fear leads
to wonder, to answers.
you become a detective.
you learn
the code,
passwords, you know where
to look
where to go
to uncover the madness
that darkens your soul.
your gut tells you all,
but the truth has not yet
set you free,
you need more.
you are light on
your feet,
savvy in the ways of others.
you read
body language, the long
stare,
the anxious pose. sherlock
holmes has
nothing on you.
you read between the lines,
listen to
the untrue words that unfold.
you find out everything you
need to know.
you find the fingerprints,
the gun, the knife,
a trail of blood,
the hidden
prose.
Saturday, February 29, 2020
quiet being gold
refreshing, this February air.
this arctic blast.
how it stings gaily at my face
as I go down
through the woods, the lake,
a familiar
and well worn path.
the water is more blue than
ever.
a shimmering sheet of metal,
the sky and green, the cold
rocks
and sand below.
few are out in this wind.
even the birds are lying low.
which makes
it even better.
quiet being gold.
this arctic blast.
how it stings gaily at my face
as I go down
through the woods, the lake,
a familiar
and well worn path.
the water is more blue than
ever.
a shimmering sheet of metal,
the sky and green, the cold
rocks
and sand below.
few are out in this wind.
even the birds are lying low.
which makes
it even better.
quiet being gold.
Weekend Work
work is her salvation.
burrowed in behind the locked
door of the office.
she needs the desk, the screen
the phones.
the quietness of Saturday
and sunday
alone.
no office mate to close the door
behind.
no boss wondering where
his glasses
or keys are.
she finds strange solace, bent
at the cold machines,
texting, or talking to whomever
she wants to.
no guilt, no fear, no worries
anymore
about being caught
with all her lies.
her long hands on
on the keyboard
she wiles away the hours.
wishing dark would come.
it's not about money, or ambition.
it's about having nothing
else to do
with her life.
and the years trickle by
like a cold
rain, as she sits
and looks out window,
knowing sadly, that
there is no place better
to hide.
burrowed in behind the locked
door of the office.
she needs the desk, the screen
the phones.
the quietness of Saturday
and sunday
alone.
no office mate to close the door
behind.
no boss wondering where
his glasses
or keys are.
she finds strange solace, bent
at the cold machines,
texting, or talking to whomever
she wants to.
no guilt, no fear, no worries
anymore
about being caught
with all her lies.
her long hands on
on the keyboard
she wiles away the hours.
wishing dark would come.
it's not about money, or ambition.
it's about having nothing
else to do
with her life.
and the years trickle by
like a cold
rain, as she sits
and looks out window,
knowing sadly, that
there is no place better
to hide.
her in arizona, me here
we talk
for two hours.
the conversation goes everywhere.
she in Arizona,
me here.
her with green cabinets.
that santa fe
look.
the golden sky.
the dry
field.
the dust and weary cacti,
horses
running loose.
we talk. we talk. we eat.
we drink.
we rest the phone between our
shoulders.
two strangers
on the wire, on the line
in the air.
silence is rare, then we go
on about
our lives. finally hanging up.
her in arizona,
me here.
for two hours.
the conversation goes everywhere.
she in Arizona,
me here.
her with green cabinets.
that santa fe
look.
the golden sky.
the dry
field.
the dust and weary cacti,
horses
running loose.
we talk. we talk. we eat.
we drink.
we rest the phone between our
shoulders.
two strangers
on the wire, on the line
in the air.
silence is rare, then we go
on about
our lives. finally hanging up.
her in arizona,
me here.
the other world
the other world
comes to us in dreams.
in
brokenness. in heartfelt
prayer.
submission and surrender
are doors
to it.
to answers.
for love and understanding.
the other world,
don't laugh, is real.
it's not easy, but
I've been over there
many time.
paying dearly for a glimpse
through pain and suffering,
in gaining the ephemeral
knowledge
of it all,
the absence of fear.
comes to us in dreams.
in
brokenness. in heartfelt
prayer.
submission and surrender
are doors
to it.
to answers.
for love and understanding.
the other world,
don't laugh, is real.
it's not easy, but
I've been over there
many time.
paying dearly for a glimpse
through pain and suffering,
in gaining the ephemeral
knowledge
of it all,
the absence of fear.
saying no
if you truly
care about yourself,
love yourself, respect yourself.
want the best for yourself,
you have to say no
on a regular basis.
no to anyone that comes into your life
with bad
intentions.
no to anyone that lies to you.
anyone that gaslights you,
charms you.
manipulates you.
any sort of intentional or
unintentional abuse.
no, not for me. go and leave.
you have to say no, and no again.
this is the only
way to stay healthy and happy,
keeping the sheep
in wolves clothing
away. say no. don't let
them in.
care about yourself,
love yourself, respect yourself.
want the best for yourself,
you have to say no
on a regular basis.
no to anyone that comes into your life
with bad
intentions.
no to anyone that lies to you.
anyone that gaslights you,
charms you.
manipulates you.
any sort of intentional or
unintentional abuse.
no, not for me. go and leave.
you have to say no, and no again.
this is the only
way to stay healthy and happy,
keeping the sheep
in wolves clothing
away. say no. don't let
them in.
self love
I normally get up at seven thirty,
but this morning, I treat myself and sleep
until
seven thirty five.
then finally sit up,
refreshed and alive. I stretch
and yawn.
a sweet extra few minutes. but I deserve
it.
I work hard.
we all need that extra bit of time
to unwind
and relax.
self love, baby. self love.
but this morning, I treat myself and sleep
until
seven thirty five.
then finally sit up,
refreshed and alive. I stretch
and yawn.
a sweet extra few minutes. but I deserve
it.
I work hard.
we all need that extra bit of time
to unwind
and relax.
self love, baby. self love.
playing with fire
we all have a relationship with fire.
the fireplace in your parents home.
the blue light
of logs burning.
some idyllic memory
of the family gathered, the dog,
etc.
a mythic Rockwell painting.
the teenage smoke behind the school,
the struck match
held to the cigarette.
the house on fire, the engines,
red
and loud,
the hoses spraying the roof.
the sirens, the sirens.
the barrel in the woods
or on the street with the homeless
gathered,
hands rubbed over
the yellow heat.
the campfire.
the marshmallows on sticks.
the stove, with a pot of water
above
the flames
that swim and lick.
and then the trashcan in the yard
full of leaves
and sticks.
all the memorabilia and pictures
that never
really did exist.
tossed in one by one.
all of it up into the sky.
sweet gray ashes going
bye and bye.
the fireplace in your parents home.
the blue light
of logs burning.
some idyllic memory
of the family gathered, the dog,
etc.
a mythic Rockwell painting.
the teenage smoke behind the school,
the struck match
held to the cigarette.
the house on fire, the engines,
red
and loud,
the hoses spraying the roof.
the sirens, the sirens.
the barrel in the woods
or on the street with the homeless
gathered,
hands rubbed over
the yellow heat.
the campfire.
the marshmallows on sticks.
the stove, with a pot of water
above
the flames
that swim and lick.
and then the trashcan in the yard
full of leaves
and sticks.
all the memorabilia and pictures
that never
really did exist.
tossed in one by one.
all of it up into the sky.
sweet gray ashes going
bye and bye.
Friday, February 28, 2020
catholic guilt
your catholic guilt
rises
on occasion.
you feel bad and sorry,
and apologize
for any harm, or misunderstandings
that may
have
occurred.
so much is your fault,
along with hers.
but you try
to do better
the next time. to be honest,
and true.
to be kind
and compassionate. to forgive,
but the other side is a part
of you too.
so guilt is a good thing,
a blessing in
disguise,
it
can throw
you to the wolves,
but it doesn't have to.
rises
on occasion.
you feel bad and sorry,
and apologize
for any harm, or misunderstandings
that may
have
occurred.
so much is your fault,
along with hers.
but you try
to do better
the next time. to be honest,
and true.
to be kind
and compassionate. to forgive,
but the other side is a part
of you too.
so guilt is a good thing,
a blessing in
disguise,
it
can throw
you to the wolves,
but it doesn't have to.
the exact opposite
you want romance.
you want words without speaking.
eye to eye.
heart to heart.
giving
and receiving.
you
want not something that resembles love.
not love
lite,
not love washed out.
not
empty love.
you want the real thing from a real
person.
you want romance.
to dance.
to sing, to laugh and cry together.
and see it
through to the end.
whatever end
that might be.
you want romance, not what
came
before.
the exact opposite, in fact,
would be fine.
you want words without speaking.
eye to eye.
heart to heart.
giving
and receiving.
you
want not something that resembles love.
not love
lite,
not love washed out.
not
empty love.
you want the real thing from a real
person.
you want romance.
to dance.
to sing, to laugh and cry together.
and see it
through to the end.
whatever end
that might be.
you want romance, not what
came
before.
the exact opposite, in fact,
would be fine.
watching the detective
the neighbor
keeps an eye on the neighbor hood
with his new camera
door bell.
his cameras
in the front and back,
inside as well.
he's gone dark, gone cia on us.
he knows all.
our late night endeavors,
who comes
who goes.
he's on top of things.
keeping a list.
he's watching and listening
to every word
spoken,
every snake with a hiss.
raccoons have no chance
at the trash.
the cars are safe.
every sound is heard,
every movement captured.
there is nothing left to chance.
keeps an eye on the neighbor hood
with his new camera
door bell.
his cameras
in the front and back,
inside as well.
he's gone dark, gone cia on us.
he knows all.
our late night endeavors,
who comes
who goes.
he's on top of things.
keeping a list.
he's watching and listening
to every word
spoken,
every snake with a hiss.
raccoons have no chance
at the trash.
the cars are safe.
every sound is heard,
every movement captured.
there is nothing left to chance.
the ink well
i'm out of stamps.
out of envelopes.
empty of paper to write on.
save me from going paperless.
save me
from online banking.
from never seeing a bill in my hands.
save me from paypal
and credit cards,
debit
and bitcoins, (whatever they are)
please,
keep the mail coming.
I need my checkbook,
my
balanced account done under
the desk lamp
with ink and twill.
out of envelopes.
empty of paper to write on.
save me from going paperless.
save me
from online banking.
from never seeing a bill in my hands.
save me from paypal
and credit cards,
debit
and bitcoins, (whatever they are)
please,
keep the mail coming.
I need my checkbook,
my
balanced account done under
the desk lamp
with ink and twill.
who's to blame
who's to blame.
my fault, her fault.
the fault of vodka,
the night air. the
music.
a full moon and conversation.
we should stop, but don't.
who's fault is it when things
don't go
the way
you think they should.
it's not always love,
or even like,
sometimes it's a mistake made,
a muddled agreement,
mutual and wrong
to go onward,
an error in judgement,
with shame and regret,
for both, it's
something
done in the dark, without
a light.
my fault, her fault.
the fault of vodka,
the night air. the
music.
a full moon and conversation.
we should stop, but don't.
who's fault is it when things
don't go
the way
you think they should.
it's not always love,
or even like,
sometimes it's a mistake made,
a muddled agreement,
mutual and wrong
to go onward,
an error in judgement,
with shame and regret,
for both, it's
something
done in the dark, without
a light.
on hands and knees
on my hands and knees,
like my Philadelphia grandmother,
Lena Orsini.
i go
out and scrub
the front porch
with a hot bucket of soapy
water,
a brush, a rag,
a towel.
it's a cold day, but the porch
needs cleaning.
i'm out there for an hour
or two.
a raw wind in my face,
going at it hard.
my knuckles bleed into
the concrete
as they scrape across
the slab.
i realize what i'm doing,
i'm not fool, although
others may disagree, i know
that this has nothing to do
with the porch,
but has a deeper more
metaphorical
meaning.
i'll get it clean yet.
i'll remove all
memory
of what was.
my determination is nothing
if not persistent.
like my Philadelphia grandmother,
Lena Orsini.
i go
out and scrub
the front porch
with a hot bucket of soapy
water,
a brush, a rag,
a towel.
it's a cold day, but the porch
needs cleaning.
i'm out there for an hour
or two.
a raw wind in my face,
going at it hard.
my knuckles bleed into
the concrete
as they scrape across
the slab.
i realize what i'm doing,
i'm not fool, although
others may disagree, i know
that this has nothing to do
with the porch,
but has a deeper more
metaphorical
meaning.
i'll get it clean yet.
i'll remove all
memory
of what was.
my determination is nothing
if not persistent.
that was that
she was nineteen, one year removed
from high school,
I was much older, at twenty two.
scrambling
for jobs, any job. going to
night school.
living
on a dime
in a one bedroom apartment near the race
track.
ground floor, the trash room
conveniently located
on the other side of my door.
we got married.
I wore a white suit, she and her
seven bridesmaids
wore shiny
green dresses.
it lasted six months, or less.
I remember seeing her walking
home to her mother's apartment,
in view from our bedroom window.
she had a single suitcase which
held all of her clothes,
and a blender, still in the box,
under her arm.
a wedding gift. she took the frozen
remains of the wedding
cake too.
and that was that.
from high school,
I was much older, at twenty two.
scrambling
for jobs, any job. going to
night school.
living
on a dime
in a one bedroom apartment near the race
track.
ground floor, the trash room
conveniently located
on the other side of my door.
we got married.
I wore a white suit, she and her
seven bridesmaids
wore shiny
green dresses.
it lasted six months, or less.
I remember seeing her walking
home to her mother's apartment,
in view from our bedroom window.
she had a single suitcase which
held all of her clothes,
and a blender, still in the box,
under her arm.
a wedding gift. she took the frozen
remains of the wedding
cake too.
and that was that.
everything we need is here
it will be a short day.
a long drive,
but two hours on the job,
then home.
i'll give you a call.
let's
go out, have fun. winter
is no
time to be alone.
bring your lips and legs,
i'll cook.
we'll drink
and sink into the deep
cushions
of the couch.
no need to go back out.
everything we need is here.
a long drive,
but two hours on the job,
then home.
i'll give you a call.
let's
go out, have fun. winter
is no
time to be alone.
bring your lips and legs,
i'll cook.
we'll drink
and sink into the deep
cushions
of the couch.
no need to go back out.
everything we need is here.
February 18th
once upon a time
we went to a bed and breakfast
in west virginia.
a long drive down a ribbon of
wintery roads.
the name of the place escapes me.
it's where she used
to go
with her ex husband and son
and probably
her married boyfriend
of six years.
a pretentious
old house in the middle of
nowhere. a seven course meal.
one potato, nine dollars.
butter? extra.
a room
the size of a closet.
cramped and musty with
the dollar driven lives
of others,
the smell of old money,
new money, decrepit
bones and flesh left
behind.
blue bloods. green bloods.
a rough old bed.
a fireplace.
a broken piano pushed
dust laden into a corner.
I remember looking out
the doll house windows of the stone
walled room
and staring at the ducks
white and fat
on the cold pond.
how lucky they were not
being me.
the black cars arriving.
waiters who had been there for
years. grey faced
and weary
of the patrons,
each one more important
than the next.
I couldn't wait to leave, to run.
bored, no fun. I stuck it out,
knowing that our end
was near.
her lies had caught up with
her,
and now it was just a matter
of time
for the other shoe to drop.
mine.
we went to a bed and breakfast
in west virginia.
a long drive down a ribbon of
wintery roads.
the name of the place escapes me.
it's where she used
to go
with her ex husband and son
and probably
her married boyfriend
of six years.
a pretentious
old house in the middle of
nowhere. a seven course meal.
one potato, nine dollars.
butter? extra.
a room
the size of a closet.
cramped and musty with
the dollar driven lives
of others,
the smell of old money,
new money, decrepit
bones and flesh left
behind.
blue bloods. green bloods.
a rough old bed.
a fireplace.
a broken piano pushed
dust laden into a corner.
I remember looking out
the doll house windows of the stone
walled room
and staring at the ducks
white and fat
on the cold pond.
how lucky they were not
being me.
the black cars arriving.
waiters who had been there for
years. grey faced
and weary
of the patrons,
each one more important
than the next.
I couldn't wait to leave, to run.
bored, no fun. I stuck it out,
knowing that our end
was near.
her lies had caught up with
her,
and now it was just a matter
of time
for the other shoe to drop.
mine.
don't look at me
it's almost rude
to say hello these days.
to hold a door,
to tip a hat,
to help a stranger with
a bag,
or ask the time.
to make eye contact.
the world has changed.
our phones,
our screens, our technology
has
taken the civility out
of our souls
and driven us mad.
to say hello these days.
to hold a door,
to tip a hat,
to help a stranger with
a bag,
or ask the time.
to make eye contact.
the world has changed.
our phones,
our screens, our technology
has
taken the civility out
of our souls
and driven us mad.
