to like him
or her, whatever
the case me be,
the best. it was
different, unusual,
defective in a pleasant
and strange way, which
made me adopt the dog
with three legs, and
then in turn the cat
without a tail,
the bunny who couldn't
hop, the turtle without
a shell, the parakeet
with a bent wing and
the macaw who couldn't
whistle, or mimic my voice,
or sing. and eventually
this is how i found
you. my one true love.
was the one with
three eyes. i didn't
notice it at first,
but then i did and
came to like him
or her, whatever
the case me be,
the best. it was
different, unusual,
defective in a pleasant
and strange way, which
made me adopt the dog
with three legs, and
then in turn the cat
without a tail,
the bunny who couldn't
hop, the turtle without
a shell, the parakeet
with a bent wing and
the macaw who couldn't
whistle, or mimic my voice,
or sing. and eventually
this is how i found
you. my one true love.
it comes
despite the careful
arranging of things,
the furniture well
polished, the dusting
done, the flowers
watered and bent on
their mindless own
towards the glow
of a soft yellow sun,
the skirt and blouse
warmed out of their
creases with a hot
iron, despite the clocks
still moving with
the steady click of
time, the digital red
numbers glowing onward
without care, despite
all of this, it comes.
arranging of things,
the furniture well
polished, the dusting
done, the flowers
watered and bent on
their mindless own
towards the glow
of a soft yellow sun,
the skirt and blouse
warmed out of their
creases with a hot
iron, despite the clocks
still moving with
the steady click of
time, the digital red
numbers glowing onward
without care, despite
all of this, it comes.
Tuesday, April 27, 2010
the gift basket
leave your shoes
on, this won't take
long. i'm good with
the break up now.
no dinner, no drinks,
no long winded discussions
about why, or what
could have been, if
only this, if only
that. i'll even validate
your parking and
show you to door
with a farewell mint
and a parting gift of
that partially drunk
bottle of wine. take
your cheese too. i
don't like cheese.
on, this won't take
long. i'm good with
the break up now.
no dinner, no drinks,
no long winded discussions
about why, or what
could have been, if
only this, if only
that. i'll even validate
your parking and
show you to door
with a farewell mint
and a parting gift of
that partially drunk
bottle of wine. take
your cheese too. i
don't like cheese.
i needed that
a swarm of hot
bees were abuzz
at my foot as i
stepped into
the thick ivy
on a shaded hill
with nowhere to
run to without
feeling the fury
of their stings,
just one apiece,
but enough welts
to make me woozy
and stumble
away into the sun
where they lost
interest and
returned to the
grey wafered bun
they lived in.
and when i came
to with an IV
in my arm, and
a nurse hovering
over me, who reminded
me of two sweet
scoops of vanilla
cream, i felt as
rested and as
relaxed as i've
ever been in my
entire life.
bees were abuzz
at my foot as i
stepped into
the thick ivy
on a shaded hill
with nowhere to
run to without
feeling the fury
of their stings,
just one apiece,
but enough welts
to make me woozy
and stumble
away into the sun
where they lost
interest and
returned to the
grey wafered bun
they lived in.
and when i came
to with an IV
in my arm, and
a nurse hovering
over me, who reminded
me of two sweet
scoops of vanilla
cream, i felt as
rested and as
relaxed as i've
ever been in my
entire life.
Monday, April 26, 2010
blue monday
you
are my
mondays.
my blue
hard monday.
you are
the work
i don't
have the time
for,
the energy
to get to
it all done
before
the stars
arrive,
before the
moon lights
up to replace
a setting sun.
you are the
day i want to
sleep in,
the cold rainy
day that puts
a chill in
my old bones.
you are my
monday, and
ain't that
a crying shame.
are my
mondays.
my blue
hard monday.
you are
the work
i don't
have the time
for,
the energy
to get to
it all done
before
the stars
arrive,
before the
moon lights
up to replace
a setting sun.
you are the
day i want to
sleep in,
the cold rainy
day that puts
a chill in
my old bones.
you are my
monday, and
ain't that
a crying shame.
a world gone mad
they had somehow
managed to make
a horse the size of a
small dog, genetics
and money, donations,
grants and foundations,
all involved in the
breeding, fooling
around with test tubes,
the biology of it
all, just because
they could. and the horse,
was tiny, the smallest
horse that had ever
lived. the years
that it took, the
science and intelligence
to make something
so unnatural, freakish,
was astonishing, and
as the news cameras
rolled you could see
the homeless men and women
who lived in the park
on their carboard beds
and straw, beneath
the willow trees where
they had brought the
horse to run, staring
in wide eyed wonder too.
managed to make
a horse the size of a
small dog, genetics
and money, donations,
grants and foundations,
all involved in the
breeding, fooling
around with test tubes,
the biology of it
all, just because
they could. and the horse,
was tiny, the smallest
horse that had ever
lived. the years
that it took, the
science and intelligence
to make something
so unnatural, freakish,
was astonishing, and
as the news cameras
rolled you could see
the homeless men and women
who lived in the park
on their carboard beds
and straw, beneath
the willow trees where
they had brought the
horse to run, staring
in wide eyed wonder too.
more
the rain will fill
the earth, engorge
the streams that
lead towards rivers
and oceans that lie
awake at night and
wonder where more
will come from. no
need to worry. the
sky provides, or God,
or whatever your faith
or lack of faith,
encourages you to
believe, either rightly
or wrongly, but more
will come, it's been
this way for nearly
all of time, or at
least as long as i
can remember, and for
me, that's the only
thing that counts.
the earth, engorge
the streams that
lead towards rivers
and oceans that lie
awake at night and
wonder where more
will come from. no
need to worry. the
sky provides, or God,
or whatever your faith
or lack of faith,
encourages you to
believe, either rightly
or wrongly, but more
will come, it's been
this way for nearly
all of time, or at
least as long as i
can remember, and for
me, that's the only
thing that counts.
initials in a tree
i see your intitials
carved into the tree
down by the stream
which is full and rolling
with dark water, breaking
white upon the rocks
and fallen limbs,
the thick columns of trees.
of course it might not
be your initials, it
could be anyone's,
anyone at all, but i
know they are yours,
because i took the edge
of a sharp rock and
pressed into the soft
wet bark unitl they
were there. and now
six years later, the light
broken skin, is darkened,
calloused with each day
gone by, as it should be,
no one can live with that
much grief.
carved into the tree
down by the stream
which is full and rolling
with dark water, breaking
white upon the rocks
and fallen limbs,
the thick columns of trees.
of course it might not
be your initials, it
could be anyone's,
anyone at all, but i
know they are yours,
because i took the edge
of a sharp rock and
pressed into the soft
wet bark unitl they
were there. and now
six years later, the light
broken skin, is darkened,
calloused with each day
gone by, as it should be,
no one can live with that
much grief.
Friday, April 23, 2010
the waterfall
don't blame me
for the blues
you swim in.
or the world,
or the weather,
or your neighbor's
barking dog. don't
curse the day,
the night, or
the dreams you've
left behind. i
can't help you
there, but if you
want to talk
about other things,
dial me, let's
eat, let's drink,
let's find a new
path to the waterfall
and be done
with yesterdays.
for the blues
you swim in.
or the world,
or the weather,
or your neighbor's
barking dog. don't
curse the day,
the night, or
the dreams you've
left behind. i
can't help you
there, but if you
want to talk
about other things,
dial me, let's
eat, let's drink,
let's find a new
path to the waterfall
and be done
with yesterdays.
shadow boxing
the shadow boxer
never gets cut
or goes down, never
takes the pummeling
of punches that
rattle the brain,
loosen teeth.
it's easy to face
the mirror in
the low lights,
behind the scenes
and dance and bob
and weave your way
through one fight
after another, never
losing, never
tasting leather,
or your own blood,
or hearing the
eight count, the jeers
and chants of the
crowd. each swing
and jab, each
uppercut touches
nothing but air, all
of them misses,
and you realize that
at some point
you have to get into
the ring to win
or lose, or else
stay in the shadows
unknown.
never gets cut
or goes down, never
takes the pummeling
of punches that
rattle the brain,
loosen teeth.
it's easy to face
the mirror in
the low lights,
behind the scenes
and dance and bob
and weave your way
through one fight
after another, never
losing, never
tasting leather,
or your own blood,
or hearing the
eight count, the jeers
and chants of the
crowd. each swing
and jab, each
uppercut touches
nothing but air, all
of them misses,
and you realize that
at some point
you have to get into
the ring to win
or lose, or else
stay in the shadows
unknown.
sometimes
you feel you have
to take the low
road, the hard but
worn path of anger
and resentment. it's
a bursting point
and you let loose
with a rain storm
of slings and sharpened
words, you pummel
your object of
derision until it's
done. and it's never
good, always ends
badly. but then you
can move on, take
the high road.
to take the low
road, the hard but
worn path of anger
and resentment. it's
a bursting point
and you let loose
with a rain storm
of slings and sharpened
words, you pummel
your object of
derision until it's
done. and it's never
good, always ends
badly. but then you
can move on, take
the high road.
Thursday, April 22, 2010
as you may well know
i don't do well
with crazy, or
sad, or lonely
or perpetually mad
or off center
with life and
money, those that
keep the tornado
spinning. the sand
storm of their
lives stings my eyes
and makes me run
for cover. there
is not a camel fast
enough to get me
off the hot and
waterless desert
and into the cool
sweet oasis of calm.
with crazy, or
sad, or lonely
or perpetually mad
or off center
with life and
money, those that
keep the tornado
spinning. the sand
storm of their
lives stings my eyes
and makes me run
for cover. there
is not a camel fast
enough to get me
off the hot and
waterless desert
and into the cool
sweet oasis of calm.
steps
i am quietly
but surely
taking steps
in the right
direction,
disregard the
stumble, the
occasional slip
and fall.
but with
each step,
i have learned
something
about where
i have been,
where i might
be going, but
it would be
nice to have
someone to
go along
with me
to hold the
map, the light,
and lend a
sweet kiss
or hand along
the way.
but surely
taking steps
in the right
direction,
disregard the
stumble, the
occasional slip
and fall.
but with
each step,
i have learned
something
about where
i have been,
where i might
be going, but
it would be
nice to have
someone to
go along
with me
to hold the
map, the light,
and lend a
sweet kiss
or hand along
the way.
Tuesday, April 20, 2010
the artisan sandwich
in my white chef's hat
i am making myself a sandwich.
yes. an artisan sandwich, hand
crafted with artisan bread.
bread i baked with my bare
hands in my own oven,
and the ham is home grown,
i raised the pig from scratch,
hand carved him in my kitchen.
gently though so as not to
make the other pigs angry.
an angry pig makes tough meat.
that fluffy green lettuce grew
right in my back yard right
next to the tomato plant.
plucked with my own hands.
i churned the milk
to make the cheese that you see
in slender slices,
so yellow and pungent on top
of the ham. i can hardly stand
to eat this sandwich, i am
so proud of it, the art work
and creativity that it took.
so i take a picture of it, with
the light behind it, black
and white, color. i'm going to
wash it all down with the artisan
beer i have fermenting in my tub,
also hand crafted, a brew unlike
any other, but with the slight
taste of soap.
i am making myself a sandwich.
yes. an artisan sandwich, hand
crafted with artisan bread.
bread i baked with my bare
hands in my own oven,
and the ham is home grown,
i raised the pig from scratch,
hand carved him in my kitchen.
gently though so as not to
make the other pigs angry.
an angry pig makes tough meat.
that fluffy green lettuce grew
right in my back yard right
next to the tomato plant.
plucked with my own hands.
i churned the milk
to make the cheese that you see
in slender slices,
so yellow and pungent on top
of the ham. i can hardly stand
to eat this sandwich, i am
so proud of it, the art work
and creativity that it took.
so i take a picture of it, with
the light behind it, black
and white, color. i'm going to
wash it all down with the artisan
beer i have fermenting in my tub,
also hand crafted, a brew unlike
any other, but with the slight
taste of soap.
cat friend
retract your claws
dear cat friend, unarch
that spiney back,
and let the fur down.
you only hear what
you want to hear and
take off running with
untruth as if wasn't.
close those sleepy
brown eyes, and
tart sweet mouth. find
the sun, find a sill.
have a bowl of milk,
breathe in, exhale.
dear cat friend, unarch
that spiney back,
and let the fur down.
you only hear what
you want to hear and
take off running with
untruth as if wasn't.
close those sleepy
brown eyes, and
tart sweet mouth. find
the sun, find a sill.
have a bowl of milk,
breathe in, exhale.
in the light
it's simple
and clean
this love
you bring to
the table,
unwrapped and
fresh. it
awakens me
to who i am,
who you are
and what we
can be
together. i
see that now,
i savor it,
and fear
the worst.
and clean
this love
you bring to
the table,
unwrapped and
fresh. it
awakens me
to who i am,
who you are
and what we
can be
together. i
see that now,
i savor it,
and fear
the worst.
the weight
i've noticed lately
the weight carried
by those who work,
not in the limelight,
but in the produce
section lining up
tomatoes, or the man
sweeping the street,
the mailman,
the teacher next door
who teaches piano
at night to make ends
meet. it's a weight
that shows on their
face when no one is
looking. the struggle,
the pull of life
getting heavier. the
beat cop, the plumber
laying pipe. there
is no real getting
ahead, they are as
far ahead as they can
go, and deep within
their souls they
won't say it out loud,
but they truly and
sadly have surrendered,
and know.
the weight carried
by those who work,
not in the limelight,
but in the produce
section lining up
tomatoes, or the man
sweeping the street,
the mailman,
the teacher next door
who teaches piano
at night to make ends
meet. it's a weight
that shows on their
face when no one is
looking. the struggle,
the pull of life
getting heavier. the
beat cop, the plumber
laying pipe. there
is no real getting
ahead, they are as
far ahead as they can
go, and deep within
their souls they
won't say it out loud,
but they truly and
sadly have surrendered,
and know.
Monday, April 19, 2010
chances
my father
who actually
won the lottery
and kept it
hidden from us
for as long
as possible,
has spent none
of it. not a
single one of
his children has
had a taste of
his new found
riches. and it's
fine. i asked
him what he was
going to do
with this money
and he said
that he would pay
off his car, fix
the washing machine
which squeaked and
rattled during
the spin cycle,
he said he might
buy one of those new
flat screen tv's.
and that's it.
he has no need
or desire to travel,
there is nothing
shiny out there
that he needs to
possess. there is
no new fashion
trend he needs
to set. he'll just
buy more tickets,
more chances, but
none of it will
cancel out or ease
the distance between
him and the world,
his children, and
at eighty-two,
his life of regret.
who actually
won the lottery
and kept it
hidden from us
for as long
as possible,
has spent none
of it. not a
single one of
his children has
had a taste of
his new found
riches. and it's
fine. i asked
him what he was
going to do
with this money
and he said
that he would pay
off his car, fix
the washing machine
which squeaked and
rattled during
the spin cycle,
he said he might
buy one of those new
flat screen tv's.
and that's it.
he has no need
or desire to travel,
there is nothing
shiny out there
that he needs to
possess. there is
no new fashion
trend he needs
to set. he'll just
buy more tickets,
more chances, but
none of it will
cancel out or ease
the distance between
him and the world,
his children, and
at eighty-two,
his life of regret.
the new wife
the new wife
wants to make
things her way.
new carpet, paint
and wallpaper.
all of the art
has to go, even
the poster, the
self portrait
of the earless
romantic, van
gogh. and who
can blame her.
that vase from
italy, to the
attic, the mattress
of course, goes
without saying.
it's a scorched
earth policy
for the new wife.
it's best to
start of fresh
and new she says,
and doesn't for
a second feel
the slightest
crack in her
new found love,
she doesn't
have a clue.
wants to make
things her way.
new carpet, paint
and wallpaper.
all of the art
has to go, even
the poster, the
self portrait
of the earless
romantic, van
gogh. and who
can blame her.
that vase from
italy, to the
attic, the mattress
of course, goes
without saying.
it's a scorched
earth policy
for the new wife.
it's best to
start of fresh
and new she says,
and doesn't for
a second feel
the slightest
crack in her
new found love,
she doesn't
have a clue.
chasing tails
the dog
can spend an
hour on
chasing his
own tail in
the laundry
basket, slippery
and white
and full of
socks. it
doesn't seem
to tire him,
or bother him
that it can't
be done. it
won't be caught.
i can think
of several
parallels
for this that
relates to
my own personal
life, but
it's too
embarassing
to speak of.
can spend an
hour on
chasing his
own tail in
the laundry
basket, slippery
and white
and full of
socks. it
doesn't seem
to tire him,
or bother him
that it can't
be done. it
won't be caught.
i can think
of several
parallels
for this that
relates to
my own personal
life, but
it's too
embarassing
to speak of.
keys
so many keys
on the ring.
some without
a lock to turn,
but stay on
just in case.
the house,
the car, the truck,
the bike,
the shed, a
lock box with
papers for when
death occurs,
an old trunk
full of things
you wrote when
you were young.
full of fire,
full of
resolute hope
that somehow still
remains, gold
keys, silver,
tarnished, worn
and rounded.
keys that open
cans and turn
screws when
the screw needs
turning. keys
that scrape
off the soft
grey tissue
from the face
of lottery
tickets
that never ever
match. there
is only one key
missing. and you
know which one
i mean.
on the ring.
some without
a lock to turn,
but stay on
just in case.
the house,
the car, the truck,
the bike,
the shed, a
lock box with
papers for when
death occurs,
an old trunk
full of things
you wrote when
you were young.
full of fire,
full of
resolute hope
that somehow still
remains, gold
keys, silver,
tarnished, worn
and rounded.
keys that open
cans and turn
screws when
the screw needs
turning. keys
that scrape
off the soft
grey tissue
from the face
of lottery
tickets
that never ever
match. there
is only one key
missing. and you
know which one
i mean.
