she glows
in the dark,
against
the white sheets,
her stainless steel
heart without a
fingerprint
on it. she keeps me
and many others
on a dark shelf,
deep and on ice,
with her snug doors
out of reach,
shut tight.
it would be easier
breaking into
fort knox then
it would be getting
a midnight snack
out of her. it's
getting chilly in here
and i'm hungry,
very hungry.
Saturday, March 27, 2010
i wake up and find
the remnants of you
everywhere, but you
aren't there. there's
a kleenex, a bottle
of perfume, a torn
stocking, your hair
brush and hair in
the sink, but you're
not there. you've
taken just about all
of your things, but
a few. your footprints
are still in
the carpet, wet
indents from the
shower. i can even
hear the door shut
behind you, and the
car start as you leave,
i go down the steps,
quickly with every intent
of stopping you, of
saying wait, but i don't
i go back into the
kitchen, unclothed, tired
from the fight, maybe
this is it. i see your
hand prints on the cool
stainless steel door
of the fridge. i take
a rag to wipe them
away, but i can't, i have
to leave them there.
the remnants of you
everywhere, but you
aren't there. there's
a kleenex, a bottle
of perfume, a torn
stocking, your hair
brush and hair in
the sink, but you're
not there. you've
taken just about all
of your things, but
a few. your footprints
are still in
the carpet, wet
indents from the
shower. i can even
hear the door shut
behind you, and the
car start as you leave,
i go down the steps,
quickly with every intent
of stopping you, of
saying wait, but i don't
i go back into the
kitchen, unclothed, tired
from the fight, maybe
this is it. i see your
hand prints on the cool
stainless steel door
of the fridge. i take
a rag to wipe them
away, but i can't, i have
to leave them there.
Friday, March 26, 2010
upstream, i swim
arm over arm,
kicking my legs
in the cold water.
upstream, against
the moonless tide,
the rocks below
me, as my body
cuts through the clear
mountain stream.
there is no other
side, there is
just forward, back
to where it all
began. i've been
at the other end,
and i can't back there
so it's
upstream for me,
arm over arm, my
legs kicking.
arm over arm,
kicking my legs
in the cold water.
upstream, against
the moonless tide,
the rocks below
me, as my body
cuts through the clear
mountain stream.
there is no other
side, there is
just forward, back
to where it all
began. i've been
at the other end,
and i can't back there
so it's
upstream for me,
arm over arm, my
legs kicking.
sometimes
the blank page,
the snow white
sheet of paper,
patient and quiet,
without a word
on it, is a most
beautiful thing.
empty and holding
the promise of
a tale not yet
told. every word
written, every poem
or play, book
or script has to
deal with the beauty
and wonder,
and yes, fear
of the blank page.
it's a glorious
thing to have
nothing there
and then have it
magically appear
as if out of thin
sweet air. if only
it was that easy.
the snow white
sheet of paper,
patient and quiet,
without a word
on it, is a most
beautiful thing.
empty and holding
the promise of
a tale not yet
told. every word
written, every poem
or play, book
or script has to
deal with the beauty
and wonder,
and yes, fear
of the blank page.
it's a glorious
thing to have
nothing there
and then have it
magically appear
as if out of thin
sweet air. if only
it was that easy.
no fishing
i can't fish anymore.
ever since the grocery
stores starting selling
fish, putting them on ice
in neat little rows
behind the glass.
i just can't stand on
the side of a river bank,
or on the back of a boat,
named Charlie, or something,
and throw the line out
to reel in a trout, or
sea bass, or marlin, or
whatever fish i can trick
into biting what's on the
end of my line. nah. i'm
done with fishing, and i
guess hunting too. i like
the way the meat is all
packaged and ready for
grilling, red, cleaned,
no skinning the cow
anymore, whew. i'd be
a vegetarian if that wasn't
so. i guess i'm getting
lazy, but no less hungry.
ever since the grocery
stores starting selling
fish, putting them on ice
in neat little rows
behind the glass.
i just can't stand on
the side of a river bank,
or on the back of a boat,
named Charlie, or something,
and throw the line out
to reel in a trout, or
sea bass, or marlin, or
whatever fish i can trick
into biting what's on the
end of my line. nah. i'm
done with fishing, and i
guess hunting too. i like
the way the meat is all
packaged and ready for
grilling, red, cleaned,
no skinning the cow
anymore, whew. i'd be
a vegetarian if that wasn't
so. i guess i'm getting
lazy, but no less hungry.
fresh season
a warm spell has
moved in between
us, a high pressure
system of blue skies,
sunny days and low
winds. somehow we
made it through the
winter with our love
in tact. it's time
to sweat now, to
open the window, to
let the sun in, the
cold out. it's a good
season to be in and
out with you.
moved in between
us, a high pressure
system of blue skies,
sunny days and low
winds. somehow we
made it through the
winter with our love
in tact. it's time
to sweat now, to
open the window, to
let the sun in, the
cold out. it's a good
season to be in and
out with you.
Thursday, March 25, 2010
shades of blue
don't rearrange
your furniture on
account of me,
don't move a chair,
a plate, or pot
of flowers to make
me feel good. no.
i'm just passing
through. i'm going
to another place,
maybe texas, maybe
venice. i need
another point of
view, one that doesn't
include you
and your color palette,
your fabrics, your
cold shade of violet
and heart, your sad
grey soul, so blue.
your furniture on
account of me,
don't move a chair,
a plate, or pot
of flowers to make
me feel good. no.
i'm just passing
through. i'm going
to another place,
maybe texas, maybe
venice. i need
another point of
view, one that doesn't
include you
and your color palette,
your fabrics, your
cold shade of violet
and heart, your sad
grey soul, so blue.
slow fire
it's a slow
fire,
the soft burn
of wood and twigs,
all that we
have gathered
and placed
into a pile
to stay warm.
that
keeps us going,
keeps
us alive
and gets us
through the night.
your kisses
are like
that too. it's time
for more.
fire,
the soft burn
of wood and twigs,
all that we
have gathered
and placed
into a pile
to stay warm.
that
keeps us going,
keeps
us alive
and gets us
through the night.
your kisses
are like
that too. it's time
for more.
no flowers, please
don't fall
in love
with me,
she whispers,
kissing my neck,
unbuttoning
my shirt like
a surgeon about
to cut into
a live one. who
needs a heart.
just because
of this, don't
call me every
hour of the
day, don't text
me, telling me
about how
much you care
and want us to
be couple. no
flowers, no
chocoate. i
don't say
a word. my mind
is working
in a different
sort of way,
there is no
logic in the
moment. okay,
i tell her.
no problem.
in love
with me,
she whispers,
kissing my neck,
unbuttoning
my shirt like
a surgeon about
to cut into
a live one. who
needs a heart.
just because
of this, don't
call me every
hour of the
day, don't text
me, telling me
about how
much you care
and want us to
be couple. no
flowers, no
chocoate. i
don't say
a word. my mind
is working
in a different
sort of way,
there is no
logic in the
moment. okay,
i tell her.
no problem.
she tells me
"i can't drink
anymore, at least
not like i used to."
she lifts her
beer bottle to her
lips and turns it
up to the ceiling,
closing her eyes
until she gets the
last drop out.