Thursday, February 27, 2020
pajamas all day
how long, he asks, do you want
to keep
working.
staying at it. day in day out.
the business.
the clients, the calls?
the paperwork and taxes?
he's in his pajamas and it's one
o'clock in
the afternoon.
he's having poached eggs
in front of the tv.
I look at him and say,
two years, maybe three,
we'll see.
it's not about the money
anymore.
it's about something else.
it's about not wearing my pajamas
all day,
perhaps.
to keep
working.
staying at it. day in day out.
the business.
the clients, the calls?
the paperwork and taxes?
he's in his pajamas and it's one
o'clock in
the afternoon.
he's having poached eggs
in front of the tv.
I look at him and say,
two years, maybe three,
we'll see.
it's not about the money
anymore.
it's about something else.
it's about not wearing my pajamas
all day,
perhaps.
the girlfriend
she wanted a husband.
I wanted
a girlfriend.
she had a list of to do things,
relatives to please.
I had
no list.
just a bottle of wine,
and reservations
at a restaurant down the street.
she had
gutters to clean.
dogs to walk.
a world of things that needed
fixing.
I wanted to go to the movies.
the beach.
nyc.
she wanted a husband,
I wanted
a girlfriend.
so it had to end which
was a shame,
because there was love
and it was a beautiful thing.
I wanted
a girlfriend.
she had a list of to do things,
relatives to please.
I had
no list.
just a bottle of wine,
and reservations
at a restaurant down the street.
she had
gutters to clean.
dogs to walk.
a world of things that needed
fixing.
I wanted to go to the movies.
the beach.
nyc.
she wanted a husband,
I wanted
a girlfriend.
so it had to end which
was a shame,
because there was love
and it was a beautiful thing.
spice girl
this pepper is
so hot, my head sweats, my
heart
trips faster, as the tongue
swells
and begs
for something cold
and cleansing
to take the heat off.
but I take another bite,
then another.
flush with spice,
my stomach roils,
my brain saying no,
that's enough, but my hands
still saying yes, as
I go for more
with fork and knife.
I've known women like that.
not knowing when to push away
from the table,
and stop.
so hot, my head sweats, my
heart
trips faster, as the tongue
swells
and begs
for something cold
and cleansing
to take the heat off.
but I take another bite,
then another.
flush with spice,
my stomach roils,
my brain saying no,
that's enough, but my hands
still saying yes, as
I go for more
with fork and knife.
I've known women like that.
not knowing when to push away
from the table,
and stop.
the roads not taken
I go another way,
today, avoiding the sites,
the trigger
spots that dot this town.
I stray far, going around,
going
out of my way
to get from point B to
point A.
I don't need
the memory
in my head. it's exhausting.
haunting
as I change the wiring
in my brain.
done with hate and regret,
I turn the wheel,
to a new road, one not taken.
it's straight
ahead.
today, avoiding the sites,
the trigger
spots that dot this town.
I stray far, going around,
going
out of my way
to get from point B to
point A.
I don't need
the memory
in my head. it's exhausting.
haunting
as I change the wiring
in my brain.
done with hate and regret,
I turn the wheel,
to a new road, one not taken.
it's straight
ahead.
A sandwich in the sun
I watch the old man.
he's in the sun, the sun is on
his face
like a soft yellow hand.
his eyes are blue. the hat, once
white
is bleached
a sour hue of lemon
or lime.
he strokes his ancient mustache,
silver
and thick.
I watch as he leans towards
the table,
the plate
that holds his sandwich.
carefully he cuts it in two,
then again,
into four squares. he says
a prayer,
then eats.
looking down, then away.
I can see that he remembers
someone,
and wishes she was there.
he's in the sun, the sun is on
his face
like a soft yellow hand.
his eyes are blue. the hat, once
white
is bleached
a sour hue of lemon
or lime.
he strokes his ancient mustache,
silver
and thick.
I watch as he leans towards
the table,
the plate
that holds his sandwich.
carefully he cuts it in two,
then again,
into four squares. he says
a prayer,
then eats.
looking down, then away.
I can see that he remembers
someone,
and wishes she was there.
roll away the stone
I have become greedy
and selfish. self centered and
focused
pretty much just on me.
I've waited a long time to get here.
no longer
do I wait for the phone to ring,
the door
to be knocked upon.
the postman holds nothing in his
bag for me.
there is no one that I long to see.
i'm down
to one.
I crave the shadow, the low light.
the safety
of silence, bathing
in the music
I choose, the book I pick
up to read.
the food I eat.
I savor my own space.
the serenity of my own life.
I have cleaned the ruins of
those
gone, rebuilt the walls.
I have resurrected
the dead.
risen from the grave.
the stone has been rolled away.
it's about time.
and selfish. self centered and
focused
pretty much just on me.
I've waited a long time to get here.
no longer
do I wait for the phone to ring,
the door
to be knocked upon.
the postman holds nothing in his
bag for me.
there is no one that I long to see.
i'm down
to one.
I crave the shadow, the low light.
the safety
of silence, bathing
in the music
I choose, the book I pick
up to read.
the food I eat.
I savor my own space.
the serenity of my own life.
I have cleaned the ruins of
those
gone, rebuilt the walls.
I have resurrected
the dead.
risen from the grave.
the stone has been rolled away.
it's about time.
far out man
i can't remember,
he says, rolling a joint and licking
the edges,
just so,
something he's done since
he was sixteen
now easing past seventy four.
i don't remember the sixties,
he says, or
the seventies for that matter,
i was too stoned
to collect that information
into my head.
but I've seen the movies,
and television shows.
it looks like we had a lot
of fun. a lot of laughs,
music and sex.
damn wish i was able to remember
some of it,
but i'm so glad that dope
is finally going to be legal.
far out man.
maybe we can forget this decade
too.
did you bring the food?
the hash,
your pipe,
my dementia meds?
he says, rolling a joint and licking
the edges,
just so,
something he's done since
he was sixteen
now easing past seventy four.
i don't remember the sixties,
he says, or
the seventies for that matter,
i was too stoned
to collect that information
into my head.
but I've seen the movies,
and television shows.
it looks like we had a lot
of fun. a lot of laughs,
music and sex.
damn wish i was able to remember
some of it,
but i'm so glad that dope
is finally going to be legal.
far out man.
maybe we can forget this decade
too.
did you bring the food?
the hash,
your pipe,
my dementia meds?
the way he left
they pulled his plugs.
the air, the food, the wires,
the tubes.
they let him go out the way
he came in.
breathing on his own
until
the last breath was taken.
a token form of dignity
I guess.
a last gasp at giving him
some respect.
homeless, nearly penniless,
no car,
no family around,
a pack
of luckys and his phone
bill
left unopened on the bed.
the air, the food, the wires,
the tubes.
they let him go out the way
he came in.
breathing on his own
until
the last breath was taken.
a token form of dignity
I guess.
a last gasp at giving him
some respect.
homeless, nearly penniless,
no car,
no family around,
a pack
of luckys and his phone
bill
left unopened on the bed.
what about the highlights
i stay up late to watch
the game.
my most frenetic friend
comes over
to watch it with me.
I've known him since 1985,
never too far out of touch.
if he was put into a barrel
of milk
it would turn into butter
in an hour,
that's how much he jumps
up and down
and stays in constant
movement.
silence is foreign to him.
but I love
him.
his jittery ways, his random
thoughts
his stories of being
a public defender,
each one more crazy than the last
one.
I give him the short version
of me,
but by midnight i'm exhausted.
the game is over.
we win.
I turn off the tv,
collect the dishes and begin
to head up when he says,
wait wait, we need to watch
the highlights.
the game.
my most frenetic friend
comes over
to watch it with me.
I've known him since 1985,
never too far out of touch.
if he was put into a barrel
of milk
it would turn into butter
in an hour,
that's how much he jumps
up and down
and stays in constant
movement.
silence is foreign to him.
but I love
him.
his jittery ways, his random
thoughts
his stories of being
a public defender,
each one more crazy than the last
one.
I give him the short version
of me,
but by midnight i'm exhausted.
the game is over.
we win.
I turn off the tv,
collect the dishes and begin
to head up when he says,
wait wait, we need to watch
the highlights.
walking on eggshells
the phrase walking
on eggshells
is a familiar one.
we did it around our father
when we were young.
was he happy
today.
was he angry.
did we need to be quiet,
or leave the room.
is it something we said,
or did
that put him in the big
chair
facing the window.
in a cloudy state of gloom?
we were always taking the
temperature of the room.
how it sets the table
for
your life, this short
strange period of time.
wiring you for what's to come.
picking
the exact same troubled soul
to be a husband, or wife,
a mate.
it's so obvious in hindsight.
our unconscious
mistakes, walking on eggshells
has become our
normal, where we think
we're safe.
we think that being
in a constant state
of anxiety
is where we need to be,
in chaos and fear,
our perfect place.
on eggshells
is a familiar one.
we did it around our father
when we were young.
was he happy
today.
was he angry.
did we need to be quiet,
or leave the room.
is it something we said,
or did
that put him in the big
chair
facing the window.
in a cloudy state of gloom?
we were always taking the
temperature of the room.
how it sets the table
for
your life, this short
strange period of time.
wiring you for what's to come.
picking
the exact same troubled soul
to be a husband, or wife,
a mate.
it's so obvious in hindsight.
our unconscious
mistakes, walking on eggshells
has become our
normal, where we think
we're safe.
we think that being
in a constant state
of anxiety
is where we need to be,
in chaos and fear,
our perfect place.
a deep snow
a mild winter
is fine. although a deep snow
before spring would be welcomed.
a foot
or two.
something to dig out of.
something to make us stay in
to read
and eat, make love.
binge on
all the movies we haven't had
time to watch.
we could build a fire,
or go out into it.
find a hill
to slide down together.
get cold, get warm.
get close.
a deep snow would be fine.
is fine. although a deep snow
before spring would be welcomed.
a foot
or two.
something to dig out of.
something to make us stay in
to read
and eat, make love.
binge on
all the movies we haven't had
time to watch.
we could build a fire,
or go out into it.
find a hill
to slide down together.
get cold, get warm.
get close.
a deep snow would be fine.
a familiar booth
I pick the booth in the back
to the left.
and say, i'll meet you there.
I like this spot, this seat,
this view
of life walking by on the street,
coming up
the aisles.
the waiters, the couples,
the elderly
being helped in.
I get what a I always get,
a steak
and garlic mashed potatoes,
tonic and gin. she gets salmon,
of course
and red wine.
we reach across the table
and hold hands.
how wonderful it is to heal
under the magic
wand of time.
to the left.
and say, i'll meet you there.
I like this spot, this seat,
this view
of life walking by on the street,
coming up
the aisles.
the waiters, the couples,
the elderly
being helped in.
I get what a I always get,
a steak
and garlic mashed potatoes,
tonic and gin. she gets salmon,
of course
and red wine.
we reach across the table
and hold hands.
how wonderful it is to heal
under the magic
wand of time.
Wednesday, February 26, 2020
some days are worse than others
things break, snap off.
keys
into slots.
light bulbs give up
and pop.
shoe strings suddenly
split,
batteries die.
phones get wet and quit.
the wheels come off.
the world is in a constant
state
of
unraveling.
trees are falling,
the bridges are washed out.
nerves are shattered,
bunions, sciatica,
gout.
is any of this new?
hell no,
but some days are worse
than others,
this I know.
keys
into slots.
light bulbs give up
and pop.
shoe strings suddenly
split,
batteries die.
phones get wet and quit.
the wheels come off.
the world is in a constant
state
of
unraveling.
trees are falling,
the bridges are washed out.
nerves are shattered,
bunions, sciatica,
gout.
is any of this new?
hell no,
but some days are worse
than others,
this I know.
six more weeks of winter
a cold hand brushes
against
my shoulders. it's an accident.
i feel her
cold feet, the ticking
of her cold cold heart.
(I think Hank Williams wrote
a song about this)
it's another six weeks
of winter in here.
is gloomy, dark.
it may snow in the bedroom
soon.
the clouds have gathered blue
and low.
the walls are made of ice.
the bed
an iceberg afloat on the arctic
sea.
what lessons have we learned
here.
right.
don't get married, flee.
against
my shoulders. it's an accident.
i feel her
cold feet, the ticking
of her cold cold heart.
(I think Hank Williams wrote
a song about this)
it's another six weeks
of winter in here.
is gloomy, dark.
it may snow in the bedroom
soon.
the clouds have gathered blue
and low.
the walls are made of ice.
the bed
an iceberg afloat on the arctic
sea.
what lessons have we learned
here.
right.
don't get married, flee.
the family dinner
it's a mess. these democratic debates.
the candidates. bickering.
having a food fight for all the world
to see.
yelling and screaming at one another,
making wild
accusations.
pointing fingers, disagreeing
just to disagree.
it reminds me of dinner at my house,
when I was
ten or eleven
with my six brothers and sisters.
flinging mash potatoes
at one another with a spoon.
shooting baby peas
out of a straw,
diving
in for the last pork
chop, wrestling on the floor
for it
as the dogs barked
around us.
the candidates. bickering.
having a food fight for all the world
to see.
yelling and screaming at one another,
making wild
accusations.
pointing fingers, disagreeing
just to disagree.
it reminds me of dinner at my house,
when I was
ten or eleven
with my six brothers and sisters.
flinging mash potatoes
at one another with a spoon.
shooting baby peas
out of a straw,
diving
in for the last pork
chop, wrestling on the floor
for it
as the dogs barked
around us.
Bunny's Massage Emporium
I go for a massage
at the local massage parlor.
every muscle in my body is sore
from playing basketball
and work.
I stumble upon
Bunny's Massage Emporium,
a new place where the yoga studio
used to be
and before that a taco bell.
cash only the neon sign flashes.
what's it gonna be, Bunny says
when I come through the door.
she's an enormous woman eating
a sub sandwich. her hair is blue.
ummm, a massage? I ask her in
that strange way
that people talk now,
saying something while asking
a question.
full? she says, wiping
a dollop of mayo
from the corner of her mouth.
somewhere
beneath her kimono is a stool
she's sitting on.
sure, I tell her, shrugging.
full. I guess,
front back, etc. you know.
a massage.
are you a cop? she says.
we need to frisk you.
a man comes out of the shadows
like Boo Radley and pats
me down.
he's clean, he grunts, then goes back
into the dark corner.
okay, bunny says, and whistles for
the girls to come out.
the massage therapists, I guess,
line up like pastel soldiers.
most are in slinky night gowns,
pale greens and blues, pinks and yellows,
fishnet stockings
and stiletto heels. lipstick
and perfume. big heads of fluffy
Baltimore hair.
some are stretching their arms
out, yawning as they crack
their knuckles.
i'm really looking for a deep tissue
massage, I tell Bunny, pointing at a spot
in my lower back, then shoulder.
right below the third vertebrae.
I had a rough week at work climbing
ladders. i'm really sore.
Bunny yells out, and points
to a girl in the back row,
Betty, you're up.
Betty steps forward, a tiny little
girl with big hands.
she's wearing knee pads
and a construction helmet
with a light on it.
she says something
in Russian then starts
down the hall, wagging her man
sized finger
for me to follow.
you got one hour, bunny says,
searching with a long red straw
for one last slurp
at the bottom of her drink.
if there's any extra charges,
we'll collect at the end.
Extras? I say, going down the hall,
tripping
on a cat lying on the floor.
that's right. and remember,
we'll be watching, so no funny stuff.
at the local massage parlor.
every muscle in my body is sore
from playing basketball
and work.