Sunday, April 18, 2010
it's here somewhere
it's an easy
thing to lose
a car. a watch,
a pen, a set of
keys, to not
remember which lot,
which letters or
numbers fit the place
where you so
carefully pulled
in and parked.
was it left,
was it right.
and you wonder if
it's the beginning
of the end,
that slow slide
that the elderly slip
so easily but not
so suddenly in,
the start of winter
and fog, the sharpness
dulled, the life
once led with pride,
and clarity
now frightfully
humbled and stalled.
thing to lose
a car. a watch,
a pen, a set of
keys, to not
remember which lot,
which letters or
numbers fit the place
where you so
carefully pulled
in and parked.
was it left,
was it right.
and you wonder if
it's the beginning
of the end,
that slow slide
that the elderly slip
so easily but not
so suddenly in,
the start of winter
and fog, the sharpness
dulled, the life
once led with pride,
and clarity
now frightfully
humbled and stalled.
any direction
it was the wool
hat pulled down
tight over curls
of silver hair,
the three full bags
of clothing,
at her side,
the tennis shoes
and long grey coat,
still buttoned up
to her chin,
that set her apart
from the dining
crowd. she held
a cup of soup,
that she blew on
with thin unpolished
lips, to cool
the broth, and her
ringless fingers
broke a snow of saltines
onto the top, a
glass of iceless water,
sat still,
to quell the heat
as she sipped
with two hands,
trembling the broth
into concentric
circles of life.
her calm blue eyes
questioned nothing,
asked for no one, and
when i asked her which
way could i walk her
home or to her car,
into which direction
she needed to go, she
said simply, i can
go in any direction.
hat pulled down
tight over curls
of silver hair,
the three full bags
of clothing,
at her side,
the tennis shoes
and long grey coat,
still buttoned up
to her chin,
that set her apart
from the dining
crowd. she held
a cup of soup,
that she blew on
with thin unpolished
lips, to cool
the broth, and her
ringless fingers
broke a snow of saltines
onto the top, a
glass of iceless water,
sat still,
to quell the heat
as she sipped
with two hands,
trembling the broth
into concentric
circles of life.
her calm blue eyes
questioned nothing,
asked for no one, and
when i asked her which
way could i walk her
home or to her car,
into which direction
she needed to go, she
said simply, i can
go in any direction.
light
the rare
star, brighter
than most.
comes along
and startles
you, blinds you
for an instant,
makes you lean
back and admire
the view from
here, on this
cliff, with an
etched deep
earth below.
you want to
reach out
and grab it,
to feel
the sparkle
in your hand,
and hold it
to your heart
and see what
she sees.
star, brighter
than most.
comes along
and startles
you, blinds you
for an instant,
makes you lean
back and admire
the view from
here, on this
cliff, with an
etched deep
earth below.
you want to
reach out
and grab it,
to feel
the sparkle
in your hand,
and hold it
to your heart
and see what
she sees.
hard times
honesty is
a thin coat
these days.
worn uneasily
in winters
such as these
when the cupboard
is bare.
tattered, a hole
here and there.
pockets full
of lint,
debris from
days gone by
a dull penny
at the bottom,
hard against
cold fingers.
how easy it would
be to stray
over the line,
to enter that
bank and ask
politely for
a very large
donation
while wearing
a mask.
a thin coat
these days.
worn uneasily
in winters
such as these
when the cupboard
is bare.
tattered, a hole
here and there.
pockets full
of lint,
debris from
days gone by
a dull penny
at the bottom,
hard against
cold fingers.
how easy it would
be to stray
over the line,
to enter that
bank and ask
politely for
a very large
donation
while wearing
a mask.
blessed
is
the fine
slender
point
of thread
that finds
the eye
of a needle
in a sea
of needles
that weaves
the cloth
to make
the blanket
that covers
your life,
your love,
your bed.
the fine
slender
point
of thread
that finds
the eye
of a needle
in a sea
of needles
that weaves
the cloth
to make
the blanket
that covers
your life,
your love,
your bed.
Saturday, April 17, 2010
enough
enough brooding,
analyzing the past,
the one i loved
who got away,
enough with the long
walks in the woods,
through the brush
where there is no
path. enough with
the grey skies, and
rain, and cold,
and avoiding donuts.
that's right,
donuts. i want one
right now. it'll
make me feel better.
analyzing the past,
the one i loved
who got away,
enough with the long
walks in the woods,
through the brush
where there is no
path. enough with
the grey skies, and
rain, and cold,
and avoiding donuts.
that's right,
donuts. i want one
right now. it'll
make me feel better.
why i listen
when she calls
and i hear her
voice, i cringe.
i find a seat,
pour a cup of
coffee, or make
a drink, depending
on the day, or
hour of the day
she calls on.
but it's trouble.
a kid gone
wrong, a dog
in the highway,
an aunt or sister
with lupus.
uncle jimmy lost
everything in
the market, and
the neighbors house
burned down
and showered her
garden with ashes
and soot. but i
listen. she doesn't
want advice, or
comfort, or for
me to pray for
her. she just wants
my ears. to hear
me on the other
line, giving her
the time of day.
and that's enough.
she won't be around
forever.
and i hear her
voice, i cringe.
i find a seat,
pour a cup of
coffee, or make
a drink, depending
on the day, or
hour of the day
she calls on.
but it's trouble.
a kid gone
wrong, a dog
in the highway,
an aunt or sister
with lupus.
uncle jimmy lost
everything in
the market, and
the neighbors house
burned down
and showered her
garden with ashes
and soot. but i
listen. she doesn't
want advice, or
comfort, or for
me to pray for
her. she just wants
my ears. to hear
me on the other
line, giving her
the time of day.
and that's enough.
she won't be around
forever.
Thursday, April 15, 2010
candy
she says,
i like candy,
sticky lolipops,
gum and bars
of chocolate,
things to lick
and savor
the sweetness
or sour
sugar nature
of it all, to
turn the bag
upwards for that
last m and m,
to shake the box
free of that
final junior
mint. i want
something to make
me pucker,
or crave for more
when the last
chew is swallowed,
i see her
swoon and her
eyes roll
with just one
glance at
the long sweet line
of boxed candy
in the drugstore
rows. i'm jealous.
so very jealous.
i like candy,
sticky lolipops,
gum and bars
of chocolate,
things to lick
and savor
the sweetness
or sour
sugar nature
of it all, to
turn the bag
upwards for that
last m and m,
to shake the box
free of that
final junior
mint. i want
something to make
me pucker,
or crave for more
when the last
chew is swallowed,
i see her
swoon and her
eyes roll
with just one
glance at
the long sweet line
of boxed candy
in the drugstore
rows. i'm jealous.
so very jealous.
Wednesday, April 14, 2010
a night out
he was married,
she wasn't. but
they bent the rules,
went home after too
many drinks, loud
music, dancing,
flirting, parking
lot kissing and
unzipping, unsnapping,
and they fell into
her bed, his ring
still on, mumbling
about, how he'd never
ever done such a thing,
and when round two
came around he stopped
with the whimpering
guilt and just had
fun before fallling
asleep and then leaving
in the morning as if
he'd never been there.
she wasn't. but
they bent the rules,
went home after too
many drinks, loud
music, dancing,
flirting, parking
lot kissing and
unzipping, unsnapping,
and they fell into
her bed, his ring
still on, mumbling
about, how he'd never
ever done such a thing,
and when round two
came around he stopped
with the whimpering
guilt and just had
fun before fallling
asleep and then leaving
in the morning as if
he'd never been there.
the laughing man
the man
on the bench,
dark with
a devilish
grin, angular
as if made
out of sticks,
with bright
eyes, white
bowls of mirth,
a tilted
hat on his
scruffy head,
that is no
longer blue,
a homeless bag
at his side,
is laughing.
not at me, or
anyone, not
at the squirrels,
or traffic,
or the sirens
that scream
throughout
the city.
he's just
laughing. i am
across from
him on my own
bench eating an
icecream cone
and i fear
for the world
because of his
strange and
wonderous joy.
on the bench,
dark with
a devilish
grin, angular
as if made
out of sticks,
with bright
eyes, white
bowls of mirth,
a tilted
hat on his
scruffy head,
that is no
longer blue,
a homeless bag
at his side,
is laughing.
not at me, or
anyone, not
at the squirrels,
or traffic,
or the sirens
that scream
throughout
the city.
he's just
laughing. i am
across from
him on my own
bench eating an
icecream cone
and i fear
for the world
because of his
strange and
wonderous joy.
fort knox
it would be like
breaking into fort
knox, i tell my brother
about my date, my new
love, my new soul mate.
i'd have better luck
with a water pistol
standing outside
the national treasury,
trying to get a bar
of gold, than to make
love with her. she is
that distant, that cold,
or maybe it's me. maybe
she doesn't trust me,
thinks i'm a player,
a cad, a scam artist
trying to score. o ye
of little faith. i am
a sheet of glass, as
transparent and as deep
as this morning's rain
puddled on the hard
black street.
breaking into fort
knox, i tell my brother
about my date, my new
love, my new soul mate.
i'd have better luck
with a water pistol
standing outside
the national treasury,
trying to get a bar
of gold, than to make
love with her. she is
that distant, that cold,
or maybe it's me. maybe
she doesn't trust me,
thinks i'm a player,
a cad, a scam artist
trying to score. o ye
of little faith. i am
a sheet of glass, as
transparent and as deep
as this morning's rain
puddled on the hard
black street.
laundry
the line sags
with clothes,
bleached white,
the dungarees, the
t's, the dresses
pink and blue,
ready to be pressed,
or folded, put away
into dressers
for monday morning,
school. three lines
of clothing for
seven children, and
her hands are
raw from being
in water. her feet
sore from standing
on dirt, inching
down the line with
clothespins in her
mouth. it's a long
ways from here
to there, but i
remember.
with clothes,
bleached white,
the dungarees, the
t's, the dresses
pink and blue,
ready to be pressed,
or folded, put away
into dressers
for monday morning,
school. three lines
of clothing for
seven children, and
her hands are
raw from being
in water. her feet
sore from standing
on dirt, inching
down the line with
clothespins in her
mouth. it's a long
ways from here
to there, but i
remember.
Tuesday, April 13, 2010
under the weather
illness confounds,
it's not an easy rain
to go through, every
thing gets wet,
everything gets
heavy, and a foot
away is sunshine,
but you can't get
there, not yet. it
has to rain some
more, and more, and
there is the possibilty
that you may drown.
there is hope,
there is prayer, there
are doctors who wave
their wands, but
nothing quite quells
the fear, until it
stops, and you're
dry again, out from
under the weather,
with your feet
on the ground,
at least for now.
it's not an easy rain
to go through, every
thing gets wet,
everything gets
heavy, and a foot
away is sunshine,
but you can't get
there, not yet. it
has to rain some
more, and more, and
there is the possibilty
that you may drown.
there is hope,
there is prayer, there
are doctors who wave
their wands, but
nothing quite quells
the fear, until it
stops, and you're
dry again, out from
under the weather,
with your feet
on the ground,
at least for now.
cheese
she's in love
with cheese,
sharp or cheddar,
brie,especially
blue, soft hard,
french or domestic,
makes no difference.
she wants to marry
a man that is
the equivalent
of cheese. tart
and tasty, unusual,
satifying with
a glass of pinot
or chardonnay.
a deck of crackers
and a dollop
of raisin jelly.
i see her eyes
glaze over as we
walk through the
store with all
the samples. i don't
stand a chance
with this way
of thinking.
with cheese,
sharp or cheddar,
brie,especially
blue, soft hard,
french or domestic,
makes no difference.
she wants to marry
a man that is
the equivalent
of cheese. tart
and tasty, unusual,
satifying with
a glass of pinot
or chardonnay.
a deck of crackers
and a dollop
of raisin jelly.
i see her eyes
glaze over as we
walk through the
store with all
the samples. i don't
stand a chance
with this way
of thinking.
new homes
it is the equivalent
of going to the fire
station to seek help
after the house has
burned down, ashes,
embers, blackened timber,
and yet we go. what
else is there to do.
the office is above
the tax preparer and
insurance company, only
one floor below.
the sun has found it's
way in over the years
and lightened only
by half the furniture,
once blue and curtains
parted just enough to
see the traffic on a
busy route. our daughter
is in tow, and has found
solace in the darker
hues of her crayon box,
and colors madly,
ignoring lines, and
figures. she is jackson
pollack in a seven
year old's dress.
the marriage counselor,
in the final throes
of a long practice, is
happily inept, confused
at why such a lovely
couple has come to this
point in their marriage.
her feather light words
and advice fall aimlessly
to the worn shag carpet.
and together the three
of us tell our skewed
tale of woe, then
separately, and in six
months, with no change
and less money we go our
separate ways, thin
and wanting, desperate
to build new homes
to live in.
of going to the fire
station to seek help
after the house has
burned down, ashes,
embers, blackened timber,
and yet we go. what
else is there to do.
the office is above
the tax preparer and
insurance company, only
one floor below.
the sun has found it's
way in over the years
and lightened only
by half the furniture,
once blue and curtains
parted just enough to
see the traffic on a
busy route. our daughter
is in tow, and has found
solace in the darker
hues of her crayon box,
and colors madly,
ignoring lines, and
figures. she is jackson
pollack in a seven
year old's dress.
the marriage counselor,
in the final throes
of a long practice, is
happily inept, confused
at why such a lovely
couple has come to this
point in their marriage.
her feather light words
and advice fall aimlessly
to the worn shag carpet.
and together the three
of us tell our skewed
tale of woe, then
separately, and in six
months, with no change
and less money we go our
separate ways, thin
and wanting, desperate
to build new homes
to live in.
lucy
let's talk about lucy
now. i ran into her
at the grocery store.
she had forgotten
her purse so i gave
her twenty dollars,
one ten and two fives, i put
them in her hand and she
was so happy that she
didn't have to run
out to her car in the
pouring rain to pay
for her milk and bread,
her cans of tuna
and lettuce and magazines,
kitty litter. she smiled
and said i'll pay you back
tomorrow. promise, cross
my heart. she lives across
the street from me, a few
doors down. i see her
nearly every day walking
her cat on a leash, we wave,
talk about the weather,
the price of gas,
trash pick up,
meteor showers, etc.
friendly banter between
neighbors. i lent her
the twenty dollars a
month ago and now she
avoids me. she takes
her cat out the back on
the way to the park.
she comes and goes
at strange hours, i never
seem to see her anymore
during the daylight hours.
i saw her the other
day wearing sunglasses
and a kerchief like
audrey hepurn sneaking
through the alleyway
with a bag of groceries
cradled in her arms.
i want to tell her to
not worry about the money
anymore, it means nothing
to me, but she won't pick
up the phone or answer
the door when i knock.
i even left a twenty on
her porch in an enevelope,
hoping she would give it
to me to end this madness.
but no. she kept it.
two days ago there was
a for sale sign in front
of her house, and then
a moving van came to take
everything away. i never
saw her during all of
this time. this morning her
cat was tied to my front door
with some moving twine,
with a note of apology
pinned to her pink studded
collar. i'm sorry about
not paying you back, it said,
but you can have my cat.
best wishes. lucy.
now. i ran into her
at the grocery store.
she had forgotten
her purse so i gave
her twenty dollars,
one ten and two fives, i put
them in her hand and she
was so happy that she
didn't have to run
out to her car in the
pouring rain to pay
for her milk and bread,
her cans of tuna
and lettuce and magazines,
kitty litter. she smiled
and said i'll pay you back
tomorrow. promise, cross
my heart. she lives across
the street from me, a few
doors down. i see her
nearly every day walking
her cat on a leash, we wave,
talk about the weather,
the price of gas,
trash pick up,
meteor showers, etc.
friendly banter between
neighbors. i lent her
the twenty dollars a
month ago and now she
avoids me. she takes
her cat out the back on
the way to the park.
she comes and goes
at strange hours, i never
seem to see her anymore
during the daylight hours.
i saw her the other
day wearing sunglasses
and a kerchief like
audrey hepurn sneaking
through the alleyway
with a bag of groceries
cradled in her arms.
i want to tell her to
not worry about the money
anymore, it means nothing
to me, but she won't pick
up the phone or answer
the door when i knock.
i even left a twenty on
her porch in an enevelope,
hoping she would give it
to me to end this madness.
but no. she kept it.
two days ago there was
a for sale sign in front
of her house, and then
a moving van came to take
everything away. i never
saw her during all of
this time. this morning her
cat was tied to my front door
with some moving twine,
with a note of apology
pinned to her pink studded
collar. i'm sorry about
not paying you back, it said,
but you can have my cat.
best wishes. lucy.
