Friday, January 26, 2024

she's not a car person

i tell her
that her tires are going flat
and she's missing
a hubcap
or two,
and that
from the look
of the blue
smoke coming out of her
exhaust
she must be burning oil.
and the windshield
is cracked.
there's a strange smell
in the back seat,
dear.
she doesn't seem to notice
any of that.
i'm not a car person,
she tells me.
i just get in and go,
sometimes
i get gas
when the little light
turns yellow on the dash.
oh, and that's
yesterday's tuna salad
in the back.

they're waiting on me

the yard
is full of birds.
black
and red,
wide
wings and narrow,
small sparrows
edging
their way onto the feeder,
or stone
bath by the gate.
they line
the fence
waiting for me
to spill the seed
from
the shed bag.
they know, the word
is out.
why bother with
the woods
and trees
flying north then south,
when they have me.

what not to eat

i watch another 
nutrition video
of what not
to eat.
bread, sugar, sodas,
processed
foods,
margarine.
plant based meat,
alcohol.
anything in a can
or a box,
or wrapped in plastic.
i see everything on there
that i abhor,
everything
except my mother's
split pea soup.

squeezing you in at noon

i check my schedule.
no appointments.
it's a clear slate from dawn
till dusk.
then someone
calls.
i tell them, i'm awful busy.
maybe i can
squeeze you
in at noon.
we could have lunch
then
as long as it isn't too long.
i shuffle some papers
around,
close a drawer, sharpen
a pencil.
please don't be late,
i tell them,
i'm a busy man,
and i get impatient
if i have to wait.

no one prepares you for this

in droves,
like cattle worn and beaten
from the trail
to the slaughter
houses
you see them
in the stores,
at the parks, shopping,
reading,
waiting
for whatever it is 
that's supposed to happen
next.
they gather in small
groups
at coffee houses,
walking the mall,
you see them
in night classes at
the community centers
or
searching for
their golf ball in the woods.
it's not about
money anymore, that game
is over.
it's the hours between
morning and sleep
that are troublesome.
no one
prepares you for
this.

Thursday, January 25, 2024

holy ground

they call it holy land,
this sorrow.
a dry place, wide,
without
shade.
the arrows of
vultures circle
in the sky.
the dust is in your
eyes,
caught
in your throat.
there is no water
to quench
your grief,
no words will soothe
the broken
heart.
you have to press on
alone,
further and further,
but you'll wake up
one morning
and know
that the dark birds
have flown.

becoming him

i stare
at the back of his hands,
the roughage
of time
and weather,
soon
mine.
his face and hair,
the way
he curls himself
when
sitting, how
he straightens
his back
to walk.
i see what tomorrow
will bring.
the blue eyes
losing shine,
i hear his voice in mine
now
when we
talk.

Catholic Girls

in our early twenties,
we'd stand in the snowy cold,
outside of a club
called Winstons
on M Street, in Georgetown,
waiting for the bus
to arrive from
Marymount,
dropping off a new
class of girls in
their plaids and capes,
their ribbons and bows.
we'd point and make
our dibs on which one we
we wanted to meet or
dance with.
there was some negotiating
when twins appeared.
coins were flipped or
rock paper scissors decided
things before we came
to blows.
we knew we had to make
fast work of it, the pale blue
bus would be back at midnight
to take them back
to school. but in the end
we found that Catholic
girls, despite a few bites
on the neck, start way too late,
the song was definitely true.

the nightstand tells all

it's easy
to determine what decade of life
one is in
by just taking
a look at their nightstand.
when young,
there's a book.
a clock,
perhaps a phone, but as years
go by
room is made for a glass
of water,
pills, and an extra light
for reading,
perhaps teeth are in jar,
there's the sleeping
mask,
the Ben-gay rub,
the ear plugs,
the heating pad plugged
into the wall.
a box of tissues,
of course and
a pair of glasses on a stack
of books
and magazines,
a crossword puzzle
and a pencil chewed
upon, and maybe
a half eaten
scone
from morning.
now waiting for dawn.

Ingrid from Ireland

my friend
Ingrid,
from Ireland, talks fast.
too fast.
her green eyes flashing
in the pub light.
her hair
aglow,
her skin snow white.
whether one beer or two
down hatch,
it doesn't matter.
i can't understand a word
she says,
though she says it well
whatever it is.
it's lyrical.
poetic in a musical way.
she's Dylan Thomas on
a binge.
i let her roll and roll,
and roll,
not stopping her, i just
nod and drink
my drink. encouraging
her with a grin.

dear God help me open this ketchup bottle

i'm at war
with plastic bottles,
getting them open, for one thing,
is difficult,
with wrench in hand,
pliers twisting
with herculean might,
then tapping
out the last
few ounces on the counter
of whatever is stuck inside
adds to 
the trouble.
ketchup,
ranch dressing.
cream in a box.
so much stuck on the inside
no matter how hard
one taps
on the bottom,
twists and turns,
and curses, trying to coerce
out the final
dollops.

looking under her bed

i shouldn't, but i do,
i'm inquisitive
and nosy,
so i take a look under
her bed,
i pull a drawer open,
i investigate
the medicine cabinet,
reading labels
on the pill bottles,
i check out
the closets,
full of clothes and boxes
stacked,
then out to the yard,
where i pry open
the door to the shed.
i find nothing of interest.
no hidden gems,
just rusted rakes and trowels,
cob webs.
it disappoints me in
a strange way.
i'm not used to someone
without secrets,
hiding a past.
tomorrow i'll check again.

finding our bench

we walk
until our feet hurt, until
we sweat
in the cool autumn air.
we lean
back onto the benches
marked
with who once
sat there.
Marvin and Joe,
Betsy,
and Elise.
i suppose they did the same
as we do.
taking in the view,
observing
others,
hand in hand,
around
the lake, through the ramble,
then back.
perhaps,
one day the city will
mark
a bench for us as well.
i suppose it wouldn't
hurt to ask.

let's play a game

i miss
the old childhood games.
the board
games,
Life
and Monopoly.
Boggle.
training wheels for children
as we grew out
of our clothes.
it was before
Grand Theft Auto,
and Simms,
etc.
the sexualized games
of the now.
the most explicit
we got
was spin the bottle, or
post office.
a kiss on the lips was
what it was
all about.
strip poker was further
down the road.

writing under a pseudonym

we wish
we were taller, or lighter
on our feet,
more handsome
or pretty.
we wish for more than
what we have.
more money.
a bigger house,
a faster car,
better parents
better in-laws.
a tad more
fortune and 
a spoonful of fame
perhaps
more courage, more brains,
more of everything.
are we ever truly content
and happy?
doubtful.
sometimes we even
want to change our name.

don't pull my thread

be kind
tonight
and don't pull the thread
on me.
let it lie,
or snip it clean,
tuck it under, or
between
the others knitted
tight.
don't unravel me,
let's not argue,
or quarrel, or disagree
let's leave our
differences alone
tonight.

how to make a ham sandwich

it's an art of some sort.
the making
of the ham
sandwich.
i spent hours and hours
teaching
my son how to make one
when he was five
and his mother
was out shopping at Norstrom's
for their bi-annual shoe
sale.
i explained to him
how to set all the necessary
ingredients out
on the counter.
the cutting board,
the plate, the sharp knife.
i'd tell him
to close his eyes and visualize
what the sandwich
would look like.
tomatoes and onions
sliced.
the toasted bread, 
preferably a seeded rye,
and the condiment
of choice
that he liked.
i showed him how to fold
the ham and place it on
the bread gently, followed
by cheese, provolone or Swiss
would be nice, then
the lettuce, etc.
finally, but importantly,
i demonstrated how to press
it all down, but
not too hard so that you break
the top piece of bread,
and then the all important
sandwich slice,
not diagonal, of course,
don't be a fool, but straight
across, to make
it easier to bite.
dill pickle on the side.

reaching over to the cold space

in the middle 
of the night i'm
shivering.
my teeth chatter.
i may be dying of frostbite.
i can't feel
my feet.
i reach over for the dog
to warm me,
or for one of
three wives,
or Betty,
but it's an empty cold
space.
i think about the comforter
in the closet,
down the hall.
the big white cloud
of goose feathers.
the choices are to continue
shivering,
or to get up and go get it.
if only i had a coin
to flip to help me decide.