I stumble upon
Bunny's Massage Emporium,
a new place where the yoga studio
used to be
and before that a taco bell.
cash only the neon sign flashes.
what's it gonna be, Bunny says
when I come through the door.
she's an enormous woman eating
a sub sandwich. her hair is blue.
ummm, a massage? I ask her in
that strange way
that people talk now,
saying something while asking
a question.
full? she says, wiping
a dollop of mayo
from the corner of her mouth.
somewhere
beneath her kimono is a stool
she's sitting on.
sure, I tell her, shrugging.
full. I guess,
front back, etc. you know.
a massage.
are you a cop? she says.
we need to frisk you.
a man comes out of the shadows
like Boo Radley and pats
me down.
he's clean, he grunts, then goes back
into the dark corner.
okay, bunny says, and whistles for
the girls to come out.
the massage therapists, I guess,
line up like pastel soldiers.
most are in slinky night gowns,
pale greens and blues, pinks and yellows,
fishnet stockings
and stiletto heels. lipstick
and perfume. big heads of fluffy
Baltimore hair.
some are stretching their arms
out, yawning as they crack
their knuckles.
i'm really looking for a deep tissue
massage, I tell Bunny, pointing at a spot
in my lower back, then shoulder.
right below the third vertebrae.
I had a rough week at work climbing
ladders. i'm really sore.
Bunny yells out, and points
to a girl in the back row,
Betty, you're up.
Betty steps forward, a tiny little
girl with big hands.
she's wearing knee pads
and a construction helmet
with a light on it.
she says something
in Russian then starts
down the hall, wagging her man
sized finger
for me to follow.
you got one hour, bunny says,
searching with a long red straw
for one last slurp
at the bottom of her drink.
if there's any extra charges,
we'll collect at the end.
Extras? I say, going down the hall,
tripping
on a cat lying on the floor.
that's right. and remember,
we'll be watching, so no funny stuff.
better days arrive
better days do arrive.
like old friends they show up
in the driveway
with packages and smiles.
a strong
drink. laughter and love
all piling
out at once. you put the music on.
sometimes you thought they'd
never show.
the road was too tough, too full
of detours
and washed out
bridges.
but no.
they've come, they've arrived.
like old friends they show up
in the driveway
with packages and smiles.
a strong
drink. laughter and love
all piling
out at once. you put the music on.
sometimes you thought they'd
never show.
the road was too tough, too full
of detours
and washed out
bridges.
but no.
they've come, they've arrived.
nothing's free
when you see
the man up high on the scaffold,
or on the swing
you wonder how he came into
this profession
of making windows clean. was it
his dream.
a calling.
or did the job choose him. unwelcome
at
the other doors
he knocked
upon. no different than you
or me.
finding his way in the world
to make a living,
to earn a crust of bread,
learning soon,
that
nothing's free.
the man up high on the scaffold,
or on the swing
you wonder how he came into
this profession
of making windows clean. was it
his dream.
a calling.
or did the job choose him. unwelcome
at
the other doors
he knocked
upon. no different than you
or me.
finding his way in the world
to make a living,
to earn a crust of bread,
learning soon,
that
nothing's free.
Tuesday, February 25, 2020
I don't get it
i get a few more books in the mail.
more poetry
for the masses. a Pulitzer prize
winner is one
of them.
the poet will go nameless.
i try so hard
to read and like what i'm reading.
but there's no blood
in it.
no feeling, no angst, or heartbreak
there's no
life lived. there's nothing
i can relate to.
no sex.
guts.
no broken bones, or dishes.
no shards
of glass.
no drunken nights alone.
no sickness.
no broken teeth, or broken
dreams.
no death or dying.
i feel my heart slow down
with despair
as i shake
my head.
if this book was the winner,
what were the others like?
the book is a warm glass of milk
as your mother
tucks you
in and then turns the light
off for you.
save me.
more poetry
for the masses. a Pulitzer prize
winner is one
of them.
the poet will go nameless.
i try so hard
to read and like what i'm reading.
but there's no blood
in it.
no feeling, no angst, or heartbreak
there's no
life lived. there's nothing
i can relate to.
no sex.
guts.
no broken bones, or dishes.
no shards
of glass.
no drunken nights alone.
no sickness.
no broken teeth, or broken
dreams.
no death or dying.
i feel my heart slow down
with despair
as i shake
my head.
if this book was the winner,
what were the others like?
the book is a warm glass of milk
as your mother
tucks you
in and then turns the light
off for you.
save me.
i almost think of you
it's just a peach.
a smooth velvety orb of fruit
from the market.
i turn it over
and over in my hand.
there is something sensual
about it.
the softness, the color
of morning sunlight,
the wealth of juice.
i take a bite and let it run
down
my chin
drip from my lips. and when
i do
i almost think of you.
a smooth velvety orb of fruit
from the market.
i turn it over
and over in my hand.
there is something sensual
about it.
the softness, the color
of morning sunlight,
the wealth of juice.
i take a bite and let it run
down
my chin
drip from my lips. and when
i do
i almost think of you.
i could be in kansas
I could be in Kansas
by morning, but do I want to go
there.
not really.
or eating figs in Spain, or Portugal,
I could be skiing
in the swiss alps,
or scuba diving off the barrier
reef,
or even be on a camel in
Egypt. but I say no to all
that.
I think i'll just take a ride
up the street
and get the paper
and a cup of coffee. sit down
by the lake.
if it's warm enough i'll even
take my
shoes off.
by morning, but do I want to go
there.
not really.
or eating figs in Spain, or Portugal,
I could be skiing
in the swiss alps,
or scuba diving off the barrier
reef,
or even be on a camel in
Egypt. but I say no to all
that.
I think i'll just take a ride
up the street
and get the paper
and a cup of coffee. sit down
by the lake.
if it's warm enough i'll even
take my
shoes off.
the collapse of civilization
they are old shelves.
burdened with
dust and cobwebs.
laminated pressed wood
held together
by glue
and dials, prayers
each shelf holding a hundred
pounds
of phone books.
tombs on ancient rome,
unread fiction
of twain and Michener,
Ulysses hardback,
most likely never opened.
there's war and peace.
there's
the yellow pages
and reader's digest,
along with the poetry
of walt Whitman.
there's proust and ezra pound.
volumes of life magazine
with astronauts on
the cover
grissom, shepard,
aldrin.
is it any surprise that
the bookcase collapses
after moving it an inch
from the wall?
no. none
at all.
burdened with
dust and cobwebs.
laminated pressed wood
held together
by glue
and dials, prayers
each shelf holding a hundred
pounds
of phone books.
tombs on ancient rome,
unread fiction
of twain and Michener,
Ulysses hardback,
most likely never opened.
there's war and peace.
there's
the yellow pages
and reader's digest,
along with the poetry
of walt Whitman.
there's proust and ezra pound.
volumes of life magazine
with astronauts on
the cover
grissom, shepard,
aldrin.
is it any surprise that
the bookcase collapses
after moving it an inch
from the wall?
no. none
at all.
it's not dark yet
sore from head to toe
I ponder the massage.
every muscle
in my body feels
some sort of pain.
the long two hour workout
on the basketball
court in the middle of February
was a killer.
I half crawl up the stairs
and slip into
the boiling hot water
of the tub.
with the light off, I lie
there and soak.
I try not to groan. but it
feels
good. the shot is still going
down.
another spring and summer
is ahead, more games to be played.
it's not dark yet,
but it's getting there.
I ponder the massage.
every muscle
in my body feels
some sort of pain.
the long two hour workout
on the basketball
court in the middle of February
was a killer.
I half crawl up the stairs
and slip into
the boiling hot water
of the tub.
with the light off, I lie
there and soak.
I try not to groan. but it
feels
good. the shot is still going
down.
another spring and summer
is ahead, more games to be played.
it's not dark yet,
but it's getting there.
the glow in the dark virgin mary
my mother
would put the glow in the dark
virgin mary
statues
all over the house.
in each room.
even on the dashboard of my dad's
chevy impala.
at night, if you woke up,
you'd see
the little light of mary
across the room
and feel, it's all good.
there's mary.
I often wondered what my
father thought
as he'd drove
home at night after out
carousing
drinking, and god knows what
else
with some floozy
he met in a bar.
driving home
with mary staring at him
from the dashboard
above the radio.
would put the glow in the dark
virgin mary
statues
all over the house.
in each room.
even on the dashboard of my dad's
chevy impala.
at night, if you woke up,
you'd see
the little light of mary
across the room
and feel, it's all good.
there's mary.
I often wondered what my
father thought
as he'd drove
home at night after out
carousing
drinking, and god knows what
else
with some floozy
he met in a bar.
driving home
with mary staring at him
from the dashboard
above the radio.
the lectures on women
somehow this red head kid
knew
more about the world then
we did.
he was only a few years older,
but he knew, or at least
made claims that he knew
what made women tick.
we were only ten or eleven
at the time,
but he would lecture us on the ways
of girls.
do this, don't do that.
women are like fine musical
instruments,
he'd say, holding court in
some stairway or
laundry room
of a cold dank
apartment building, we somehow
managed to get
into because the locks
were broken.
wide eyed, we'd listened
to him ramble on, about
the biology of women.
from head to toe, he'd describe
them, occasionally
pulling out a playboy magazine
from his coat
that he stole from his father,
and showing us
what we were in store for,
telling us what to do and not
do when we
got one. one being a girl.
he was thirteen with flaming
red hair, bright blue eyes,
and a hive of freckles on his face.
and when I see him on facebook
now,
an old man,
enormous and grey, breathing
through a tube, I want
to ask
him, if he remembered his
lectures
on those cold winter days.
knew
more about the world then
we did.
he was only a few years older,
but he knew, or at least
made claims that he knew
what made women tick.
we were only ten or eleven
at the time,
but he would lecture us on the ways
of girls.
do this, don't do that.
women are like fine musical
instruments,
he'd say, holding court in
some stairway or
laundry room
of a cold dank
apartment building, we somehow
managed to get
into because the locks
were broken.
wide eyed, we'd listened
to him ramble on, about
the biology of women.
from head to toe, he'd describe
them, occasionally
pulling out a playboy magazine
from his coat
that he stole from his father,
and showing us
what we were in store for,
telling us what to do and not
do when we
got one. one being a girl.
he was thirteen with flaming
red hair, bright blue eyes,
and a hive of freckles on his face.
and when I see him on facebook
now,
an old man,
enormous and grey, breathing
through a tube, I want
to ask
him, if he remembered his
lectures
on those cold winter days.
the inbetween years
the young man
when I met him was tall
slender
black as onyx.
with flashing eyes.
new to the job,
his first day. nervously
happy
to have work.
sharp in his uniform,
full of youth
and ambition.
but so
much time
has gone by since that day
when
I shook his hand.
thirty years, since we
made friends. told him
the routine
of his
new
life. and seeing him now,
middle aged,
heavy, three children
a second wife,
and burdened makes me
wonder of
the in between years,
as he must wonder about mine.
when I met him was tall
slender
black as onyx.
with flashing eyes.
new to the job,
his first day. nervously
happy
to have work.
sharp in his uniform,
full of youth
and ambition.
but so
much time
has gone by since that day
when
I shook his hand.
thirty years, since we
made friends. told him
the routine
of his
new
life. and seeing him now,
middle aged,
heavy, three children
a second wife,
and burdened makes me
wonder of
the in between years,
as he must wonder about mine.
Monday, February 24, 2020
sediment and silt
the silt of time.
the sediment of the past.
sometimes
the wind pushes it
away,
sometimes the water rises
and it washes
down stream to a wide
open lake.
the debris
and dust
of yesterday, all of
it going
somewhere, somewhere
beyond where
we are, caught in the air,
as we move towards a
better place.
the sediment of the past.
sometimes
the wind pushes it
away,
sometimes the water rises
and it washes
down stream to a wide
open lake.
the debris
and dust
of yesterday, all of
it going
somewhere, somewhere
beyond where
we are, caught in the air,
as we move towards a
better place.
the sparks
a pale moon,
cut slender into an arc
still
is a wonder
on the black cloth
of night.
there is still romance
in the moon,
the stars.
the warm air
with spring not far.
let's sit on the porch
and watch
the silver in the sky
that sparks.
cut slender into an arc
still
is a wonder
on the black cloth
of night.
there is still romance
in the moon,
the stars.
the warm air
with spring not far.
let's sit on the porch
and watch
the silver in the sky
that sparks.
all the world was green
the world
was green, all the world
was green.
it was new once upon
a time.
the sky was bluer than it
is now.
we were all younger.
love was
everything.
there was music,
there was dancing.
the world was green.
all the world was
green.
remember, don't you
remember?
was green, all the world
was green.
it was new once upon
a time.
the sky was bluer than it
is now.
we were all younger.
love was
everything.
there was music,
there was dancing.
the world was green.
all the world was
green.
remember, don't you
remember?
quit kicking the seat
the sky sure does look
religious today
the small boy in his buster
brown shoes
says to his momma who is at
the wheel of
their studabaker.
the radio is playing he's
got the whole world in his hands,
sung by louie Armstrong.
they are rambling down
an old road,
half mud, half paved.
cow pastures line each side
of the narrow road.
she peers out the window
glancing up at the sky
and says,
yes it does honey child.
it's a lovely sky today,
now get your arm back in
the window before a telephone
pole snatches it off.
and quit kicking your feet
against the seat.
you're going to get them shoes
all scuffed up
before we even
get to church.
I just polished them
last night.
Do you think God is watching us
all the time momma?
she looks over at the boy
her fierce blue eyes
studying him, under her hat.
what have you been up to?
nothing, nothing. it's just
I don't like the idea that he's
watching everything
we do. that's all.
well.
if you keep that thought in your
mind, you'll be a good
boy
all your life.
and didn't I tell you to
get your arm back inside this
car
and to quit kicking your feet?
religious today
the small boy in his buster
brown shoes
says to his momma who is at
the wheel of
their studabaker.
the radio is playing he's
got the whole world in his hands,
sung by louie Armstrong.
they are rambling down
an old road,
half mud, half paved.
cow pastures line each side
of the narrow road.
she peers out the window
glancing up at the sky
and says,
yes it does honey child.
it's a lovely sky today,
now get your arm back in
the window before a telephone
pole snatches it off.
and quit kicking your feet
against the seat.
you're going to get them shoes
all scuffed up
before we even
get to church.
I just polished them
last night.
Do you think God is watching us
all the time momma?
she looks over at the boy
her fierce blue eyes
studying him, under her hat.
what have you been up to?
nothing, nothing. it's just
I don't like the idea that he's
watching everything
we do. that's all.
well.
if you keep that thought in your
mind, you'll be a good
boy
all your life.
and didn't I tell you to
get your arm back inside this
car
and to quit kicking your feet?
there is beauty in the world
the man, happy to be home,
throws his child
into the air, his small son,
then catches him.
he does it again
then again.
the daughter next.
he sets her down, then hugs his wife.
they embrace.
they kiss gently
then look deeply into each other's
eyes.
I wonder where he's been
to have been missed so.
what trip was he on, a soldier?
a salesman.
I watch them as he grabs
his bags, his wife's
arm around
his waist, the chilren
before them
as they leave the station
as one.
there is beauty in the world.
throws his child
into the air, his small son,
then catches him.
he does it again
then again.
the daughter next.
he sets her down, then hugs his wife.
they embrace.
they kiss gently
then look deeply into each other's
eyes.
I wonder where he's been
to have been missed so.
what trip was he on, a soldier?
a salesman.
I watch them as he grabs
his bags, his wife's
arm around
his waist, the chilren
before them
as they leave the station
as one.
there is beauty in the world.
it's not impossible
sometimes the pebble in your shoe
makes you stop.
you bend over and sit upon
the curb.
you take the shoe off and shake
the tiny stone free.
then slip the shoe back on,
tie the strings.
but you sit there a little while
longer.
maybe too long.
people stop and ask if you're
okay.
your hat lies beside you, you've
loosened your tie, before
long the hat is full
of money, ones and fives.
you smile and say thank
you. thank you.
you nod.
the sun is on your face. you are still
young, you think.
the warm sun always reminds you
of the beach.
there is so much of the world
left to see.
love is not impossible.
it's not out of reach.
finally, you get up, a whole
afternoon has passed.
you put the money into your pocket
and put your hat on.
you go home. thankful
for the pebble. it made you stop.
it made
you think.
makes you stop.
you bend over and sit upon
the curb.
you take the shoe off and shake
the tiny stone free.
then slip the shoe back on,
tie the strings.
but you sit there a little while
longer.
maybe too long.
people stop and ask if you're
okay.
your hat lies beside you, you've
loosened your tie, before
long the hat is full
of money, ones and fives.
you smile and say thank
you. thank you.
you nod.
the sun is on your face. you are still
young, you think.
the warm sun always reminds you
of the beach.
there is so much of the world
left to see.
love is not impossible.
it's not out of reach.
finally, you get up, a whole
afternoon has passed.
you put the money into your pocket
and put your hat on.
you go home. thankful
for the pebble. it made you stop.
it made
you think.
off the chain
she used to laugh
and say
I was off the chain, implying
that I was
a wild
dog that had escaped his
leash,
his tie down
around
a big oak tree.