Monday, April 12, 2010
no time
i'm trying so hard
to make better use of
my time. i'm intimidated
though by the likes
of oprah and dr. phil, who
get so much done in
a day. i can barely
get up to go to work
to make a living to eek
out this life, such
as it is. and then
the constant need for
coffee, driving up there,
and the time wasted
on reading the news,
and television, and
sports, the phone keeps
ringing and there are
so many loose ends to
be tied up, not to
mention the laundry
and vacuuming. i almost
have no time for my nap
let alone saving the world
and adopting children,
recycling and rescuing
those runaway dogs and cats.
i barely have time for this.
to make better use of
my time. i'm intimidated
though by the likes
of oprah and dr. phil, who
get so much done in
a day. i can barely
get up to go to work
to make a living to eek
out this life, such
as it is. and then
the constant need for
coffee, driving up there,
and the time wasted
on reading the news,
and television, and
sports, the phone keeps
ringing and there are
so many loose ends to
be tied up, not to
mention the laundry
and vacuuming. i almost
have no time for my nap
let alone saving the world
and adopting children,
recycling and rescuing
those runaway dogs and cats.
i barely have time for this.
arrows
i've used up
all my arrows
on you. and there
you stand, unfazed,
untouched by my
awful aim. so
i surrender, i give
in and put my
bow away. i know
when i've lost
at this game we
so deftly toyed with
and played.
i know now that
i could never find
your heart with
a thousand fresh
arrows, or even one
for each sad day
to aim and send
your way.
all my arrows
on you. and there
you stand, unfazed,
untouched by my
awful aim. so
i surrender, i give
in and put my
bow away. i know
when i've lost
at this game we
so deftly toyed with
and played.
i know now that
i could never find
your heart with
a thousand fresh
arrows, or even one
for each sad day
to aim and send
your way.
the easy chair
because it's there
is not a line, a phrase
i can ever imagine
leaving my mouth. to climb
that icy mountain,
to take that leap
from a plane, those
burning coals to be
walked upon, to wrestle
sharks or hunt bear,
or go to the deepest
depth of any ocean
to bring up a gold coin,
or button, or grecian urn,
i really don't care. i'm
peferfectly content
to let all it be, i
find no pride or glory
in risking life and limb
to say, look, i did it.
look at me. ain't i something.
nope, i'll be at home,
with a book, or with someone
i love, like a cat on
a sunny sill, curled warm
and cozy in the easy chair.
is not a line, a phrase
i can ever imagine
leaving my mouth. to climb
that icy mountain,
to take that leap
from a plane, those
burning coals to be
walked upon, to wrestle
sharks or hunt bear,
or go to the deepest
depth of any ocean
to bring up a gold coin,
or button, or grecian urn,
i really don't care. i'm
peferfectly content
to let all it be, i
find no pride or glory
in risking life and limb
to say, look, i did it.
look at me. ain't i something.
nope, i'll be at home,
with a book, or with someone
i love, like a cat on
a sunny sill, curled warm
and cozy in the easy chair.
downtown
the warm hot
bun soaked with
red bean chili,
over a spicy
dog with all
the trimmings
overflowing
like summer love,
and the hydrants
open, cranked
wide to cool
the streets.
a cold brew
to wash it down,
to let it all
go, it's reckless,
it's wonderful
in sixty-nine
to be downtown.
bun soaked with
red bean chili,
over a spicy
dog with all
the trimmings
overflowing
like summer love,
and the hydrants
open, cranked
wide to cool
the streets.
a cold brew
to wash it down,
to let it all
go, it's reckless,
it's wonderful
in sixty-nine
to be downtown.
no grass is greener
mars is no place
to be and yet you
want to go there
and see what you
can see. set foot
in your silver suit
upon the red dust
and swirl of winds
that you have no
business being in.
to leave an imprint
of your weight
within a boot as if
that makes difference
in the airless heat
so many miles away
from blue skies,
blue water and me.
it's not that i
can let you leave,
that's already been
decided by you and
what your heart so
wrongly believes.
to be and yet you
want to go there
and see what you
can see. set foot
in your silver suit
upon the red dust
and swirl of winds
that you have no
business being in.
to leave an imprint
of your weight
within a boot as if
that makes difference
in the airless heat
so many miles away
from blue skies,
blue water and me.
it's not that i
can let you leave,
that's already been
decided by you and
what your heart so
wrongly believes.
Saturday, April 10, 2010
for sale
the for sale
sign is planted
deep into the fresh
green sod, mums
bloom yellow in a pot
sitting on the stoop,
a bright metal
sign swings with
a happy squeak in
the april breeze.
and the hedges are
trimmed, the grass
is cut. the windows
have been washed
to a sparkling shine,
the rooms have
all been cleaned,
the pinch of ammonia
hangs in the air,
and the clutter
removed to places
that won't be seen.
even the refrigerator
holds just the basics.
it's amazing how
we tidy up to rid
ourselves of the old
and to get something
new and yet
when in the middle
of old love, or like,
or something inbetween
we tend to let
things go, the dust to
gather and the mold
like rust, to spread,
to seep beneath
our emotions and grow.
sign is planted
deep into the fresh
green sod, mums
bloom yellow in a pot
sitting on the stoop,
a bright metal
sign swings with
a happy squeak in
the april breeze.
and the hedges are
trimmed, the grass
is cut. the windows
have been washed
to a sparkling shine,
the rooms have
all been cleaned,
the pinch of ammonia
hangs in the air,
and the clutter
removed to places
that won't be seen.
even the refrigerator
holds just the basics.
it's amazing how
we tidy up to rid
ourselves of the old
and to get something
new and yet
when in the middle
of old love, or like,
or something inbetween
we tend to let
things go, the dust to
gather and the mold
like rust, to spread,
to seep beneath
our emotions and grow.
the rug
i need a new rug
badly. the white one
with black astract
patterns of scroll
is beyond repair, or
cleaning or another
sweep of the hoover.
from a distance, like
all of us, it looks
good, but i need
something new and
fresh. something that
will revive the room
and make others stand
back and go ooh la la.
right. i google rugs.
nine hundred rug sites
come on. maybe i can
get another six months
out of this one. maybe.
badly. the white one
with black astract
patterns of scroll
is beyond repair, or
cleaning or another
sweep of the hoover.
from a distance, like
all of us, it looks
good, but i need
something new and
fresh. something that
will revive the room
and make others stand
back and go ooh la la.
right. i google rugs.
nine hundred rug sites
come on. maybe i can
get another six months
out of this one. maybe.
somewhere in the middle of life
she's careless
with her kisses,
gives out her number
and opens her door
for just about
anyone handsome
or bright, or with
a hint of mischief
and imagination
lurking within,
but it's not
what you think.
she's a romantic
at heart, not
easy, just someone
who wants and needs
love and doesn't
quite know how
to be patient,
to wait, and play
the game straight
up with the proper
amount of dates
before falling into
bed. but at fifty,
who can blame her.
certainly not me.
with her kisses,
gives out her number
and opens her door
for just about
anyone handsome
or bright, or with
a hint of mischief
and imagination
lurking within,
but it's not
what you think.
she's a romantic
at heart, not
easy, just someone
who wants and needs
love and doesn't
quite know how
to be patient,
to wait, and play
the game straight
up with the proper
amount of dates
before falling into
bed. but at fifty,
who can blame her.
certainly not me.
Thursday, April 8, 2010
alone
i remember
the crescent
moon, the clean
cut curve
and points,
and a single
star nesting
beside it,
straight up
into the black
turkish sky.
the aegean sea
as calm and dark
as the night
itself and me
alone on the
highest deck
of the ship
while it slipped
quietly towards
open water
where anything
could happen.
the crescent
moon, the clean
cut curve
and points,
and a single
star nesting
beside it,
straight up
into the black
turkish sky.
the aegean sea
as calm and dark
as the night
itself and me
alone on the
highest deck
of the ship
while it slipped
quietly towards
open water
where anything
could happen.
shoes
i have been without
shoes before. hard to
believe as i stare at
the thirty odd pair
strewn about the closet
floors, beneath the bed
or on the stairs, or
lined up on shelves
collecting dust.
there were days though
that i couldn't attend
class because i had
no shoes to wear,
and those days don't seem
that long ago, and when
i did have shoes, eventually
they had holes in the soles.
which would lead to holes
in the socks by day's end.
i'm making sure now though,
by purchase after purchase
of shiny black and brown
shoes, that it will never
happen again.
shoes before. hard to
believe as i stare at
the thirty odd pair
strewn about the closet
floors, beneath the bed
or on the stairs, or
lined up on shelves
collecting dust.
there were days though
that i couldn't attend
class because i had
no shoes to wear,
and those days don't seem
that long ago, and when
i did have shoes, eventually
they had holes in the soles.
which would lead to holes
in the socks by day's end.
i'm making sure now though,
by purchase after purchase
of shiny black and brown
shoes, that it will never
happen again.
blue line editing
you bleed words,
punctuation, spelling,
grammatical
correction is your
whip. i've felt the
hot sting many times
as you look down
from your
glasses perched on
your refined nose.
your brown eyes full
of fire. a school
boy and his teacher.
i go limp for you,
and take it, i listen,
i obey. i don't know
quite how things got
turned around
and ended up this way,
but here we are. i hope
you like this.
punctuation, spelling,
grammatical
correction is your
whip. i've felt the
hot sting many times
as you look down
from your
glasses perched on
your refined nose.
your brown eyes full
of fire. a school
boy and his teacher.
i go limp for you,
and take it, i listen,
i obey. i don't know
quite how things got
turned around
and ended up this way,
but here we are. i hope
you like this.
slow boat
i'm leaving
for china
this morning.
my bags
are packed
and sitting
by the door.
i'm waiting
for the taxi
to pull up
and beep
his horn.
i can't speak
chinese,
and know
nothing
about
the culture,
the land,
i don't care
about
the politics,
or the tanks
that might
run me over,
thinking
that i'm
protesting
something.
but i don't
have a bone
of protest
in me. the big
wall is all
i know.
i don't even
have a map,
but i'm that
desperate
to get out
of town for
reasons
that you
might be aware
of and i'd love
a steaming
hot plate
of crispy
beef,
or perhaps
a simple
bowl of white
rice
will do.
for china
this morning.
my bags
are packed
and sitting
by the door.
i'm waiting
for the taxi
to pull up
and beep
his horn.
i can't speak
chinese,
and know
nothing
about
the culture,
the land,
i don't care
about
the politics,
or the tanks
that might
run me over,
thinking
that i'm
protesting
something.
but i don't
have a bone
of protest
in me. the big
wall is all
i know.
i don't even
have a map,
but i'm that
desperate
to get out
of town for
reasons
that you
might be aware
of and i'd love
a steaming
hot plate
of crispy
beef,
or perhaps
a simple
bowl of white
rice
will do.
the blue monkey
the small circus
with one lion
who yawns and blinks
is in town,
and one old grey
elephant named
pinky with sad
eyes and enormous
ears that shake
off the flies, and
a tail like wire
that helps lead
the way.
the small big top
with a clown, one
shiny clown full
of rum with
a red nose and a tiny
car to roll around
in. no cannon ball
man, no fat lady,
or lady with a beard,
no midgets or snakes,
just a few washed out
roadies with
tattoos and mustaches,
but they do have
a monkey that rattles
his cage and screams
for no reason, other
than that he's blue.
with one lion
who yawns and blinks
is in town,
and one old grey
elephant named
pinky with sad
eyes and enormous
ears that shake
off the flies, and
a tail like wire
that helps lead
the way.
the small big top
with a clown, one
shiny clown full
of rum with
a red nose and a tiny
car to roll around
in. no cannon ball
man, no fat lady,
or lady with a beard,
no midgets or snakes,
just a few washed out
roadies with
tattoos and mustaches,
but they do have
a monkey that rattles
his cage and screams
for no reason, other
than that he's blue.
Wednesday, April 7, 2010
to dance
women love to dance,
and men love to watch
women dance, whether
on a pole like a slinky
cat or just moving
about the room doing
the tango with some guy
with a tan and a mustache,
or alone, or with other women.
but to get us out there
is hard, trouble, we'd
rather walk through
fire or over burning coals
before putting ourselves
on the floor to do a two
step, or jitterbug, swing
or shag. ballroom dancing,
forget it. it's not in
our genes, but not all
of us, and i'm not talking
about if you are light
in the loafers, or if there
is a hint of mint going
on. yes. some men love
to dance too. usually to the
slow songs, nothing wrong
with that, but i've never
had a friend who said, hey
jimmy, let's go out dancing
tonight. let's trip
the light fantastic and
meet some girls. no.
but we succumb on occasion.
there are consequences
to not dancing. let's
leave it at that. so
where are my dancing shoes.
you should see me do
the swim, the mashed potatoes,
the watusi. limbo anyone?
and men love to watch
women dance, whether
on a pole like a slinky
cat or just moving
about the room doing
the tango with some guy
with a tan and a mustache,
or alone, or with other women.
but to get us out there
is hard, trouble, we'd
rather walk through
fire or over burning coals
before putting ourselves
on the floor to do a two
step, or jitterbug, swing
or shag. ballroom dancing,
forget it. it's not in
our genes, but not all
of us, and i'm not talking
about if you are light
in the loafers, or if there
is a hint of mint going
on. yes. some men love
to dance too. usually to the
slow songs, nothing wrong
with that, but i've never
had a friend who said, hey
jimmy, let's go out dancing
tonight. let's trip
the light fantastic and
meet some girls. no.
but we succumb on occasion.
there are consequences
to not dancing. let's
leave it at that. so
where are my dancing shoes.
you should see me do
the swim, the mashed potatoes,
the watusi. limbo anyone?
the nap
there is nothing
quite like the afternoon
nap. the twenty minute
slumber in the cool
of a darkened room at
five o'clock when the
sun is still up and most
of the world is still
struggling at work, or
trying to get home
to feed the kiddies or
walk the dog, or empty
out the cat tray from
the bathroom. not me.
off goes the clothes, a
cold drink, the fan goes
on, pull back the covers
and into those cool sheets
like a pool of deep
blue water with no bottom,
a short sweet swim into
an abbreviated dreamland.
quite like the afternoon
nap. the twenty minute
slumber in the cool
of a darkened room at
five o'clock when the
sun is still up and most
of the world is still
struggling at work, or
trying to get home
to feed the kiddies or
walk the dog, or empty
out the cat tray from
the bathroom. not me.
off goes the clothes, a
cold drink, the fan goes
on, pull back the covers
and into those cool sheets
like a pool of deep
blue water with no bottom,
a short sweet swim into
an abbreviated dreamland.
it's not over
i've been on the canvas
before, so this is nothing
new, to be lying here in
a heap of woozy slumber,
tasting the blood
inside my mouth,
as the knot on my head
and over my eye throb
like a barking dog.
i see you over there out
of my one good eye, leaning
in your neutral corner, that
smirk on your pretty face.
i can hear a freight train
running in my swollen ears
and it can't get out
of the station.
my kidneys ache from
the solid strikes of fists,
my shoulders are sore from
covering up those wild
swings, those uppercuts
you love to throw. but
i'm not out, not yet. this
is just a standing eight
count. the bell will ring
and save me, i'll get up,
hanging onto the ropes,
go to my corner to clean
up the blood, get some
water and spit, take a whiff
of smelling salts and i'll
be back. i've got at least
another round with you yet.
hell, i'm gonna dance the next
three rounds you'll see.
pick you up at eight.
before, so this is nothing
new, to be lying here in
a heap of woozy slumber,
tasting the blood
inside my mouth,
as the knot on my head
and over my eye throb
like a barking dog.
i see you over there out
of my one good eye, leaning
in your neutral corner, that
smirk on your pretty face.
i can hear a freight train
running in my swollen ears
and it can't get out
of the station.
my kidneys ache from
the solid strikes of fists,
my shoulders are sore from
covering up those wild
swings, those uppercuts
you love to throw. but
i'm not out, not yet. this
is just a standing eight
count. the bell will ring
and save me, i'll get up,
hanging onto the ropes,
go to my corner to clean
up the blood, get some
water and spit, take a whiff
of smelling salts and i'll
be back. i've got at least
another round with you yet.
hell, i'm gonna dance the next
three rounds you'll see.
pick you up at eight.
raccoons
i see this pack, this
tiny pack of rabid
raccoons in the woods,
babies, pups, whatever
they might be called
at that early stage,
and i slow down to get
a better look at them on
the side of the bike path.
they are up to something.
all of them in a circle
hissing like witches at
whatever they might
be eating or discussing
with great fervor.
they are jet black with
rings of brilliant white.
i can see their jabbering
tongues and sharp teeth
clicking against their
sharpened stiletto nails.
i don't stop for long,
as all of them, and i do
mean all of them turn to
look at me with their
maddening black eyes
and give me the look and
it's not the look of love
tiny pack of rabid
raccoons in the woods,
babies, pups, whatever
they might be called
at that early stage,
and i slow down to get
a better look at them on
the side of the bike path.
they are up to something.
all of them in a circle
hissing like witches at
whatever they might
be eating or discussing
with great fervor.
they are jet black with
rings of brilliant white.
i can see their jabbering
tongues and sharp teeth
clicking against their
sharpened stiletto nails.
i don't stop for long,
as all of them, and i do
mean all of them turn to
look at me with their
maddening black eyes
and give me the look and
it's not the look of love
Monday, April 5, 2010
the newspaper
in hand
you can't
imagine it
not being
in hand.
with a cup
of coffee
in the early
morning.
the print
fresh, the news
slightly
old, but still
news, and
the writers
for the most
part are skilled
and happy
to be writing,
to tell you
what has gone
wrong, or gone
right
with the world.
but the paper
thins, the
columns grow
short, the
choices are
fixed and
the well paid
writers have
gone on to radio,
to television,
to pasture.
you can't
imagine it
not being
in hand.
with a cup
of coffee
in the early
morning.
the print
fresh, the news
slightly
old, but still
news, and
the writers
for the most
part are skilled
and happy
to be writing,
to tell you
what has gone
wrong, or gone
right
with the world.
but the paper
thins, the
columns grow
short, the
choices are
fixed and
the well paid
writers have
gone on to radio,
to television,
to pasture.