"another?" she asks.
sure, why not, i tell
her it's only tuesday.
the week is young,
and we aren't. she
smiles at that, showing
me her cracked front
tooth. she taps her pack
of cigarettes on the
bar, but there's
no smoking now, and
she keeps looking
towards the door,
to see if the rain has
stopped so that she
can go out into the
night and grab a smoke.
"let's get some calamari,"
she says, "with hot
sauce. want to split
a dish of calamari
with me?" sure, i tell
her, why not and put
the order in with
the bartender."what
did you say your name
was?" she asks me,
sipping her new cold
beer. the foam dribbles
down her chin, which
she wipes off with
the back of her hand.
jimmy, i tell her. "don't
go anywhere jimmy, i
like you. you're cute.
i'll be right back,
hold onto my seat. i
need a smoke."
she slides down off
her barstool and puts
on her pink windbreaker
which has the word PINK
written in darker pink
across the back, and
lifts the hood over
her thin thatch of blonde
hair, she goes out into
the rain. i see her
standing against the wall,
cupping the cigarette in
her hand while she
stamps her feet and
shivers in the alley. i
can't help but wonder
at what the hell has
happened with my life,
and i whisper to the
bartender, asking if
the kitchen has a back door.
anymore, at least
not like i used to."
she lifts her
beer bottle to her
lips and turns it
up to the ceiling,
closing her eyes
until she gets the
last drop out.
"another?" she asks.
sure, why not, i tell
her it's only tuesday.
the week is young,
and we aren't. she
smiles at that, showing
me her cracked front
tooth. she taps her pack
of cigarettes on the
bar, but there's
no smoking now, and
she keeps looking
towards the door,
to see if the rain has
stopped so that she
can go out into the
night and grab a smoke.
"let's get some calamari,"
she says, "with hot
sauce. want to split
a dish of calamari
with me?" sure, i tell
her, why not and put
the order in with
the bartender."what
did you say your name
was?" she asks me,
sipping her new cold
beer. the foam dribbles
down her chin, which
she wipes off with
the back of her hand.
jimmy, i tell her. "don't
go anywhere jimmy, i
like you. you're cute.
i'll be right back,
hold onto my seat. i
need a smoke."
she slides down off
her barstool and puts
on her pink windbreaker
which has the word PINK
written in darker pink
across the back, and
lifts the hood over
her thin thatch of blonde
hair, she goes out into
the rain. i see her
standing against the wall,
cupping the cigarette in
her hand while she
stamps her feet and
shivers in the alley. i
can't help but wonder
at what the hell has
happened with my life,
and i whisper to the
bartender, asking if
the kitchen has a back door.
Tuesday, March 23, 2010
pot holes
my car is a divining
rod for pot holes.
each tire a magnet
for a dark deep ditch
that lies like an open
wound on every road.
the clunk, the bang,
the rattle of car
bones and the strange
clink of something left
behind. the curse.
i am amazed at the words
that come out of my
filthy mouth. it's
almost like a song,
this road trip,
a calypso beat of drums,
but no one is dancing,
no one is happy. no one
but jimmy, the mechanic
at the garage.
rod for pot holes.
each tire a magnet
for a dark deep ditch
that lies like an open
wound on every road.
the clunk, the bang,
the rattle of car
bones and the strange
clink of something left
behind. the curse.
i am amazed at the words
that come out of my
filthy mouth. it's
almost like a song,
this road trip,
a calypso beat of drums,
but no one is dancing,
no one is happy. no one
but jimmy, the mechanic
at the garage.
Eden
i avoid the windows
in the back of the house,
they're large and old,
wide, made of wood with
sashes and heavy locks.
but it's not the windows
themselves that bother me,
but what lies beyond them,
my yard. mother nature
and her siblings, cousins,
and eccentric friends
have gone wild with it.
things are growing that
were never planted, and
what was there have
twisted and turned upon
one another. it has taken
on a jungle feel, all
green, and yellow, some
flowers, from somewhere,
rising up to bloom whenever
they feel like it. even
the birds won't fly in
to bathe in the bird
bath that stands in the
center of it all. they are
fearful of what they see.
i don't have a clue as to
what to do. i'm hoping
to find someone soon though,
that does. yesterday i
saw a racoon trying to
get in, so there must
be some fruit or vegetables
growing out there too.
and snakes. i can't go
out there with snakes.
in the back of the house,
they're large and old,
wide, made of wood with
sashes and heavy locks.
but it's not the windows
themselves that bother me,
but what lies beyond them,
my yard. mother nature
and her siblings, cousins,
and eccentric friends
have gone wild with it.
things are growing that
were never planted, and
what was there have
twisted and turned upon
one another. it has taken
on a jungle feel, all
green, and yellow, some
flowers, from somewhere,
rising up to bloom whenever
they feel like it. even
the birds won't fly in
to bathe in the bird
bath that stands in the
center of it all. they are
fearful of what they see.
i don't have a clue as to
what to do. i'm hoping
to find someone soon though,
that does. yesterday i
saw a racoon trying to
get in, so there must
be some fruit or vegetables
growing out there too.
and snakes. i can't go
out there with snakes.
a new deck
deal from
the new deck,
don't draw me
five from
that tattered
and torn handful
of old cards
we've played
with before,
a thousand times
over. i want
to hear and see
the fresh
snap of a new
pack, vegas style.
slap em down
hard, throw me
a full house,
four of a kind,
let me see some
aces, some kings,
a pair of queens.
i'm ready for
a winning hand, i'm
way overdue.
shuffle and cut,
deal em. i've
got alot riding
on this.
the new deck,
don't draw me
five from
that tattered
and torn handful
of old cards
we've played
with before,
a thousand times
over. i want
to hear and see
the fresh
snap of a new
pack, vegas style.
slap em down
hard, throw me
a full house,
four of a kind,
let me see some
aces, some kings,
a pair of queens.
i'm ready for
a winning hand, i'm
way overdue.
shuffle and cut,
deal em. i've
got alot riding
on this.