I had jumped the fence
was running free.
you're off the chain, she'd
say, happy
for me.
I wish I could run with you,
but I got
this house,
these kids,
the dogs, a job,
responsibilities,
and god help me, I've got
this ring.
and say
I was off the chain, implying
that I was
a wild
dog that had escaped his
leash,
his tie down
around
a big oak tree.
I had jumped the fence
was running free.
you're off the chain, she'd
say, happy
for me.
I wish I could run with you,
but I got
this house,
these kids,
the dogs, a job,
responsibilities,
and god help me, I've got
this ring.
old souls
they are often called
old souls.
wisdom within beyond their
years.
born into knowing what we
are yet to know.
strange creatures among us.
men
in boys clothes.
girls
all grown.
it's in their eyes, their voice
the words
they choose.
they just know
the list of grievances
we all
will endure.
love, hate, death and the rest.
add pain and suffering into
the mix.
do they have answers?
no,
of course not.
but they know of what it is.
old souls.
wisdom within beyond their
years.
born into knowing what we
are yet to know.
strange creatures among us.
men
in boys clothes.
girls
all grown.
it's in their eyes, their voice
the words
they choose.
they just know
the list of grievances
we all
will endure.
love, hate, death and the rest.
add pain and suffering into
the mix.
do they have answers?
no,
of course not.
but they know of what it is.
a stop along the way
we had a booth
where we first met,
a place we
would go
in the months ahead.
our place.
our romantic spot.
dark and cozy
in a restaurant not far away.
but then things ended,
and that sweet
memory began to fade.
it became a passing thought.
strangely the booth
means nothing now,
just another stop
along
the way.
where we first met,
a place we
would go
in the months ahead.
our place.
our romantic spot.
dark and cozy
in a restaurant not far away.
but then things ended,
and that sweet
memory began to fade.
it became a passing thought.
strangely the booth
means nothing now,
just another stop
along
the way.
crossing the river
before the rivers rises,
get across.
go now while
it's shallow, where it's only
up to your knees.
a storm
will make it impossible to
get over
to the other side.
the walls will overflow.
the levees will break.
so go now. this drought
is a good
thing, we can leave all that
we need to leave
behind
and begin again.
get across.
go now while
it's shallow, where it's only
up to your knees.
a storm
will make it impossible to
get over
to the other side.
the walls will overflow.
the levees will break.
so go now. this drought
is a good
thing, we can leave all that
we need to leave
behind
and begin again.
no small thing
sometimes
it's a face in the crowd
a light
in the darkness,
a word said,
a book read.
it's something small that
enlightens you.
brings you
no small joy, but a sense
of hope.
a feeling that
all is well.
it could be a simple kiss.
a hand
onto yours.
the way the sun comes
through
the window
when you awaken. a smile.
it's a face in the crowd
a light
in the darkness,
a word said,
a book read.
it's something small that
enlightens you.
brings you
no small joy, but a sense
of hope.
a feeling that
all is well.
it could be a simple kiss.
a hand
onto yours.
the way the sun comes
through
the window
when you awaken. a smile.
Sunday, February 23, 2020
Spare the Rod
the only time
i smacked my son, was when he was about
to
put a flat head screw driver into
the slot
of an electrical outlet.
i ran over and with an open hand
struck him
on the bottom,
which was protected
by a nine pound plastic diaper
ready for changing.
it nearly sprained my wrist.
but he got the idea.
crying, he looked at me bewildered
how i could
steal the joy
from him of what he was about
to do.
i often feel that way, when God
smacks me or removes
me from a situation
that would in the end kill me.
how could you?
i smacked my son, was when he was about
to
put a flat head screw driver into
the slot
of an electrical outlet.
i ran over and with an open hand
struck him
on the bottom,
which was protected
by a nine pound plastic diaper
ready for changing.
it nearly sprained my wrist.
but he got the idea.
crying, he looked at me bewildered
how i could
steal the joy
from him of what he was about
to do.
i often feel that way, when God
smacks me or removes
me from a situation
that would in the end kill me.
how could you?
fifty three steps
the narrow steps that go down
to the creek
are steep, made of grey
concrete,
fifty three in all
below
the canopy of trees.
there's an iron rail
to hold
as you go down.
the stream below is blue
as steel.
you can see that's it's cold,
no need
to bend
to it and feel.
how many years have I gone
down
there
to the wooded cove
and sat on a large stone
and pondered my life,
watching the water crest
and flow,
what lessons have I learned,
what wisdom if any
was taking hold.
how many more years will I
be able
to go
and go again down
that deep staircase.
holding tightly to the rail.
to the creek
are steep, made of grey
concrete,
fifty three in all
below
the canopy of trees.
there's an iron rail
to hold
as you go down.
the stream below is blue
as steel.
you can see that's it's cold,
no need
to bend
to it and feel.
how many years have I gone
down
there
to the wooded cove
and sat on a large stone
and pondered my life,
watching the water crest
and flow,
what lessons have I learned,
what wisdom if any
was taking hold.
how many more years will I
be able
to go
and go again down
that deep staircase.
holding tightly to the rail.
the chipped cup
the chipped cup
still finds its way into the cupboard
next
to the good cups.
the unblemished
glasses
and plates, the bowls.
all white
or blue. some old
some new.
none nicked or cracked,
but the chipped cup is
my favorite.
I've had it so long. it brings
back memories.
because of its fault I love
it even more.
its perfect in its imperfection,
as we all
are.
still finds its way into the cupboard
next
to the good cups.
the unblemished
glasses
and plates, the bowls.
all white
or blue. some old
some new.
none nicked or cracked,
but the chipped cup is
my favorite.
I've had it so long. it brings
back memories.
because of its fault I love
it even more.
its perfect in its imperfection,
as we all
are.
my favorite maid
I ring the bell for
Esmeralda to come up the stairs.
she knocks on the bedroom door
and I say
come in.
yes. she says, slightly bowing,
a grin
on her pretty face.
no breakfast this morning, I tell
her.
just coffee
and the paper.
i'm sleeping in.
tell Frederick to pull the car
around at noon. I may
go
ride a horse, then go to the gym.
of course, she says, is there
anything else?
yes, close the door and come over
here and kiss me.
oh my she says, are we going down
this slippery
slope again.
yes, I tell her, it's time for
you to retire,
and we become more than just friends.
okay, she says.
Esmeralda to come up the stairs.
she knocks on the bedroom door
and I say
come in.
yes. she says, slightly bowing,
a grin
on her pretty face.
no breakfast this morning, I tell
her.
just coffee
and the paper.
i'm sleeping in.
tell Frederick to pull the car
around at noon. I may
go
ride a horse, then go to the gym.
of course, she says, is there
anything else?
yes, close the door and come over
here and kiss me.
oh my she says, are we going down
this slippery
slope again.
yes, I tell her, it's time for
you to retire,
and we become more than just friends.
okay, she says.
in another place
the waiter is busy, but
distracted, he's in a daze as he goes
from
table to table,
to booth and bar
with drinks and food
on trays.
the wrong dish comes, the wrong
wine.
he drops a fork.
he spills.
he's forgetful.
not there.
awake, but there is something
in his
far off
stare.
he's in a place you've known
before.
who hasn't been there?
distracted, he's in a daze as he goes
from
table to table,
to booth and bar
with drinks and food
on trays.
the wrong dish comes, the wrong
wine.
he drops a fork.
he spills.
he's forgetful.
not there.
awake, but there is something
in his
far off
stare.
he's in a place you've known
before.
who hasn't been there?
Saturday, February 22, 2020
so little time?
I drag my feet on things.
bills, and notes to those on
the periphery of
my life
and theirs too.
another oil change?
taxes again?
so much to do, so little time?
hardly.
time I have.
I've collected hours into days.
stacked them in boxes
high.
I have time.
just lazy, perhaps. putting so
much off
for another day.
there is no clock, no whip
no stern
boss hovering.
it's just me in this. honest,
I stay to myself,
i'll get to it.
bills, and notes to those on
the periphery of
my life
and theirs too.
another oil change?
taxes again?
so much to do, so little time?
hardly.
time I have.
I've collected hours into days.
stacked them in boxes
high.
I have time.
just lazy, perhaps. putting so
much off
for another day.
there is no clock, no whip
no stern
boss hovering.
it's just me in this. honest,
I stay to myself,
i'll get to it.
out it comes
some women, well, men too,
know how to cook.
they need no recipe,
no written
instructions, no book.
they just know
when a pinch of salt is needed.
a spoon of this
or that.
butter, sure, why not.
they hardly have
to time
the oven. they know when
to turn,
to flip.
it's instinct, a natural
feel for things.
rarely does the smoke alarm
go off.
or something gets burned,
or dried,
or comes out soft
and undone.
they just know, from cakes
to pies
to roasts, to
chickens, pasta,
or buns. perfectly cooked,
then with two mitts,
out
it comes.
know how to cook.
they need no recipe,
no written
instructions, no book.
they just know
when a pinch of salt is needed.
a spoon of this
or that.
butter, sure, why not.
they hardly have
to time
the oven. they know when
to turn,
to flip.
it's instinct, a natural
feel for things.
rarely does the smoke alarm
go off.
or something gets burned,
or dried,
or comes out soft
and undone.
they just know, from cakes
to pies
to roasts, to
chickens, pasta,
or buns. perfectly cooked,
then with two mitts,
out
it comes.
once worn
I can smell
the past in these clothes
hanging
in the far closet, the one
least used.
a white shirt and tie of indigo,
black shoes.
a once worn wedding suit.
I sense
the loneliness of these
things
no longer wanted, no
longer used.
collecting dust.
there are no good memories
in this dark
closet.
today is as good as day
as any
to empty it, to scour
then paint it bright
with any color
I wish to choose.
the past in these clothes
hanging
in the far closet, the one
least used.
a white shirt and tie of indigo,
black shoes.
a once worn wedding suit.
I sense
the loneliness of these
things
no longer wanted, no
longer used.
collecting dust.
there are no good memories
in this dark
closet.
today is as good as day
as any
to empty it, to scour
then paint it bright
with any color
I wish to choose.
a drawer of things
there are things
in the drawer that seem to have always
been there.
that ring.
that note, a scribbled number
on
a napkin.
an earring, just one.
a thin chain with a cross.
spare
change
that neither grows or departs.
lipstick
bullets, chap stick.
a bible
next to a bottle of
oil.
so little says so much
about the turn
of things. the days that have
gone by.
the loves that have come and gone
in your life.
in the drawer that seem to have always
been there.
that ring.
that note, a scribbled number
on
a napkin.
an earring, just one.
a thin chain with a cross.
spare
change
that neither grows or departs.
lipstick
bullets, chap stick.
a bible
next to a bottle of
oil.
so little says so much
about the turn
of things. the days that have
gone by.
the loves that have come and gone
in your life.
one sparrow
a slender cat,
bone thin and grey,
bent low in the tall
bone thin and grey,
slips into the yard
through
the open gate.
she has green eyes,
delicate and soft,
but willing to put
death upon her plate.
cautiously she moves
through
the open gate.
she has green eyes,
delicate and soft,
but willing to put
death upon her plate.
cautiously she moves
forward,
her stealth learned
through the centuries,
bent low in the tall
grass, ready
to pounce
on the shallow bowl
where a single sparrow
to pounce
on the shallow bowl
where a single sparrow
has come to bathe.
in distress
in her turmoil,
distress
mud up to her knees.
the wet
fringes of a heavy
dress.
boots
and leggings, the pulled
tight hat.
against the wind,
running short
of time,
age having caught up
to her,
trouble up
to her neck.
is there a gentleman
to get her
across the street.
someone to rescue
her.
or has she been waiting
all week,
all life
for that helping
hand,
her charm
inviting the blind,
the rich, the boldly
meek.
distress
mud up to her knees.
the wet
fringes of a heavy
dress.
boots
and leggings, the pulled
tight hat.
against the wind,
running short
of time,
age having caught up
to her,
trouble up
to her neck.
is there a gentleman
to get her
across the street.
someone to rescue
her.
or has she been waiting
all week,
all life
for that helping
hand,
her charm
inviting the blind,
the rich, the boldly
meek.
the new snow
the snow that tumbles
gently
from the unseen sky is
quiet in voice.
hardly a whisper in its
weight
and sly way
of building upon itself.
covering the ugly
of land,
the past dissolving
under its
welcoming hand.
new love is like that
at times.
slow
moving, gentle and light.
pristine
in whiteness.
freshly fallen
with hope and
strange delight.
gently
from the unseen sky is
quiet in voice.
hardly a whisper in its
weight
and sly way
of building upon itself.
covering the ugly
of land,
the past dissolving
under its
welcoming hand.
new love is like that
at times.
slow
moving, gentle and light.
pristine
in whiteness.
freshly fallen
with hope and
strange delight.
what they could have been
in the window
of the storefront, the lifeless
curves
of mannequins
stand upright in the dim
snowy
glare
of street lamps
as we walk by.
they have little to say
in their absence
of clothing,
of coats or furs draped
across their stiff
shoulders.
smileless and aloof in
manner
and yet we turn our
eyes to them,
there is still some
hope of beauty
in the shape
and promise
of what they could have
been.
of the storefront, the lifeless
curves
of mannequins
stand upright in the dim
snowy
glare
of street lamps
as we walk by.
they have little to say
in their absence
of clothing,
of coats or furs draped
across their stiff
shoulders.
smileless and aloof in
manner
and yet we turn our
eyes to them,
there is still some
hope of beauty
in the shape
and promise
of what they could have
been.
third base chevy
the blue chevy was third base.
it sat there for years
on our narrow street.
unmoved, undriven.
one tire flat. the antennae
bent.
the windshield cracked
and seats
apart at the seams.
we never saw it move,
two or three summers in a row.
but it was blue, a peacock blue,
cleaned
by rain
or snow.
still a factory shine to its
curved glow.
third base.
then one day it was gone.
so we found a cardboard box
to flatten
and take its place.
our game went on.
it sat there for years
on our narrow street.
unmoved, undriven.
one tire flat. the antennae
bent.
the windshield cracked
and seats
apart at the seams.
we never saw it move,
two or three summers in a row.
but it was blue, a peacock blue,
cleaned
by rain
or snow.
still a factory shine to its
curved glow.
third base.
then one day it was gone.
so we found a cardboard box
to flatten
and take its place.
our game went on.
the Italian Vase
the table
on a wobbly leg,
a hair line fracture in the wood,
antique.
collapses
easily with a slight push
out from
the corner.
the vase goes down then up
into a cloud
of
Italian dust.
it's hardly a bang, more
of a thud, then
mush,
then a grey plume rising.
she laughs.
i'm going back to venice
in the spring.
no worries. i'll buy another
one,
it was a gift
anyway
from a former lover. I
can't even remember
his name.
on a wobbly leg,
a hair line fracture in the wood,
antique.
collapses
easily with a slight push
out from
the corner.
the vase goes down then up
into a cloud
of
Italian dust.
it's hardly a bang, more
of a thud, then
mush,
then a grey plume rising.
she laughs.
i'm going back to venice
in the spring.
no worries. i'll buy another
one,
it was a gift
anyway
from a former lover. I
can't even remember
his name.
we need snow
we need a hard snow,
she says, getting into her car
with packages
and bags.
a bundle of fresh cut roses.
she's going somewhere, but she
gives
me her take
on the weather, the climate,
the environment
before she goes.
the ground needs to be saturated,
she says,
a heavy snow to kill what lies
below
so that we have a good
spring
so that things will grow.
she has more to say on the subject,
but she looks at her watch
and waves, a cloud
of blue exhaust
behind her.
she says, getting into her car
with packages
and bags.
a bundle of fresh cut roses.
she's going somewhere, but she
gives
me her take
on the weather, the climate,
the environment
before she goes.
the ground needs to be saturated,
she says,
a heavy snow to kill what lies
below
so that we have a good
spring
so that things will grow.
she has more to say on the subject,
but she looks at her watch
and waves, a cloud
of blue exhaust
behind her.