Sunday, April 4, 2010
the green light
i lean towards you,
into you, so that
we touch, and see
how that feels, we
take advantage of the
red light, and kiss,
tentatively, but i'm
feeling the green
light in your lips
and from your hands
that wrap around me.
we might need to
drive around all night.
into you, so that
we touch, and see
how that feels, we
take advantage of the
red light, and kiss,
tentatively, but i'm
feeling the green
light in your lips
and from your hands
that wrap around me.
we might need to
drive around all night.
Saturday, April 3, 2010
farm girl
she smelled
like roses.
and cursed
like a farmer
without rain
and a dull plow
and old horse
to pull it
through the dirt.
her nails
looked like
strawberries
in a green
thick field
of tiny thorns
and bugs.
her skin
was as smooth
as milk fresh
from a happy
cow, her hair
like corn silk,
unkempt and wild,
would brush
across my
face and make
me melt,
but she
was mean,
she was nasty,
she was
everything
my mother said
beware of,
and she should
know, but oh,
how I loved
her so.
like roses.
and cursed
like a farmer
without rain
and a dull plow
and old horse
to pull it
through the dirt.
her nails
looked like
strawberries
in a green
thick field
of tiny thorns
and bugs.
her skin
was as smooth
as milk fresh
from a happy
cow, her hair
like corn silk,
unkempt and wild,
would brush
across my
face and make
me melt,
but she
was mean,
she was nasty,
she was
everything
my mother said
beware of,
and she should
know, but oh,
how I loved
her so.
evolution
take a pile of bricks,
grey hard cinder blocks too,
some wire, some metal,
sheets of glass, iron rods,
steel, plastic, concrete,
and pile it all into
a steep hill of debris.
wait a million years,
maybe more, two or three
million years perhaps,
let lighting strike
the hill of nothing,
add water, why not,
and then before you know
it a building will
suddenly arise, perfect,
in shape and form,
the lights go on, the
elevator is smooth, phones
are working, computers
are abuzz, the windows are
in place, desks and chairs
have appeared. cold water
springs from the fountains
within, and from this building
other buildings too have
sprouted up from just
being near, all different,
all unique, all perfect
and in this way cities will
populate the earth.
grey hard cinder blocks too,
some wire, some metal,
sheets of glass, iron rods,
steel, plastic, concrete,
and pile it all into
a steep hill of debris.
wait a million years,
maybe more, two or three
million years perhaps,
let lighting strike
the hill of nothing,
add water, why not,
and then before you know
it a building will
suddenly arise, perfect,
in shape and form,
the lights go on, the
elevator is smooth, phones
are working, computers
are abuzz, the windows are
in place, desks and chairs
have appeared. cold water
springs from the fountains
within, and from this building
other buildings too have
sprouted up from just
being near, all different,
all unique, all perfect
and in this way cities will
populate the earth.
words spoken
it's easy to tear
down the wall. a heavy
hammer will do, muscle,
sweat, a chisel and
the will to make it
fall. it's easy to end
things. let the words
shoot from your mouth,
let the emotion of the
moment take over and
let it all crumble to
the ground, let anger
crush everything
you've built. and the
new wall is never quite
the same, never as
strong or solid as
the love you just put
to rest, in ruins.
the damage has been done.
down the wall. a heavy
hammer will do, muscle,
sweat, a chisel and
the will to make it
fall. it's easy to end
things. let the words
shoot from your mouth,
let the emotion of the
moment take over and
let it all crumble to
the ground, let anger
crush everything
you've built. and the
new wall is never quite
the same, never as
strong or solid as
the love you just put
to rest, in ruins.
the damage has been done.
Thursday, April 1, 2010
stubs
the drawer
that squeaks
in the old
antique dresser,
the top drawer
where i keep
every torn ticket,
stained playbill, or
program from
the years
gone by,
is stuffed,
there is almost
no room
for another
ticket stub,
or pass to
an art show,
or museum guide.
and i wonder
if all of this so
called culture
has made me a
better person.
i don't think so.
i'm still basically
the same person
regardless, for
better or worse.
depends on who you
talk to. i figure
that i'm the same
whether i had gone
or not gone to see
Spam Alot, or
King Lear, or Doubt,
or Who's Afraid
of Virginia Woolf.
but i like it all
just the same.
so i take my dozens
of socks, black
socks, business
socks and more white
athletic socks then
i can count, out
of the second drawer
and throw in the new
and crisp stub from
a movie that has
already slipped my mind.
that squeaks
in the old
antique dresser,
the top drawer
where i keep
every torn ticket,
stained playbill, or
program from
the years
gone by,
is stuffed,
there is almost
no room
for another
ticket stub,
or pass to
an art show,
or museum guide.
and i wonder
if all of this so
called culture
has made me a
better person.
i don't think so.
i'm still basically
the same person
regardless, for
better or worse.
depends on who you
talk to. i figure
that i'm the same
whether i had gone
or not gone to see
Spam Alot, or
King Lear, or Doubt,
or Who's Afraid
of Virginia Woolf.
but i like it all
just the same.
so i take my dozens
of socks, black
socks, business
socks and more white
athletic socks then
i can count, out
of the second drawer
and throw in the new
and crisp stub from
a movie that has
already slipped my mind.
the last word
i could fall asleep
right now, right here
as i type these words.
my eyes are heavy, my
body aches from a day
of work. i need to get
these clothes off, maybe
burn them. but they
weigh so heavy on me
at the moment, they
are a part of me. the
phone is ringing
somewhere in the house,
but it can wait, they
can wait. the lights
are off, the dog has been
let out. i've got a cold
beer in hand to ease me
into slumber, soon, as soon
as i type this last word,
this last sentence that
is searching for some
meaningful thing to say
to someone who mght read
it, or me the next day.
right now, right here
as i type these words.
my eyes are heavy, my
body aches from a day
of work. i need to get
these clothes off, maybe
burn them. but they
weigh so heavy on me
at the moment, they
are a part of me. the
phone is ringing
somewhere in the house,
but it can wait, they
can wait. the lights
are off, the dog has been
let out. i've got a cold
beer in hand to ease me
into slumber, soon, as soon
as i type this last word,
this last sentence that
is searching for some
meaningful thing to say
to someone who mght read
it, or me the next day.
the new white car
i thought you
wanted a fast car.
white with
leather seats
and a moon roof
so that you
can stand up and
wave to your adoring
crowds. was i wrong?
you don't seem
to appreciate what
i do for you,
the cake i baked,
the flowers i grew
and cut and placed
in a crystal vase with a
gooey love note attached.
if you don't love
me, just say it.
i've been down
this road before, so
i'm used to leaving
or being left, or
whatever it is that
takes place when it
all blows up. what?
what's that?
you're hungry? sure,
why not. i'll run
out and get you a
roasted chicken, what
else sweet pea, my
little dumpling? some
buttered beans, a
dinner roll? no,
don't worry, i won't
spill any in your
new car. dessert too?
okay. yes. okay,
i'll hurry, whatever
you want sweetie.
wanted a fast car.
white with
leather seats
and a moon roof
so that you
can stand up and
wave to your adoring
crowds. was i wrong?
you don't seem
to appreciate what
i do for you,
the cake i baked,
the flowers i grew
and cut and placed
in a crystal vase with a
gooey love note attached.
if you don't love
me, just say it.
i've been down
this road before, so
i'm used to leaving
or being left, or
whatever it is that
takes place when it
all blows up. what?
what's that?
you're hungry? sure,
why not. i'll run
out and get you a
roasted chicken, what
else sweet pea, my
little dumpling? some
buttered beans, a
dinner roll? no,
don't worry, i won't
spill any in your
new car. dessert too?
okay. yes. okay,
i'll hurry, whatever
you want sweetie.
the kite
in the distance,
with the red kite
fluttering
against a low grey
sky, i see the boy,
his arms up, his
eyes focused on the
wagging tail,
the bent fabric
rippling
as it pulls against
the wind so high.
he runs, trying
hard to keep it
in the air, up
and away from
the trees, the web
of power lines,
amd when his hair
has turned white,
and he is old
and can no longer
run across a grassy
field and put afloat
a kite. he'll come
back to this and
remember the day
that he did.
with the red kite
fluttering
against a low grey
sky, i see the boy,
his arms up, his
eyes focused on the
wagging tail,
the bent fabric
rippling
as it pulls against
the wind so high.
he runs, trying
hard to keep it
in the air, up
and away from
the trees, the web
of power lines,
amd when his hair
has turned white,
and he is old
and can no longer
run across a grassy
field and put afloat
a kite. he'll come
back to this and
remember the day
that he did.
before dark
before dark, before
the night closes in,
i need to get some
things done. a few
things i've been meaning
to do for a long time.
it's not a long list,
but it's a list just
the same, one that i've
been carrying around
in my head for decades.
alot got in the way,
a marriage, a kid, work,
all lame excuses, but
excuses still. but the
sun is going down. i can
feel the chill in my
bones and it's time,
it's time to just play
my hand and let it all
ride. to take the leap.
the night closes in,
i need to get some
things done. a few
things i've been meaning
to do for a long time.
it's not a long list,
but it's a list just
the same, one that i've
been carrying around
in my head for decades.
alot got in the way,
a marriage, a kid, work,
all lame excuses, but
excuses still. but the
sun is going down. i can
feel the chill in my
bones and it's time,
it's time to just play
my hand and let it all
ride. to take the leap.
the examination
you have to keep moving,
keep those old bones going,
the blood flowing, the joints
loose and warm. don't let
the body get tight. that's what
the doctor says as he takes
your pulse, your heartbeat,
your blood pressure and a vial
of blood. ride your bike, he
says, take a walk, put some
fun in your life. he gives
me a wink at this point,
and tells me to get dressed.
you're in great shape for
a man your age, he says and
pats me on the shoulder gently
as if i was ninety. he's a
good doctor though, not much
on the beside manner and he
can't stay in the room for more
than five minutes, but he seems
like a reasonable fellow,
maybe even truthful. i think
he'd tell me if i was on my
last leg as they say.
keep those old bones going,
the blood flowing, the joints
loose and warm. don't let
the body get tight. that's what
the doctor says as he takes
your pulse, your heartbeat,
your blood pressure and a vial
of blood. ride your bike, he
says, take a walk, put some
fun in your life. he gives
me a wink at this point,
and tells me to get dressed.
you're in great shape for
a man your age, he says and
pats me on the shoulder gently
as if i was ninety. he's a
good doctor though, not much
on the beside manner and he
can't stay in the room for more
than five minutes, but he seems
like a reasonable fellow,
maybe even truthful. i think
he'd tell me if i was on my
last leg as they say.
Wednesday, March 31, 2010
dead plants
i'll take your call,
i really will, but you
have to press the buttons
and dial me up, give me
the time of day. this
silent you is so not you.
but i respect the game.
i'm pacing the room,
i'm watering brown plants
despite the fact that
i'm way too late, i'm
looking out the window
down the street. my hand
though is on the phone.
i'm ready and waiting, just
thought i'd let you know.
i really will, but you
have to press the buttons
and dial me up, give me
the time of day. this
silent you is so not you.
but i respect the game.
i'm pacing the room,
i'm watering brown plants
despite the fact that
i'm way too late, i'm
looking out the window
down the street. my hand
though is on the phone.
i'm ready and waiting, just
thought i'd let you know.
Tuesday, March 30, 2010
the long distance runner
i've got a lot on my
mind she says, as she
stands in the kitchen
with the ironing board
out, folding laundry,
steam rising from the hot
iron in the bright
overhead light. it
feels like an operating
room. she takes a trembling
sip of green tea from a white
porcelain cup that she
can barely get her fingers
into. she is all bones.
a runner, gaunt with
that runner's face
and limbs, too many
veins showing, hardly
an ounce of fat anywhere
flat and boyish at fifty,
or more. her face is
old beyond it's years.
the sun, and runs in
cold weather have worn
her away like concrete
crumbling on a roman
statue. i've seen her
limp with rounded
shoulders up the hill
towards home in rainstorms,
struggling towards that
invisible finish line.
she offers me some
cranberries that are
dried and in a bowl,
some dry almonds in a
jar too. i can't do it
anymore she tells me,
but speaking to the iron,
the shirt, the bright light
in the room, i'm done,
the x-rays aren't good.
i've never smoked, i watch
what i eat, i've run through
two divorces, through
the lives of three dogs,
i put my kids through college
and still ran. this
is all i have. she doesn't
look up at me standing
in the doorway. her blue
eyes are even bluer
when they are wet, like
now. i don't know
what to tell her, what
to say. i've got nothing.
i reach out to touch
her shoulder, but she pulls
back and keeps ironing the
same white shirt over again
pulling the sleeves taut.
don't she says. i'm fine.
i look at her feet,
the blood is soaked across
the line of her bent toes,
blotted in her white socks.
she allows herself a smile
and looks at me,
a thin crease across her tanned
face. new shoes, she says, i
just bought new shoes.
mind she says, as she
stands in the kitchen
with the ironing board
out, folding laundry,
steam rising from the hot
iron in the bright
overhead light. it
feels like an operating
room. she takes a trembling
sip of green tea from a white
porcelain cup that she
can barely get her fingers
into. she is all bones.
a runner, gaunt with
that runner's face
and limbs, too many
veins showing, hardly
an ounce of fat anywhere
flat and boyish at fifty,
or more. her face is
old beyond it's years.
the sun, and runs in
cold weather have worn
her away like concrete
crumbling on a roman
statue. i've seen her
limp with rounded
shoulders up the hill
towards home in rainstorms,
struggling towards that
invisible finish line.
she offers me some
cranberries that are
dried and in a bowl,
some dry almonds in a
jar too. i can't do it
anymore she tells me,
but speaking to the iron,
the shirt, the bright light
in the room, i'm done,
the x-rays aren't good.
i've never smoked, i watch
what i eat, i've run through
two divorces, through
the lives of three dogs,
i put my kids through college
and still ran. this
is all i have. she doesn't
look up at me standing
in the doorway. her blue
eyes are even bluer
when they are wet, like
now. i don't know
what to tell her, what
to say. i've got nothing.
i reach out to touch
her shoulder, but she pulls
back and keeps ironing the
same white shirt over again
pulling the sleeves taut.
don't she says. i'm fine.
i look at her feet,
the blood is soaked across
the line of her bent toes,
blotted in her white socks.
she allows herself a smile
and looks at me,
a thin crease across her tanned
face. new shoes, she says, i
just bought new shoes.
Monday, March 29, 2010
one more
one more,
one more.
just one,
not for
the road
but for
the long walk
home.
here, take
this and pay
the man.
if you're
coming
with me,
grab your coat,
your hat,
your scarf
and purse.
put on some
chapstick,
lots
of chapstick,
cherry flavored,
please,
you're going
to need it
if i don't
fall asleep
on the couch
before you
get there.
one more.
just one,
not for
the road
but for
the long walk
home.
here, take
this and pay
the man.
if you're
coming
with me,
grab your coat,
your hat,
your scarf
and purse.
put on some
chapstick,
lots
of chapstick,
cherry flavored,
please,
you're going
to need it
if i don't
fall asleep
on the couch
before you
get there.
birth
she places her hand
on the white round
skin, taut like a drum
about to burst,
with a small heart
beating within. and
he sits on the bed
with her, his hand,
there too, together,
as close as they will
ever be, before or
after the child
is born. and it
is a golden moment,
eraseable by time,
or circumstance, by
divorce or death. this
is what it was about.
this child soon to
be born into both
of their lives with
joy and purpose,
beyond comprehension.
on the white round
skin, taut like a drum
about to burst,
with a small heart
beating within. and
he sits on the bed
with her, his hand,
there too, together,
as close as they will
ever be, before or
after the child
is born. and it
is a golden moment,
eraseable by time,
or circumstance, by
divorce or death. this
is what it was about.
this child soon to
be born into both
of their lives with
joy and purpose,
beyond comprehension.
day in day out
swallowed whole
this day, gone,
devoured in a mere
twelve hours. morning
noon and night,
three meals divided
and eaten with
ravenous hunger,
strange delight.
and tomorrow,
more of the same.
it's repetition
is amazing, and
frightening and
borders on insane.
this day, gone,
devoured in a mere
twelve hours. morning
noon and night,
three meals divided
and eaten with
ravenous hunger,
strange delight.
and tomorrow,
more of the same.
it's repetition
is amazing, and
frightening and
borders on insane.
lunch
my friend sara leigh likes
to knit, she likes to
cross stitch and needle
point, and wile away
the hours and day making
blankets for babies, or
things to hang on the wall
that resemble sail boats,
or radishes. she's quite
talented this way. it's
not my thing, but i
admire the patience, the
rapid dexterity of fingers
and mind to create things
of relative beauty, and
that i'll probably never
have any use for, but
still, i can stand there
and stare at her creation,
and go hmmm. amazing. now
what's for lunch?
to knit, she likes to
cross stitch and needle
point, and wile away
the hours and day making
blankets for babies, or
things to hang on the wall
that resemble sail boats,
or radishes. she's quite
talented this way. it's
not my thing, but i
admire the patience, the
rapid dexterity of fingers
and mind to create things
of relative beauty, and
that i'll probably never
have any use for, but
still, i can stand there
and stare at her creation,
and go hmmm. amazing. now
what's for lunch?
bird boy
there was a time
when he was small,
barely a life,
but
still one,
with his
flashing brown
eyes
and pink cheeks,
when i could
hold him
up
with a single
hand
and fly him
about
the room.
around we would go,
across imaginary
miles
with his pea
green
pajama clad
arms
straight out
like the wings
of a
smooth and strong
jet liner,
which is what he is now.
cleaning house
i am going
room to room
with a sponge,
a bucket of hot
water, a mop, a duster,
cleanser, windex
and a broom.
i am removing
years of dirt,
dust and debris
from under the bed,
in the closets,
wiping clean
the hand and heart
prints of time
and weather,
where the outside
has gotten in
through the crevices
of windows and
doors. slowly,
but with force
i am scrubbing
the walls, the
ceilings, each
and every floor
i walk on. it's time,
in fact way over
due. and this has
nothing to do with
us, as you well know.
room to room
with a sponge,
a bucket of hot
water, a mop, a duster,
cleanser, windex
and a broom.
i am removing
years of dirt,
dust and debris
from under the bed,
in the closets,
wiping clean
the hand and heart
prints of time
and weather,
where the outside
has gotten in
through the crevices
of windows and
doors. slowly,
but with force
i am scrubbing
the walls, the
ceilings, each
and every floor
i walk on. it's time,
in fact way over
due. and this has
nothing to do with
us, as you well know.
time
i've lost my watch,
again, somewhere it ticks
below a bed, on
a bike path, in the
woods, or in some car,
but not for me.
slowly the second hand
swims around the deep
blue face of time,
with it's shiny glass,
and silver band of stain
less steel, perhaps.
it may go on forever,
keeping the hours and
minutes straight, with
no memory of me, my wrist,
the extension of my arm.
even the days will click
by into months, without my
knowing. i've lost
my watch again, but
strangely or not, i'm
already past it with
this new one.
again, somewhere it ticks
below a bed, on
a bike path, in the
woods, or in some car,
but not for me.
slowly the second hand
swims around the deep
blue face of time,
with it's shiny glass,
and silver band of stain
less steel, perhaps.
it may go on forever,
keeping the hours and
minutes straight, with
no memory of me, my wrist,
the extension of my arm.
even the days will click
by into months, without my
knowing. i've lost
my watch again, but
strangely or not, i'm
already past it with
this new one.
no title
the ghost
of winter
trails off,
slips quietly
away like life
itself, once
here, now gone,
and little
to remember
it by. under
a new sun
the world
finds a way
to heal itself,
as we do,
or sink slowly
into the darkness
of despair.
of winter
trails off,
slips quietly
away like life
itself, once
here, now gone,
and little
to remember
it by. under
a new sun
the world
finds a way
to heal itself,
as we do,
or sink slowly
into the darkness
of despair.