Monday, March 22, 2010
a summer treat
the way
you lick
that cold scoop
of icecream,
on this
sweltering
summer's day,
your tongue
gently easing
across the sweet
chilled curve
of melting sugar
and cream,
a smile on
your face,
and the way
you hold
the wafer cone
in the palm
of your tanned
tight hand,
reminds me of why
i still like
you and don't
mind that you
are as crazy
in a good way,
as the summer
day is long.
you lick
that cold scoop
of icecream,
on this
sweltering
summer's day,
your tongue
gently easing
across the sweet
chilled curve
of melting sugar
and cream,
a smile on
your face,
and the way
you hold
the wafer cone
in the palm
of your tanned
tight hand,
reminds me of why
i still like
you and don't
mind that you
are as crazy
in a good way,
as the summer
day is long.
i call out
your name, but
i've lost you
in the dark,
on this road
we've taken
through the black
forest that not
even stars can
get through.
there is no light
to go by, no
fire, no lamps,
just the sound
of our bare
feet on the rough
terrain we've
chosen. i've lost
you. i call out
your name again in
the shallow waters
of dream, in
the thick brush
of night. but
you are gone.
you are out, and
beyond the clearing
without even a
whisper or a wave,
your feet have
hit the highway
and left me to
wander on my own.
just as you
had found me.
i've lost you
in the dark,
on this road
we've taken
through the black
forest that not
even stars can
get through.
there is no light
to go by, no
fire, no lamps,
just the sound
of our bare
feet on the rough
terrain we've
chosen. i've lost
you. i call out
your name again in
the shallow waters
of dream, in
the thick brush
of night. but
you are gone.
you are out, and
beyond the clearing
without even a
whisper or a wave,
your feet have
hit the highway
and left me to
wander on my own.
just as you
had found me.
Moe
the last dog
beat me down
with his barking,
at the television,
the door, a fly
circling the room.
he spent his life
with his incessant,
and indiscriminate
chewing of everything
not his. sometimes
he would have the torn
half of a twenty
dollar bill hanging
from his mouth, or
a pair of someone's
underwear, sometimes
a shoe strap, or
a pair of sunglases
that he found on
the dining room table.
he couldn't drink
milk, it might
as well of been
tequila and he would
be bent over the rug
tossing his cookies,
trying to shake the
cobwebs out of his
little daschund mind.
wild and crazy moe,
yeah, i miss him.
beat me down
with his barking,
at the television,
the door, a fly
circling the room.
he spent his life
with his incessant,
and indiscriminate
chewing of everything
not his. sometimes
he would have the torn
half of a twenty
dollar bill hanging
from his mouth, or
a pair of someone's
underwear, sometimes
a shoe strap, or
a pair of sunglases
that he found on
the dining room table.
he couldn't drink
milk, it might
as well of been
tequila and he would
be bent over the rug
tossing his cookies,
trying to shake the
cobwebs out of his
little daschund mind.
wild and crazy moe,
yeah, i miss him.
the apology
i only have a minute,
so speak quickly
into the phone. clearly.
state your case, ask
me anything, well,
almost anything, some
things as you know
remain off limits, but
give it a shot, i
have a minute, and the
clock is ticking. please,
start talking, now
would be good, time
is slipping, it's your
last chance, ten, nine,
eight...etc. okay,
i'll give you another
minute, but this is
your last chance to say
what you need to say.
i don't have all day
to play this game
with you. i can hear
you breathing on the
other end, i can hear
you. why did you call
if you don't want to talk,
what's the point of
this. okay, okay, you
win. i love you, is
that what you want to
hear. i love you.
okay, i really have
to go now. let's talk
again tomorrow. okay?
i'm sorry too, but
really, i must hang up.
are you there?
so speak quickly
into the phone. clearly.
state your case, ask
me anything, well,
almost anything, some
things as you know
remain off limits, but
give it a shot, i
have a minute, and the
clock is ticking. please,
start talking, now
would be good, time
is slipping, it's your
last chance, ten, nine,
eight...etc. okay,
i'll give you another
minute, but this is
your last chance to say
what you need to say.
i don't have all day
to play this game
with you. i can hear
you breathing on the
other end, i can hear
you. why did you call
if you don't want to talk,
what's the point of
this. okay, okay, you
win. i love you, is
that what you want to
hear. i love you.
okay, i really have
to go now. let's talk
again tomorrow. okay?
i'm sorry too, but
really, i must hang up.
are you there?
the window
i see you lean
on the sill
outside your window
as i walk up
the street in my
new shoes, a bundle
of fresh cut
flowers in hand,
a bottle of pinot
noir in the other.
you are wearing
white, and your long
hair is in the
breeze, the sun
is on your face.
i'm not the only
one who sees you,
and wishes to be
with you, and
feel the touch
of your lips,
but at least for
now, for this
moment, the window
is open just for me.
on the sill
outside your window
as i walk up
the street in my
new shoes, a bundle
of fresh cut
flowers in hand,
a bottle of pinot
noir in the other.
you are wearing
white, and your long
hair is in the
breeze, the sun
is on your face.
i'm not the only
one who sees you,
and wishes to be
with you, and
feel the touch
of your lips,
but at least for
now, for this
moment, the window
is open just for me.
Sunday, March 21, 2010
spring
the pollen
is thick,
and yellow,
a warm
silk blanket
upon the cars
and road,
the surface
of just about
everything.
you can't help
but sneeze.
it's so deep,
you could write
your name in
it if you
weren't so busy
with your own
complex world
of birds
and bees.
is thick,
and yellow,
a warm
silk blanket
upon the cars
and road,
the surface
of just about
everything.
you can't help
but sneeze.
it's so deep,
you could write
your name in
it if you
weren't so busy
with your own
complex world
of birds
and bees.
the sunday call
i gave my mother
the sunday call
today, being sunday
after all, it's what
a good son does,
although i hardly
put myself into
such a category.
my questions are
often steeped in
selfish motive,
digging for some
truth, something
beyond the weather,
or the game, or
her garden, or work.
i can't help but
put her in a corner
for something, i want
her to put her fists
up and fight, to
show me a spark
of life i used to
know in her so
long ago.
the sunday call
today, being sunday
after all, it's what
a good son does,
although i hardly
put myself into
such a category.
my questions are
often steeped in
selfish motive,
digging for some
truth, something
beyond the weather,
or the game, or
her garden, or work.
i can't help but
put her in a corner
for something, i want
her to put her fists
up and fight, to
show me a spark
of life i used to
know in her so
long ago.
white nurse shoes
i've developed
a fever
for you, i am
infected with your
smile, your
point of view
with it's jagged
edges and bright
lit wit, owned
by so few.
i am in
the infirmary
of love, or lust
or let's just
call it what it
is, infatuation
to the nth
degree. my
thermometer
has burst it's
bubble and there
is mercury
everywhere it
shouldn't be.
i need a cold
compress, an
x-ray of you,
i need to see
your papers, your
ID, or perhaps
your long legs
in a pair of
white nurse
shoes.
a fever
for you, i am
infected with your
smile, your
point of view
with it's jagged
edges and bright
lit wit, owned
by so few.
i am in
the infirmary
of love, or lust
or let's just
call it what it
is, infatuation
to the nth
degree. my
thermometer
has burst it's
bubble and there
is mercury
everywhere it
shouldn't be.
i need a cold
compress, an
x-ray of you,
i need to see
your papers, your
ID, or perhaps
your long legs
in a pair of
white nurse
shoes.
swan dive
we spring from
the board,
but it isn't
always a swan
dive, or a
brilliant flip,
or jack knife,
or a one and
a half or two
piroutte
of body slicing
into the deep blue
pool of day.
sometimes it's
just a hard splash,
a tumble or fall
onto the water
and a slow silent
swim to the side
and climb up
the ladder to
try it all again
the next day
and the next
and the next.
the board,
but it isn't
always a swan
dive, or a
brilliant flip,
or jack knife,
or a one and
a half or two
piroutte
of body slicing
into the deep blue
pool of day.
sometimes it's
just a hard splash,
a tumble or fall
onto the water
and a slow silent
swim to the side
and climb up
the ladder to
try it all again
the next day
and the next
and the next.