Friday, February 21, 2020
what's gone
strange how we long
for what's gone.
whether cake, or love,
sweets
of any kind.
we miss the sea when
we haven't
been there
in a while.
a town, a bed,
we miss the moon when
the clouds
cover it.
a face, a smile, a voice.
does absence truly
make the heart grow fonder,
or just remind us
of a past that can't
come back
again.
for what's gone.
whether cake, or love,
sweets
of any kind.
we miss the sea when
we haven't
been there
in a while.
a town, a bed,
we miss the moon when
the clouds
cover it.
a face, a smile, a voice.
does absence truly
make the heart grow fonder,
or just remind us
of a past that can't
come back
again.
the leaks in the roof
it was an old house
with leaks, there were buckets
everywhere
catching the drips
and drops
when the rain fell.
but no one seemed to mind.
the percussion of water into
water
making music of a gentle
kind.
it was a of life,
one they forgot about when
the sun came out to shine.
with leaks, there were buckets
everywhere
catching the drips
and drops
when the rain fell.
but no one seemed to mind.
the percussion of water into
water
making music of a gentle
kind.
it was a of life,
one they forgot about when
the sun came out to shine.
setting the clocks
is there a clock in the house
with the right time.
none that I see.
batteries have weakened,
the power has gone
out.
so many are blinking, stuck
on the midnight hour.
i'll wait until we spring
forward
again,
that will take care of a few.
but do I really need any
of them.
I have windows
with a view. the sun and moon,
the clocks
of my youth.
with the right time.
none that I see.
batteries have weakened,
the power has gone
out.
so many are blinking, stuck
on the midnight hour.
i'll wait until we spring
forward
again,
that will take care of a few.
but do I really need any
of them.
I have windows
with a view. the sun and moon,
the clocks
of my youth.
one of few
I cancel
the nights plans.
call and make up some excuse
to not go out.
home is a good place
to be on a cold
windy night in February.
I throw a log on the fire.
bring the books
down.
the quiet is good.
I've made the right decision
one of few.
the nights plans.
call and make up some excuse
to not go out.
home is a good place
to be on a cold
windy night in February.
I throw a log on the fire.
bring the books
down.
the quiet is good.
I've made the right decision
one of few.
dry clothes
soaked from stripping wallpaper
all morning
I come home to change
and to eat scrambled eggs over
the kitchen sink.
I look out the window.
I see the mail man
with his bag,
his mind on other things.
the neighbor,
retired and
limping with her groceries.
waving to someone.
i'll go back to work soon
in warm
dry clothes.
hands in my pockets to this
February wind.
the whistle of the train
in my ears. another day
at it.
my mind drifts
to another year,
I think of an old friend.
all morning
I come home to change
and to eat scrambled eggs over
the kitchen sink.
I look out the window.
I see the mail man
with his bag,
his mind on other things.
the neighbor,
retired and
limping with her groceries.
waving to someone.
i'll go back to work soon
in warm
dry clothes.
hands in my pockets to this
February wind.
the whistle of the train
in my ears. another day
at it.
my mind drifts
to another year,
I think of an old friend.
boy, have i been there
there's a man,
and a woman too, in old town
who
hold conversations with
others
that aren't there. invisible
people
that don't talk back. but you
see them
in deep conversation,
back and forth.
crazy talk. wild loud talks
on the sidewalk,
arms flailing, eyes popping,
ignoring those passing by.
it's a one way
conversation, but it's
fierce and full of meaning to
the person
talking, he feels as if he's
getting somewhere,
that his points are being made.
that he's actually being
listened to by the person
he imagines to be real.
finally he's being
understood.
his side of the story is at last
heard. all of it an illusion.
boy oh boy, have I been there.
and a woman too, in old town
who
hold conversations with
others
that aren't there. invisible
people
that don't talk back. but you
see them
in deep conversation,
back and forth.
crazy talk. wild loud talks
on the sidewalk,
arms flailing, eyes popping,
ignoring those passing by.
it's a one way
conversation, but it's
fierce and full of meaning to
the person
talking, he feels as if he's
getting somewhere,
that his points are being made.
that he's actually being
listened to by the person
he imagines to be real.
finally he's being
understood.
his side of the story is at last
heard. all of it an illusion.
boy oh boy, have I been there.
some mornings
there's an ugliness to the world
some mornings.
the headline of the black and white
paper
a cold
baton
on the porch.
the way the trees have fallen in
the woods.
tumbled upon each other
in the cold
rain of night.
their grey trunks, having
given up.
the others, young and strong
still holding them up.
there's a bitter chill
in some mornings, waking up
with the taste of a bad dream
in your mouth. having not slept well,
but got stuck on some past
mistake.
the sand in your eyes of
some desert you crawled through
to get to
morning.
there's an ugliness that you
try to shake off
with a shower and coffee,
the dial of the radio, settling
on
an old song you know
by heart.
some mornings.
the headline of the black and white
paper
a cold
baton
on the porch.
the way the trees have fallen in
the woods.
tumbled upon each other
in the cold
rain of night.
their grey trunks, having
given up.
the others, young and strong
still holding them up.
there's a bitter chill
in some mornings, waking up
with the taste of a bad dream
in your mouth. having not slept well,
but got stuck on some past
mistake.
the sand in your eyes of
some desert you crawled through
to get to
morning.
there's an ugliness that you
try to shake off
with a shower and coffee,
the dial of the radio, settling
on
an old song you know
by heart.
Thursday, February 20, 2020
something sweet
sometimes you need
just a nibble
of something sweet.
dark chocolate, or a small
slice
of cake would be nice,
just a bite.
a spoon of rocky road,
or lick
from a sugar cone.
a handful
of candy, something
small
and sweet,
even your lips against
mine
would suffice,
a kiss would be dandy.
just a nibble
of something sweet.
dark chocolate, or a small
slice
of cake would be nice,
just a bite.
a spoon of rocky road,
or lick
from a sugar cone.
a handful
of candy, something
small
and sweet,
even your lips against
mine
would suffice,
a kiss would be dandy.
the third string candidates
it's a sad weak group
of candidates. who is the david
to strike down
goliath?
who can take the bully out.
they all seem
so weak and undefined.
the third string is in the game.
the lightweights on
the stage.
where are the leaders. the
martin luther kings,
the Robert kennedys.
who will turn the ship around
before it sinks,
before we burn
it down?
of candidates. who is the david
to strike down
goliath?
who can take the bully out.
they all seem
so weak and undefined.
the third string is in the game.
the lightweights on
the stage.
where are the leaders. the
martin luther kings,
the Robert kennedys.
who will turn the ship around
before it sinks,
before we burn
it down?
the devil in disguise
as clear as a glass of cold
water
I remember the moment
when I made
the decision to be with this
person
who had come into my life
mysteriously.
as if she crawled out from
some bog,
some dark, dank swamp.
a reptile that transformed
herself into a human figure.
I remember thinking, and feeling
in my gut.
this is not going to be good.
there is something
wrong with this person.
beneath her skin is a demon
lurking.
don't be tricked, don't be
fooled by her
lies, her womanly ways,
her charm.
I thought to myself, I should
end it now, right this second.
call it all off.
but I didn't.
and I paid the price dearly,
two years of my life
with this devil in disguise.
I was warned, but didn't listen
to the truth that spoke
inside.
water
I remember the moment
when I made
the decision to be with this
person
who had come into my life
mysteriously.
as if she crawled out from
some bog,
some dark, dank swamp.
a reptile that transformed
herself into a human figure.
I remember thinking, and feeling
in my gut.
this is not going to be good.
there is something
wrong with this person.
beneath her skin is a demon
lurking.
don't be tricked, don't be
fooled by her
lies, her womanly ways,
her charm.
I thought to myself, I should
end it now, right this second.
call it all off.
but I didn't.
and I paid the price dearly,
two years of my life
with this devil in disguise.
I was warned, but didn't listen
to the truth that spoke
inside.
you can leave your hat on
i start thinking about hats.
hats to keep the sun
of my smooth
rounded dome.
maybe a beret, or one of those
caps
like the irish wear.
or a fedora.
something a writer might wear.
a houndstooth hat.
or a gangster hat like in those
noir movies. like the ones
cagney and bogart
would wear
while blasting away with their
38's.
or a cowboy hat with a shiny
star in the middle.
maybe a pith helmet, or a little
beanie.
my ex would say, a dunce cap,
but i'm
thinking one of those tall hats
like the ones the pope or a bishop wears,
about a foot tall made of
gold threads,
with jewels embedded.
or maybe a turban. yeah.
or better yet, a miner's helmet
with
a little light on the front.
hats to keep the sun
of my smooth
rounded dome.
maybe a beret, or one of those
caps
like the irish wear.
or a fedora.
something a writer might wear.
a houndstooth hat.
or a gangster hat like in those
noir movies. like the ones
cagney and bogart
would wear
while blasting away with their
38's.
or a cowboy hat with a shiny
star in the middle.
maybe a pith helmet, or a little
beanie.
my ex would say, a dunce cap,
but i'm
thinking one of those tall hats
like the ones the pope or a bishop wears,
about a foot tall made of
gold threads,
with jewels embedded.
or maybe a turban. yeah.
or better yet, a miner's helmet
with
a little light on the front.
rock bottom
i meet my friend jimmy at rock bottom
a new bar
in town.
hey, he says.
fancy meeting you here.
shut up, i tell him
and order me a drink.
bitter, he says, laughing
as the bar tender comes over to
pour me
a gin and tonic.
lime? i ask.
hell no, the bar keep says, we're at rock
bottom. but he cuts
a lime anyway
and splashes my drink with it.
so what brings you here, i ask jimmy.
women, he says. and you.
women. too many, the lack of, stupid
women, brassy women,
lazy women.
prudish women. smart women.
cheating no good lousy
women.
lying women. ugly women, beautiful women.
blondes, brunettes, redheads.
sexy women. all shapes and sizes.
i'm sort of sick of them
all to tell you the god's honest truth.
all their women troubles. their emotions.
their moods,
their crazy thinking.
they are impossible to figure out.
they're like goddamn
cats. aloof
and self absorbed.
i'm sick of love.
yeah, he says. drinking from the bottle
the bar tender left on the bar.
me too.
fuck em.
can't live with em, can't, well,
you know the rest.
hey, i ask him, tapping him on his
arm.
who's that babe at the end of the bar,
never seen her in here before?
very attractive.
i think she just looked over here.
maybe i'll send her a drink. what is
that, a cosmo?
a new bar
in town.
hey, he says.
fancy meeting you here.
shut up, i tell him
and order me a drink.
bitter, he says, laughing
as the bar tender comes over to
pour me
a gin and tonic.
lime? i ask.
hell no, the bar keep says, we're at rock
bottom. but he cuts
a lime anyway
and splashes my drink with it.
so what brings you here, i ask jimmy.
women, he says. and you.
women. too many, the lack of, stupid
women, brassy women,
lazy women.
prudish women. smart women.
cheating no good lousy
women.
lying women. ugly women, beautiful women.
blondes, brunettes, redheads.
sexy women. all shapes and sizes.
i'm sort of sick of them
all to tell you the god's honest truth.
all their women troubles. their emotions.
their moods,
their crazy thinking.
they are impossible to figure out.
they're like goddamn
cats. aloof
and self absorbed.
i'm sick of love.
yeah, he says. drinking from the bottle
the bar tender left on the bar.
me too.
fuck em.
can't live with em, can't, well,
you know the rest.
hey, i ask him, tapping him on his
arm.
who's that babe at the end of the bar,
never seen her in here before?
very attractive.
i think she just looked over here.
maybe i'll send her a drink. what is
that, a cosmo?
keep your dime
I run out of milk,
of bread,
olive oil, sugar and spices.
I run low
on detergent.
soaps
and towels.
things that make my life
go.
the hot water gets cold
before the shower
ends.
the lights flicker,
the show
starts, stops then
begins again.
dates are cancelled.
estimates
delayed.
telemarketers are on the phone.
work is stalled. no one seems
to be
there
when they said
they would.
i'm tired and weary, I've
run out of patience.
out of time. out of focus.
i'm losing my mind.
my ability to be kind.
the world has gone corrupt
and
rude, full of
narcissism
and lies,
thoughtless and selfish.
brother can you spare
me some love,
you can keep your dime.
of bread,
olive oil, sugar and spices.
I run low
on detergent.
soaps
and towels.
things that make my life
go.
the hot water gets cold
before the shower
ends.
the lights flicker,
the show
starts, stops then
begins again.
dates are cancelled.
estimates
delayed.
telemarketers are on the phone.
work is stalled. no one seems
to be
there
when they said
they would.
i'm tired and weary, I've
run out of patience.
out of time. out of focus.
i'm losing my mind.
my ability to be kind.
the world has gone corrupt
and
rude, full of
narcissism
and lies,
thoughtless and selfish.
brother can you spare
me some love,
you can keep your dime.
if love was currency
if love
was currency, measured
in dollars
and cents.
i'd be broke right now.
the safe emptied by
thieves
disguised as lovers,
almost friends.
i'd have
no cash, no checks,
no gold
to spend.
if love were currency,
i'd be on
the dole, out on
the street
with no where to go,
homeless once again.
was currency, measured
in dollars
and cents.
i'd be broke right now.
the safe emptied by
thieves
disguised as lovers,
almost friends.
i'd have
no cash, no checks,
no gold
to spend.
if love were currency,
i'd be on
the dole, out on
the street
with no where to go,
homeless once again.
back straight
with each unspoken
word.
the old words
fade.
the old memories cease
and move
on to their
watery graves.
funny how we survive the worst
of times.
back straight,
eyes forward.
at last
healed and ready for new
memories to be made.
word.
the old words
fade.
the old memories cease
and move
on to their
watery graves.
funny how we survive the worst
of times.
back straight,
eyes forward.
at last
healed and ready for new
memories to be made.
the familiar place
the dent in the rug
tells
where the chair goes, the table
is set.
where the grandfather clock
will
rest until it ticks
and gongs
no more.
all things in their place
since
day one.
and will be forevermore.
safety in sameness
I suppose.
and you,
are you not so different
having moved back into the dent
you once
made?
the familiar
and safe place.
tells
where the chair goes, the table
is set.
where the grandfather clock
will
rest until it ticks
and gongs
no more.
all things in their place
since
day one.
and will be forevermore.
safety in sameness
I suppose.
and you,
are you not so different
having moved back into the dent
you once
made?
the familiar
and safe place.
Wednesday, February 19, 2020
fear not old age
fear not
old age for it has a sweet
feel
about it.
how the memories have piled
in soft
sacks.
like letters to oneself.
be not afraid
of those aches, the limp,
or lean
of bones decayed.
the blur
of light, the dampening
of sound.
it's nothing
to be alarmed about.
instead embrace
all that you have learned,
rejoice in loves lost,
the loves found.
friends made
and gone to their own
gentle graves before you.
it's part of it,
in time, each to his own
turn, if lucky
to not stay young
and die.
old age for it has a sweet
feel
about it.
how the memories have piled
in soft
sacks.
like letters to oneself.
be not afraid
of those aches, the limp,
or lean
of bones decayed.
the blur
of light, the dampening
of sound.
it's nothing
to be alarmed about.
instead embrace
all that you have learned,
rejoice in loves lost,
the loves found.
friends made
and gone to their own
gentle graves before you.
it's part of it,
in time, each to his own
turn, if lucky
to not stay young
and die.
the home life
i miss
things that I've never had.
but miss them
as if they were mine all along.
simple things.
the wife
at home.
her kiss hello as i come in from
the day.
the children in the yard
rushing in to greet me,
the dog at my feet, the aloof
cat on the sill.
i miss the hot meal.
the talk
of what everyone did with their
day.
the talk of tomorrows. of summers.
of where we would
go.
i miss the pillow talk of a loved
one.
the touch of her,
the silk of her.
the glow of her smile.
the words she said.
the sleepy yawn before bed.
i miss us dancing.
the children too, beneath us,
on our feet as we moved
about the kitchen
the songs we all knew.
i miss all of this, as if it happened.
the same goes for you.
things that I've never had.
but miss them
as if they were mine all along.
simple things.
the wife
at home.
her kiss hello as i come in from
the day.
the children in the yard
rushing in to greet me,
the dog at my feet, the aloof
cat on the sill.
i miss the hot meal.
the talk
of what everyone did with their
day.
the talk of tomorrows. of summers.
of where we would
go.
i miss the pillow talk of a loved
one.
the touch of her,
the silk of her.
the glow of her smile.
the words she said.
the sleepy yawn before bed.
i miss us dancing.
the children too, beneath us,
on our feet as we moved
about the kitchen
the songs we all knew.
i miss all of this, as if it happened.
the same goes for you.
the shoe shine
I stop after work
for a shoe
shine, before I board the train
home.
to my wife and three children.