goodbye and good luck

good luck, we say
in passing, in leaving.
never
when we enter the room
and shake a hand,
do we
say, good luck.
why not?
only when we wave
goodbye
do we offer
the phrase, good luck
to you
and your loved ones.
should luck only be applied
when we're not
around.
are we a rabbit's foot
of some
sort
to hold onto once
we depart, once we say
goodbye?

the other side of the tracks

i can't fall asleep
on the train.
i'm too busy looking out the window.
i wish the train
would slow
down, in fact.
give me enough time to take
notes
as i observe what lies
beyond these
steel tracks.
there's another world,
another way
of living, or dying around
each bend,
out each tunnel
of darkness we descend into
and come out
the other side.

sorry, but we already filled that quota

let's not choose, the best
and the brightest
anymore,
don't select
the most intelligent
or worthy
at their
chosen occupations.
the most skilled.
no. instead
let's hire by color and race,
by creed, by
the height or weight.
or hairstyle
of the applicants.
are they left or right handed?
we have quotas now
to go by.
good luck when you fly across
those not so friendly
skies.

riding the rollecrcoaster

we used to kiss and makeup,
break up
fight,
say hateful things
to each other,
then apologize,
and
do it all over again.
it was exhausting, but fun
too.
the epitome of a rollercoaster
relationship.
the other day
i ran into the guy
she's dating now,
he looks like
hell,
beaten and lost. disheveled.
sort of like how i used
to look too.

ending the chicken strike

i go out
into the back yard 
to see how the chickens
are doing
and to collect
a few eggs for breakfast.
i see them
all in line,
marching together,
back and forth
holding up signs
demanding that they
become free range chickens.
they're on strike it appears.
no more eggs
until they have more space
to walk around
and pluck insects
off the ground.
i try to reason with them.
this is a townhouse,
it's a small yard,
there are condo restrictions.
but they'll have none
of it.
there's a lot of clucking
and scratching 
at the dirt,
pecking my feet with their
beaks.
their little beady eyes are
bugging out of their heads
from holding back
on the eggs.
i go back in
and look up a few recipes
online for roasted
chickens,
and chicken pot pies.

the painting estimate

take your shoes
off when
you come in the door,
the woman
tells me,
yelling down from
the kitchen
with her hazmat
suit on.
okay, i yell back.
so i sit on the step and
slip out of my shoes.
what about my
pants,
i yell up the stairs,
on or off?
this makes her call
the police.
i guess
i won't be getting
that job.

no longer factory parts

new knees,
new
hips,
new shoulder, a nip
and tuck
here and there,
a reduction,
an enlargement,
each part
under construction,
under repair.
even the heart is switched
out.
who still has their
factory
parts when being towed
to the cemetery,
few, it seems,
few retain the original
upholstery
installed at the start.

Wednesday, January 24, 2024

the YMCA steam bath

my wife
tells me that we need more friends
to invite to the party.
friends
of color, she says,
you know.
brown, black, Hispanic
Asian.
maybe find a transgender
or two.
all our friends
are white,
pale, and pasty.
and most of them are straight,
without piercings
or tattoos.
we need to diversify.
don't you play basketball
with some
of these kinds
of people?
i tell her yes, but, wouldn't
it be a little
strange to do this?
i would like you to meet some
gay people too, she tells me.
would you mind
going to the YMCA next week
to use the steam bath?
and then
to the parade for the gender
confused.
no, i'm not doing that.
what's wrong with you?
are you out of your mind?
calm down, she says, calm down.
i just think that we need to fit
into the world
better, i don't want us to
appear
unwoke. you know?
people are starting to talk
about us.

the 1965 Tupperware Party

my mother, in order
to have
a few more
bucks to raise her seven children
would throw
Tupperware
parties.
we'd watch from the top
of the stairs, taking
it all in.
she'd make tea and small
sandwiches,
cookies to start it off.
before long
the house was
full
of women from the neighborhood
looking for a small
plastic
container
with a red top
to store away their leftovers.
midway
in the party, my mother
would start
making cocktails.
Manhattans
and martinis, and would
put some music
on the stereo.
Sinatra and Dean Martin,
Bobby Darin.
Chubby Checker doing
the twist.
everyone lit up a cigarette
and
dancing ensued.
she sold everything
by the end of the day.
once more, by the skin
of our teeth,
the electric bill got paid.

not everyone old is wise

not everyone
old
is wise.
you don't have to look
far
or listen too hard
to know that.
turn on the television
and watch
the news,
watch
the politicians debate.
read the paper,
for some,
a long life lived
is full
of mistake after mistake.

thirty years later

i'm
matronly now,
she tells me,
over the phone.
too much wine
and pastries.
i've let myself go.
people mistake me for
Angela Lansbury now,
asking for
my autograph.
the actress at the end,
not the beginning.
will you still love me
like you used to?
love me when we meet
again?
or are you shallow
as ever?
no need to respond.
i laugh.
not to worry my dear.
let's meet, i tell her.
i look like Lou Asner now
from the Mary Tyler Moore
show.
so tell me,
how about i pick you up
at six
for an early dinner?

i don't believe in broccoli

i don't believe in broccoli,
or the news,
or the statistics
on global
warming
or cholesterol,
or anything spewed
by talking
heads
and influencers.
i don't believe
the doctors, the lawyer,
the teacher,
the actors and writers,
or the investment
guru.
i don't believe in fish,
or red
meat,
or voodoo.
i don't believe in
science, or math,
or any religion
that begs for money,
or school. i don't believe
half of what
the world preaches,
and lately
i'm having my doubts
about you.

clam chowder

this is good soup,
she says,
sipping her clam chowder
in the dim
light of the cafe.
it is i tell her, blowing
on my spoon.
spilling crackers
into the mix
of potatoes and clams,
all white.
is there more to talk about?
perhaps,
but not right now.
not tonight.

the headache poems

i struggle
with most poetry. 
with what any of it means.
the reference
to Greek mythology,
or ancient Rome,
or some species
of flower
i've never known.
i don't understand the long
words,
the strange metaphors
and similes.
it's a puzzle written
by very smart
writers,
no doubt. Ivy League.
but i have no clue as
to what
it's all about.
please tell me what
any of it means.

just ten quick hits of dopamine

i promise
my brain only ten quick
hits of
tik tok
dopamine
this morning, before coffee
and then
off to work.
but i go down
the proverbial rabbit hole,
deep into
the strange world
that we live in.
i had no idea that a person
could put
an ankle behind
their head
while jumping on
a trampoline,
or that there are ten million
pieces of space
junk floating
around the earth.
i stop at the monkey video,
the one
where he's playing
Beethoven's 5th symphony
on the piano.

it's cold out

when you
hear the words, i don't
want
any more chaos,
or drama in
my life,
you know there's a story
waiting to be
told.
but do you ask,
do you press them on
the past,
to spill
their tale of woe,
or do you smile and say,
that's nice
then button your coat
up to your chin,
because it's cold?

the napkin in his coat pocket

when he died, we went
through
his pockets,
his pants, his coat,
his shirt.
we found lists
and notes.
reminders of some sort,
to change the furnace
filter or
to change
the oil
in his car.
coins and bills.
a nail clipper and a comb.
breath mints.
there were
grocery lists.
milk and bread, the rest.
and then we
found this.
a napkin folded
neatly over
with the imprint of
a lipstick kiss.
red.
no number, no name.
but fresh.

don't wake up, just yet

it's a strange
dream,
a Salvadore Dali
kind of collage of many
disconnected
things.
babies
and empty rooms.
nude women,
and water.
there's a white vase.
a black
as oil crow.
red curtains and lace.
there's the eye
of the moon,
a yellow strand of hair.
there's no
rhyme
or reason for any of it
that i can
think of,
but i loved being there.
i wanted more,
i wanted to see what
came next.

some new hipster music

with each
tearing of the calendar sheet,
i feel
more and more
out of touch
with what's new.
the hipster music,
the hipster talk,
the new thoughts on
most things.
am i stuck in my youth,
my middle age,
my whatever it is now
i'm treading in?
perhaps.
but put a quarter in the juke
box,
and let's see what
comes out.
will it make my foot tap,
my head
nod,
my mouth shout?