Friday, March 19, 2010
i like
the sublime
irony
of the penny,
it's nearly
worthless
value, a
thin coin
of copper
holding the
image of
dear saint
abe.
irony
of the penny,
it's nearly
worthless
value, a
thin coin
of copper
holding the
image of
dear saint
abe.
notes to myself
the numbers,
and there are
many, are written
onto napkins
and receipts,
torn envelopes.
they get scribbled
in haste while a
phone is pressed
between shoulder
and ear, the blog
sites, web sites,
the e mail
addresses, phone
numbers. places,
assorted souls
you've met or
may meet along
the way, but
already they have
become vague
within an hour.
is that an eight
or a six, the letter
z or perhaps,
who knows.
like confetti
they fall down
around you,
thin sheets
of dry, melting
snow, out of
pockets, from hand
or purse, wallets,
from the pages
of books you may
never read, to
the floor, from
the clouds of your
soft memory.
and there are
many, are written
onto napkins
and receipts,
torn envelopes.
they get scribbled
in haste while a
phone is pressed
between shoulder
and ear, the blog
sites, web sites,
the e mail
addresses, phone
numbers. places,
assorted souls
you've met or
may meet along
the way, but
already they have
become vague
within an hour.
is that an eight
or a six, the letter
z or perhaps,
who knows.
like confetti
they fall down
around you,
thin sheets
of dry, melting
snow, out of
pockets, from hand
or purse, wallets,
from the pages
of books you may
never read, to
the floor, from
the clouds of your
soft memory.
Thursday, March 18, 2010
these fish
that i can
almost grab
in the green
swirl of ocean,
they look cold
in the cold water.
moving in two's
and three's, so
near me,
and my legs
and feet are too
white against
the emerald
depth. i shift
and shiver
in the sand
and let
each new wave
rise and crest
over me.
i feel the salt
in my eyes, taste
the brine in my
mouth. i don't
worry so much about
the fish, and
they in turn don't
pay me much mind
either.
it's too early
in the season
to be out
in the ocean, it's
hardly may.
that i can
almost grab
in the green
swirl of ocean,
they look cold
in the cold water.
moving in two's
and three's, so
near me,
and my legs
and feet are too
white against
the emerald
depth. i shift
and shiver
in the sand
and let
each new wave
rise and crest
over me.
i feel the salt
in my eyes, taste
the brine in my
mouth. i don't
worry so much about
the fish, and
they in turn don't
pay me much mind
either.
it's too early
in the season
to be out
in the ocean, it's
hardly may.
red white and very blue
it's not my alligator shoes
that makes me proud, nor my
shark skin suit, or snake
skin belt and elephant tusk
buckle. no. i love all animals.
God put them here for three
reasons, to eat, to wear,
to ride them from one place
or another. where would we
be without the burger,
without the omelette, the
baby back ribs, or virginia
trout? we'd be pale, and weak,
from eating vegetables all
day, everyday. we'd still
be british citizens, never
having the strength and
courage from the protein
in red meat to send them
on their way. God gave
America enough cattle to
keep us fighting not only
our own wars, but other
people's wars until the end
of time. start the grill.
i'm hungry. there's a world
out there that needs us.
that makes me proud, nor my
shark skin suit, or snake
skin belt and elephant tusk
buckle. no. i love all animals.
God put them here for three
reasons, to eat, to wear,
to ride them from one place
or another. where would we
be without the burger,
without the omelette, the
baby back ribs, or virginia
trout? we'd be pale, and weak,
from eating vegetables all
day, everyday. we'd still
be british citizens, never
having the strength and
courage from the protein
in red meat to send them
on their way. God gave
America enough cattle to
keep us fighting not only
our own wars, but other
people's wars until the end
of time. start the grill.
i'm hungry. there's a world
out there that needs us.
Wednesday, March 17, 2010
newly weds
the newly weds
have photos
everywhere.
the wedding,
the party,
the reception,
the trip
to bermuda,
the honeymoon.
some are framed
and some are still
out on the table,
being sorted
through.
proof of love.
and the joy
of the day they
shared. they are
fit and healthy,
the smiles are
white and broad,
the wet gleam
of the hour
is in their
youthful eyes.
you can smell
the hope,
the tomorrow's
lining up.
there is not
a single dark
cloud over
their new roof.
and i like it
this way. i want
their love
to be preserved,
safe and fresh,
crisp and clean
underglass,
like a wedding cake
yet to be cut
deeply with
a sharp
gleaming knife.
have photos
everywhere.
the wedding,
the party,
the reception,
the trip
to bermuda,
the honeymoon.
some are framed
and some are still
out on the table,
being sorted
through.
proof of love.
and the joy
of the day they
shared. they are
fit and healthy,
the smiles are
white and broad,
the wet gleam
of the hour
is in their
youthful eyes.
you can smell
the hope,
the tomorrow's
lining up.
there is not
a single dark
cloud over
their new roof.
and i like it
this way. i want
their love
to be preserved,
safe and fresh,
crisp and clean
underglass,
like a wedding cake
yet to be cut
deeply with
a sharp
gleaming knife.
a wrinkle in time
she reads
to the children
in a soft gentle
voice, a mother's
voice that almost
puts them to sleep,
with their heads on
their folded arms,
upon the hard
desks with the books
tucked away,
but the story
is too good
for them to doze
off, too well written.
the lights are down
and the windows
are open just enough
to let april in.
quietly, so that
they will listen,
she reads and reads,
never looking up
from the book,
the dog eared pages
that she turns with
a ringless hand. she
imagines her own child
one day. she dreams of
being in love, but
she keeps reading, and
she knows that these
moments will not be
forgotten by these
children, and especially
not by me.
to the children
in a soft gentle
voice, a mother's
voice that almost
puts them to sleep,
with their heads on
their folded arms,
upon the hard
desks with the books
tucked away,
but the story
is too good
for them to doze
off, too well written.
the lights are down
and the windows
are open just enough
to let april in.