I live in Connecticut now.
up on the hill in a fine white
house.
trees all around.
a driveway that curves in,
then out.
but my shoes, brown and worn,
have lost their shine.
I take my hat off and sit
on the tall seat with the new
York times.
the war is over and another
one looms
on the horizon
as it always does. men being men.
restless in peace.
always sharpening their swords.
but on this autumn day with leaves
falling
in colorful whispers, I stop
to smoke, to sit and have my
shoes shined
before heading home. i'll tip
the boy well.
remembering having been that boy
myself.
for a shoe
shine, before I board the train
home.
to my wife and three children.
I live in Connecticut now.
up on the hill in a fine white
house.
trees all around.
a driveway that curves in,
then out.
but my shoes, brown and worn,
have lost their shine.
I take my hat off and sit
on the tall seat with the new
York times.
the war is over and another
one looms
on the horizon
as it always does. men being men.
restless in peace.
always sharpening their swords.
but on this autumn day with leaves
falling
in colorful whispers, I stop
to smoke, to sit and have my
shoes shined
before heading home. i'll tip
the boy well.
remembering having been that boy
myself.
hit the road jack
when young we tolerate
the foolish.
the insane
the bothersome.
the liars and those full
of themselves.
we play along. we say okay.
they're young,
they're learning,
they'll grow up in time.
but in time, never comes.
and now,
at this ripe age
you don't want to be in
the same room
with them.
conversation is pointless.
love or even like
is difficult if not impossible
for those
of that kind.
the foolish.
the insane
the bothersome.
the liars and those full
of themselves.
we play along. we say okay.
they're young,
they're learning,
they'll grow up in time.
but in time, never comes.
and now,
at this ripe age
you don't want to be in
the same room
with them.
conversation is pointless.
love or even like
is difficult if not impossible
for those
of that kind.
dante's inferno
why are there bubbles?
will the seams go down.
there's paste
on the sink, the door knob.
what's up with the pattern.
in the light
it looks to be a different
shade.
was orange grass cloth
a bad idea?
can you do that wall over.
i can order more
paper,
i can get it over night.
can i scrub it? what if i
change
the mirror,
the light, can you patch the paper?
if i get tired of
it.
can you strip it and do
a faux finish.
i was in an Italian
restaurant the other day,
and the wall looked like marble.
i felt i was in
Tuscany.
have you ever been to Tuscany?
you should go.
it's where i got this idea
for my powder room.
will the seams go down.
there's paste
on the sink, the door knob.
what's up with the pattern.
in the light
it looks to be a different
shade.
was orange grass cloth
a bad idea?
can you do that wall over.
i can order more
paper,
i can get it over night.
can i scrub it? what if i
change
the mirror,
the light, can you patch the paper?
if i get tired of
it.
can you strip it and do
a faux finish.
i was in an Italian
restaurant the other day,
and the wall looked like marble.
i felt i was in
Tuscany.
have you ever been to Tuscany?
you should go.
it's where i got this idea
for my powder room.
marry me i say on bended knee
I finally find someone
who can fold
a fitted sheet. it's been the holy
grail
of dating. it used to be baking
cookies,
but that was a disaster.
she says, stand back and watch me,
take notes
if you must.
I stand there and watch her as
her hands
move rapidly like a cook
at a Japanese steak house.
before I know it, the fitted
sheet is nicely
squared and tucked, folded
firmly into
shape, ready for the shelf.
wow, I tell her. come here and
kiss me. I've been looking
for you
my entire life.
in front of the linen closet,
on bended knee
I ask her to marry me.
who can fold
a fitted sheet. it's been the holy
grail
of dating. it used to be baking
cookies,
but that was a disaster.
she says, stand back and watch me,
take notes
if you must.
I stand there and watch her as
her hands
move rapidly like a cook
at a Japanese steak house.
before I know it, the fitted
sheet is nicely
squared and tucked, folded
firmly into
shape, ready for the shelf.
wow, I tell her. come here and
kiss me. I've been looking
for you
my entire life.
in front of the linen closet,
on bended knee
I ask her to marry me.
sunday at the park
the old men
would gather around their cars
at the park.
in the shade of trees,
while the women
would cook and watch the children
down by the river
where the white sheets of
sailboats
slipped by on the blue sleeve
of water.
they'd put the hoods
up on the cars
open the doors
and drink beer.
they'd take a chamois cloth
and rub the fenders.
they'd lean on the grill
and talk
about the engine,
what their blue collar money
had won.
they'd look off to where
the women
were and talk about them.
there would be music, and
quiet laughter.
it was summer, they were no
longer young
and in the hunt, they were
where they
wanted to be. there was little
left to be done
but put a shine on the chevy.
would gather around their cars
at the park.
in the shade of trees,
while the women
would cook and watch the children
down by the river
where the white sheets of
sailboats
slipped by on the blue sleeve
of water.
they'd put the hoods
up on the cars
open the doors
and drink beer.
they'd take a chamois cloth
and rub the fenders.
they'd lean on the grill
and talk
about the engine,
what their blue collar money
had won.
they'd look off to where
the women
were and talk about them.
there would be music, and
quiet laughter.
it was summer, they were no
longer young
and in the hunt, they were
where they
wanted to be. there was little
left to be done
but put a shine on the chevy.
Tuesday, February 18, 2020
Donna Reed with a Whip
for years I've been putting
that little
description onto my dating profiles.
in search of donna reed
with a whip.
what does it mean exactly?
a woman like donna reed,
in the movie it's a wonderful life.
but in color, not
black and white.
someone with an edge, a wink, a grin,
a smile
a sexy je ne sais quoi about her.
kissing skills
required.
not literally a whip in hand,
not into that,
but figuratively.
someone that i'd want to lasso
the moon for.
loyal and true,
a woman with spunk and life,
smart,
wholesome and real,
the girl next door,
but with a healthy dose
of spice.
it seems impossible at times.
few have come close.
pretenders, most. but
there's still time.
i hope.
that little
description onto my dating profiles.
in search of donna reed
with a whip.
what does it mean exactly?
a woman like donna reed,
in the movie it's a wonderful life.
but in color, not
black and white.
someone with an edge, a wink, a grin,
a smile
a sexy je ne sais quoi about her.
kissing skills
required.
not literally a whip in hand,
not into that,
but figuratively.
someone that i'd want to lasso
the moon for.
loyal and true,
a woman with spunk and life,
smart,
wholesome and real,
the girl next door,
but with a healthy dose
of spice.
it seems impossible at times.
few have come close.
pretenders, most. but
there's still time.
i hope.
the omen
i remember the time
she came
over and drank three or four
large
glasses of pina coladas.
she went from giddy
to wobbly
in no time.
she spent the next four hours
curled around
the toilet
on the bathroom floor.
i checked on her
to see if she had expired.
a groan, a moan eeked out
from under the door.
i watched a movie.
made popcorn,
had a sandwich. talked on
the phone.
ordered more things i didn't
need on amazon.
checked on her again,
then finally dragged her out
and
up the stairs to put her in
the guest room.
i set a glass of water on
the table beside her.
two aspirins and an ice
bag for her head.
i pulled her shoes off,
then gave her
an extra blanket.
told her i'd be down hall
if she needed anything.
all of it an omen as to what
lied ahead.
she came
over and drank three or four
large
glasses of pina coladas.
she went from giddy
to wobbly
in no time.
she spent the next four hours
curled around
the toilet
on the bathroom floor.
i checked on her
to see if she had expired.
a groan, a moan eeked out
from under the door.
i watched a movie.
made popcorn,
had a sandwich. talked on
the phone.
ordered more things i didn't
need on amazon.
checked on her again,
then finally dragged her out
and
up the stairs to put her in
the guest room.
i set a glass of water on
the table beside her.
two aspirins and an ice
bag for her head.
i pulled her shoes off,
then gave her
an extra blanket.
told her i'd be down hall
if she needed anything.
all of it an omen as to what
lied ahead.
call from new york
I see four, maybe five books,
maybe more.
there 's so much here,
the publisher says
on the phone.
you have to come up to new York.
the whole office
loves your work.
we're eating it up.
of course, not all of it is gold.
but there's a rich
mountain of publishable pieces here
that we think
would sell.
where have you been?
we've been waiting for a poet
like you.
accessible and real.
someone who tells the truth.
bleeds.
is raw and sensitive. vengeful
at times
and yet compassionate too.
you leave nothing on the table, do
you?
keep at it. don't stop.
your day is way over due.
your ship has come in my boy.
let's go.
maybe more.
there 's so much here,
the publisher says
on the phone.
you have to come up to new York.
the whole office
loves your work.
we're eating it up.
of course, not all of it is gold.
but there's a rich
mountain of publishable pieces here
that we think
would sell.
where have you been?
we've been waiting for a poet
like you.
accessible and real.
someone who tells the truth.
bleeds.
is raw and sensitive. vengeful
at times
and yet compassionate too.
you leave nothing on the table, do
you?
keep at it. don't stop.
your day is way over due.
your ship has come in my boy.
let's go.
I could be wrong
of course I could be wrong.
I could
be lost.
I could have taken a wrong turn
at the last
light.
or maybe this is the way
I was supposed
to go.
free will, or destiny,
you tell me.
are there coincidences
we're we meant to meet?
does each life intersect
for a reason,
or is it all a gamble,
does God indeed
roll dice
with the universe?
I could
be lost.
I could have taken a wrong turn
at the last
light.
or maybe this is the way
I was supposed
to go.
free will, or destiny,
you tell me.
are there coincidences
we're we meant to meet?
does each life intersect
for a reason,
or is it all a gamble,
does God indeed
roll dice
with the universe?
we grew up and left
when the ice cream
truck rolled down the street
we appeared.
a motley crew
of children holding sticky coins
found
between cushions, or
taken
from a mother's purse
while she was hanging clothes
on the line
out back.
the bell ringing, the music
a strange
recording,
a carnival in a blue boxed
truck.
pictures of his fare
stuck
to the sides.
and the grinning man inside,
unshaven
in a white t shirt, white
pants.
taking our change, whether
it was enough
or not.
he watched as we grew, summer
after summer.
then he never came down our
street again.
truck rolled down the street
we appeared.
a motley crew
of children holding sticky coins
found
between cushions, or
taken
from a mother's purse
while she was hanging clothes
on the line
out back.
the bell ringing, the music
a strange
recording,
a carnival in a blue boxed
truck.
pictures of his fare
stuck
to the sides.
and the grinning man inside,
unshaven
in a white t shirt, white
pants.
taking our change, whether
it was enough
or not.
he watched as we grew, summer
after summer.
then he never came down our
street again.
not this, instead
deep into the book
I lose
track of time.
I move the blinds
and see
that the sun is gone.
cars have arrived.
the children are no longer
playing
in the school yard.
parents have brought
them all
inside.
I dog ear a corner
of the last page read.
I'll go back to it later,
after
a meal,
a walk,
some thought,
then bed. I thought things
would be
different this time.
not this,
instead.
I lose
track of time.
I move the blinds
and see
that the sun is gone.
cars have arrived.
the children are no longer
playing
in the school yard.
parents have brought
them all
inside.
I dog ear a corner
of the last page read.
I'll go back to it later,
after
a meal,
a walk,
some thought,
then bed. I thought things
would be
different this time.
not this,
instead.
is anything finished
is there anything done.
or is all unfinished.
this poem
i'm about to write I may never
read or attend
to again.
will the house ever be
just right,
the yard. the colors
of the sun
as it sets
beyond the silver sage
of trees
bending to wind?
is anything ever finished.
complete?
old loves.
do they end with a bang
or is it a whimper.
a gentle mist fading
like
oils
on a painting to the weathers
unconscious
taking.
can we go back again?
start over.
first words. a first kiss.
a first thump
of heart felt in some
strange
throw
of love.
can we erase the past and begin?
is there anything truly finished
or done?
is there truly an end?
or is all unfinished.
this poem
i'm about to write I may never
read or attend
to again.
will the house ever be
just right,
the yard. the colors
of the sun
as it sets
beyond the silver sage
of trees
bending to wind?
is anything ever finished.
complete?
old loves.
do they end with a bang
or is it a whimper.
a gentle mist fading
like
oils
on a painting to the weathers
unconscious
taking.
can we go back again?
start over.
first words. a first kiss.
a first thump
of heart felt in some
strange
throw
of love.
can we erase the past and begin?
is there anything truly finished
or done?
is there truly an end?
surrender
fear, pain
rejection, loss of love,
of money.
age, perhaps.
betrayal.
what brings you to your knees?
what makes
you finally, at last,
say okay.
I surrender.
it's no longer up to me?
what Job
like scenario needs to occur.
what catastrophe,
locusts,
the plague, disease?
a flood or fire.
death?
what will it take to say,
stop it.
just stop God, I get it
now, please.
rejection, loss of love,
of money.
age, perhaps.
betrayal.
what brings you to your knees?
what makes
you finally, at last,
say okay.
I surrender.
it's no longer up to me?
what Job
like scenario needs to occur.
what catastrophe,
locusts,
the plague, disease?
a flood or fire.
death?
what will it take to say,
stop it.
just stop God, I get it
now, please.
the birthday card
his card,
arriving late,
is no longer in his hand,
but sent
just the same
with stamp
and signed within.
his eyes too blurred
to see
what happens with a pen.
but it's the thought that
counts.
as they say.
not how,
or when.
it won't be long when
no cards
will come.
or be sent.
arriving late,
is no longer in his hand,
but sent
just the same
with stamp
and signed within.
his eyes too blurred
to see
what happens with a pen.
but it's the thought that
counts.
as they say.
not how,
or when.
it won't be long when
no cards
will come.
or be sent.
hunger will make you hunt
easy keeps you young.
easy keeps
you unaware, naïve.
you stay the buried seed,
never knowing
rain,
never knowing sun.
while death
will bring you to your knees.
disease or lack
will strengthen you.
hunger will make you hunt.
a broken heart
will cure
the boy within.
give me a struggle
anytime.
give me truth,
be blunt.
easy keeps
you unaware, naïve.
you stay the buried seed,
never knowing
rain,
never knowing sun.
while death
will bring you to your knees.
disease or lack
will strengthen you.
hunger will make you hunt.
a broken heart
will cure
the boy within.
give me a struggle
anytime.
give me truth,
be blunt.
two tickets
a find a coat,
not mine, deep into the well
of a dust
laden closet.
it's on a hanger
beside a
coats of my own.
who put it there is unknown.
who it belongs
too,
I don't know.
it's a fine coat though.
long,
black with buttons
still holding shine.
I dig into a pocket,
there's a brush,
a hat,
a scarf tucked within.
two half tickets
to a play. two thousand
and nine.
I wonder how she is these
days,
and if she misses
her coat, or me, though
she was never mine.
not mine, deep into the well
of a dust
laden closet.
it's on a hanger
beside a
coats of my own.
who put it there is unknown.
who it belongs
too,
I don't know.
it's a fine coat though.
long,
black with buttons
still holding shine.
I dig into a pocket,
there's a brush,
a hat,
a scarf tucked within.
two half tickets
to a play. two thousand
and nine.
I wonder how she is these
days,
and if she misses
her coat, or me, though
she was never mine.
the unseen self
it takes time
but we learn to prefect who we aren't.
we
embrace whatever style suits our
fancy
for the day or night.
we listens and absorb
those around us, their words,
their light.
we make ourselves, like clay,
into something
less ordinary, less slight.
thinking
if I behave this way,
all things
will be right,
and yet
still it's not who we are.
that
is rarely seen.
but we learn to prefect who we aren't.
we
embrace whatever style suits our
fancy
for the day or night.
we listens and absorb
those around us, their words,
their light.
we make ourselves, like clay,
into something
less ordinary, less slight.
thinking
if I behave this way,
all things
will be right,
and yet
still it's not who we are.
that
is rarely seen.