Sunday, March 28, 2010
there is too much
eating going on.
look in the mirror
if you need proof.
i'm guilty too, i'm
not leaving myself
out of this one. i love
the cake, the pie,
the pot roast, and
don't even put a bag
of chips in front of
me. there is too much,
and it's too easy
to get. there's no
more churning butter,
or milking cows,
or shucking corn,
no more waiting for
the wheat to grow,
or plucking of chickens.
when i go to sleep
at night i can see
the neon glow of a
donut sign shimmering
down the block. yes.
moderation in
everthing, but french
toast and bacon, and
a fat eclair.
eating going on.
look in the mirror
if you need proof.
i'm guilty too, i'm
not leaving myself
out of this one. i love
the cake, the pie,
the pot roast, and
don't even put a bag
of chips in front of
me. there is too much,
and it's too easy
to get. there's no
more churning butter,
or milking cows,
or shucking corn,
no more waiting for
the wheat to grow,
or plucking of chickens.
when i go to sleep
at night i can see
the neon glow of a
donut sign shimmering
down the block. yes.
moderation in
everthing, but french
toast and bacon, and
a fat eclair.
the rain
she loves
the rain, cold
or warm, it
doesn't matter.
she just does.
the percussion
of it against
the window,
the sweet ping
upon the roof,
into puddles
on the ground,
it has formed.
she loves it so.
it's a safe
harbor for her,
where nothing
comes and
nothing much,
especially me,
can go.
the rain, cold
or warm, it
doesn't matter.
she just does.
the percussion
of it against
the window,
the sweet ping
upon the roof,
into puddles
on the ground,
it has formed.
she loves it so.
it's a safe
harbor for her,
where nothing
comes and
nothing much,
especially me,
can go.
lost buttons
these eyelids
are heavy, not
with sadness
or sorrow, but
from the fatigue
of the days
and nights running
into one another
without order
or remembrance,
and much of what
has transpired
is best left
unremembered, but
it will come
back in some form,
a receipt, a
charge, a torn
shirt, stained,
with what,
i'm not sure,
or a lost button
that i heard rattle
away, hitting
the floor with that
distinctive button
sound, rolling
beneath a chair,
a table, never,
like these hours,
to be found.
are heavy, not
with sadness
or sorrow, but
from the fatigue
of the days
and nights running
into one another
without order
or remembrance,
and much of what
has transpired
is best left
unremembered, but
it will come
back in some form,
a receipt, a
charge, a torn
shirt, stained,
with what,
i'm not sure,
or a lost button
that i heard rattle
away, hitting
the floor with that
distinctive button
sound, rolling
beneath a chair,
a table, never,
like these hours,
to be found.
Saturday, March 27, 2010
opening day
we're waiting for the bus
to take us downtown, the
green and dull grey
A-9 to the national archives,
fifty cents in hand,
where we will transfer onto
the dc transit to dc stadium
which sits like a strange
cement circle
next to the dc prison,
we will watch the senators play
the new york yankees.
another fifty cents to get in.
mickey will be there, and mel
and pepitone. i can still name
the entire starting line up
of the washington team.
epstein, howard, brinkman,
cassanova at catcher, and
they stunk the joint up then
just as they do now but with
a different name and in a
different park.
but i'm waiting for the bus,
i'm thirteen or fourteen,
skipping school with my brother
who will one day preach the
gospel and this may be the
worst thing he's ever done
in his entire life, which
wouldn't be true for me, but
together, off we go with just
enough money for a dog
and a coke and bus fare home,
and a ticket into the bleachers
in deep right field,
into the chill of april in our
short sleeved shirts and jeans,
our ball caps and gloves,
with the cherry blossoms
in bloom aong the way.
it's opening day.
to take us downtown, the
green and dull grey
A-9 to the national archives,
fifty cents in hand,
where we will transfer onto
the dc transit to dc stadium
which sits like a strange
cement circle
next to the dc prison,
we will watch the senators play
the new york yankees.
another fifty cents to get in.
mickey will be there, and mel
and pepitone. i can still name
the entire starting line up
of the washington team.
epstein, howard, brinkman,
cassanova at catcher, and
they stunk the joint up then
just as they do now but with
a different name and in a
different park.
but i'm waiting for the bus,
i'm thirteen or fourteen,
skipping school with my brother
who will one day preach the
gospel and this may be the
worst thing he's ever done
in his entire life, which
wouldn't be true for me, but
together, off we go with just
enough money for a dog
and a coke and bus fare home,
and a ticket into the bleachers
in deep right field,
into the chill of april in our
short sleeved shirts and jeans,
our ball caps and gloves,
with the cherry blossoms
in bloom aong the way.
it's opening day.
this home
it's not the place
you want to be, but
here you are. with
your warm blankets,
your books, your thin
new friend gisele,
and your flat t.v.,
and things you value.
the photos, the poems,
the stories you have
written and have left
stacked up like piles
of snow on the floor
of every room.
everything in a spot
you think it needs
to be, you've
counted out the days
behind you, the possible
days ahead, and added
up the money it will
take to keep things
exactly the way they
are. in food and drink,
and comfort, there's
no luck involved here,
perhaps quite the opposite.
you want to be, but
here you are. with
your warm blankets,
your books, your thin
new friend gisele,
and your flat t.v.,
and things you value.
the photos, the poems,
the stories you have
written and have left
stacked up like piles
of snow on the floor
of every room.
everything in a spot
you think it needs
to be, you've
counted out the days
behind you, the possible
days ahead, and added
up the money it will
take to keep things
exactly the way they
are. in food and drink,
and comfort, there's
no luck involved here,
perhaps quite the opposite.
sail on
my father, pushing
eighty and beyond, loves
to lie in the sun, lift
weights, dye his full
head of curly hair
blonde and firt with
the bikini girls at
the pool who are sixty
years his junior. but so
what. he's alive with
what's left of the body
he was given.
there's no sense
of regret or guilt, or
of hanging on for dear
life. he quit smoking
at fifty, quit drinking
at sixy and i don't want
to know the rest. there's
not a prayer in him. he's
on cruise control just
as he was at twenty,
making kids, making love,
sailing the high seas
in his navy whites.
his blue eyes shining
across the savage ocean
of time.
eighty and beyond, loves
to lie in the sun, lift
weights, dye his full
head of curly hair
blonde and firt with
the bikini girls at
the pool who are sixty
years his junior. but so
what. he's alive with
what's left of the body
he was given.
there's no sense
of regret or guilt, or
of hanging on for dear
life. he quit smoking
at fifty, quit drinking
at sixy and i don't want
to know the rest. there's
not a prayer in him. he's
on cruise control just
as he was at twenty,
making kids, making love,
sailing the high seas
in his navy whites.
his blue eyes shining
across the savage ocean
of time.
kenmore
she glows
in the dark,
against
the white sheets,
her stainless steel
heart without a
fingerprint
on it. she keeps me
and many others
on a dark shelf,
deep and on ice,
with her snug doors
out of reach,
shut tight.
it would be easier
breaking into
fort knox then
it would be getting
a midnight snack
out of her. it's
getting chilly in here
and i'm hungry,
very hungry.
in the dark,
against
the white sheets,
her stainless steel
heart without a
fingerprint
on it. she keeps me
and many others
on a dark shelf,
deep and on ice,
with her snug doors
out of reach,
shut tight.
it would be easier
breaking into
fort knox then
it would be getting
a midnight snack
out of her. it's
getting chilly in here
and i'm hungry,
very hungry.
i wake up and find
the remnants of you
everywhere, but you
aren't there. there's
a kleenex, a bottle
of perfume, a torn
stocking, your hair
brush and hair in
the sink, but you're
not there. you've
taken just about all
of your things, but
a few. your footprints
are still in
the carpet, wet
indents from the
shower. i can even
hear the door shut
behind you, and the
car start as you leave,
i go down the steps,
quickly with every intent
of stopping you, of
saying wait, but i don't
i go back into the
kitchen, unclothed, tired
from the fight, maybe
this is it. i see your
hand prints on the cool
stainless steel door
of the fridge. i take
a rag to wipe them
away, but i can't, i have
to leave them there.
the remnants of you
everywhere, but you
aren't there. there's
a kleenex, a bottle
of perfume, a torn
stocking, your hair
brush and hair in
the sink, but you're
not there. you've
taken just about all
of your things, but
a few. your footprints
are still in
the carpet, wet
indents from the
shower. i can even
hear the door shut
behind you, and the
car start as you leave,
i go down the steps,
quickly with every intent
of stopping you, of
saying wait, but i don't
i go back into the
kitchen, unclothed, tired
from the fight, maybe
this is it. i see your
hand prints on the cool
stainless steel door
of the fridge. i take
a rag to wipe them
away, but i can't, i have
to leave them there.
Friday, March 26, 2010
upstream, i swim
arm over arm,
kicking my legs
in the cold water.
upstream, against
the moonless tide,
the rocks below
me, as my body
cuts through the clear
mountain stream.
there is no other
side, there is
just forward, back
to where it all
began. i've been
at the other end,
and i can't back there
so it's
upstream for me,
arm over arm, my
legs kicking.
arm over arm,
kicking my legs
in the cold water.
upstream, against
the moonless tide,
the rocks below
me, as my body
cuts through the clear
mountain stream.
there is no other
side, there is
just forward, back
to where it all
began. i've been
at the other end,
and i can't back there
so it's
upstream for me,
arm over arm, my
legs kicking.
sometimes
the blank page,
the snow white
sheet of paper,
patient and quiet,
without a word
on it, is a most
beautiful thing.
empty and holding
the promise of
a tale not yet
told. every word
written, every poem
or play, book
or script has to
deal with the beauty
and wonder,
and yes, fear
of the blank page.
it's a glorious
thing to have
nothing there
and then have it
magically appear
as if out of thin
sweet air. if only
it was that easy.
the snow white
sheet of paper,
patient and quiet,
without a word
on it, is a most
beautiful thing.
empty and holding
the promise of
a tale not yet
told. every word
written, every poem
or play, book
or script has to
deal with the beauty
and wonder,
and yes, fear
of the blank page.
it's a glorious
thing to have
nothing there
and then have it
magically appear
as if out of thin
sweet air. if only
it was that easy.
no fishing
i can't fish anymore.
ever since the grocery
stores starting selling
fish, putting them on ice
in neat little rows
behind the glass.
i just can't stand on
the side of a river bank,
or on the back of a boat,
named Charlie, or something,
and throw the line out
to reel in a trout, or
sea bass, or marlin, or
whatever fish i can trick
into biting what's on the
end of my line. nah. i'm
done with fishing, and i
guess hunting too. i like
the way the meat is all
packaged and ready for
grilling, red, cleaned,
no skinning the cow
anymore, whew. i'd be
a vegetarian if that wasn't
so. i guess i'm getting
lazy, but no less hungry.
ever since the grocery
stores starting selling
fish, putting them on ice
in neat little rows
behind the glass.
i just can't stand on
the side of a river bank,
or on the back of a boat,
named Charlie, or something,
and throw the line out
to reel in a trout, or
sea bass, or marlin, or
whatever fish i can trick
into biting what's on the
end of my line. nah. i'm
done with fishing, and i
guess hunting too. i like
the way the meat is all
packaged and ready for
grilling, red, cleaned,
no skinning the cow
anymore, whew. i'd be
a vegetarian if that wasn't
so. i guess i'm getting
lazy, but no less hungry.
fresh season
a warm spell has
moved in between
us, a high pressure
system of blue skies,
sunny days and low
winds. somehow we
made it through the
winter with our love
in tact. it's time
to sweat now, to
open the window, to
let the sun in, the
cold out. it's a good
season to be in and
out with you.
moved in between
us, a high pressure
system of blue skies,
sunny days and low
winds. somehow we
made it through the
winter with our love
in tact. it's time
to sweat now, to
open the window, to
let the sun in, the
cold out. it's a good
season to be in and
out with you.
Thursday, March 25, 2010
shades of blue
don't rearrange
your furniture on
account of me,
don't move a chair,
a plate, or pot
of flowers to make
me feel good. no.
i'm just passing
through. i'm going
to another place,
maybe texas, maybe
venice. i need
another point of
view, one that doesn't
include you
and your color palette,
your fabrics, your
cold shade of violet
and heart, your sad
grey soul, so blue.
your furniture on
account of me,
don't move a chair,
a plate, or pot
of flowers to make
me feel good. no.
i'm just passing
through. i'm going
to another place,
maybe texas, maybe
venice. i need
another point of
view, one that doesn't
include you
and your color palette,
your fabrics, your
cold shade of violet
and heart, your sad
grey soul, so blue.
slow fire
it's a slow
fire,
the soft burn
of wood and twigs,
all that we
have gathered
and placed
into a pile
to stay warm.
that
keeps us going,
keeps
us alive
and gets us
through the night.
your kisses
are like
that too. it's time
for more.
fire,
the soft burn
of wood and twigs,
all that we
have gathered
and placed
into a pile
to stay warm.
that
keeps us going,
keeps
us alive
and gets us
through the night.
your kisses
are like
that too. it's time
for more.
no flowers, please
don't fall
in love
with me,
she whispers,
kissing my neck,
unbuttoning
my shirt like
a surgeon about
to cut into
a live one. who
needs a heart.
just because
of this, don't
call me every
hour of the
day, don't text
me, telling me
about how
much you care
and want us to
be couple. no
flowers, no
chocoate. i
don't say
a word. my mind
is working
in a different
sort of way,
there is no
logic in the
moment. okay,
i tell her.
no problem.
in love
with me,
she whispers,
kissing my neck,
unbuttoning
my shirt like
a surgeon about
to cut into
a live one. who
needs a heart.
just because
of this, don't
call me every
hour of the
day, don't text
me, telling me
about how
much you care
and want us to
be couple. no
flowers, no
chocoate. i
don't say
a word. my mind
is working
in a different
sort of way,
there is no
logic in the
moment. okay,
i tell her.
no problem.
she tells me
"i can't drink
anymore, at least
not like i used to."
she lifts her
beer bottle to her
lips and turns it
up to the ceiling,
closing her eyes
until she gets the
last drop out.
"another?" she asks.
sure, why not, i tell
her it's only tuesday.
the week is young,
and we aren't. she
smiles at that, showing
me her cracked front
tooth. she taps her pack
of cigarettes on the
bar, but there's
no smoking now, and
she keeps looking
towards the door,
to see if the rain has
stopped so that she
can go out into the
night and grab a smoke.
"let's get some calamari,"
she says, "with hot
sauce. want to split
a dish of calamari
with me?" sure, i tell
her, why not and put
the order in with
the bartender."what
did you say your name
was?" she asks me,
sipping her new cold
beer. the foam dribbles
down her chin, which
she wipes off with
the back of her hand.
jimmy, i tell her. "don't
go anywhere jimmy, i
like you. you're cute.
i'll be right back,
hold onto my seat. i
need a smoke."
she slides down off
her barstool and puts
on her pink windbreaker
which has the word PINK
written in darker pink
across the back, and
lifts the hood over
her thin thatch of blonde
hair, she goes out into
the rain. i see her
standing against the wall,
cupping the cigarette in
her hand while she
stamps her feet and
shivers in the alley. i
can't help but wonder
at what the hell has
happened with my life,
and i whisper to the
bartender, asking if
the kitchen has a back door.
anymore, at least
not like i used to."
she lifts her
beer bottle to her
lips and turns it
up to the ceiling,
closing her eyes
until she gets the
last drop out.