quietly, so that
they will listen,
she reads and reads,
never looking up
from the book,
the dog eared pages
that she turns with
a ringless hand. she
imagines her own child
one day. she dreams of
being in love, but
she keeps reading, and
she knows that these
moments will not be
forgotten by these
children, and especially
not by me.
doubt
she doesn't believe
in God, not exactly,
and asks the usual
questions about where,
and why, and how could
he allow children to
perish, or anyone to
suffer in a painful way.
what morality is there
in that, especially from
God. i shrug, i take
a sip of my coffee and
stare out the window at
the immense bay,
the bruised blue water,
holding the dark sky,
jagged with white breaking
waves. the sailboats
are racing home.
i don't know, i tell her,
but i do believe.
i believe it all.
i know that the water
will be calm again, but
i have my doubts too.
in God, not exactly,
and asks the usual
questions about where,
and why, and how could
he allow children to
perish, or anyone to
suffer in a painful way.
what morality is there
in that, especially from
God. i shrug, i take
a sip of my coffee and
stare out the window at
the immense bay,
the bruised blue water,
holding the dark sky,
jagged with white breaking
waves. the sailboats
are racing home.
i don't know, i tell her,
but i do believe.
i believe it all.
i know that the water
will be calm again, but
i have my doubts too.
Monday, March 15, 2010
one morning
i woke up to the sound of her
voice saying, clearly, you don't
know me, she said. you don't have
a clue as to who i am. she was
in the white terry cloth robe
that i gave her for christmas six
years ago. it was torn and grey
now, there wasn't enough bleach
in the world to make it white
again. apparently she had been
talking for sometime, but i missed
most of it because i was still
asleep. are you going to lie
there in bed all day, it's
eleven o'clock. who's going to
cut the grass and take the dog
to the vet to see what that
rash is. you need to pull
your car out of the driveway now
so that i can go shopping and
get little jimmy to his game.
she had opened the curtains,
and raised the blinds so that
the sun poured in like
radiation. i put my hand
up to my forehead to block
the light. what, i said. it's
saturday. what's the rush?
how many drinks did you have
last night, she said. four,
five martinis, and i saw you
talking to sally perkins, i saw
you touch her arm and wink at
her. don't think i don't know
what you're up to pal. you two
were pretty cozy in that kitchen,
weren't you? her hands were on
her hips, but i couldn't really
see her on account of the sunlight
streaming in. she was more
of a dark silhouette, her head
bobbed and i could see her
stance stiffen like a general
overseeing a battlefield of
dead soldiers, if i ever catch
you with that sally i'll take
you for every penny you have,
which isn't much. do you hear me?
i shook my head to get the cobwebs
out. my mouth was dry and i felt
like i couldn't get my lips
to part, as if they were stuck
together. she was finally
getting to the point of why
she was mad, why she wanted
me up. pfffft. sally. as if.
i mumbled. what, what did you say?
okay. i said, in mild surrender.
i'm up. i just need to take
a shower. she turned her
back and went down the hall.
five minutes, i heard her
yell. you've got five minutes.
i stood up and looked out the
window as i pulled the blinds
back down to give the room
a break, i could see sally
out in her yard, digging weeds
in her white capri pants,
and tight blouse knotted in
the front, she had her
hair pulled back into a pony
tail like a teenager. whew.
she looked up and over her
shoulder, with a hand full
of weeds and saw me standing
there in my underwear, she gave
me a wave and a big smile,
and with my fingers only i
gave her a nice friendly
wave in return.
voice saying, clearly, you don't
know me, she said. you don't have
a clue as to who i am. she was
in the white terry cloth robe
that i gave her for christmas six
years ago. it was torn and grey
now, there wasn't enough bleach
in the world to make it white
again. apparently she had been
talking for sometime, but i missed
most of it because i was still
asleep. are you going to lie
there in bed all day, it's
eleven o'clock. who's going to
cut the grass and take the dog
to the vet to see what that
rash is. you need to pull
your car out of the driveway now
so that i can go shopping and
get little jimmy to his game.
she had opened the curtains,
and raised the blinds so that
the sun poured in like
radiation. i put my hand
up to my forehead to block
the light. what, i said. it's
saturday. what's the rush?
how many drinks did you have
last night, she said. four,
five martinis, and i saw you
talking to sally perkins, i saw
you touch her arm and wink at
her. don't think i don't know
what you're up to pal. you two
were pretty cozy in that kitchen,
weren't you? her hands were on
her hips, but i couldn't really
see her on account of the sunlight
streaming in. she was more
of a dark silhouette, her head
bobbed and i could see her
stance stiffen like a general
overseeing a battlefield of
dead soldiers, if i ever catch
you with that sally i'll take
you for every penny you have,
which isn't much. do you hear me?
i shook my head to get the cobwebs
out. my mouth was dry and i felt
like i couldn't get my lips
to part, as if they were stuck
together. she was finally
getting to the point of why
she was mad, why she wanted
me up. pfffft. sally. as if.
i mumbled. what, what did you say?
okay. i said, in mild surrender.
i'm up. i just need to take
a shower. she turned her
back and went down the hall.
five minutes, i heard her
yell. you've got five minutes.
i stood up and looked out the
window as i pulled the blinds
back down to give the room
a break, i could see sally
out in her yard, digging weeds
in her white capri pants,
and tight blouse knotted in
the front, she had her
hair pulled back into a pony
tail like a teenager. whew.
she looked up and over her
shoulder, with a hand full
of weeds and saw me standing
there in my underwear, she gave
me a wave and a big smile,
and with my fingers only i
gave her a nice friendly
wave in return.
she used to be an
actress of some note.
and could be found
on the stage in new
york, off broadway,
but the star slipped,
and age crept in like
water on a rising
river. everyone was
suddenly younger,
prettier, more versed
in books and lines,
and life. there was
never time for love,
for children, for
what the other's had,
what she would see
out there when the
lights went down and
she took her spot.
actress of some note.
and could be found
on the stage in new
york, off broadway,
but the star slipped,
and age crept in like
water on a rising
river. everyone was
suddenly younger,
prettier, more versed
in books and lines,
and life. there was
never time for love,
for children, for
what the other's had,
what she would see
out there when the
lights went down and
she took her spot.
no exit
as i sit in traffic,
coffee in it's holder,
the steam once rising,
is long gone by now,
a thin newspaper full
of old news, unread,
but unfolded on the seat
beside me, i am inching
further up the road
with others, heading
towards a place where
money can be made, where
my life can be extended,
such as it is, you need
to feed the furnace
of existence, but the
slow crawl is slower
than ever, and you can
see the grey, long faces
already, at 8 a.m.
pushing at buttons to
change the station
on their radios, craning
their necks to see a
break, something, talking
on their phones,
smoking, tapping the
wheel, cursing. it's
more like slow dying,
not living, at this pace.