Monday, February 17, 2020
this bruise is nothing
this bruise is nothing.
the plum rise of blood on skin.
the thickness
of the strike.
how easily
we bump into things,
or things into us.
this strange part of life.
with age we
touch the table to move
across
the room,
go slowly up the staircase.
as if on
ice we
negotiate the wet floor
of the kitchen
or bathroom.
but this bruise is nothing.
hardly a wound
worth mentioning.
i'm sure there are more to come.
both inside
as well as out.
its colors will go towards
green
then yellow, then back again
towards a fleshy shade of white.
the plum rise of blood on skin.
the thickness
of the strike.
how easily
we bump into things,
or things into us.
this strange part of life.
with age we
touch the table to move
across
the room,
go slowly up the staircase.
as if on
ice we
negotiate the wet floor
of the kitchen
or bathroom.
but this bruise is nothing.
hardly a wound
worth mentioning.
i'm sure there are more to come.
both inside
as well as out.
its colors will go towards
green
then yellow, then back again
towards a fleshy shade of white.
an arrow more precise?
is there any worse
death
than that of betrayal?
any worse
injury
to the soul, the ego,
than a lie
told
over and over
as if it's true.
is there any less poison
than that of a lover
gone astray,
gone secret and cold
and yet still returns
each night
as if
things were fine.
find me a sharper
knife,
a more hot bullet,
an arrow more precise
and i will
say no.
not hardly.
death
than that of betrayal?
any worse
injury
to the soul, the ego,
than a lie
told
over and over
as if it's true.
is there any less poison
than that of a lover
gone astray,
gone secret and cold
and yet still returns
each night
as if
things were fine.
find me a sharper
knife,
a more hot bullet,
an arrow more precise
and i will
say no.
not hardly.
Just Image
is there anything real.
anyone
out there
honest and true.
loving and kind?
is there a box without a bright
red label,
with ingredients
you've never
heard of.
is there
a soul
with a heart. not an image
formed
for mirror
that in the light falls apart.
is there anything not for sale.
without a balloon
tied to it.
or music blaring from a horn,
without
a broken wheel?
anyone unpretentious?
anyone
real?
please tell me.
i need to know.
anyone
out there
honest and true.
loving and kind?
is there a box without a bright
red label,
with ingredients
you've never
heard of.
is there
a soul
with a heart. not an image
formed
for mirror
that in the light falls apart.
is there anything not for sale.
without a balloon
tied to it.
or music blaring from a horn,
without
a broken wheel?
anyone unpretentious?
anyone
real?
please tell me.
i need to know.
those summers
those
were real summers.
slow drawl of time.
not like now.
is anything like now
that was?
how we stayed up, lying on
the picnic table
at night.
not yet lovers, just friends.
twelve and thirteen.
afraid to touch hands.
those summers. those sweet
melon
summers.
of falling stars.
black cherries in the trees.
the oasis
of the pool, the sun
in our hair.
glorious and free, yet to
know
what a broken heart was.
still
open
to love, to possibility.
were real summers.
slow drawl of time.
not like now.
is anything like now
that was?
how we stayed up, lying on
the picnic table
at night.
not yet lovers, just friends.
twelve and thirteen.
afraid to touch hands.
those summers. those sweet
melon
summers.
of falling stars.
black cherries in the trees.
the oasis
of the pool, the sun
in our hair.
glorious and free, yet to
know
what a broken heart was.
still
open
to love, to possibility.
forgive me not
i disappoint you?
i'm sorry, in a disingenuous
sort of way
that i
haven't lived up
to your expectations.
the things you once liked,
have suddenly
become
the things that are in
the way.
forgive me, or not.
go find a daisy and decide.
pluck the petals
one by one.
i may be here,
i might be gone.
but this i know,
time is no longer on our side.
i'm sorry, in a disingenuous
sort of way
that i
haven't lived up
to your expectations.
the things you once liked,
have suddenly
become
the things that are in
the way.
forgive me, or not.
go find a daisy and decide.
pluck the petals
one by one.
i may be here,
i might be gone.
but this i know,
time is no longer on our side.
made whole by subtraction
nothing is missing anymore.
there is no lack.
no dark
surprise
arriving by letter or
package
through the slot
of the door.
i feel no cold hand upon my
arm.
no stranger in my bed.
the house is full of me.
made
whole by subtraction.
there is no lack.
no dark
surprise
arriving by letter or
package
through the slot
of the door.
i feel no cold hand upon my
arm.
no stranger in my bed.
the house is full of me.
made
whole by subtraction.
my lovers
i sleep with books.
each is a mistress. a lover,
a wife.
i place them
beside me on the bed.
beneath a pillow.
on the nightstand.
they are in easy reach.
the words are comforting
in the shallow light
of morning.
the twilight of dusk.
they keep me warm. they keep
me
alive.
I've never known love
like them before.
they give and give and give.
and ask
for little in return.
just read me, they say,
please read me again.
which i adore.
each is a mistress. a lover,
a wife.
i place them
beside me on the bed.
beneath a pillow.
on the nightstand.
they are in easy reach.
the words are comforting
in the shallow light
of morning.
the twilight of dusk.
they keep me warm. they keep
me
alive.
I've never known love
like them before.
they give and give and give.
and ask
for little in return.
just read me, they say,
please read me again.
which i adore.
i've gone inside
the yard
left to itself for two years
now,
has little to say,
less to remember.
the rough cut
of bushes down to nubs.
the slash
of weeds, tugged and pulled
on sore
knees.
the gravel
below the inch of grey
soil.
what grows here is not
my decision.
I let
the wind decide.
I let time, rain, the gentle
moonlight
bring out
what needs to be
alive.
it's no longer my yard,
I've given
it up
to the birds and squirrels,
other life,
I've gone inside.
left to itself for two years
now,
has little to say,
less to remember.
the rough cut
of bushes down to nubs.
the slash
of weeds, tugged and pulled
on sore
knees.
the gravel
below the inch of grey
soil.
what grows here is not
my decision.
I let
the wind decide.
I let time, rain, the gentle
moonlight
bring out
what needs to be
alive.
it's no longer my yard,
I've given
it up
to the birds and squirrels,
other life,
I've gone inside.
enjoy your life
a tree fell in the woods,
but nobody heard it
because somebody's wife kept
talking, he says.
I laugh.
that's a good one, I say
to the guy
in line
in front of me. he laughs with
me as if it's
the first time
he's told
that joke.
he's old. he remembers
when
this coffee shop
was a barn.
when there were horse trails
where the highway
is.
when my wife was alive, he says,
his eyes going soft,
she loved to ride
these hills. she was something.
we stop talking
and he turns back around
to get his coffee.
when he leaves, he touches my
arm, lost
in some memory
and says.
enjoy your life, my friend,
enjoy your life.
but nobody heard it
because somebody's wife kept
talking, he says.
I laugh.
that's a good one, I say
to the guy
in line
in front of me. he laughs with
me as if it's
the first time
he's told
that joke.
he's old. he remembers
when
this coffee shop
was a barn.
when there were horse trails
where the highway
is.
when my wife was alive, he says,
his eyes going soft,
she loved to ride
these hills. she was something.
we stop talking
and he turns back around
to get his coffee.
when he leaves, he touches my
arm, lost
in some memory
and says.
enjoy your life, my friend,
enjoy your life.
homeward bound
some things you miss.
new York, for instance.
greasy, bubbling cheese
on a thick
crust with pepperoni.
you miss the wind
off the harbor.
the lights and mayhem
of times square.
the shows, the diners.
museums.
the long walks
through central park.
Chinatown and the village.
a stop at the zoo.
soho, NoHo.
tribeca.
you need your fix again,
real soon.
it's been too long away.
but just a few days.
whose got that kind of money
or strength
to last much longer.
new York, for instance.
greasy, bubbling cheese
on a thick
crust with pepperoni.
you miss the wind
off the harbor.
the lights and mayhem
of times square.
the shows, the diners.
museums.
the long walks
through central park.
Chinatown and the village.
a stop at the zoo.
soho, NoHo.
tribeca.
you need your fix again,
real soon.
it's been too long away.
but just a few days.
whose got that kind of money
or strength
to last much longer.
new wings
I yawn,
I stretch. I jump out of bed
into the cold
stream
of a shower.
energized and ready for the day.
work
on this holiday.
but it's good.
a sweet
new day in February.
untroubled, untethered,
a bird
with new wings.
a cup of joe,
the radio.
and off we go.
I stretch. I jump out of bed
into the cold
stream
of a shower.
energized and ready for the day.
work
on this holiday.
but it's good.
a sweet
new day in February.
untroubled, untethered,
a bird
with new wings.
a cup of joe,
the radio.
and off we go.
Sunday, February 16, 2020
Being Thankful
there is so much to be thankful for.
I have so many pairs of socks
it's embarrassing.
shoes too.
underwear still wrapped in plastic.
I have four new suits,
black and charcoal that I never wear.
I have ice.
water, hot and cold.
a house. a yard.
a very comfortable bed.
I have electricity.
my health.
my son in California
doing well.
I have brothers and sisters,
a father
at 92.
there's money in the bank,
more than i'll ever need
or spend. there's food
in the freezer.
I have work. I have a car,
a truck.
a washing machine, a dryer.
televisions, radios, stereos.
speaker all over
the place.
a cell phone, a land line.
I have hands
and legs,
eyes and ears.
teeth.
a heart that beats on a regular
basis.
I have old friends, new friends.
so many good memories.
I have the past, I have now.
I have peace. I have joy. I have
so much
through luck, and hard work,
and by being blessed.
but I know that like Job, things
could at any moment could take
a turn for the worse.
I have so many pairs of socks
it's embarrassing.
shoes too.
underwear still wrapped in plastic.
I have four new suits,
black and charcoal that I never wear.
I have ice.
water, hot and cold.
a house. a yard.
a very comfortable bed.
I have electricity.
my health.
my son in California
doing well.
I have brothers and sisters,
a father
at 92.
there's money in the bank,
more than i'll ever need
or spend. there's food
in the freezer.
I have work. I have a car,
a truck.
a washing machine, a dryer.
televisions, radios, stereos.
speaker all over
the place.
a cell phone, a land line.
I have hands
and legs,
eyes and ears.
teeth.
a heart that beats on a regular
basis.
I have old friends, new friends.
so many good memories.
I have the past, I have now.
I have peace. I have joy. I have
so much
through luck, and hard work,
and by being blessed.
but I know that like Job, things
could at any moment could take
a turn for the worse.
No Longer the Hood
I drive downtown
to go look at a job.
it's in the middle of the city
and takes an
hour with normal
traffic.
it's where the hood used to be.
it's where the riots
were in
the late sixties.
gangs,
drugs, hookers. the whole
catastrophe
was in play
up 14th street and Georgia
avenue.
now I see the strollers
being pushed.
daisies coming up out of yards.
the houses are painted pinks
and blues.
new picket fences.
dogs are barking, kids are
on swings.
there's a barbeque going on
in the corner house,
with Biff and Molly,
Hillary
and Hugh.
to go look at a job.
it's in the middle of the city
and takes an
hour with normal
traffic.
it's where the hood used to be.
it's where the riots
were in
the late sixties.
gangs,
drugs, hookers. the whole
catastrophe
was in play
up 14th street and Georgia
avenue.
now I see the strollers
being pushed.
daisies coming up out of yards.
the houses are painted pinks
and blues.
new picket fences.
dogs are barking, kids are
on swings.
there's a barbeque going on
in the corner house,
with Biff and Molly,
Hillary
and Hugh.
this will never work
i'm lactose intolerant
she tells me.
that means, no milk, no cheese, no yogurt,
and I only eat grass fed meat
or poultry.
lean cuts.
the fish have to be fresh caught,
nothing frozen
or farmed.
vegetables should be organic,
and local.
no bread, no sugar, no dessert or
coffee for me.
just sparkling water
on spring water ice. a slice
of organic lemon.
and i'm allergic to cats.
you don't have a cat do you?
and is your house mold free?
I have a severe reaction
to mold
and by the way,
I prefer to drive in the day time,
and if it's rainy
or too cold, or windy,
let's try another time.
oh and I don't drink alcohol.
she tells me.
that means, no milk, no cheese, no yogurt,
and I only eat grass fed meat
or poultry.
lean cuts.
the fish have to be fresh caught,
nothing frozen
or farmed.
vegetables should be organic,
and local.
no bread, no sugar, no dessert or
coffee for me.
just sparkling water
on spring water ice. a slice
of organic lemon.
and i'm allergic to cats.
you don't have a cat do you?
and is your house mold free?
I have a severe reaction
to mold
and by the way,
I prefer to drive in the day time,
and if it's rainy
or too cold, or windy,
let's try another time.
oh and I don't drink alcohol.
relationship amnesia
it's not uncommon, in fact
it's quite ordinary
for one to get relationship amnesia
when you've been away from someone
for awhile.
you romanticize the few good
things that occurred
when you were with a significant other,
time and distance making
the heart grow erroneously fonder.
you completely
forget, as if your brain
has been doped, about
the lying, the cheating and betrayal,
the emotional
abuse and
constant turmoil.
you gloss over the insanity of the time
you spent with this person.
it's like you go into a coma
unable to wake up
and remember the hell
you went through.
crazily, you actually think
calling
this person, unblocking them
from your phone
and social media,
texting or sending them a letter
and reminiscing about
all the good times.
then you come to your senses.
the letter would be short,
a few words, perhaps.
the texting
one line,
the call would last ten seconds.
what good memories?
hardly any come to mind.
so few if any, from what
what I can recall.
it's quite ordinary
for one to get relationship amnesia
when you've been away from someone
for awhile.
you romanticize the few good
things that occurred
when you were with a significant other,
time and distance making
the heart grow erroneously fonder.
you completely
forget, as if your brain
has been doped, about
the lying, the cheating and betrayal,
the emotional
abuse and
constant turmoil.
you gloss over the insanity of the time
you spent with this person.
it's like you go into a coma
unable to wake up
and remember the hell
you went through.
crazily, you actually think
calling
this person, unblocking them
from your phone
and social media,
texting or sending them a letter
and reminiscing about
all the good times.
then you come to your senses.
the letter would be short,
a few words, perhaps.
the texting
one line,
the call would last ten seconds.
what good memories?
hardly any come to mind.
so few if any, from what
what I can recall.
5:30 a.m.
after a rough night out
I wake up
and lean on the cold rim
of the white porcelain sink.
I fill it with ice water
then drop my head into it.
I shake it off, then look
in the mirror.
what the hell, where did that
new crease in my brow come from?
these wrinkles are coming out
of nowhere.
i'm beginning to look like my
mother and father
combined.
which I guess makes sense.
I slap on some shaving cream
and mow away the stubble.
silver and white flecks of what
used to be luxurious
brown hair.
but I haven't given up.
I flex my muscles and put
some visine in my eyes.
I hear a voice coming from the other
room,
what are you doing in there?
are you okay? come back to bed.
brushing my teeth, I yell back.
be there in a minute.
hold that thought.
I brush my teeth, gargle,
spit. take a zinc pill,
then turn the light off.
it's five thirty in the morning.
I wake up
and lean on the cold rim
of the white porcelain sink.
I fill it with ice water
then drop my head into it.
I shake it off, then look
in the mirror.
what the hell, where did that
new crease in my brow come from?
these wrinkles are coming out
of nowhere.
i'm beginning to look like my
mother and father
combined.
which I guess makes sense.
I slap on some shaving cream
and mow away the stubble.
silver and white flecks of what
used to be luxurious
brown hair.
but I haven't given up.
I flex my muscles and put
some visine in my eyes.
I hear a voice coming from the other
room,
what are you doing in there?
are you okay? come back to bed.
brushing my teeth, I yell back.
be there in a minute.
hold that thought.
I brush my teeth, gargle,
spit. take a zinc pill,
then turn the light off.
it's five thirty in the morning.
Your Lucky Day
a stroke of luck.
a penny found.
the shooting star, the wishing
well.
each to its
own small reward
of good fortune.
don't look that gift horse
in the mouth.
be thankful for what's come
and what's gone.
the road is clear
for what should be.
a penny found.
the shooting star, the wishing
well.
each to its
own small reward
of good fortune.
don't look that gift horse
in the mouth.
be thankful for what's come
and what's gone.
the road is clear
for what should be.
Go Fund Me
I want a new car so I start
up a go fund me
on social media.
the money rolls in.
friends
relatives
people I hardly know
send me their hard earned dough.
I want to take a cruise.
another go fund me.
marriage and a honeymoon.
yes.
go fund me.
my dog is sick.
i'm sick.
my phone broke.
my computer is on the fritz.