Tuesday, January 23, 2024

diamond in the rough

what's the difference?
a shard
of glass glimmering
in the gutter,
giving
off a brilliant ray
of light,
or that twenty thousand
dollar diamond
behind
the counter at the jewelry
store?
they look the same
to me.
but i know which you
prefer.
and that's why it'll never
work between
us.

catching a large white fish

i remember
when
she pulled up her
cotton
shirt,
and grabbed the flabby
tire around
her stomach,
a white fish
caught between two
hands.
look at me, she said.
how did this happen?
she was incredulous.
i tell her wine,
Oreos,
Ledo pizza
and potato chips mostly,
and the peanut
butter and banana
sandwich you
eat before bed.

in the trenches

i give
her the story of my scar
that runs
along
my forehead.
a clean deep
wound, long healed, but
there it is
in the light.
i tell her it's from when
i was at war,
and she asks,
which one.
i tell her three wars each
no better than
the other,
a battle in
the trenches,
thinking it was love.
but in the end,
i survived,
i did win.

i'm too blame

i know
that i'm to blame, not
for your
unhappiness, but for mine,
it's all my fault
hanging
too long,
to someone,
strange, someone
adrift in
a permanent fog.

they are my kind

is there
a more beautiful
sight
than a man or woman
working?
hands in the mud,
knuckles bent around
wrenches
and pipes,
feet off the ground,
sweat
and tears, blood and grit,
going at it
day in 
day out to earn their
crust of bread.
they don't stand on
the street corner
begging,
or wait in line for 
the government dole,
the left-handed handout.
there is no daddy or mommy
to lean on
as they grow old.
they wash
and clean, dig and carry.
climb.
they wake up early
and come home late,
they make
the world go round.
they are my
kind.

disco fever

moving
my seven pairs of loafers 
and sketchers
out of the way
in my closet,
i come across my old dancing
shoes
from back in the day,
when i used to go
up to NYC 
to party at Studio 54.
i had a bad case of disco
fever back then.
the shoes still have
goo stuck to the bottom
of the soles.
like amber on a tree trunk.
spilled drinks,
and sweat and blood
and god knows
what else.
there's a spray
of sparkle on them too.
those were the days,
Liza, and Michael,
Andy
and Calvin.
Truman,
Mick and Bianca.
i should have them tested
for DNA,
then sent to the Smithsonian
to be put
on display.


going winter crazy

i yell down
to my imaginary Butler,
Wilson,
to fix me a cup of coffee
and to
whip up two eggs
over easy
before i hit the road.
of course he doesn't answer,
because
well,
because he doesn't exist.
i tell him
to bring up the paper,
then walk
the dog.
i tell him the grocery
list is on the fridge
for when he goes to the market,
and to pick up my kids
at school at three,
who also don't exist.
and please go easy on
the collars
with the starch, i tell him.
they're a little
too stiff.

isn't it Ironic

it's too cold
out
to protest, i tell her.
can't we
wait until the spring?
i think i got
frostbite
the last time we
blocked the 409.
look at my hands,
my fingers
are still blue.
she looks
at me with her bandana
wrapped around
her head
and face,
holding the sign she just
made.
don't be a sissy, she says.
but, i tell her,
shouldn't we be protesting
global warming
when it's hot
out?
they're calling for nine
inches of snow,
by this afternoon.
it seems ironic, doesn't it?
get dressed she says,
here's your
mittens, miss Alanis
Morisette.

where's the bathroom?

by accident
i took a bite of a plant based
hamburger.
i chipped
a tooth
on the hard cardboard
concoction
formed from
the shredded likes
of kale
and barley, legumes
and dirt.
it looked like a burger
from Five Guys,
the same
shape,
the same color, but 
no matter how much
ketchup
i put on it, or lettuce,
or onions, or a slice
of tomato,
and no matter how
sugary sweet the bun
was that held
it all together,
it sent me running 
down the hall
for the bathroom.

Monday, January 22, 2024

a man's last dying words

i read somewhere
that the most heard phrase,
when someone
is about to die,
lying in bed, with the lights
going dim
and dimmer,
loved ones at their side.
with decades of living
behind them,
and i'm paraphrasing here,
but the phrase 
on the lips of most
dying people is,
what the hell was that
all about?

sleepy joe and the orange man

so it looks like
ole sleepy joe, and the orange
man
are going to duke
it out
in November.
two old white guys
nearing 80.
shouldn't they
be playing
pickleball
somewhere, or playing cards,
or fishing,
or playing golf
in their Jimmy Buffet
shirts
and white shoes?
why aren't
they at the beach,
lying in the sun,
life done,
drinking prune juice?

getting into Costco is hard

it's easier
to get in across the border
down south,
through
rivers and streams,
deserts
and barbed wire,
banditos
around every cacti,
dogs and guards, than it
is getting into
Costco without
a membership card
and a valid Id.
despite all efforts,
they won't let you in
until you sign up
and pay a yearly fee.

a postcard from New York City

we can't afford
a trip
to New York, or Chicago.
with the exorbitant
prices of hotel
rooms being what they
are, so we brush up on
our Spanish and hop on
board a bus of migrants
coming from
Texas and afar.
a free ride.
in nine hours or so,
we'll be staying at
the Roosevelt hotel,
with room service,
a fine establishment
in the heart of the city,
famous for its ambiance,
and Guy Lombardo
ringing in the new year,
once getting four stars.
and the beauty of it is.
is that there's absolutely
no charge.
thank you, Joe.
we'll send along a postcard.

what are men telling us with their facial hair

what message
is the beard
telling us? the mustache,
or mutton chops.
what about
the goatee, or the Amish
look
with hair
everywhere but above
the lips.
what are the sideburns
and the handlebar,
all about?
the thin
stache,
that magicians wear.
Salvidor Dali
with his little curly cue,
at the end.
what are men
trying to tell us with
their facial
hair?

the doorman knows us

the doorman
know us by name.
he's tall
and robed in regal splendor,
gold buttons
and gold brocade
trim.
a hat no less,
that of a prince.
he knows when we come home,
when we
leave again.
he knows our dog,
our friends,
our late hours.
he knows
our mistakes and misgivings,
he smiles
as he pulls open
the door at 3 am,
he knows our 
our stumbles,
letting
strangers in,
but mum's the word
because
Christmas is just around
the bend.

i don't know what to do with myself

i don't know
what to eat anymore,
or drink or read, or where
to go
on vacation, or what to do with
my life,
or how to heal
myself from
heartbreak, or strife,
i have no mind of my own,
no clear
path towards happiness.
so i go on YouTube,
of course.
Tik Tok.
it used to be just Oprah,
as my guiding
light,
but now there's hundreds
of influencers
to follow
and make my life
right.
I click, click, click
and swipe.

Monday through Sunday

her pill box.
a plastic container
with hinged
lids,
marked
Monday through Sunday.
is filled
with a variety of pills
of all color,
shapes and sizes.
each
keeping her fit and trim,
and right
of mind,
i suppose.
at eight a.m.,
i see her at the edge
of the bed
with a glass of water
and down
they go.

finding your groove

i see
that in retirement, the old
men,
find a routine.
my neighbor has one,
my father,
my uncle.
early to rise then out
the door
to warm up the car
and drive.
the paper,
then coffee, the donut
shop
where they know his name.
the gym
to flirt with the new
girl
and gossip with friends.
they drive
by the shipyards,
the factories,
the office buildings,
they take the long away
around,
maybe through the park,
then back home
again.
almost time for lunch
then a nap
on the couch with the cat,
and the dog
curled at the end.

already decided

there is
no use in talking politics.
the feet
of most
are planted firmly in cement.
dried
and hardened
with time
and misinformation.
there is no changing
of opinions,
despite facts,
or reason
applied.
it's love or hate, black
or white.
the lever has been pushed
even before
the November
night.

her damp skirt

he signed
her copy of his book of poems
after
she sipped
too much wine
and spilled it on her dress.
she listened on
as trickles of red, like blood,
rolled down
her leg.
she loved
his words,
his rhyme or lack thereof,
the stories
that he told with each
clean sweep
of words.
how he
read each
beautiful line.
good luck he wrote
on the inside page,
best of luck with
your damp skirt,
and future
glasses of wine.
Philip Levine.