coffee in it's holder,
the steam once rising,
is long gone by now,
a thin newspaper full
of old news, unread,
but unfolded on the seat
beside me, i am inching
further up the road
with others, heading
towards a place where
money can be made, where
my life can be extended,
such as it is, you need
to feed the furnace
of existence, but the
slow crawl is slower
than ever, and you can
see the grey, long faces
already, at 8 a.m.
pushing at buttons to
change the station
on their radios, craning
their necks to see a
break, something, talking
on their phones,
smoking, tapping the
wheel, cursing. it's
more like slow dying,
not living, at this pace.
the purse
i remember this girl
from years ago, when
i lived in a three
story walk up in
the bronx. emily
was her name. she lived
across the east river
in queens wtih three
other women. but the
things was, that
she left her purse
on the floor. who leaves
a purse? who walks out
the door with keys in
hand, shoes and clothes
on just as she had when
she arrived, but no
purse, and to a woman
her purse is everything.
a woman could survive
an earthquake or a flood
with what lies deep
within that bag. food,
clothing, knives and
forks, mints, a toothbrush,
an extra pair of glasses,
a nail file, a whistle,
makeup, pills, a notepad
with everything on it.
so much, and yet she
left it. so i wrapped
it and took it to the
post office and sent it
back to her. i couldn't
date a woman who leaves
her purse. i just couldn't
and probably still can't.
it doesn't seem right.
from years ago, when
i lived in a three
story walk up in
the bronx. emily
was her name. she lived
across the east river
in queens wtih three
other women. but the
things was, that
she left her purse
on the floor. who leaves
a purse? who walks out
the door with keys in
hand, shoes and clothes
on just as she had when
she arrived, but no
purse, and to a woman
her purse is everything.
a woman could survive
an earthquake or a flood
with what lies deep
within that bag. food,
clothing, knives and
forks, mints, a toothbrush,
an extra pair of glasses,
a nail file, a whistle,
makeup, pills, a notepad
with everything on it.
so much, and yet she
left it. so i wrapped
it and took it to the
post office and sent it
back to her. i couldn't
date a woman who leaves
her purse. i just couldn't
and probably still can't.
it doesn't seem right.
i believe that
every girl wants
a pony. every boy
a truck, every man
a woman, and every
woman a diamond,
a fur coat, a bank
account, a beach
house, a country
estate, a farm,
a silver setting,
pearls, art, a
masseuse, perfume,
a black jaguar,
room service, a maid,
oh, and one more thing.
a healthy man on call.
with a little bell
to retrieve or dismiss
him as she so desires.
a pony. every boy
a truck, every man
a woman, and every
woman a diamond,
a fur coat, a bank
account, a beach
house, a country
estate, a farm,
a silver setting,
pearls, art, a
masseuse, perfume,
a black jaguar,
room service, a maid,
oh, and one more thing.
a healthy man on call.
with a little bell
to retrieve or dismiss
him as she so desires.
Sunday, March 14, 2010
the bread line
the angry line grows
long. it's like soviet
russia. it's windy,
it's cold and there
is potato vodka tucked
in everyone's pocket.
they want so much,
they have needs
and desires. they want
the poster, the happy
vacation family
boasting tans
and health. they have
believed in the plan,
but there is no
sunshine, or banquets
to be found, not
really. just handouts,
mere morsels of affection.
it's all i can do
for the moment.
long. it's like soviet
russia. it's windy,
it's cold and there
is potato vodka tucked
in everyone's pocket.
they want so much,
they have needs
and desires. they want
the poster, the happy
vacation family
boasting tans
and health. they have
believed in the plan,
but there is no
sunshine, or banquets
to be found, not
really. just handouts,
mere morsels of affection.
it's all i can do
for the moment.
the last page first
let's not kiss,
not go there. let's
keep it on page one.
the exploratory
stage of plot and theme,
of character development.
let's find out what
season it is, the hour
of the day, or night
that we find ourselves
in. let's discover what
the conflict is and the
slow rise and fall of
denouement. no let's not
kiss, just yet, let's
turn the page and let
the story unfold in
it's own good time, just
as it should. although
there is a part of me,
i must confess,
that wants to read
the last page first.
not go there. let's
keep it on page one.
the exploratory
stage of plot and theme,
of character development.
let's find out what
season it is, the hour
of the day, or night
that we find ourselves
in. let's discover what
the conflict is and the
slow rise and fall of
denouement. no let's not
kiss, just yet, let's
turn the page and let
the story unfold in
it's own good time, just
as it should. although
there is a part of me,
i must confess,
that wants to read
the last page first.
Friday, March 12, 2010
death of a friend
she is a shadow,
a lean piece
of wind lying still
on white sheets.
she is less
of who she was,
but her memory
stings like a wet
hand on a cut wire.
i am awakened
without her
being near.
her voice
in a vague whisper
calling me to come
closer. to take
her lifeless
hand and rise
up, as she did
into a bright
unknown.
a lean piece
of wind lying still
on white sheets.
she is less
of who she was,
but her memory
stings like a wet
hand on a cut wire.
i am awakened
without her
being near.
her voice
in a vague whisper
calling me to come
closer. to take
her lifeless
hand and rise
up, as she did
into a bright
unknown.
Thursday, March 11, 2010
charge it
it's the plastic card,
that thin slice of credit
that so easily appears
when something you want,
not necessarily need,
whispers buy me,
buy me now, into your ear.
and it's hard to resist.
you walk away, but circle
back, like a lion around
it's wounded prey, you touch
the fabric, the leather
shoe, the coat that
than seems perfect, the color
being so you. so you give
in. it's just one thing,
and you deserve it, you need
it, you can't live without
it. why not, life is so short
as it is. oh, just charge
it. he'll never see the bill.
that thin slice of credit
that so easily appears
when something you want,
not necessarily need,
whispers buy me,
buy me now, into your ear.
and it's hard to resist.
you walk away, but circle
back, like a lion around
it's wounded prey, you touch
the fabric, the leather
shoe, the coat that
than seems perfect, the color
being so you. so you give
in. it's just one thing,
and you deserve it, you need
it, you can't live without
it. why not, life is so short
as it is. oh, just charge
it. he'll never see the bill.
assorted fruits
there is a shine
on the gala apples,
the red delicious too,
catching the sunshine
of flourescent lights,
and so many others, like
fuji, or a rome beauty,
too many really
to mention, but they
have the smile of
someone's hand polishing
them before purchase,
and the plums are lined
up just right, the
way they sit with their
soft weight just so.
patient like old people
at the park, on a hard
bench with no where else
to go. the green grapes,
the quiet reds, purple, and
dark blue are bagged, not to
be trusted, to be left
out alone with the others.
so easy to fall and roll
alone across the floor,
stranded. the bananas
are wildly yellow,
broken off into odd
bunches, part green,
some already turning the
brown that promises that
they won't be bought. i feel
bad for them, so many of
them as i pass by with my
empty rattling cart.
i can see that
day coming way too soon.
on the gala apples,
the red delicious too,
catching the sunshine
of flourescent lights,
and so many others, like
fuji, or a rome beauty,
too many really
to mention, but they
have the smile of
someone's hand polishing
them before purchase,
and the plums are lined
up just right, the
way they sit with their
soft weight just so.
patient like old people
at the park, on a hard
bench with no where else
to go. the green grapes,
the quiet reds, purple, and
dark blue are bagged, not to
be trusted, to be left
out alone with the others.
so easy to fall and roll
alone across the floor,
stranded. the bananas
are wildly yellow,
broken off into odd
bunches, part green,
some already turning the
brown that promises that
they won't be bought. i feel
bad for them, so many of
them as i pass by with my
empty rattling cart.
i can see that
day coming way too soon.