"another?" she asks.
sure, why not, i tell
her it's only tuesday.
the week is young,
and we aren't. she
smiles at that, showing
me her cracked front
tooth. she taps her pack
of cigarettes on the
bar, but there's
no smoking now, and
she keeps looking
towards the door,
to see if the rain has
stopped so that she
can go out into the
night and grab a smoke.
"let's get some calamari,"
she says, "with hot
sauce. want to split
a dish of calamari
with me?" sure, i tell
her, why not and put
the order in with
the bartender."what
did you say your name
was?" she asks me,
sipping her new cold
beer. the foam dribbles
down her chin, which
she wipes off with
the back of her hand.
jimmy, i tell her. "don't
go anywhere jimmy, i
like you. you're cute.
i'll be right back,
hold onto my seat. i
need a smoke."
she slides down off
her barstool and puts
on her pink windbreaker
which has the word PINK
written in darker pink
across the back, and
lifts the hood over
her thin thatch of blonde
hair, she goes out into
the rain. i see her
standing against the wall,
cupping the cigarette in
her hand while she
stamps her feet and
shivers in the alley. i
can't help but wonder
at what the hell has
happened with my life,
and i whisper to the
bartender, asking if
the kitchen has a back door.
Tuesday, March 23, 2010
pot holes
my car is a divining
rod for pot holes.
each tire a magnet
for a dark deep ditch
that lies like an open
wound on every road.
the clunk, the bang,
the rattle of car
bones and the strange
clink of something left
behind. the curse.
i am amazed at the words
that come out of my
filthy mouth. it's
almost like a song,
this road trip,
a calypso beat of drums,
but no one is dancing,
no one is happy. no one
but jimmy, the mechanic
at the garage.
rod for pot holes.
each tire a magnet
for a dark deep ditch
that lies like an open
wound on every road.
the clunk, the bang,
the rattle of car
bones and the strange
clink of something left
behind. the curse.
i am amazed at the words
that come out of my
filthy mouth. it's
almost like a song,
this road trip,
a calypso beat of drums,
but no one is dancing,
no one is happy. no one
but jimmy, the mechanic
at the garage.
Eden
i avoid the windows
in the back of the house,
they're large and old,
wide, made of wood with
sashes and heavy locks.
but it's not the windows
themselves that bother me,
but what lies beyond them,
my yard. mother nature
and her siblings, cousins,
and eccentric friends
have gone wild with it.
things are growing that
were never planted, and
what was there have
twisted and turned upon
one another. it has taken
on a jungle feel, all
green, and yellow, some
flowers, from somewhere,
rising up to bloom whenever
they feel like it. even
the birds won't fly in
to bathe in the bird
bath that stands in the
center of it all. they are
fearful of what they see.
i don't have a clue as to
what to do. i'm hoping
to find someone soon though,
that does. yesterday i
saw a racoon trying to
get in, so there must
be some fruit or vegetables
growing out there too.
and snakes. i can't go
out there with snakes.
in the back of the house,
they're large and old,
wide, made of wood with
sashes and heavy locks.
but it's not the windows
themselves that bother me,
but what lies beyond them,
my yard. mother nature
and her siblings, cousins,
and eccentric friends
have gone wild with it.
things are growing that
were never planted, and
what was there have
twisted and turned upon
one another. it has taken
on a jungle feel, all
green, and yellow, some
flowers, from somewhere,
rising up to bloom whenever
they feel like it. even
the birds won't fly in
to bathe in the bird
bath that stands in the
center of it all. they are
fearful of what they see.
i don't have a clue as to
what to do. i'm hoping
to find someone soon though,
that does. yesterday i
saw a racoon trying to
get in, so there must
be some fruit or vegetables
growing out there too.
and snakes. i can't go
out there with snakes.
a new deck
deal from
the new deck,
don't draw me
five from
that tattered
and torn handful
of old cards
we've played
with before,
a thousand times
over. i want
to hear and see
the fresh
snap of a new
pack, vegas style.
slap em down
hard, throw me
a full house,
four of a kind,
let me see some
aces, some kings,
a pair of queens.
i'm ready for
a winning hand, i'm
way overdue.
shuffle and cut,
deal em. i've
got alot riding
on this.
the new deck,
don't draw me
five from
that tattered
and torn handful
of old cards
we've played
with before,
a thousand times
over. i want
to hear and see
the fresh
snap of a new
pack, vegas style.
slap em down
hard, throw me
a full house,
four of a kind,
let me see some
aces, some kings,
a pair of queens.
i'm ready for
a winning hand, i'm
way overdue.
shuffle and cut,
deal em. i've
got alot riding
on this.
Monday, March 22, 2010
a summer treat
the way
you lick
that cold scoop
of icecream,
on this
sweltering
summer's day,
your tongue
gently easing
across the sweet
chilled curve
of melting sugar
and cream,
a smile on
your face,
and the way
you hold
the wafer cone
in the palm
of your tanned
tight hand,
reminds me of why
i still like
you and don't
mind that you
are as crazy
in a good way,
as the summer
day is long.
you lick
that cold scoop
of icecream,
on this
sweltering
summer's day,
your tongue
gently easing
across the sweet
chilled curve
of melting sugar
and cream,
a smile on
your face,
and the way
you hold
the wafer cone
in the palm
of your tanned
tight hand,
reminds me of why
i still like
you and don't
mind that you
are as crazy
in a good way,
as the summer
day is long.
i call out
your name, but
i've lost you
in the dark,
on this road
we've taken
through the black
forest that not
even stars can
get through.
there is no light
to go by, no
fire, no lamps,
just the sound
of our bare
feet on the rough
terrain we've
chosen. i've lost
you. i call out
your name again in
the shallow waters
of dream, in
the thick brush
of night. but
you are gone.
you are out, and
beyond the clearing
without even a
whisper or a wave,
your feet have
hit the highway
and left me to
wander on my own.
just as you
had found me.
i've lost you
in the dark,
on this road
we've taken
through the black
forest that not
even stars can
get through.
there is no light
to go by, no
fire, no lamps,
just the sound
of our bare
feet on the rough
terrain we've
chosen. i've lost
you. i call out
your name again in
the shallow waters
of dream, in
the thick brush
of night. but
you are gone.
you are out, and
beyond the clearing
without even a
whisper or a wave,
your feet have
hit the highway
and left me to
wander on my own.
just as you
had found me.
Moe
the last dog
beat me down
with his barking,
at the television,
the door, a fly
circling the room.
he spent his life
with his incessant,
and indiscriminate
chewing of everything
not his. sometimes
he would have the torn
half of a twenty
dollar bill hanging
from his mouth, or
a pair of someone's
underwear, sometimes
a shoe strap, or
a pair of sunglases
that he found on
the dining room table.
he couldn't drink
milk, it might
as well of been
tequila and he would
be bent over the rug
tossing his cookies,
trying to shake the
cobwebs out of his
little daschund mind.
wild and crazy moe,
yeah, i miss him.
beat me down
with his barking,
at the television,
the door, a fly
circling the room.
he spent his life
with his incessant,
and indiscriminate
chewing of everything
not his. sometimes
he would have the torn
half of a twenty
dollar bill hanging
from his mouth, or
a pair of someone's
underwear, sometimes
a shoe strap, or
a pair of sunglases
that he found on
the dining room table.
he couldn't drink
milk, it might
as well of been
tequila and he would
be bent over the rug
tossing his cookies,
trying to shake the
cobwebs out of his
little daschund mind.
wild and crazy moe,
yeah, i miss him.
the apology
i only have a minute,
so speak quickly
into the phone. clearly.
state your case, ask
me anything, well,
almost anything, some
things as you know
remain off limits, but
give it a shot, i
have a minute, and the
clock is ticking. please,
start talking, now
would be good, time
is slipping, it's your
last chance, ten, nine,
eight...etc. okay,
i'll give you another
minute, but this is
your last chance to say
what you need to say.
i don't have all day
to play this game
with you. i can hear
you breathing on the
other end, i can hear
you. why did you call
if you don't want to talk,
what's the point of
this. okay, okay, you
win. i love you, is
that what you want to
hear. i love you.
okay, i really have
to go now. let's talk
again tomorrow. okay?
i'm sorry too, but
really, i must hang up.
are you there?
so speak quickly
into the phone. clearly.
state your case, ask
me anything, well,
almost anything, some
things as you know
remain off limits, but
give it a shot, i
have a minute, and the
clock is ticking. please,
start talking, now
would be good, time
is slipping, it's your
last chance, ten, nine,
eight...etc. okay,
i'll give you another
minute, but this is
your last chance to say
what you need to say.
i don't have all day
to play this game
with you. i can hear
you breathing on the
other end, i can hear
you. why did you call
if you don't want to talk,
what's the point of
this. okay, okay, you
win. i love you, is
that what you want to
hear. i love you.
okay, i really have
to go now. let's talk
again tomorrow. okay?
i'm sorry too, but
really, i must hang up.
are you there?
the window
i see you lean
on the sill
outside your window
as i walk up
the street in my
new shoes, a bundle
of fresh cut
flowers in hand,
a bottle of pinot
noir in the other.
you are wearing
white, and your long
hair is in the
breeze, the sun
is on your face.
i'm not the only
one who sees you,
and wishes to be
with you, and
feel the touch
of your lips,
but at least for
now, for this
moment, the window
is open just for me.
on the sill
outside your window
as i walk up
the street in my
new shoes, a bundle
of fresh cut
flowers in hand,
a bottle of pinot
noir in the other.
you are wearing
white, and your long
hair is in the
breeze, the sun
is on your face.
i'm not the only
one who sees you,
and wishes to be
with you, and
feel the touch
of your lips,
but at least for
now, for this
moment, the window
is open just for me.
Sunday, March 21, 2010
spring
the pollen
is thick,
and yellow,
a warm
silk blanket
upon the cars
and road,
the surface
of just about
everything.
you can't help
but sneeze.
it's so deep,
you could write
your name in
it if you
weren't so busy
with your own
complex world
of birds
and bees.
is thick,
and yellow,
a warm
silk blanket
upon the cars
and road,
the surface
of just about
everything.
you can't help
but sneeze.
it's so deep,
you could write
your name in
it if you
weren't so busy
with your own
complex world
of birds
and bees.
the sunday call
i gave my mother
the sunday call
today, being sunday
after all, it's what
a good son does,
although i hardly
put myself into
such a category.
my questions are
often steeped in
selfish motive,
digging for some
truth, something
beyond the weather,
or the game, or
her garden, or work.
i can't help but
put her in a corner
for something, i want
her to put her fists
up and fight, to
show me a spark
of life i used to
know in her so
long ago.
the sunday call
today, being sunday
after all, it's what
a good son does,
although i hardly
put myself into
such a category.
my questions are
often steeped in
selfish motive,
digging for some
truth, something
beyond the weather,
or the game, or
her garden, or work.
i can't help but
put her in a corner
for something, i want
her to put her fists
up and fight, to
show me a spark
of life i used to
know in her so
long ago.
white nurse shoes
i've developed
a fever
for you, i am
infected with your
smile, your
point of view
with it's jagged
edges and bright
lit wit, owned
by so few.
i am in
the infirmary
of love, or lust
or let's just
call it what it
is, infatuation
to the nth
degree. my
thermometer
has burst it's
bubble and there
is mercury
everywhere it
shouldn't be.
i need a cold
compress, an
x-ray of you,
i need to see
your papers, your
ID, or perhaps
your long legs
in a pair of
white nurse
shoes.
a fever
for you, i am
infected with your
smile, your
point of view
with it's jagged
edges and bright
lit wit, owned
by so few.
i am in
the infirmary
of love, or lust
or let's just
call it what it
is, infatuation
to the nth
degree. my
thermometer
has burst it's
bubble and there
is mercury
everywhere it
shouldn't be.
i need a cold
compress, an
x-ray of you,
i need to see
your papers, your
ID, or perhaps
your long legs
in a pair of
white nurse
shoes.
swan dive
we spring from
the board,
but it isn't
always a swan
dive, or a
brilliant flip,
or jack knife,
or a one and
a half or two
piroutte
of body slicing
into the deep blue
pool of day.
sometimes it's
just a hard splash,
a tumble or fall
onto the water
and a slow silent
swim to the side
and climb up
the ladder to
try it all again
the next day
and the next
and the next.
the board,
but it isn't
always a swan
dive, or a
brilliant flip,
or jack knife,
or a one and
a half or two
piroutte
of body slicing
into the deep blue
pool of day.
sometimes it's
just a hard splash,
a tumble or fall
onto the water
and a slow silent
swim to the side
and climb up
the ladder to
try it all again
the next day
and the next
and the next.
Friday, March 19, 2010
i like
the sublime
irony
of the penny,
it's nearly
worthless
value, a
thin coin
of copper
holding the
image of
dear saint
abe.
irony
of the penny,
it's nearly
worthless
value, a
thin coin
of copper
holding the
image of
dear saint
abe.
notes to myself
the numbers,
and there are
many, are written
onto napkins
and receipts,
torn envelopes.
they get scribbled
in haste while a
phone is pressed
between shoulder
and ear, the blog
sites, web sites,
the e mail
addresses, phone
numbers. places,
assorted souls
you've met or
may meet along
the way, but
already they have
become vague
within an hour.
is that an eight
or a six, the letter
z or perhaps,
who knows.
like confetti
they fall down
around you,
thin sheets
of dry, melting
snow, out of
pockets, from hand
or purse, wallets,
from the pages
of books you may
never read, to
the floor, from
the clouds of your
soft memory.
and there are
many, are written
onto napkins
and receipts,
torn envelopes.
they get scribbled
in haste while a
phone is pressed
between shoulder
and ear, the blog
sites, web sites,
the e mail
addresses, phone
numbers. places,
assorted souls
you've met or
may meet along
the way, but
already they have
become vague
within an hour.
is that an eight
or a six, the letter
z or perhaps,
who knows.
like confetti
they fall down
around you,
thin sheets
of dry, melting
snow, out of
pockets, from hand
or purse, wallets,
from the pages
of books you may
never read, to
the floor, from
the clouds of your
soft memory.
Thursday, March 18, 2010
these fish
that i can
almost grab
in the green
swirl of ocean,
they look cold
in the cold water.
moving in two's
and three's, so
near me,
and my legs
and feet are too
white against
the emerald
depth. i shift
and shiver
in the sand
and let
each new wave
rise and crest
over me.
i feel the salt
in my eyes, taste
the brine in my
mouth. i don't
worry so much about
the fish, and
they in turn don't
pay me much mind
either.
it's too early
in the season
to be out
in the ocean, it's
hardly may.
that i can
almost grab
in the green
swirl of ocean,
they look cold
in the cold water.
moving in two's
and three's, so
near me,
and my legs
and feet are too
white against
the emerald
depth. i shift
and shiver
in the sand
and let
each new wave
rise and crest
over me.
i feel the salt
in my eyes, taste
the brine in my
mouth. i don't
worry so much about
the fish, and
they in turn don't
pay me much mind
either.
it's too early
in the season
to be out
in the ocean, it's
hardly may.
red white and very blue
it's not my alligator shoes
that makes me proud, nor my
shark skin suit, or snake
skin belt and elephant tusk
buckle. no. i love all animals.
God put them here for three
reasons, to eat, to wear,
to ride them from one place
or another. where would we
be without the burger,
without the omelette, the
baby back ribs, or virginia
trout? we'd be pale, and weak,
from eating vegetables all
day, everyday. we'd still
be british citizens, never
having the strength and
courage from the protein
in red meat to send them
on their way. God gave
America enough cattle to
keep us fighting not only
our own wars, but other
people's wars until the end
of time. start the grill.
i'm hungry. there's a world
out there that needs us.
that makes me proud, nor my
shark skin suit, or snake
skin belt and elephant tusk
buckle. no. i love all animals.
God put them here for three
reasons, to eat, to wear,
to ride them from one place
or another. where would we
be without the burger,
without the omelette, the
baby back ribs, or virginia
trout? we'd be pale, and weak,
from eating vegetables all
day, everyday. we'd still
be british citizens, never
having the strength and
courage from the protein
in red meat to send them
on their way. God gave
America enough cattle to
keep us fighting not only
our own wars, but other
people's wars until the end
of time. start the grill.
i'm hungry. there's a world
out there that needs us.