Sunday, January 21, 2024

a circle of friends

i remember
watching the boy,
a teenage boy,
an honor society boy,
an athlete,
wrapping a rubber
tube around
his arm,
and then sticking a needle
full of heroin
into a fattened
vein.
the six or seven us,
all friends,
were in the darkened
basement,
lit up only by a black light
over the poster
of Jimi Hendrix. 
we were
listening to music,
eating, laughing, drinking.
the boy nodded off,
falling backwards
onto pillows,
with a smile on his pale
white face.
no longer were we kids
on the playground,
or helping each
with homework,
or spending the night
watching tv,
or calling girls on the phone.
this was different.
this was childhood
ending.

my neigbor Albert Einstein

i used to live next
door
to Albert Einstein,
the physicist,
he was always knocking on the door
asking me
if knew anything
about
synching his phone
with his Bose
speakers.
together we'd work for hours,
sitting on the floor,
but with no luck.
then he asked me
to show him how to fold
a fitted a sheet.
i stared at his laundry
basket, shaking my head sadly,
and said, nope, good luck with that.
but i was able to help him
log onto
Netflix, so at least we 
accomplished that task.
before i left i asked him
what that blue
bubbling
test tube on his kitchen
counter was all about,
and the beaker spewing
gaseous fumes,
he laughed,
and scratched his head,
then said.
oh, you don't want to
know about that.

more work to be done

does therapy
actually help
the mentally ill,
or unstable,
the unhappy, the confused?
not really.
but maybe it gives one
a moment
of reflection,
though it's no less 
or no more helpful
than trying
to change your body
by staring into a mirror.

the peace negotiations

i try
to patch things up between
the two old
friends,
who have become estranged,
arguing
for years,
or not speaking
over meaningless
childish things.
it's Egypt and Israel,
all over again.
the Hatfield's and McCoy's.
the Capulets and Montagues.
Donald and Hillary.
they have
a small truce.
a fragile start,
but we shall see, the egos
are too large
for it to last long.
peace is rarely forever,
if you follow
history.

what meant most to him

near the end 
of his life,
my father gave
me
the shovel he used
on a farm
in Nova Scotia,
circ1933.
the rake,
the trowel.
he gave me the leather
reins
that he used
for his horse. the bucket
that he
carried seed in,
or to milk
the cow.
i told him thank you.
thank you.
but didn't tell him
that it felt
too late now.

i just need a little bump

whether
drug
or drink, sugar
or salt,
we all have our weaknesses.
for some
it's sleep,
or love,
or something close
to love,
perhaps
like or lust.
we need a bump,
a jolt whether
from
caffeine,
or smoke,
a dollop of dopamine,
something to get us
through the day.
something
to give us
a small serving
of hope.

she was about to sell us to gypsies

i sincerely
believed that my mother
or father
was going to sell us to gypsies,
black robed
and moaning,
when we
lived in Castle del fel.
they wanted
something,
money food, maybe another
child to tend
to their flock
of whatever animals
were in the back of their
horse pulled wagons.
the woman stood
up
with her naked brown
baby
and said something in her
language.
more like a song
than a plea
for mercy.
my mother gave them bread,
and wine,
and whatever else
she could find to fend
of the curses they might put on us.
we hid under bed
until we heard the hooves
marching onward
with the crack of a whip.

only three more hours

i know
i should be more patient,
but i'm not.
i set the timer
on the oven,
and peak into the pot
of stew.
only four more
hours to go.
i pace the room, looking
at my watch.
should i add more
carrots,
more salt?
should i turn the oven
up?
should i make a peanut
butter
sandwich
to hold the cravings off.
or just suffer,
and wait it out?

how old and how did he die

what you really want to 
know,
is how old was he,
and how
did he die?
the rest of the obituary
is filler.
sure he was a great
guy.
a father, a husband,
etc. etc.
he worked at his profession
up until the end.
but how old
was he,
and how did he meet
his demise.
please tell me he was a lot
older than me
and just never
woke up one morning.
maybe tell me that in
the first
few lines.

the other worlds

tired of looking
out
into the sky, at nothing
but far
away planets and stars,
lifeless
for the most part,
i buy
a microscope
and start looking into that
instead.
gazing
at the little
glass plates smeared
with blood
and platelets.
wings of bugs,
and germs.
bits and pieces of the living
and dead.
it's a crazy world
of minutiae
going on, much
more interesting than
the rest of
the universe.


you take the last one dear

i told her
to go ahead, you can have
the last
oyster on the plate.
so she
shook out another
dollop
of hot sauce,
then down the hatch
it went.
i visited her
in the hospital the next
day.
you take the last one,
the next time,
she said with
an IV in her arm,
okay?

one eye looking down

the paper
gives you a face, a time
and place
of death.
a bullet wound
to the chest.
no witnesses,
no one
around to confess.
a robbery?
maybe.
a grudge now settled?
who's to know
these things.
at three a.m.
in the morning.
the silver moon above,
with one
eye looking
down.

Saturday, January 20, 2024

wild children in the street

are there really
horses stampeding out
in the street.
what is that noise,
as school
bells ring
at the end of another year,
gone.
wild horses? no, not quite.
why it's children,
half grown,
they keep making them,
i suppose.
more yet to be born.

going backward into time

it doesn't work
that way.
there is no turning back
the clock,
or calendar
page
to savor what was
right, or fix
what went wrong.
there is no time machine,
no magic
wand,
or spell to take you
backwards
to another day,
now gone.
prayer won't help either.
but occasionally
you can get there
while listening to
the sweet sound 
of a well worn song.


what's the point of anything anymore

i find my friend jimmy
sitting on my front porch when
i go out to get the newspaper.
it's early in the morning.
hey, i say to him.
what's up, what are you doing here?
he's already read the paper
and is sitting on it because
the porch is wet from last nights rain.
did you break up with Lulu Belle
again.
yeah, i did, but that's not all of it,
he says. i'm really depressed.
well, if not her, then what?
it's everything, he says.
what are we doing with our lives?
i was watching a science show
last night, and they said that
eventually the sun is going
to burn out and the earth
will die because of that.
the earth can't live without the sun,
did you know that?
so what's the point of anything,
he says. everything we hold dear,
the Kardashians, 
Oprah, Dr. Phil and Snoop Dog,
wrestling and pickleball,
television,
YouTube and tik Tok, it'll all
be gone. poof, all our hard work
gone just like that.
i just weeded my yard the other
day and washed my car,
and for what?  not to mention that 
i just renewed my subscription
to People magazine. 
i've been on a Keto diet,
starving myself all year, killing
myself,
and why. what's the point?
i spend half the day separating
plastic, paper and glass
for the trash man.
i even stopped drinking
and smoking.
every morning i do some push ups
and sit ups
and take a walk. but for what?
but, i tell him.
the sun will be around for another
billion years or more, so
we'll be long gone by then.
we have a lot of time left, jimmy.
hmmm. he says. yeah, that's true.
hey, are you making coffee?
i could use a cup.
and maybe i should call Lulu back up,
and patch things up with her,
since we still have time.

my new AI scale

i bought
a new fangled scale to measure
my weight
as i get in shape
for the beach season.
it's the latest in
AI
innovation. it talks to me
when i step aboard.
it jokes,
saying things like, please,
one person
at a time.
or have you no self
control
with cake and pie?
less lettuce and more meat,
it'll say
when i'm too thin.
or stand up straight,
and take your shoes off,
and take
those rocks out
of your pocket.
i'm working here.
get on naked, it's okay,
i won't laugh, or
you may need a little more
fiber in your diet.
lay off the wine,
your shaking me inside.