Wednesday, March 10, 2010
the ink pen
i remember dipping a pen
into an inkwell. i liked
the color of that blue,
almost black, but most
certainly a blue, like
the deepest part of
the atlantic ocean, or
the sky when there is no
moon. i liked the scratch
of that pointed pen, full
and heavy with fresh ink,
on real paper, paper with
weight, paper that could
take the pressing fist
of a small child as he
tried his hand at cursive.
making the new found loops
and breaks, trying
to find the right words,
as the pen leaked
and stained his palm, his
fingers, with ink that
would be his blood,
and never wash out.
into an inkwell. i liked
the color of that blue,
almost black, but most
certainly a blue, like
the deepest part of
the atlantic ocean, or
the sky when there is no
moon. i liked the scratch
of that pointed pen, full
and heavy with fresh ink,
on real paper, paper with
weight, paper that could
take the pressing fist
of a small child as he
tried his hand at cursive.
making the new found loops
and breaks, trying
to find the right words,
as the pen leaked
and stained his palm, his
fingers, with ink that
would be his blood,
and never wash out.
3 a.m..
i don't want the phone
to ring at three a.m.,
it's a bad hour and can
only mean that something
horrible has gone wrong.
no one ever calls to say
they are in love at that
hour, or to tell you that
they found a good deal
on a pot roast or a dress
from sak's. no, it's never
hello, i missed you, or
marry me, or i found us
a house on the beach, and
i've won the lottery. it's
more like please come
down to the police station,
we'll explain when you
get here, hurry, bring
a credit card or a check
book and an overnight change
of clothes.
to ring at three a.m.,
it's a bad hour and can
only mean that something
horrible has gone wrong.
no one ever calls to say
they are in love at that
hour, or to tell you that
they found a good deal
on a pot roast or a dress
from sak's. no, it's never
hello, i missed you, or
marry me, or i found us
a house on the beach, and
i've won the lottery. it's
more like please come
down to the police station,
we'll explain when you
get here, hurry, bring
a credit card or a check
book and an overnight change
of clothes.
magic
it's easy magic,
to watch him, with
cards in hand,
or silk flowers
unraveling from
a black sleeve,
and birds suddenly
appearing in one
palm, and fire in
the other. it's
easy to sit and
stare and wonder
at this small
delight of slight
of hand, but not
nearly as mesmerizing
as it is to sit
and watch you,
don't disappear.
to watch him, with
cards in hand,
or silk flowers
unraveling from
a black sleeve,
and birds suddenly
appearing in one
palm, and fire in
the other. it's
easy to sit and
stare and wonder
at this small
delight of slight
of hand, but not
nearly as mesmerizing
as it is to sit
and watch you,
don't disappear.
Tuesday, March 9, 2010
central park
i took the long
way, cutting through
central park, it was
early fall, and the
leaves had turned to
fire. i could feel
the new cold of winter
in my lungs, bright
with the pain of my
run, and of you, what we
had become, the summer
romance turned so soon,
and what little there
was left to say, or
show, or even kiss.
all of this, like leaves
had fallen, shaken from
the dark thin branches
of the park, where we
had met in the bloom
of promise and sun.
there was no need to
hurry, and yet i did.
way, cutting through
central park, it was
early fall, and the
leaves had turned to
fire. i could feel
the new cold of winter
in my lungs, bright
with the pain of my
run, and of you, what we
had become, the summer
romance turned so soon,
and what little there
was left to say, or
show, or even kiss.
all of this, like leaves
had fallen, shaken from
the dark thin branches
of the park, where we
had met in the bloom
of promise and sun.
there was no need to
hurry, and yet i did.
her voice was like
scotch at the end
of a friday night.
she lit each new
smoke with the last
one, and she used
to be dancer, which
left her legs, long
and still lean,
although the rest
of her was shot to
hell. but she could
catch an eye or two,
in the dim light,
as the piano played,
and her friend,
the bartender kept
her lips wet with
another one on the
house. she wanted
to be an actress, to
sing, and dance, but
it didn't turn out
that way. she met a
man and started to
have babies, stopping
at four. she liked
to keep a kleenex
in the cleavag of
her dress, and when
necessary pulled it
out for effect if
the right man walked
by and gave her a
look that hinted at
interest. but she
knew that her time
was running out, more
women, younger women,
smart women were
coming in more and more,
they sneered at her,
laughed in front of
her when she sang
softly to herself some
song that played.
scotch at the end
of a friday night.
she lit each new
smoke with the last
one, and she used
to be dancer, which
left her legs, long
and still lean,
although the rest
of her was shot to
hell. but she could
catch an eye or two,
in the dim light,
as the piano played,
and her friend,
the bartender kept
her lips wet with
another one on the
house. she wanted
to be an actress, to
sing, and dance, but
it didn't turn out
that way. she met a
man and started to
have babies, stopping
at four. she liked
to keep a kleenex
in the cleavag of
her dress, and when
necessary pulled it
out for effect if
the right man walked
by and gave her a
look that hinted at
interest. but she
knew that her time
was running out, more
women, younger women,
smart women were
coming in more and more,
they sneered at her,
laughed in front of
her when she sang
softly to herself some
song that played.