I want a house, a boat,
I want
I want
I want.
but why work for it
when I have
go fund me dot com.
work is for the weak, the dumb.
the losers
that I can bleed.
go fund me.
up a go fund me
on social media.
the money rolls in.
friends
relatives
people I hardly know
send me their hard earned dough.
I want to take a cruise.
another go fund me.
marriage and a honeymoon.
yes.
go fund me.
my dog is sick.
i'm sick.
my phone broke.
my computer is on the fritz.
I want a house, a boat,
I want
I want
I want.
but why work for it
when I have
go fund me dot com.
work is for the weak, the dumb.
the losers
that I can bleed.
go fund me.
having drinks
one drink is fine.
a nice calm feeling,
sublime.
no rush, no hurry, just conversation.
a meal.
a relaxing sigh.
two drinks, though. can get you talking,
thinking.
wondering.
all the maybes in the world somehow
come to light. you're funny
and light.
the third drink has you reaching
for the phone.
groping,
saying things you'll regret
come morning.
you believe that anything is possible.
all the world
is gold.
love can be retrieved.
life can be as wonderful
as you once were told.
the fourth drink should never
be in your hand.
it's the dark side. the wounded
animal side.
thinking revenge and getting even
for slights long
gone.
the part of you that no one,
not even you
understands.
a nice calm feeling,
sublime.
no rush, no hurry, just conversation.
a meal.
a relaxing sigh.
two drinks, though. can get you talking,
thinking.
wondering.
all the maybes in the world somehow
come to light. you're funny
and light.
the third drink has you reaching
for the phone.
groping,
saying things you'll regret
come morning.
you believe that anything is possible.
all the world
is gold.
love can be retrieved.
life can be as wonderful
as you once were told.
the fourth drink should never
be in your hand.
it's the dark side. the wounded
animal side.
thinking revenge and getting even
for slights long
gone.
the part of you that no one,
not even you
understands.
investing
we are investors.
we put money in the bank.
we hand
it over to millennials to make
our retirement safe.
we throw pennies into the jar.
we buy clothes that will last,
shoes that can be
cobbled.
we get our blood pressure checked.
we make sure the water
is turned off for winter.
the dog has it's shots.
we get our teeth cleaned to prevent
decay.
we invest in the yard.
sod and seed.
we do cross word puzzles
to keep our brains
in order.
we cut coupons and look for
discounts. we're investing,
we're looking towards a future.
it's not greed.
we tuck in the children,
we check their home work,
we
find books that they'll read.
we give flowers and cards.
we buy gifts for loved ones.
we invest in their hearts
our desires, our needs.
we are squirrels in the woods
burying acorns
for when it snows.
for winter says no more.
we put money in the bank.
we hand
it over to millennials to make
our retirement safe.
we throw pennies into the jar.
we buy clothes that will last,
shoes that can be
cobbled.
we get our blood pressure checked.
we make sure the water
is turned off for winter.
the dog has it's shots.
we get our teeth cleaned to prevent
decay.
we invest in the yard.
sod and seed.
we do cross word puzzles
to keep our brains
in order.
we cut coupons and look for
discounts. we're investing,
we're looking towards a future.
it's not greed.
we tuck in the children,
we check their home work,
we
find books that they'll read.
we give flowers and cards.
we buy gifts for loved ones.
we invest in their hearts
our desires, our needs.
we are squirrels in the woods
burying acorns
for when it snows.
for winter says no more.
Saturday, February 15, 2020
what was kind
when love ends
we unhinge, we uncouple.
we separate
and move
onward to a different place.
no longer
skin to skin.
it's different now.
no whispers
to be heard
no finishing each other's
thoughts
with words.
we go slowly into the white
hollows
of time.
of memory.
we are set apart from one another,
untethered.
thinking only
of what was kind.
we unhinge, we uncouple.
we separate
and move
onward to a different place.
no longer
skin to skin.
it's different now.
no whispers
to be heard
no finishing each other's
thoughts
with words.
we go slowly into the white
hollows
of time.
of memory.
we are set apart from one another,
untethered.
thinking only
of what was kind.
the sea
the sea is incoherent,
a different
language
in my ears. I want more.
I want clarity.
but it gives me none of that.
the salt
of air,
the brine,
the dredge of green
that comes and comes
and
goes.
the thunder
of it.
I want a voice. I want to hold
a white shell
to my
ear and know
all what I need to know.
not just about you, about
tomorrows
too.
I want to know what lies
below.
what the dead
have to offer
for us still sailing
adrift
wondering which way to go.
a different
language
in my ears. I want more.
I want clarity.
but it gives me none of that.
the salt
of air,
the brine,
the dredge of green
that comes and comes
and
goes.
the thunder
of it.
I want a voice. I want to hold
a white shell
to my
ear and know
all what I need to know.
not just about you, about
tomorrows
too.
I want to know what lies
below.
what the dead
have to offer
for us still sailing
adrift
wondering which way to go.
My Friend Ariel
i sink into the big Saturday chair.
a worn brown leather
sofa beside
the big window with
enough light to read the fine
print.
i go back into Ariel.
an old
dark and mysterious friend.
the bee poem.
daddy. lady Lazarus.
the brilliance of her pen.
so much
reminds me of someone.
so much
is a rich bruised memory, best
left
unstirred.
untouched. there is no going
back.
there are no amends.
a worn brown leather
sofa beside
the big window with
enough light to read the fine
print.
i go back into Ariel.
an old
dark and mysterious friend.
the bee poem.
daddy. lady Lazarus.
the brilliance of her pen.
so much
reminds me of someone.
so much
is a rich bruised memory, best
left
unstirred.
untouched. there is no going
back.
there are no amends.
seasonal fruit
I see the peach.
it's summer ripeness. the plum
the cherry.
the fall apple.
I know the taste, the juice
of it.
the sweet unchanging
history
of the fruit
that you've come to know
since birth.
a red melon, the orange lope,
the blackberries
making blue
an entire field.
you've known
since the first bite
the smile
your body makes
as the dribble of it runs
down your chin.
each season to its own
fruit.
its own harvest, taking
you home again.
it's summer ripeness. the plum
the cherry.
the fall apple.
I know the taste, the juice
of it.
the sweet unchanging
history
of the fruit
that you've come to know
since birth.
a red melon, the orange lope,
the blackberries
making blue
an entire field.
you've known
since the first bite
the smile
your body makes
as the dribble of it runs
down your chin.
each season to its own
fruit.
its own harvest, taking
you home again.
the devil that you know
sometimes
the devil that you know is
better than
the one that you don't.
I've seen it time and time
again.
having gone through it myself.
staying put in hell
and stopping,
waiting as if hell will
no longer
be hell,
hesitant,
instead of getting out,
running to the other side
to the nearest exit.
it's a persuasive argument
your mind and heart makes,
trumping
your gut instincts,
your true and infallible
self.
the devil that you know is
better than
the one that you don't.
I've seen it time and time
again.
having gone through it myself.
staying put in hell
and stopping,
waiting as if hell will
no longer
be hell,
hesitant,
instead of getting out,
running to the other side
to the nearest exit.
it's a persuasive argument
your mind and heart makes,
trumping
your gut instincts,
your true and infallible
self.
Solomon's Island
she was off the grid.
a little quirky, on the far end
of the spectrum.
she wore what she called snake boots.
white plastic
boots with pictures of umbrellas
on them.
her yard was full of snakes.
she didn't believe in electricity
and pondered
solar panels.
no tv
no radio.
a few lights scattered about,
40 watts.
i slept on a horse blanket in the basement
between pillars
of magazines
from the 1980's.
there was a compost pile
at the far end
of her sloping yard
where all the trash
would go
and where the raccoons would
gather and hiss
at you when
you brought a new pail
of garbage to the pile.
she liked to recite Shakespearean
sonnets
when the mood struck,
taking the floor with grand
gestures
and facial expressions.
valentine cards from her third
grade class
fifty years ago
were scattered about her laundry
room floor.
she was fun, interesting, but a
giant cup of crazy.
like me, but not like me in
so many ways.
a little quirky, on the far end
of the spectrum.
she wore what she called snake boots.
white plastic
boots with pictures of umbrellas
on them.
her yard was full of snakes.
she didn't believe in electricity
and pondered
solar panels.
no tv
no radio.
a few lights scattered about,
40 watts.
i slept on a horse blanket in the basement
between pillars
of magazines
from the 1980's.
there was a compost pile
at the far end
of her sloping yard
where all the trash
would go
and where the raccoons would
gather and hiss
at you when
you brought a new pail
of garbage to the pile.
she liked to recite Shakespearean
sonnets
when the mood struck,
taking the floor with grand
gestures
and facial expressions.
valentine cards from her third
grade class
fifty years ago
were scattered about her laundry
room floor.
she was fun, interesting, but a
giant cup of crazy.
like me, but not like me in
so many ways.
Come to Florida
come to florida
she says in her birthday card.
come to the sunshine state.
we'll make
love in an orange grove.
we'll drive along the beach
with the top down.
we'll change our names.
we'll
wear white clothes.
we'll become who we really are.
we'll pull silver fish
from the sea.
we'll drink strong drinks
under the moon
of Miami beach.
we'll be each other's lovers,
pals, confidants.
we'll be our own movie stars.
come to florida, she says.
i'm waiting with open
arms.
come to me. come and be free.
she says in her birthday card.
come to the sunshine state.
we'll make
love in an orange grove.
we'll drive along the beach
with the top down.
we'll change our names.
we'll
wear white clothes.
we'll become who we really are.
we'll pull silver fish
from the sea.
we'll drink strong drinks
under the moon
of Miami beach.
we'll be each other's lovers,
pals, confidants.
we'll be our own movie stars.
come to florida, she says.
i'm waiting with open
arms.
come to me. come and be free.
the last leaf
I look out the window
at the man
in a mask with a leaf blower.
it sounds like a jet plane
about to crash
into the cul de sac.
he's chasing, pushing,
in pursuit of
one leaf
to be sucked up into his enormous
truck
which is running
loudly on the street.
a great diesel cloud of black smoke
rises from the exhaust.
it's early. hardly a bird is up.
I watch for a few minutes
then go fix a cup of coffee.
I go back to the window.
he's getting closer
to the truck. inch by inch
the little brown leaf moves
onward. he's
real close. another thirty
minutes and he'll have
the leaf at last.
i'm almost ready to clap.
at the man
in a mask with a leaf blower.
it sounds like a jet plane
about to crash
into the cul de sac.
he's chasing, pushing,
in pursuit of
one leaf
to be sucked up into his enormous
truck
which is running
loudly on the street.
a great diesel cloud of black smoke
rises from the exhaust.
it's early. hardly a bird is up.
I watch for a few minutes
then go fix a cup of coffee.
I go back to the window.
he's getting closer
to the truck. inch by inch
the little brown leaf moves
onward. he's
real close. another thirty
minutes and he'll have
the leaf at last.
i'm almost ready to clap.
the love bugs
they were a strange couple.
tethered together by asking
each other
at the crack of dawn,
what and where she we eat today.
her with blue
hair,
him with his guns and plaid array.
her far side
glasses perched low on her nose.
quite the pair. but love has
no eyes. love
hears no words.
love just knows what it knows,
what goes
on in-between
it hardly cares.
tethered together by asking
each other
at the crack of dawn,
what and where she we eat today.
her with blue
hair,
him with his guns and plaid array.
her far side
glasses perched low on her nose.
quite the pair. but love has
no eyes. love
hears no words.
love just knows what it knows,
what goes
on in-between
it hardly cares.
cheek to cheek
we go out dancing.
cheek to cheek, hand in hand.
the rhythm of our
feet
capturing the beat,
the ebb and flow
of strings
the piano. no words are said,
no words are needed.
it's a lovely night, of warmth
of joy
of love
going slow.
dancing cheek to cheek.
cheek to cheek, hand in hand.
the rhythm of our
feet
capturing the beat,
the ebb and flow
of strings
the piano. no words are said,
no words are needed.
it's a lovely night, of warmth
of joy
of love
going slow.
dancing cheek to cheek.
Friday, February 14, 2020
Cherry Pie
I meet this charming southern belle on
a dating site called
daisydukes.com. well not actually
meet her, but
we do the email, texting thing
ad nauseum.
for all I know she could be a freckled
face
teenage boy in his mother's basement
with the door closed.
but we hit if off just the same.
she tells me that if she lived closer,
she'd be all over me
like a chicken on a june bug.
I make a note to look up what a june
bug is.
I know my bugs, but june bug is a new one.
so how are things down south, I ask her.
and she says. things haven't been the same
since the northerners
began their war of aggression
on us.
I tell her, that was a long time ago.
a couple of hundred years. I try to do
the math in my head, but give up.
my daddy says that the south will rise again.
my nickname is dixie, she tells me.
they all sing Dixie for my birthday
instead of the usual happy birthday song.
and by the way, I don't mean any offense,
but Abraham Lincoln wasn't all that!
he had nothing on Jefferson Davis or Bobby Lee.
I don't want to get bogged down
into a political discussion
with her, so I move on
to talking about her pie making skills.
your profile says that you make a mean
cherry pie, I tell her. is that true?
I like that one picture of you holding it
up at the picnic table.
sure nuff, she says. I won the blue ribbon
four years in a row, although I got
beat last year by betty jean mulberry, that tramp
from Atlanta.
you should have seen what she was wearing,
i'm telling you it left no room for imagination.
them judges weren't salivating over her pie,
mind you.
well, if we ever get the chance to meet, maybe
I can sample a slice of your award winning pie.
it would be my pleasure, she says.
i'll bake a whole one just for you.
special, just for you sweetie.
maybe we could meet at the apple butter
festival this year in Winchester?
sure, I tell her. why not.
I like to enter my jams and jellies in their
contests
and my daddy likes to sell his wooden
bowls and big salad forks and spoons
at the festival. he whittles
them out of trees stumps that he finds
in the woods when he's out
possum hunting.
people just
love them wooden bowls.
sounds like a plan, I tell her.
I could use a new bowl.
well, I have to go now, she says.
one of our cows got loose down on the main
road
and I have to go fetch her.
toodle loo sweet potato. you behave
until we meet. followed by six heart emojis,
a dixie flag and a tiny cherry pie.
a dating site called
daisydukes.com. well not actually
meet her, but
we do the email, texting thing
ad nauseum.
for all I know she could be a freckled
face
teenage boy in his mother's basement
with the door closed.
but we hit if off just the same.
she tells me that if she lived closer,
she'd be all over me
like a chicken on a june bug.
I make a note to look up what a june
bug is.
I know my bugs, but june bug is a new one.
so how are things down south, I ask her.
and she says. things haven't been the same
since the northerners
began their war of aggression
on us.
I tell her, that was a long time ago.
a couple of hundred years. I try to do
the math in my head, but give up.
my daddy says that the south will rise again.
my nickname is dixie, she tells me.
they all sing Dixie for my birthday
instead of the usual happy birthday song.
and by the way, I don't mean any offense,
but Abraham Lincoln wasn't all that!
he had nothing on Jefferson Davis or Bobby Lee.
I don't want to get bogged down
into a political discussion
with her, so I move on
to talking about her pie making skills.
your profile says that you make a mean
cherry pie, I tell her. is that true?
I like that one picture of you holding it
up at the picnic table.
sure nuff, she says. I won the blue ribbon
four years in a row, although I got
beat last year by betty jean mulberry, that tramp
from Atlanta.
you should have seen what she was wearing,
i'm telling you it left no room for imagination.
them judges weren't salivating over her pie,
mind you.
well, if we ever get the chance to meet, maybe
I can sample a slice of your award winning pie.
it would be my pleasure, she says.
i'll bake a whole one just for you.
special, just for you sweetie.
maybe we could meet at the apple butter
festival this year in Winchester?
sure, I tell her. why not.
I like to enter my jams and jellies in their
contests
and my daddy likes to sell his wooden
bowls and big salad forks and spoons
at the festival. he whittles
them out of trees stumps that he finds
in the woods when he's out
possum hunting.
people just
love them wooden bowls.
sounds like a plan, I tell her.
I could use a new bowl.
well, I have to go now, she says.
one of our cows got loose down on the main
road
and I have to go fetch her.
toodle loo sweet potato. you behave
until we meet. followed by six heart emojis,
a dixie flag and a tiny cherry pie.
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