he was a quiet man, they said

after
the yellow tape goes up,
and 
the murder scene is photographed
and investigated,
they begin
to ask the neighbors
what kind of a man
was he,
the suspect.
and as one, they all agree
that
he was a quiet man,
a man who minded
his own business,
he always said hello
in passing, he even
walked
my dog once, one said.
so
we're very surprised that
he took
this action.

global freezing protest march

the winter months
have a way
of telling people to shut up
and go
home.
get off the streets
with your global warming
protests
and parades.
the wind and ice,
blizzard conditions seems
to take the steam
out of them
and off they go to a bowl
of porridge,
and a fire to rub
their hands against.
at four below, it makes
sense
to stay home.

two hundred and twenty three record albums

i stare
at my aging collection of vinyl
LP's.
all of them
stacked together
in the cellar in bins.
originals
from the sixties, seventies
until
8 tracks came
into being.
then cd's,
then Spotify and amazon,
and whatever
else there is out there that
pleases me.
i have Like a Rolling Stone,
and most of Dylan,
in nine different
forms
of music.
but Barbra Streisand,
or Joan Baez,
none.

it has a mind of its own, sorry

we often
have to adjust this particular
appendage
that we are quite
fond of,
protective of.
it needs to be jostled at
times,
rearranged into a better
position, especially
when hopping on a bike.
athletes in particular
have to do this
all time.
having a mind of its own,
the beach can be a problem
during bikini season,
or if the ocean
is cold.
you never quite know
what it's
thinking,
or what mood it's in.
it can surprise you or disappoint
you, depends
on who you're kissing,
or missing.
excessive drinking, or worry
can do it in.
but like the sun,
in the morning, it will often,
miraculously,
rise again.

i should water that plant one day

being men,
especially when single,
we are never quite completely
house trained.
sure we track in
mud,
grass,
whatever we step into
from the outside
world.
the seat is always left up.
and sometimes
we forget to flush.
the bread lies
untied on the counter,
the butter out,
the doors unlocked.
bills
on the floor, fallen
from the door slot,
are stepped upon,
pushed to a corner.
we can live in complete
clutter
and chaos and can wear
for weeks on end,
the same
shirt
and the same socks.
plants don't live long
around us.

Friday, January 19, 2024

remember the sun?

cold
feet, cold hands.
i'm
an ice cube
shivering here in this
vast
wasteland.
white as far as the eye
can see.
i miss the sun.
that yellow ball of light.
a vague
memory.
i should have taken
more pictures
on those summer
days when
it was out.

as i eat a cheeseburger

i see the hunters
in the woods,
orange vests aglow
against
the bare trees
and freshly
fallen snow.
rifles in tow.
what are they after?
what needs
to be killed on this cold
morning?
i look out
from the window.
there's nothing
that deserves death,
i think,
at least nothing
that i know.

don't ruin things for me

i do like the familiar.
the same
coffee,
the same eggs over easy
with hashbrown
and bacon,
the paper on the porch.
i like
the big couch
by the window.
i like my shows,
my books,
i like
this one blanket in
particular
that i curl under when
it's time
for sleep.
i like it when i place my
fingers
on the keyboard,
creating
words on another blank page,
i am a creature
of habit,
of comfort.
don't ruin things for me,
by insisting,
that i leave the house.

who are you now?

did i dream
about you last night?
did i roll over and reach out
for the bones
of you,
the flesh
of you? was that you in
the other room,
unable to sleep?
counting sorrows on
your fingers,
and the toes
of your feet.
who are you now?
which mask are you wearing?
what keeps
you away from me?
who is he?
i'll pray for him too.

it's at our throats again

can this be true,
already,
it's upon us, the forms
and papers,
the documents to be
signed
and sealed,
delivered, by mail
or wire.
tax time is at our throats
again.
did we give enough.
were we charitable,
did we hide
a check or two, or three
under the table?
will they flag me for
writing off
cake and ice cream,
massage parlors,
the Gypsy too?
all work related mind
you.
my calculator is plugged,
my pencils sharpened.
where dear lord
should i begin?

two gift cards from Dollar General

once more, i have won
the lottery.
i have been awarded
seven point two million dollars
and a luxurious
white Mercedes Benz
from the publishers clearinghouse.
the man
has informed me on the phone
with glee
that i am a lucky winner.
i sigh.
i tell him thank you,
and ask him which store
should i go to
to get gift cards to pay
the taxes on my winnings.
he tells me Dollar General,
or Kroger's.
Wal-Mart maybe.
he needs
two four hundred dollar
gift cards
to satisfy the IRS stipulations
on such earnings.
no problem, i tell the man,
who sounds
strangely Jamaican,
despite having the name,
David Martin.
i'm on my way now, i tell him,
walking
through a blizzard, with
my sled dogs.
and rifle to shoot off any
wild wolves
that might try to devour me.

out of season

you can't pick
it too early, or too late,
there is a sweet
spot for
fruit
when it's time to take
a bite.
it can't linger in a wooden
crate
for weeks
on end,
or cross the ocean
in containers,
cardboard boxes and
steel bins,
it isn't right.
though they look fine
beneath the glow
and polish
of earnest hands
and fluorescent
lights.
these apples, these berries
these melons
won't please you,
wait until the season
is right.

it's what men do

i see the men
with their shovels
and salt,
in their new Christmas coats,
high boots,
hats and scarves
secured
around their necks as
they dig out their cars,
shoveling
the walk all the way
down to the street.
it's what men do.
we hunt, we get out
there, no matter
the weather, no matter
if there's a war.
we can't help ourselves.
we need to
get to the market,
the gas stations,
to the post office.
nothing will stop us,
but ourselves.

scotch and cigarettes

a new pint
of old scotch is left on
the stone,
beneath
which
a body lies, long gone.
the birth and death,
and name,
carved clearly.
there's a pack
of lucky strikes
left on the marker,
a box of strike
wooden
matches too.
he was Pharoah of some
sort,
i imagine,
lacking his own
pyramid,
just a cold blanket
of snow,
the low winter
light making it
blue.

Thursday, January 18, 2024

no traffic if you go now

standing on the corner,
with my phone
in my pocket, tucked
away,
i talk to my friend
Jimmy,
about
a new set of tires for my
car.
within
minutes,
i'm receiving emails
and texts
from firestone
and goodyear
informing me of radials
on sale.
Jimmy asks me
if there are any good
pizzas parlors around
that we can 
got to for lunch.
i tell him, hold on for
a minute,
then i check my
phone, 
it says try Luigi's
five blocks from where
you're standing.
go south on 5th avenue,
no traffic
if you go now.
and by the way, your
zipper's down.

the house of cards

we all
are a house of cards.
the stack
built high
on luck and ambition,
so easily
tumbled
once the first one
falls to the side.
whether money
or health,
the dark wind
of some misfortune,
we are all
just moments away
from
being hopeless
and homeless,
thrown out
on our ear, scrambling
to stay alive.

spicing things up

i'll never
eat another jalapeno
pepper again,
i say
to myself,
as i swallow four
magnesium
chalk
like pills for indigestion,
trying to
assuage
the heart burn.
why did i cut
them up and throw
them
into the hashbrowns,
the eggs.
always trying to spice
things up.
i knew this was going
to happen,
but i did it anyway.
chapter three
in the story
of my life.

nocturnal beasts

the animals,
come out at night.
their footprints
are in the snow.
nocturnal beasts,
foraging for food.
wolves
and coyotes,
foxes
and raccoons.
look at all their footprints,
from porch to street,
back to the woods.
and then there's
yours,
the imprint of your high
heel shoe,
sneaking around
in the dark,
peering into my window.
so you.

water used to be free

it seemed
silly, back then,
and by back then,
i mean
before the 80's,
the idea of bottled water,
paying for it,
when all you had to do
was turn
the faucet on,
twist the spigot of the garden
hose and out
came
a steam of water, hot,
or cold.
though with the hose,
you had to give
it a few minutes
to wash out that rubbery
vinyl taste.