Wednesday, March 17, 2010
newly weds
the newly weds
have photos
everywhere.
the wedding,
the party,
the reception,
the trip
to bermuda,
the honeymoon.
some are framed
and some are still
out on the table,
being sorted
through.
proof of love.
and the joy
of the day they
shared. they are
fit and healthy,
the smiles are
white and broad,
the wet gleam
of the hour
is in their
youthful eyes.
you can smell
the hope,
the tomorrow's
lining up.
there is not
a single dark
cloud over
their new roof.
and i like it
this way. i want
their love
to be preserved,
safe and fresh,
crisp and clean
underglass,
like a wedding cake
yet to be cut
deeply with
a sharp
gleaming knife.
have photos
everywhere.
the wedding,
the party,
the reception,
the trip
to bermuda,
the honeymoon.
some are framed
and some are still
out on the table,
being sorted
through.
proof of love.
and the joy
of the day they
shared. they are
fit and healthy,
the smiles are
white and broad,
the wet gleam
of the hour
is in their
youthful eyes.
you can smell
the hope,
the tomorrow's
lining up.
there is not
a single dark
cloud over
their new roof.
and i like it
this way. i want
their love
to be preserved,
safe and fresh,
crisp and clean
underglass,
like a wedding cake
yet to be cut
deeply with
a sharp
gleaming knife.
a wrinkle in time
she reads
to the children
in a soft gentle
voice, a mother's
voice that almost
puts them to sleep,
with their heads on
their folded arms,
upon the hard
desks with the books
tucked away,
but the story
is too good
for them to doze
off, too well written.
the lights are down
and the windows
are open just enough
to let april in.
quietly, so that
they will listen,
she reads and reads,
never looking up
from the book,
the dog eared pages
that she turns with
a ringless hand. she
imagines her own child
one day. she dreams of
being in love, but
she keeps reading, and
she knows that these
moments will not be
forgotten by these
children, and especially
not by me.
to the children
in a soft gentle
voice, a mother's
voice that almost
puts them to sleep,
with their heads on
their folded arms,
upon the hard
desks with the books
tucked away,
but the story
is too good
for them to doze
off, too well written.
the lights are down
and the windows
are open just enough
to let april in.
quietly, so that
they will listen,
she reads and reads,
never looking up
from the book,
the dog eared pages
that she turns with
a ringless hand. she
imagines her own child
one day. she dreams of
being in love, but
she keeps reading, and
she knows that these
moments will not be
forgotten by these
children, and especially
not by me.
doubt
she doesn't believe
in God, not exactly,
and asks the usual
questions about where,
and why, and how could
he allow children to
perish, or anyone to
suffer in a painful way.
what morality is there
in that, especially from
God. i shrug, i take
a sip of my coffee and
stare out the window at
the immense bay,
the bruised blue water,
holding the dark sky,
jagged with white breaking
waves. the sailboats
are racing home.
i don't know, i tell her,
but i do believe.
i believe it all.
i know that the water
will be calm again, but
i have my doubts too.
in God, not exactly,
and asks the usual
questions about where,
and why, and how could
he allow children to
perish, or anyone to
suffer in a painful way.
what morality is there
in that, especially from
God. i shrug, i take
a sip of my coffee and
stare out the window at
the immense bay,
the bruised blue water,
holding the dark sky,
jagged with white breaking
waves. the sailboats
are racing home.
i don't know, i tell her,
but i do believe.
i believe it all.
i know that the water
will be calm again, but
i have my doubts too.
Monday, March 15, 2010
one morning
i woke up to the sound of her
voice saying, clearly, you don't
know me, she said. you don't have
a clue as to who i am. she was
in the white terry cloth robe
that i gave her for christmas six
years ago. it was torn and grey
now, there wasn't enough bleach
in the world to make it white
again. apparently she had been
talking for sometime, but i missed
most of it because i was still
asleep. are you going to lie
there in bed all day, it's
eleven o'clock. who's going to
cut the grass and take the dog
to the vet to see what that
rash is. you need to pull
your car out of the driveway now
so that i can go shopping and
get little jimmy to his game.
she had opened the curtains,
and raised the blinds so that
the sun poured in like
radiation. i put my hand
up to my forehead to block
the light. what, i said. it's
saturday. what's the rush?
how many drinks did you have
last night, she said. four,
five martinis, and i saw you
talking to sally perkins, i saw
you touch her arm and wink at
her. don't think i don't know
what you're up to pal. you two
were pretty cozy in that kitchen,
weren't you? her hands were on
her hips, but i couldn't really
see her on account of the sunlight
streaming in. she was more
of a dark silhouette, her head
bobbed and i could see her
stance stiffen like a general
overseeing a battlefield of
dead soldiers, if i ever catch
you with that sally i'll take
you for every penny you have,
which isn't much. do you hear me?
i shook my head to get the cobwebs
out. my mouth was dry and i felt
like i couldn't get my lips
to part, as if they were stuck
together. she was finally
getting to the point of why
she was mad, why she wanted
me up. pfffft. sally. as if.
i mumbled. what, what did you say?
okay. i said, in mild surrender.
i'm up. i just need to take
a shower. she turned her
back and went down the hall.
five minutes, i heard her
yell. you've got five minutes.
i stood up and looked out the
window as i pulled the blinds
back down to give the room
a break, i could see sally
out in her yard, digging weeds
in her white capri pants,
and tight blouse knotted in
the front, she had her
hair pulled back into a pony
tail like a teenager. whew.
she looked up and over her
shoulder, with a hand full
of weeds and saw me standing
there in my underwear, she gave
me a wave and a big smile,
and with my fingers only i
gave her a nice friendly
wave in return.
voice saying, clearly, you don't
know me, she said. you don't have
a clue as to who i am. she was
in the white terry cloth robe
that i gave her for christmas six
years ago. it was torn and grey
now, there wasn't enough bleach
in the world to make it white
again. apparently she had been
talking for sometime, but i missed
most of it because i was still
asleep. are you going to lie
there in bed all day, it's
eleven o'clock. who's going to
cut the grass and take the dog
to the vet to see what that
rash is. you need to pull
your car out of the driveway now
so that i can go shopping and
get little jimmy to his game.
she had opened the curtains,
and raised the blinds so that
the sun poured in like
radiation. i put my hand
up to my forehead to block
the light. what, i said. it's
saturday. what's the rush?
how many drinks did you have
last night, she said. four,
five martinis, and i saw you
talking to sally perkins, i saw
you touch her arm and wink at
her. don't think i don't know
what you're up to pal. you two
were pretty cozy in that kitchen,
weren't you? her hands were on
her hips, but i couldn't really
see her on account of the sunlight
streaming in. she was more
of a dark silhouette, her head
bobbed and i could see her
stance stiffen like a general
overseeing a battlefield of
dead soldiers, if i ever catch
you with that sally i'll take
you for every penny you have,
which isn't much. do you hear me?
i shook my head to get the cobwebs
out. my mouth was dry and i felt
like i couldn't get my lips
to part, as if they were stuck
together. she was finally
getting to the point of why
she was mad, why she wanted
me up. pfffft. sally. as if.
i mumbled. what, what did you say?
okay. i said, in mild surrender.
i'm up. i just need to take
a shower. she turned her
back and went down the hall.
five minutes, i heard her
yell. you've got five minutes.
i stood up and looked out the
window as i pulled the blinds
back down to give the room
a break, i could see sally
out in her yard, digging weeds
in her white capri pants,
and tight blouse knotted in
the front, she had her
hair pulled back into a pony
tail like a teenager. whew.
she looked up and over her
shoulder, with a hand full
of weeds and saw me standing
there in my underwear, she gave
me a wave and a big smile,
and with my fingers only i
gave her a nice friendly
wave in return.
she used to be an
actress of some note.
and could be found
on the stage in new
york, off broadway,
but the star slipped,
and age crept in like
water on a rising
river. everyone was
suddenly younger,
prettier, more versed
in books and lines,
and life. there was
never time for love,
for children, for
what the other's had,
what she would see
out there when the
lights went down and
she took her spot.
actress of some note.
and could be found
on the stage in new
york, off broadway,
but the star slipped,
and age crept in like
water on a rising
river. everyone was
suddenly younger,
prettier, more versed
in books and lines,
and life. there was
never time for love,
for children, for
what the other's had,
what she would see
out there when the
lights went down and
she took her spot.
no exit
as i sit in traffic,
coffee in it's holder,
the steam once rising,
is long gone by now,
a thin newspaper full
of old news, unread,
but unfolded on the seat
beside me, i am inching
further up the road
with others, heading
towards a place where
money can be made, where
my life can be extended,
such as it is, you need
to feed the furnace
of existence, but the
slow crawl is slower
than ever, and you can
see the grey, long faces
already, at 8 a.m.
pushing at buttons to
change the station
on their radios, craning
their necks to see a
break, something, talking
on their phones,
smoking, tapping the
wheel, cursing. it's
more like slow dying,
not living, at this pace.
coffee in it's holder,
the steam once rising,
is long gone by now,
a thin newspaper full
of old news, unread,
but unfolded on the seat
beside me, i am inching
further up the road
with others, heading
towards a place where
money can be made, where
my life can be extended,
such as it is, you need
to feed the furnace
of existence, but the
slow crawl is slower
than ever, and you can
see the grey, long faces
already, at 8 a.m.
pushing at buttons to
change the station
on their radios, craning
their necks to see a
break, something, talking
on their phones,
smoking, tapping the
wheel, cursing. it's
more like slow dying,
not living, at this pace.
the purse
i remember this girl
from years ago, when
i lived in a three
story walk up in
the bronx. emily
was her name. she lived
across the east river
in queens wtih three
other women. but the
things was, that
she left her purse
on the floor. who leaves
a purse? who walks out
the door with keys in
hand, shoes and clothes
on just as she had when
she arrived, but no
purse, and to a woman
her purse is everything.
a woman could survive
an earthquake or a flood
with what lies deep
within that bag. food,
clothing, knives and
forks, mints, a toothbrush,
an extra pair of glasses,
a nail file, a whistle,
makeup, pills, a notepad
with everything on it.
so much, and yet she
left it. so i wrapped
it and took it to the
post office and sent it
back to her. i couldn't
date a woman who leaves
her purse. i just couldn't
and probably still can't.
it doesn't seem right.
from years ago, when
i lived in a three
story walk up in
the bronx. emily
was her name. she lived
across the east river
in queens wtih three
other women. but the
things was, that
she left her purse
on the floor. who leaves
a purse? who walks out
the door with keys in
hand, shoes and clothes
on just as she had when
she arrived, but no
purse, and to a woman
her purse is everything.
a woman could survive
an earthquake or a flood
with what lies deep
within that bag. food,
clothing, knives and
forks, mints, a toothbrush,
an extra pair of glasses,
a nail file, a whistle,
makeup, pills, a notepad
with everything on it.
so much, and yet she
left it. so i wrapped
it and took it to the
post office and sent it
back to her. i couldn't
date a woman who leaves
her purse. i just couldn't
and probably still can't.
it doesn't seem right.
i believe that
every girl wants
a pony. every boy
a truck, every man
a woman, and every
woman a diamond,
a fur coat, a bank
account, a beach
house, a country
estate, a farm,
a silver setting,
pearls, art, a
masseuse, perfume,
a black jaguar,
room service, a maid,
oh, and one more thing.
a healthy man on call.
with a little bell
to retrieve or dismiss
him as she so desires.
a pony. every boy
a truck, every man
a woman, and every
woman a diamond,
a fur coat, a bank
account, a beach
house, a country
estate, a farm,
a silver setting,
pearls, art, a
masseuse, perfume,
a black jaguar,
room service, a maid,
oh, and one more thing.
a healthy man on call.
with a little bell
to retrieve or dismiss
him as she so desires.
Sunday, March 14, 2010
the bread line
the angry line grows
long. it's like soviet
russia. it's windy,
it's cold and there
is potato vodka tucked
in everyone's pocket.
they want so much,
they have needs
and desires. they want
the poster, the happy
vacation family
boasting tans
and health. they have
believed in the plan,
but there is no
sunshine, or banquets
to be found, not
really. just handouts,
mere morsels of affection.
it's all i can do
for the moment.
long. it's like soviet
russia. it's windy,
it's cold and there
is potato vodka tucked
in everyone's pocket.
they want so much,
they have needs
and desires. they want
the poster, the happy
vacation family
boasting tans
and health. they have
believed in the plan,
but there is no
sunshine, or banquets
to be found, not
really. just handouts,
mere morsels of affection.
it's all i can do
for the moment.
the last page first
let's not kiss,
not go there. let's
keep it on page one.
the exploratory
stage of plot and theme,
of character development.
let's find out what
season it is, the hour
of the day, or night
that we find ourselves
in. let's discover what
the conflict is and the
slow rise and fall of
denouement. no let's not
kiss, just yet, let's
turn the page and let
the story unfold in
it's own good time, just
as it should. although
there is a part of me,
i must confess,
that wants to read
the last page first.
not go there. let's
keep it on page one.
the exploratory
stage of plot and theme,
of character development.
let's find out what
season it is, the hour
of the day, or night
that we find ourselves
in. let's discover what
the conflict is and the
slow rise and fall of
denouement. no let's not
kiss, just yet, let's
turn the page and let
the story unfold in
it's own good time, just
as it should. although
there is a part of me,
i must confess,
that wants to read
the last page first.
Friday, March 12, 2010
death of a friend
she is a shadow,
a lean piece
of wind lying still
on white sheets.
she is less
of who she was,
but her memory
stings like a wet
hand on a cut wire.
i am awakened
without her
being near.
her voice
in a vague whisper
calling me to come
closer. to take
her lifeless
hand and rise
up, as she did
into a bright
unknown.
a lean piece
of wind lying still
on white sheets.
she is less
of who she was,
but her memory
stings like a wet
hand on a cut wire.
i am awakened
without her
being near.
her voice
in a vague whisper
calling me to come
closer. to take
her lifeless
hand and rise
up, as she did
into a bright
unknown.
Thursday, March 11, 2010
charge it
it's the plastic card,
that thin slice of credit
that so easily appears
when something you want,
not necessarily need,
whispers buy me,
buy me now, into your ear.
and it's hard to resist.
you walk away, but circle
back, like a lion around
it's wounded prey, you touch
the fabric, the leather
shoe, the coat that
than seems perfect, the color
being so you. so you give
in. it's just one thing,
and you deserve it, you need
it, you can't live without
it. why not, life is so short
as it is. oh, just charge
it. he'll never see the bill.
that thin slice of credit
that so easily appears
when something you want,
not necessarily need,
whispers buy me,
buy me now, into your ear.
and it's hard to resist.
you walk away, but circle
back, like a lion around
it's wounded prey, you touch
the fabric, the leather
shoe, the coat that
than seems perfect, the color
being so you. so you give
in. it's just one thing,
and you deserve it, you need
it, you can't live without
it. why not, life is so short
as it is. oh, just charge
it. he'll never see the bill.
assorted fruits
there is a shine
on the gala apples,
the red delicious too,
catching the sunshine
of flourescent lights,
and so many others, like
fuji, or a rome beauty,
too many really
to mention, but they
have the smile of
someone's hand polishing
them before purchase,
and the plums are lined
up just right, the
way they sit with their
soft weight just so.
patient like old people
at the park, on a hard
bench with no where else
to go. the green grapes,
the quiet reds, purple, and
dark blue are bagged, not to
be trusted, to be left
out alone with the others.
so easy to fall and roll
alone across the floor,
stranded. the bananas
are wildly yellow,
broken off into odd
bunches, part green,
some already turning the
brown that promises that
they won't be bought. i feel
bad for them, so many of
them as i pass by with my
empty rattling cart.
i can see that
day coming way too soon.
on the gala apples,
the red delicious too,
catching the sunshine
of flourescent lights,
and so many others, like
fuji, or a rome beauty,
too many really
to mention, but they
have the smile of
someone's hand polishing
them before purchase,
and the plums are lined
up just right, the
way they sit with their
soft weight just so.
patient like old people
at the park, on a hard
bench with no where else
to go. the green grapes,
the quiet reds, purple, and
dark blue are bagged, not to
be trusted, to be left
out alone with the others.
so easy to fall and roll
alone across the floor,
stranded. the bananas
are wildly yellow,
broken off into odd
bunches, part green,
some already turning the
brown that promises that
they won't be bought. i feel
bad for them, so many of
them as i pass by with my
empty rattling cart.
i can see that
day coming way too soon.
Wednesday, March 10, 2010
the ink pen
i remember dipping a pen
into an inkwell. i liked
the color of that blue,
almost black, but most
certainly a blue, like
the deepest part of
the atlantic ocean, or
the sky when there is no
moon. i liked the scratch
of that pointed pen, full
and heavy with fresh ink,
on real paper, paper with
weight, paper that could
take the pressing fist
of a small child as he
tried his hand at cursive.
making the new found loops
and breaks, trying
to find the right words,
as the pen leaked
and stained his palm, his
fingers, with ink that
would be his blood,
and never wash out.
into an inkwell. i liked
the color of that blue,
almost black, but most
certainly a blue, like
the deepest part of
the atlantic ocean, or
the sky when there is no
moon. i liked the scratch
of that pointed pen, full
and heavy with fresh ink,
on real paper, paper with
weight, paper that could
take the pressing fist
of a small child as he
tried his hand at cursive.
making the new found loops
and breaks, trying
to find the right words,
as the pen leaked
and stained his palm, his
fingers, with ink that
would be his blood,
and never wash out.
3 a.m..
i don't want the phone
to ring at three a.m.,
it's a bad hour and can
only mean that something
horrible has gone wrong.
no one ever calls to say
they are in love at that
hour, or to tell you that
they found a good deal
on a pot roast or a dress
from sak's. no, it's never
hello, i missed you, or
marry me, or i found us
a house on the beach, and
i've won the lottery. it's
more like please come
down to the police station,
we'll explain when you
get here, hurry, bring
a credit card or a check
book and an overnight change
of clothes.
to ring at three a.m.,
it's a bad hour and can
only mean that something
horrible has gone wrong.
no one ever calls to say
they are in love at that
hour, or to tell you that
they found a good deal
on a pot roast or a dress
from sak's. no, it's never
hello, i missed you, or
marry me, or i found us
a house on the beach, and
i've won the lottery. it's
more like please come
down to the police station,
we'll explain when you
get here, hurry, bring
a credit card or a check
book and an overnight change
of clothes.
magic
it's easy magic,
to watch him, with
cards in hand,
or silk flowers
unraveling from
a black sleeve,
and birds suddenly
appearing in one
palm, and fire in
the other. it's
easy to sit and
stare and wonder
at this small
delight of slight
of hand, but not
nearly as mesmerizing
as it is to sit
and watch you,
don't disappear.
to watch him, with
cards in hand,
or silk flowers
unraveling from
a black sleeve,
and birds suddenly
appearing in one
palm, and fire in
the other. it's
easy to sit and
stare and wonder
at this small
delight of slight
of hand, but not
nearly as mesmerizing
as it is to sit
and watch you,
don't disappear.