waking up to butter milk biscuits

there are times lately,
when i wake up
at the crack of dawn,
way too early, but i'm
no longer thinking
about sex, and the flight
attendant, Debbie.
instead i'm
half dreaming and thinking
about buttermilk
biscuits,
piping hot from the oven.
the kind
that melt into your mouth,
little pasty clouds,
with the soft warm
crumbs tumbling
down my chin.
a stack of them
on a plate
with a stick of butter
near by.
i may be nearing
the end.

her plastic snake boots

she had no
television, no land line,
no radio.
she had a flip phone,
from back
in the Fred Flintstone days
and the original
computer
that Radio Shack made.
she had no
chairs,
no sofa, her mattress
was on the floor,
no shades on the windows.
every room
was cluttered with boxes
and clothes,
books and magazines
with Elizabeth Taylor
on the cover.
she used to wear her pink snake
boots when
she went out to the compost
pile in the yard.
she was an interesting woman
who memorized sonnets
from Shakespeare,
seventy miles
away
on the Eastern shore.
i never quite figured out
her love language.
but i don't see her
anymore.

ten dollar bill in the window

i keep waiting for a kid
to knock
on my door
to ask me if i want
my sidewalk
cleared,
my car shoveled out?
but no.
kids don't do that anymore.
over the age of ten
they don't go
out into the snow
like they used to.
i tape a ten
dollar bill in
the window.
trying to tempt them, but
they walk
by and laugh.
i guess it's on me again,
shovel, scrapper, salt,
boots on,
here we go.

a Baskin and Robbins world

we need to know
where we've come from,
it's the new age
of science. the vial
of spit tells all.
are we
the outlier,
the bastard son, who was dad,
really?
or mom.
are they part Indian,
or Italian,
Scandinavian?
is there a smidgen
of Polynesian blood in me?
please tell me i'm not
related to Charles Manson,
or Richard Nixon,
or Zsa Zsa Gabor.
what island
was our blood spilled
on,
where did these blue
eyes
come from.
these long legs, these
red curls?
Adam and Eve must have
been wild
looking people,
to propagate this varied
world.

still loading

we live
in a world of never ending
updates.
the software,
being twisted and turned
into a new
more improved
mode.
update now, update later,
whenever,
but do it soon, or you'll
be left down the road.
don't make me
laugh at your
dumb smart tv and your
3 g phone.

Wednesday, January 17, 2024

the black phone on the kitchen wall

why answer
the home phone anymore?
the black
phone
on the kitchen wall.
who has that number?
no one
that i know.
and yet,
the long cord,
and circled numbers,
the permanence of it,
the memory
of youth,
crouching
behind the basement
door,
sitting on the steps,
stretching out the cord.
and in hushed tones,
sweet talking
some girl.
how can i ever let go?

pulling the red wagon

those early hours,
dark mornings, 
with the world asleep,
pulling the red wagon
along,
the dog
at my side,
the post
rolled into batons,
ready to be
tossed onto
cold stoops,
only
the squeak of wheels
on the hard road
cracking the quiet,
with the bloom of breath
before me,
those mornings
before the sun arose,
with the moon still 
sharp in the sky,
were blissful,
strangely sublime.

partners for life

we worked
side by side for years,
John and I,
together
in a vague agreement,
still young
in age,
a business shared.
and despite
the friendship
of school and
being the best man in
each other's wedding,
playing ball
until the sun went down.
we weren't
the same when it came
to work.
which ended it
in time,
though through 
the rest of life, his cut
short too soon,
we got along just fine.

she wouldn't be in for work today

perhaps too young
to see such a thing, a mere
child
of sorts,
with shaggy hair,
and loose
cloths,
together we knocked
and entered
the quiet room,
the building manager 
using her
key,
so many on a chain,
a silvered clump,
and me,
behind her,
inquisitive as i came
down the hall,
but there, on the bed,
below
the ironing board,
the iron
still hot, though the steam gone,
her dress
for the new day, still wrinkled
stretched out,
the blouse on,
as she lay
face upward staring
at the blank ceiling i had come
to paint.
who was she, who would
know
that she wouldn't be in for
work today,
or the next and then
never at all.

food, air, water, shelter, start digging

i see the family
next door, digging daily.
shovels
in hand.
the mother handling
the wet
mortar,
children with bricks
in their arms,
the father near the entrance,
a blow torch
aflame.
they're preparing for the end.
constructing
a shelter below ground,
for the oncoming Armageddon,
having watched
the news
continually, both fox
and cnn.

a shine on everything

it's enough,
this crust of bread, this drink,
this small
abode,
this bed.
it's more than enough.
more than
i ever thought i'd
possess.
coming from nothing
puts a shine
on nearly
everything, 
one would guess.

holding God accountable

as we inch forward,
moving
in small hour increments,
towards
the inevitable end,
the exit door,
another
day closer
to what surely won't be
the finish, will it,
dear lord?
your promises
will be held up to the light,
won't they?

do you need more?

is this bowl of fruit
on
the table,
proof of God?
the bright color of an orange,
the sweetness
of the apple,
the grapes
off the vine.
is this enough proof
of intelligent
design,
or do you need more.
what about
the fly
hovering, is that enough
or should
we continue?

mistakes were made

what is there
to say,
or think of the single
room
in a shared house,
the hearing of footsteps
on the floor above,
the rattle
of dishes
down the hall.
how has this come to be.
from riches
to rags,
in such a furious
fall?
what memories appear
as sleep
doesn't come.
what are the reasons
for landing
here,
alone, and poor
under the fierce glare
of a relentless sun?

politics and food

obviously
i don't let world politics
interfere
with my culinary
choices.
last night i had Chinese
food,
General Tao chicken,
and a Mai Tai.
and today,
i'm crossing the border
down south,
with a plate
of enchiladas
with beans and rice.
tomorrow i might do down
to the Russian Tea Room
for a bite,
or pour
some Canadian maple
syrup onto
my pancakes,
with sausages from Venezuela,
then smoke
a cigar from Cuba,
do you have a light?

selecting clothes for the day

pick me,
pick me, pick me,
the blue
shirt cries out,
as i slide the hangers
down,
one after the other
searching for
something to wear.
no,
not today.
i'm not feeling blue
today,
especially with white
stripes
and a collar.
a button down.
i think i'll go with that
grey sweatshirt
bundled in a ball
on the floor,
again,
the one with the coffee
stains
and the threads
unwound.

she reminded me so much of you

the dog
reminded me of you.
but in a good way.
please don't misunderstand
me.
her blonde curls
and big brown eyes.
the way
she snuggled up next
to me in bed.
keeping me warm
on winter nights.
her kisses.
her wagging tail.
her refusal
to do anything i said.

come over here and sit

i  should fix
the wobbly leg of that chair.
the one
everyone wants to sit in when
they pay a visit.
a simple screw
or nail,
or dollop of glue
should do the trick.
i'm weary of saying
to others,
please, not that chair.
come over here
and sit.

i gave a letter to the postman

the mailman,
or is the mailwoman
now?
i can't tell with that uniform
and bag
over his or her
shoulder.
and the beard.
it looks freshly grown,
like spring
grass.
can i call her dear,
or miss,
or sir?
the high heels
are messing with my head.
maybe i'll just take the letter
to the blue
box on the corner
and not bother her
to put it in the sack.

she's got me down

you don't seem like
an INFJ,
she tells me over coffee
in the park.
at least not all the time.
what's that?
i ask.
what are these letters you're
throwing around,
labeling me?
sometimes,
you can be mean and
vindicative
towards others that hurt
you,
you're not all tea
and sympathy.
but you do need structure,
don't you?
it is a blessing and a curse
to feel things
so strongly, but no worries.
i'll pray for you
as you savor your privacy
and down time.

Tuesday, January 16, 2024

made in China

i turn over
the salt shaker, made
in China
it says.
the table lamp,
the computer,
the radio,
the phone, my shoes.
i look at the tag
on my mattress,
made in China.
i pull back the tongue
of my shoes,
the labels
on my food.
the television.
made in China.
i'm afraid to pull
back your hair, dear,
for what i
might discover
stamped on the nape
of your neck.
you too?

tell me how you really feel

as you lie
there
in your white fluffy coffin,
costing a pretty
penny,
the lid
open,
listening attentively
to the eulogy
of loved ones,
full of praise,
that's not
what you want to hear.
what you really
want to hear
is what they say
on the drive home,
or the next day,
out of ear shot from
the family,
and the grave.
that's when you'll truly
know how they felt
about you.

it wasn't my fault sweetheart

i see the cars
and trucks
off the side of the road,
head long
into ditches.
speeding perhaps,
sliding
on the ice
when braking in
the falling snow,
the black
slick roads,
while taking a nip
or two
from the flask
of booze,
but the car is still there.
bent
in poles and trees,
broken fences while
the people,
have staggered off
to tell her their
husbands or wives,
about
the other guy.

not always this kind

as the fish, 
loses consciousness,
drowning
in air,
pulled from the sea,
tricked
into biting
what isn't bait
but a scam of sorts.,
arranged by me.
i feel bad for it.
can i be one
to kill something so
beautiful
and free,
a rainbow
of nature,
something so innocent,
just minding its
own business, swimming
around
merrily?
is that me?
with knife in hand,
butter already
melting in the pan.
seasoning
set aside,
ready
to filet its life away?
no, apparently not,
not this time,
but i'm not always this kind.

below Grand Central

it is here
below the granite of streets
and high-rise
buildings.
the darkness, the screech
of iron
and steel,
it is here where you arrive
and leave,
with one small
bag of your belongings.
already
drenched in the smells
of what
keeps the city alive.
the grease of it all,
the fairy dust,
the hollers and yells,
the horns
blaring.
all of it in a constant
bustle.
it is here where you'll
rise on the moving
stairs,
and enter this other world.
neither fair
or fair.

who goes there?

it's alive, this house,
the bones
of it rattle
on a cold night, the pipes
groan,
the stairs
creak even without
the weight
of a single
foot
or leg.
the wind catches the shutters,
making them bang
and shake.
a whistle of cold air,
creeps
through
the loose door, the untight
windows.
in the middle of the night
i awaken,
startled by the cacophony
of noise,
i shout out,
who goes there?
have i let in yet another 
mistake?

sixty going on fifty

her age
is somewhere between
fifty and seventy.
her plastic surgeon is a God.
i see no
lines, no stitches,
no misshapen skin.
her face is as smooth
as a baby's
butt,
with a similar frozen
grin.

the goose in the window

it's a good day for a steaming
hot bowl
of porridge.
whatever that is.
it's a Charles dickens kind
of day.
grey.
snowy.
with chimneys full
of smoke,
icicles hanging from
the gutters,
where's my long coat
with deep pockets,
where are the rags i use
for gloves?
i need to get
to the market
to buy a goose hanging
in the butcher's window.

keep yourself

it's better
being nobody, going unrecognized.
fame.
it's good for a moment or
two,
the paparazzi,
the  adoring fans
wanting
a piece of you, but
you don't want that
in the long run.
keep yourself
to yourself.
it's the best way to go.
you don't want
your face
your life plastered all
over the world.
it won't end well.
stroking
that bottomless and needy
pit of your ego.

Monday, January 15, 2024

just babbling here for a moment or two

so, what is it?
what keeps you alive.
i mean besides
food and water,
shelter.
but beyond that, is it love,
family.
religion.
curiosity, sex?
or is it the cinema
and books or
Netflix?
maybe it's work,
or maybe
it's wine.
what floats your boat,
melts your
butter? what makes you
get up in
the morning and do it all
over again
with nearly the same results?
what winds
your watch
and keeps you ticking.
what or who
puts a spring in your step
a smile
on your face,
and pushes you forward
into another day?
okay,
i'm done here.
i've run completely
out of cliches
for one lame poem.

the memories are almost all good

for the most
part there are good memories
with snowfall.
the sleds,
and snowmen,
the cancelling of school
for days.
the snowball
fights,
how beautifully cold
and white
it all was,
as far as the eye could see,
but i can't help thinking
at times
when i see the children
flying down the hills
on their Rosebuds,
about the kid, Kenny, 
who hit a park bench 
one night,
and lost a kidney.

the red book of stories

my mother
would read to us before bed.
she was a good
reader.
lively with the words
when needed,
or soft and gentle.
we believed everything
that she said.
she put
stories in our minds,
lighting a candle
of imagination
that has never died.
closing the book at last
and saying,
enough for tonight,
more tomorrow,
before tucking
us into bed,
kissing each one of us
equally
on the cheek, or
forehead.
she was a good mother.

four days three nights

the brochure
is full of promise.
look at how blue the water
is, the sky.
how white the sand
is curving
along the island.
look at them,
the couple, so in love,
so perfectly
fit and young.
tanned like
melba toast.
i believe they've never
had a trouble
in their lives,
nothing has ever gone
wrong.
and what about us, should
we sign
on the dotted line,
make reservations for
the flight?
are we worthy of such fun.
of such
earthly delights?
or are we off to the boardwalk
again,
a four hour drive,
to the Ferris Wheel,
to salt water taffy
and to the ocean view motel,
four days,
three nights.

i smell what you're burning

you were
never good in the kitchen.
around
knives,
or bowls, spoons or
spatula.
what didn't you spill,
or burn.
there was never an oven
that didn't catch
fire,
or set the smoke
detector off.
you were a recipe for
a disaster
with your oven
mitts,
and fancy apron,
the bones in the fish,
the cascade
of peppers and turmeric.
your cooking was better
elsewhere,
in a different room,
away from
the kitchen.

waiting for inspiration

as i listen
to the dead poet read his poetry
in black and white
in the garbled
video
on YouTube,
i wait and wait,
for that magical word
or insight
and inspiration,
to pause the poem,
and run into the other
room,
to write
my own.

the appointment at four

i'm forced
by bad weather to cancel
the dental appointment,
the blue
light therapy
session,
the podiatrist,
the colonoscopy
follow up,
the optometrist
to straighten out my
double vision,
but i think
i'll keep that full
body massage
appointment
at four
Natasha is really something
with those hands
and elbows
when she oils up
my body and hops
on board.

the red silk underwear

in a manic
state of suspicion,
she cleaned my closet while
i was at work
and found
the red silk
shorts from a paramour
in the distant
past.
an exotic
fabric shaped to reveal
almost everything.
not well worn,
but worn
for sure on some hot 
valentine day night.
she set them on my nightstand
with a note.
saying,
now i know
who you really are,
to which i replied, they aren't
even my size.

the first out to shovel

she's first
out with the shovel
and salt,
the sidewalk
squared
and bare.
first
upon her car, cleaning
it off
as if it never
snowed.
the wipers raised
in praise
of her efficiency.
i see her red wool
hat pulled
down
her matching gloves
and scarf.
but i can't help
wonder why
she stops at her car
and doesn't make it down
to mine
with more snow
about to fall.

the coming solution

there is a chance
for this.
this
world, as it turns towards
some darkness
unseen before,
there is a shot at redemption,
at a new way
of living,
but not until
it ends.
not until the buttons are
pushed
and egos served
to the almost total destruction
of all men.
then,
perhaps then,
there's a chance to start
over,
and at last begin again.

working on the time machine

as i tinker
with the time machine i'm building
in the basement,
drinking scotch
and listening
to Bob Dylan,
i wonder how far back i should
go.
what era suits me.
the fifties,
full of plaid
and pink kitchens,
the sixties, with
the illusion of free love. or
the seventies with all that bad
clothing.
do i still have my Nehru jacket?
who am i now,
i ponder, as i lift the needle
off the record
where it skips
on the song, It takes a lot to laugh,
but a train to cry.
maybe the eighties.
punk and new
wave.
i did like that hair style.

diamonds are a girls best friend

i finally
get the ring back in the mail.
the engagement
ring
that i gave her
as i bended a knee
and asked
for her hand in marriage.
drunk with 
the delusion of love.
what made
her send back the three thousand
dollar
diamond
that she wore
for a mere six months
guilt, remorse,
a change of heart?
she ran out of room with
a new and bigger ring
to put
into her jewelry box?
who's to know these things.
i'm not holding 
my breath, 
but yes,
there are two more to go.

the angry inch of snow

a mere
inch
of the white stuff, but it sticks
to the streets.
there will
be chaos.
there will be wrecks.
schools will
be canceled,
the shelves will be cleared
of milk
and bread.
the weathermen
and women will wet
their pants
with excitement.
snow at last they'll
proclaim,
proud
of their rare predictions
coming true,
at last.

miss America

i overhear backstage
the other miss America contestants
grumbling
about the winner
as they peel off
their gowns
and bathing suits,
scrubbing the layers of make
up off their faces.
i've been practicing my hula hoop
performance
for five years,
one girl says.
and me, the other girl says.
i was already to do my tap
dancing routine
to a compilation of songs from
Meet Me In St. Louis.
we had no chance against
this broad,
the others chime in,
putting down
their juggling balls
and rabbits
for magic tricks.
a raggedy doll used by
the ventriloquist.
she never even used one piece
of duct tape
to hold herself up.
smart, tall, blonde, beautiful.
for God's sake, she flies fighter
jets for the military,
and graduated from Harvard.
and now she's doing
cancer research.
and she's a nice person
on top of that. we had no shot
against her.
i hate her, i really do.