Tuesday, March 9, 2010
central park
i took the long
way, cutting through
central park, it was
early fall, and the
leaves had turned to
fire. i could feel
the new cold of winter
in my lungs, bright
with the pain of my
run, and of you, what we
had become, the summer
romance turned so soon,
and what little there
was left to say, or
show, or even kiss.
all of this, like leaves
had fallen, shaken from
the dark thin branches
of the park, where we
had met in the bloom
of promise and sun.
there was no need to
hurry, and yet i did.
way, cutting through
central park, it was
early fall, and the
leaves had turned to
fire. i could feel
the new cold of winter
in my lungs, bright
with the pain of my
run, and of you, what we
had become, the summer
romance turned so soon,
and what little there
was left to say, or
show, or even kiss.
all of this, like leaves
had fallen, shaken from
the dark thin branches
of the park, where we
had met in the bloom
of promise and sun.
there was no need to
hurry, and yet i did.
her voice was like
scotch at the end
of a friday night.
she lit each new
smoke with the last
one, and she used
to be dancer, which
left her legs, long
and still lean,
although the rest
of her was shot to
hell. but she could
catch an eye or two,
in the dim light,
as the piano played,
and her friend,
the bartender kept
her lips wet with
another one on the
house. she wanted
to be an actress, to
sing, and dance, but
it didn't turn out
that way. she met a
man and started to
have babies, stopping
at four. she liked
to keep a kleenex
in the cleavag of
her dress, and when
necessary pulled it
out for effect if
the right man walked
by and gave her a
look that hinted at
interest. but she
knew that her time
was running out, more
women, younger women,
smart women were
coming in more and more,
they sneered at her,
laughed in front of
her when she sang
softly to herself some
song that played.
scotch at the end
of a friday night.
she lit each new
smoke with the last
one, and she used
to be dancer, which
left her legs, long
and still lean,
although the rest
of her was shot to
hell. but she could
catch an eye or two,
in the dim light,
as the piano played,
and her friend,
the bartender kept
her lips wet with
another one on the
house. she wanted
to be an actress, to
sing, and dance, but
it didn't turn out
that way. she met a
man and started to
have babies, stopping
at four. she liked
to keep a kleenex
in the cleavag of
her dress, and when
necessary pulled it
out for effect if
the right man walked
by and gave her a
look that hinted at
interest. but she
knew that her time
was running out, more
women, younger women,
smart women were
coming in more and more,
they sneered at her,
laughed in front of
her when she sang
softly to herself some
song that played.
Monday, March 8, 2010
green men
there was one night
when an amazing ball
of green light
streaked across
the summer sky, still blue,
lit with sunlight, as
it fell off in the
distance. and my friend
ernie ran into the
house to call the
pentagon, the police,
the authorities, thinking
that finally they had
arrived. green men
in a green lit craft
about to land and change
everything as we knew it.
the rest of us kept
playing ball, we didn't
care, the score was tied,
it was getting dark
and soon we'd be called
in. we had to finish
the game, but not ernie.
he had other things on
his mind. god bless him
wherever he has landed.
when an amazing ball
of green light
streaked across
the summer sky, still blue,
lit with sunlight, as
it fell off in the
distance. and my friend
ernie ran into the
house to call the
pentagon, the police,
the authorities, thinking
that finally they had
arrived. green men
in a green lit craft
about to land and change
everything as we knew it.
the rest of us kept
playing ball, we didn't
care, the score was tied,
it was getting dark
and soon we'd be called
in. we had to finish
the game, but not ernie.
he had other things on
his mind. god bless him
wherever he has landed.
the horse
you put the gun down,
remove the bullets,
your horse is tied up
outside in a cold sweat.
the sun is flat
and hot on the horizon,
melted onto the mountain
range. this is where
you've landed. in a two
bit hotel, with the clothes
on your back, your boots,
your dust lined hat.
it doesn't matter that
they'll find you here
asleep in your room
with no way out,
you can't keep running,
it wouldn't be fair for
anyone, especially your
horse. you love that horse.
remove the bullets,
your horse is tied up
outside in a cold sweat.
the sun is flat
and hot on the horizon,
melted onto the mountain
range. this is where
you've landed. in a two
bit hotel, with the clothes
on your back, your boots,
your dust lined hat.
it doesn't matter that
they'll find you here
asleep in your room
with no way out,
you can't keep running,
it wouldn't be fair for
anyone, especially your
horse. you love that horse.
there is
nothing on the menu
that appeals to me.
i've lost interest
in food, in you,
in the fruits that
i used savor when
in season, like your
lips, juiced and open,
ready for whatever
knife i might provide,
or teeth. i can't
eat a thing right now.
nothing on my plate
appeals to me,
no meat, no bread,
there's not an egg,
or slice of cake
that my appetite craves,
i see the weight fall
off my frame, i am
bones, i am slender
again, like i was in
my youth, when i was
without love and starving,
i don't know how
much longer i can go
on like this, on this
foodless binge, on this
island without you.
that appeals to me.
i've lost interest
in food, in you,
in the fruits that
i used savor when
in season, like your
lips, juiced and open,
ready for whatever
knife i might provide,
or teeth. i can't
eat a thing right now.
nothing on my plate
appeals to me,
no meat, no bread,
there's not an egg,
or slice of cake
that my appetite craves,
i see the weight fall
off my frame, i am
bones, i am slender
again, like i was in
my youth, when i was
without love and starving,
i don't know how
much longer i can go
on like this, on this
foodless binge, on this
island without you.
Sunday, March 7, 2010
dry
sometimes the well
is dry, the spring
that runs deep
within the ground
is cut off and rain
hasn't fallen in weeks.
but you drop the bucket
down just the same
to hear it hit dead
bottom, hoping for that
splash, but there
is none, just the empty
echo of a dark cauldron
without water or light.
this doesn't stop you
though, you pick up the
pen and begin to write.
is dry, the spring
that runs deep
within the ground
is cut off and rain
hasn't fallen in weeks.
but you drop the bucket
down just the same
to hear it hit dead
bottom, hoping for that
splash, but there
is none, just the empty
echo of a dark cauldron
without water or light.
this doesn't stop you
though, you pick up the
pen and begin to write.
dinner
she brings me
a steaming hot dish
of pasta and red
sauce, the ribbons
of heat rising to
the ceiling, with meat,
sausage, as spicy
as the look that
sparkles in her
brown eyes. she opens
the wine and puts
the bread, soaked
in garlic and butter
onto the table,
she lights a candle
or two, she touches
your hand and lets
her knee find yours
beneath the table.
this is how you find
love. it's this simple,
or so you'd like
to believe.
a steaming hot dish
of pasta and red
sauce, the ribbons
of heat rising to
the ceiling, with meat,
sausage, as spicy
as the look that
sparkles in her
brown eyes. she opens
the wine and puts
the bread, soaked
in garlic and butter
onto the table,
she lights a candle
or two, she touches
your hand and lets
her knee find yours
beneath the table.
this is how you find
love. it's this simple,
or so you'd like
to believe.
making contact
is good, but foul
after foul ball
decides nothing.
it's the swing
and miss that
warrants sighs
and small nods
of oh, he's out.
and the game
ends on a
whimper, as
the patrons
rise and stretch,
to file out
towards the cars
and the lines,
the traffic,
onto the freeway
which will lead
them home to
greater
swings and
misses, but
on occasion a
day will strike
a bat and over
a fence your
life will go, but
in quiet,
and to very
light applause.
after foul ball
decides nothing.
it's the swing
and miss that
warrants sighs
and small nods
of oh, he's out.
and the game
ends on a
whimper, as
the patrons
rise and stretch,
to file out
towards the cars
and the lines,
the traffic,
onto the freeway
which will lead
them home to
greater
swings and
misses, but
on occasion a
day will strike
a bat and over
a fence your
life will go, but
in quiet,
and to very
light applause.
love at first sight
i met melinda at a club in
the nineteen eighties,
in prince georges county,
over the wilson bridge,
right off of branch
avenue, near the drive-in.
she was a star jello
wrestler in a country
western bar with sawdust
on the floor and a juke
box in the corner. most
everyone had a knife or
gun, or something to use
as a weapon in case a brawl
broke out, which it
normally did every weekend
night. but melinda,
the girl i fell in love
with, was wrestling
in a baby pool full of jello,
under the soft blue lights,
while the band played 'lying
eyes', by the eagles.
she was wearing a shredded
black bikini that was
almost off, and the red
jello was in her hair,
in her eyes, in the crevices
of her curvaceous body.
it was hard to tell who
was winning or losing,
as the crowd cheered
back and forth, but it
didn't matter. the band
played loudly and badly
as the two young women
slipped in and out of the
pool, pulling each other's
hair and bathing suits.
finally melinda was caught
in a headlock, and our eyes
met as she gasped for air
and her eyes bulged,
i knew at moment, as we
stared at one another,
that she was the one for me,
and as she recalled later
when we went back to my
trailer to clean the jello
off of her, that she
felt the same way too.
the nineteen eighties,
in prince georges county,
over the wilson bridge,
right off of branch
avenue, near the drive-in.
she was a star jello
wrestler in a country
western bar with sawdust
on the floor and a juke
box in the corner. most
everyone had a knife or
gun, or something to use
as a weapon in case a brawl
broke out, which it
normally did every weekend
night. but melinda,
the girl i fell in love
with, was wrestling
in a baby pool full of jello,
under the soft blue lights,
while the band played 'lying
eyes', by the eagles.
she was wearing a shredded
black bikini that was
almost off, and the red
jello was in her hair,
in her eyes, in the crevices
of her curvaceous body.
it was hard to tell who
was winning or losing,
as the crowd cheered
back and forth, but it
didn't matter. the band
played loudly and badly
as the two young women
slipped in and out of the
pool, pulling each other's
hair and bathing suits.
finally melinda was caught
in a headlock, and our eyes
met as she gasped for air
and her eyes bulged,
i knew at moment, as we
stared at one another,
that she was the one for me,
and as she recalled later
when we went back to my
trailer to clean the jello
off of her, that she
felt the same way too.
a summer dress
little slips by me,
even at this age of
ninety-two. i have my
wits and wisdom
and cane to rely on,
to defend and offend
those that need to be
dealt with. my body
is my prison. it reeks
with old age, the bones
crumbling below the
sagging skin now a
horror of splotches
and sun driven ravines.
ah, but i still like to
see a woman in a dress,
as she strolls down
the sidewalk on the
first day of summer,
of course she doesn't
pay me any mind, or
even steal a glance,
those days are far
gone, and if she does
notice me, it's out of
pity, like seeing
a dog stuck on the median
of a four lane highway,
stranded with no way
out, no hope of survival,
but i bark just the same.
even at this age of
ninety-two. i have my
wits and wisdom
and cane to rely on,
to defend and offend
those that need to be
dealt with. my body
is my prison. it reeks
with old age, the bones
crumbling below the
sagging skin now a
horror of splotches
and sun driven ravines.
ah, but i still like to
see a woman in a dress,
as she strolls down
the sidewalk on the
first day of summer,
of course she doesn't
pay me any mind, or
even steal a glance,
those days are far
gone, and if she does
notice me, it's out of
pity, like seeing
a dog stuck on the median
of a four lane highway,
stranded with no way
out, no hope of survival,
but i bark just the same.
Saturday, March 6, 2010
i remember
that there was a point
when she had become
an undeveloped country,
wreaked with natural
disasters, crushed by
unseen or unforecasted
catasrophes, swamped
in a sea of debt by
careless handling of
her resources, and
spending sprees at
nordstroms, she was
living on the fumes
of soon to end alimony
and child support,
completely bone dry
of her half of equities
and a meager torn
asunder stock portfolio.
she applied for permanent
victim status to the united
nations and got it.
she wore black and
rubbed ashes onto her
face as she carried
the weight of her sorrow
on her back. her flag was
set half mast in surrender,
until the troops
surprisingly arrived
and now she's back on top
and won't even take my calls.
when she had become
an undeveloped country,
wreaked with natural
disasters, crushed by
unseen or unforecasted
catasrophes, swamped
in a sea of debt by
careless handling of
her resources, and
spending sprees at
nordstroms, she was
living on the fumes
of soon to end alimony
and child support,
completely bone dry
of her half of equities
and a meager torn
asunder stock portfolio.
she applied for permanent
victim status to the united
nations and got it.
she wore black and
rubbed ashes onto her
face as she carried
the weight of her sorrow
on her back. her flag was
set half mast in surrender,
until the troops
surprisingly arrived
and now she's back on top
and won't even take my calls.
you can smell the earth
burn on the wind, as it
sweeps through the dry
brush of california, the
waves of fire taking
everything in it's path.
nature finds a way of
bringing us not only to
our knees, but to put
us on the run, humbled
and fearful of what we
can't control or
understand. in time, all
of this and us are dust
and ash, and yet we cling
to the notion of forever,
because otherwise there is
no point and the fire has
no memory of what it takes.
burn on the wind, as it
sweeps through the dry
brush of california, the
waves of fire taking
everything in it's path.
nature finds a way of
bringing us not only to
our knees, but to put
us on the run, humbled
and fearful of what we
can't control or
understand. in time, all
of this and us are dust
and ash, and yet we cling
to the notion of forever,
because otherwise there is
no point and the fire has
no memory of what it takes.
Thursday, March 4, 2010
mexico
this love thing
has taken a turn
for the worse.
she has run out
of pills to keep
her calm, and she's
getting on my last
and final nerve.
i should have never
told her that i
loved her, and wanted
to marry her, but
i was in an amorous
mood, she was a good
dancer, and the martinis
made me careless.
i don't know how
her name got tattoed
on my arm, or when
we ordered room
service. but she's
still asleep, and she
looks so different in
the daylight. if i can
get this ring off
with enough spit,
maybe i can slip out
the door and down
the back steps to
freedom, catch a cab
and get the hell out
of mexico.
has taken a turn
for the worse.
she has run out
of pills to keep
her calm, and she's
getting on my last
and final nerve.
i should have never
told her that i
loved her, and wanted
to marry her, but
i was in an amorous
mood, she was a good
dancer, and the martinis
made me careless.
i don't know how
her name got tattoed
on my arm, or when
we ordered room
service. but she's
still asleep, and she
looks so different in
the daylight. if i can
get this ring off
with enough spit,
maybe i can slip out
the door and down
the back steps to
freedom, catch a cab
and get the hell out
of mexico.
travel tips
she tells me
over the phone
that she is leaving
for cairo in a week.
in two weeks
she'll be on
a camel in the desert
with the hot sun
beating on her
pale skin. i have no
advice for her
except bring water,
sun screen, a camera,
a map, perhaps,
and sunglasses.
that's it. i don't
even know what she
could possibly bring
back for me, so i
don't even ask.
maybe a magazine
from the plane.
over the phone
that she is leaving
for cairo in a week.
in two weeks
she'll be on
a camel in the desert
with the hot sun
beating on her
pale skin. i have no
advice for her
except bring water,
sun screen, a camera,
a map, perhaps,
and sunglasses.
that's it. i don't
even know what she
could possibly bring
back for me, so i
don't even ask.
maybe a magazine
from the plane.
venus
i've fallen in love
with venus. it's distance
and light on the low
sky. i'd like to imagine
that she is waiting,
this silver drop of light,
behind the sheer curtains
that catches a spring
breeze that lifts your
spirits into another year.
i've have no need for
the other planets, not
even this one. i'm done
with this one. it's all
about venus at this point.
i'll find a way, don't worry,
just wait, i'm coming.
with venus. it's distance
and light on the low
sky. i'd like to imagine
that she is waiting,
this silver drop of light,
behind the sheer curtains
that catches a spring
breeze that lifts your
spirits into another year.
i've have no need for
the other planets, not
even this one. i'm done
with this one. it's all
about venus at this point.
i'll find a way, don't worry,
just wait, i'm coming.
date night
it's the chase
the hunt, that gets
the blood going,
seeing the big
cat through the trees
in the jungle, black,
and slick as night.
his green eyes
flashing, as his
muscled haunches
rise, poised for strike.
there is nothing
you can do at this point,
but give in, and let
him have his way.
pick you up at eight?
the hunt, that gets
the blood going,
seeing the big
cat through the trees
in the jungle, black,
and slick as night.
his green eyes
flashing, as his
muscled haunches
rise, poised for strike.
there is nothing
you can do at this point,
but give in, and let
him have his way.
pick you up at eight?
Wednesday, March 3, 2010
changes
all
the trees
have worried
off
their leaves
and left
them
like tears
upon
the cold, hard
ground.
perhaps
we need
a new season
too.
the trees
have worried
off
their leaves
and left
them
like tears
upon
the cold, hard
ground.
perhaps
we need
a new season
too.
voice mail
so i saved the message
on the voice mail.
her voice, clean and clear.
it wasn't what she said,
but the sound, the rythmn
of her, captured. and
sometimes, late at night
when i no longer can
remember exactly what
she looked like, or the
smell of her perfume, i'll
dial up the message
and lay back down upon
the bed, with the phone
to my ear, and listen.
sometimes i can even fool
myself into thinking that
it's almost enough.
on the voice mail.
her voice, clean and clear.
it wasn't what she said,
but the sound, the rythmn
of her, captured. and
sometimes, late at night
when i no longer can
remember exactly what
she looked like, or the
smell of her perfume, i'll
dial up the message
and lay back down upon
the bed, with the phone
to my ear, and listen.
sometimes i can even fool
myself into thinking that
it's almost enough.
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