Sunday, January 14, 2024

maybe in the spring

i'm sure
my mother is wondering why
i haven't visited her,
lately.
but with the snow
on the ground
and the cold wind,
the ice,
i'm sure she realizes that
i'll never
find the location where they
buried her
five summers ago.
there's not a stone
with her name on it.
or a marker, no statue,
or cross,
no map to mark
the spot,
no bench for us to sit on,
to wile away the hours,
and talk.

Winter in the Woods

she took me down into
her basement to show me
her hand
made art.
sticks that she glued onto a board,
with stones,
white stones
from a field in New Hampshire.
dead leaves.
orange and red,
brown.
it's my therapy,
she said.
she held one finished piece
up for me to see.
i call this one Winter in the 
Woods, 
and told me that it was worth
five thousand
dollars. the latest bid.
no doubt, i told her,
at least.

turning inside out

not talking,
seems like a good idea.
to go a day
or two without a word,
without a sound
coming out of my mouth.
not a whisper
or a whistle.
just the quiet hum of breathing
as i work,
as i write.
what haven't i said,
that needs
saying again?
what ear would even listen
if i did?

O'hara

his
death was in the news.
an accident
on Fire Island.
barely half
of his life
lived.
a dune buggy striking
him
over the swept sand.
taken
to die in a hospital
in a city.
his books are on my shelf.
do i love
his work, hardly,
but still,
they're alive and true.

my fiancé, joe, she says

i'm glad
she's in love, that she's
found someone.
someone to fill the void,
to ease
the ache of her
aged heart.
i see the ring on her finger.
the gleam
of it
in the morning sun
as she
carries
boxes to her car.
the tall man
beside her,
quiet, with a worrisome
look in his eyes.
i'll miss the sound of her
fingers
on the keyboard
next door.
but i'm glad for her.
at least for now.
tomorrow,
who knows.

this will have to wait

we see the approaching
storm
hovering over
the darkened sea,
boatless
and rough,
to seek refuge beneath
the canopy
of a cafe
along the boardwalk.
our talk is delayed.
as the storm
arrives,
and the wind takes over,
the howl,
the roar
of waves.
we'll live through this,
but our lives 
and the direction
they were about
to take, will have to wait.

the Clark bar incident

as she's telling me about
the joy
of camping and
hiking,
trying to convince
me to hike the Appalachian Trail
with her,
she shouldn't,
but she does, she lifts the hem
of her skirt
to show
me a scar.
a serrated patch of skin
long healed.
shark bite? i ask her,
no, she says.
kitchen quarrel with an unruly
knife.
snake bite?
no again, she says.
i was camping
and suddenly there was
this enormous black bear
who came
into my tent
as i was eating a Clark
bar.
i was lucy to survive.
indeed, i tell her, indeed.

the payment overdue

i'd forgotten
about the check
yet paid.
it's been months since the work
was done.
i've been lax
with payments due.
and now here it is,
at last,
arriving in the mail.
a small sum,
enough
to buy a few bags
of groceries,
cover a bill or two.
a paltry amount,
and yet
not unwelcome.

as trees fall in the wind

traffic,
backed up for miles,
the blue lights of state troopers
ahead,
waving with
flares,
bundled in the wind,
out of their
cars.
a tree has fallen onto the road.
an old oak?
not too exciting,
and yet
the mice are anxious,
creeping over
and over,
leaning on their horns,
in a hurry to get back
home.

so there's hope

it's a thumbnail photo.
crinkled
with a spill of some sort.
black and white,
the edges
yellowed.
partly creased.
the smile is there,
the bright eyes.
it shines with a promise
yet fulfilled.
maybe it was in a wallet
at some point,
or in a vest
pocket, tucked
away for a sailor or soldier
as he went
off to war,
staring deep into the night
at his loved one,
so far away.
did he die in battle,
maybe,
maybe not, but the picture
still remains,
so there's hope.

brainwashed left and right

is there a news
source
not bent left or right.
but straight
down the middle,
with no agenda?
is there a talking head
without
bias.
does everything have to be
a speech of some
sort?
each column,
each bit of news written
or spoken
tainted
with opinion?
if everyone is wrong,
how can anyone
be right?

Saturday, January 13, 2024

things you say now but didn't say then

there are things you say
to yourself now that you would
never say when
you were twenty years old.
such as,
these shoes are very comfortable,
i think they'll be
great for walking
to the lake to feed the ducks,
or this room has great
lighting.
i can see a chair over there
near the window
to sit and read in.
and this other room,
so nice and dark, a perfect spot
for an afternoon nap.
what's the thread count on
these sheets?
Egyptian Cotton?
let's go to a matinee,
it's less crowded
and cheaper.
i'll have the hamburger without
the bun please.
what's the cheapest station
around here
to get gas?
it's ten, way past my bedtime,
i think i'll turn in.
is it okay dear to wait until
morning,
before we monkey around
again?

a contract based on emotion

he preferred
professional women.
women
of the night,
young beauties
of the red light district.
it's an exchange,
he'd say.
a transaction,
not a business contract,
long term,
like marriage,
based on an emotion.
this was
cash for services
rendered,
minus the nagging,
the get your
feet off the coffee
table,
go mow the lawn,
dig up the weeds
and walk the dog.
my mother is coming to live
with us next week,
can you paint the hall?
at the end of it no one
gets my
house, he'd say.
i don't have to get a lawyer,
or give up half of everything
i've worked for.
i don't have to move.
i keep my cars,
my life,
my dignity.
i sleep deeply at night.
and i never 
have to beg,
when i'm in the mood.

men becoming women

there are
sayings now. which are no
longer
sayings,
but are now called memes,
for some unknown reason.
live your own life.
follow your path.
it takes a village,
whatever
that means.
be true to yourself.
etc.
i remember just waking
up and going
to work
and being happy
to have 
a good forty hours
or more of
hard labor,
then at the end of two
weeks, a paycheck.
i don't recall a lot
of navel gazing to become
who i'm supposed to
be, or not be,
and all that other
mind numbing crap.
i think Phil Donahue was
the turning
point when men started
to become women, putting
on dresses,
cutting things off and 
wearing make up.

can you get this open for me?

it's not just the butter
tub
that i can't get the lid off of.
or the aspirin
bottle,
or the box of cream,
or the tube
of toothpaste.
the triple
wrapped
box from Amazon.
the ketchup
bottle that won't squeeze.
it's more
than that.
all first world problems
of some
sort
that make my fingers
bleed.

waking up to the noon clock

you can't tell
a child
about your childhood.
explaining
the lacks
in your early life.
the work,
the struggle to survive.
you can't
moan
and groan about the distance
between
school and home
that you walked in all weather.
or the empty
ice box.
the shoes with holes.
you can't
talk about your first job,
your second
job
and the ones that followed.
they stare at you
and smile.
waking up
to the noon clock,
and say that's a shame,
too bad for
you.
dad, i need the keys
to your car.