Monday, March 8, 2010
green men
there was one night
when an amazing ball
of green light
streaked across
the summer sky, still blue,
lit with sunlight, as
it fell off in the
distance. and my friend
ernie ran into the
house to call the
pentagon, the police,
the authorities, thinking
that finally they had
arrived. green men
in a green lit craft
about to land and change
everything as we knew it.
the rest of us kept
playing ball, we didn't
care, the score was tied,
it was getting dark
and soon we'd be called
in. we had to finish
the game, but not ernie.
he had other things on
his mind. god bless him
wherever he has landed.
when an amazing ball
of green light
streaked across
the summer sky, still blue,
lit with sunlight, as
it fell off in the
distance. and my friend
ernie ran into the
house to call the
pentagon, the police,
the authorities, thinking
that finally they had
arrived. green men
in a green lit craft
about to land and change
everything as we knew it.
the rest of us kept
playing ball, we didn't
care, the score was tied,
it was getting dark
and soon we'd be called
in. we had to finish
the game, but not ernie.
he had other things on
his mind. god bless him
wherever he has landed.
the horse
you put the gun down,
remove the bullets,
your horse is tied up
outside in a cold sweat.
the sun is flat
and hot on the horizon,
melted onto the mountain
range. this is where
you've landed. in a two
bit hotel, with the clothes
on your back, your boots,
your dust lined hat.
it doesn't matter that
they'll find you here
asleep in your room
with no way out,
you can't keep running,
it wouldn't be fair for
anyone, especially your
horse. you love that horse.
remove the bullets,
your horse is tied up
outside in a cold sweat.
the sun is flat
and hot on the horizon,
melted onto the mountain
range. this is where
you've landed. in a two
bit hotel, with the clothes
on your back, your boots,
your dust lined hat.
it doesn't matter that
they'll find you here
asleep in your room
with no way out,
you can't keep running,
it wouldn't be fair for
anyone, especially your
horse. you love that horse.
there is
nothing on the menu
that appeals to me.
i've lost interest
in food, in you,
in the fruits that
i used savor when
in season, like your
lips, juiced and open,
ready for whatever
knife i might provide,
or teeth. i can't
eat a thing right now.
nothing on my plate
appeals to me,
no meat, no bread,
there's not an egg,
or slice of cake
that my appetite craves,
i see the weight fall
off my frame, i am
bones, i am slender
again, like i was in
my youth, when i was
without love and starving,
i don't know how
much longer i can go
on like this, on this
foodless binge, on this
island without you.
that appeals to me.
i've lost interest
in food, in you,
in the fruits that
i used savor when
in season, like your
lips, juiced and open,
ready for whatever
knife i might provide,
or teeth. i can't
eat a thing right now.
nothing on my plate
appeals to me,
no meat, no bread,
there's not an egg,
or slice of cake
that my appetite craves,
i see the weight fall
off my frame, i am
bones, i am slender
again, like i was in
my youth, when i was
without love and starving,
i don't know how
much longer i can go
on like this, on this
foodless binge, on this
island without you.
Sunday, March 7, 2010
dry
sometimes the well
is dry, the spring
that runs deep
within the ground
is cut off and rain
hasn't fallen in weeks.
but you drop the bucket
down just the same
to hear it hit dead
bottom, hoping for that
splash, but there
is none, just the empty
echo of a dark cauldron
without water or light.
this doesn't stop you
though, you pick up the
pen and begin to write.
is dry, the spring
that runs deep
within the ground
is cut off and rain
hasn't fallen in weeks.
but you drop the bucket
down just the same
to hear it hit dead
bottom, hoping for that
splash, but there
is none, just the empty
echo of a dark cauldron
without water or light.
this doesn't stop you
though, you pick up the
pen and begin to write.
dinner
she brings me
a steaming hot dish
of pasta and red
sauce, the ribbons
of heat rising to
the ceiling, with meat,
sausage, as spicy
as the look that
sparkles in her
brown eyes. she opens
the wine and puts
the bread, soaked
in garlic and butter
onto the table,
she lights a candle
or two, she touches
your hand and lets
her knee find yours
beneath the table.
this is how you find
love. it's this simple,
or so you'd like
to believe.
a steaming hot dish
of pasta and red
sauce, the ribbons
of heat rising to
the ceiling, with meat,
sausage, as spicy
as the look that
sparkles in her
brown eyes. she opens
the wine and puts
the bread, soaked
in garlic and butter
onto the table,
she lights a candle
or two, she touches
your hand and lets
her knee find yours
beneath the table.
this is how you find
love. it's this simple,
or so you'd like
to believe.
making contact
is good, but foul
after foul ball
decides nothing.
it's the swing
and miss that
warrants sighs
and small nods
of oh, he's out.
and the game
ends on a
whimper, as
the patrons
rise and stretch,
to file out
towards the cars
and the lines,
the traffic,
onto the freeway
which will lead
them home to
greater
swings and
misses, but
on occasion a
day will strike
a bat and over
a fence your
life will go, but
in quiet,
and to very
light applause.
after foul ball
decides nothing.
it's the swing
and miss that
warrants sighs
and small nods
of oh, he's out.
and the game
ends on a
whimper, as
the patrons
rise and stretch,
to file out
towards the cars
and the lines,
the traffic,
onto the freeway
which will lead
them home to
greater
swings and
misses, but
on occasion a
day will strike
a bat and over
a fence your
life will go, but
in quiet,
and to very
light applause.
love at first sight
i met melinda at a club in
the nineteen eighties,
in prince georges county,
over the wilson bridge,
right off of branch
avenue, near the drive-in.
she was a star jello
wrestler in a country
western bar with sawdust
on the floor and a juke
box in the corner. most
everyone had a knife or
gun, or something to use
as a weapon in case a brawl
broke out, which it
normally did every weekend
night. but melinda,
the girl i fell in love
with, was wrestling
in a baby pool full of jello,
under the soft blue lights,
while the band played 'lying
eyes', by the eagles.
she was wearing a shredded
black bikini that was
almost off, and the red
jello was in her hair,
in her eyes, in the crevices
of her curvaceous body.
it was hard to tell who
was winning or losing,
as the crowd cheered
back and forth, but it
didn't matter. the band
played loudly and badly
as the two young women
slipped in and out of the
pool, pulling each other's
hair and bathing suits.
finally melinda was caught
in a headlock, and our eyes
met as she gasped for air
and her eyes bulged,
i knew at moment, as we
stared at one another,
that she was the one for me,
and as she recalled later
when we went back to my
trailer to clean the jello
off of her, that she
felt the same way too.
the nineteen eighties,
in prince georges county,
over the wilson bridge,
right off of branch
avenue, near the drive-in.
she was a star jello
wrestler in a country
western bar with sawdust
on the floor and a juke
box in the corner. most
everyone had a knife or
gun, or something to use
as a weapon in case a brawl
broke out, which it
normally did every weekend
night. but melinda,
the girl i fell in love
with, was wrestling
in a baby pool full of jello,
under the soft blue lights,
while the band played 'lying
eyes', by the eagles.
she was wearing a shredded
black bikini that was
almost off, and the red
jello was in her hair,
in her eyes, in the crevices
of her curvaceous body.
it was hard to tell who
was winning or losing,
as the crowd cheered
back and forth, but it
didn't matter. the band
played loudly and badly
as the two young women
slipped in and out of the
pool, pulling each other's
hair and bathing suits.
finally melinda was caught
in a headlock, and our eyes
met as she gasped for air
and her eyes bulged,
i knew at moment, as we
stared at one another,
that she was the one for me,
and as she recalled later
when we went back to my
trailer to clean the jello
off of her, that she
felt the same way too.
a summer dress
little slips by me,
even at this age of
ninety-two. i have my
wits and wisdom
and cane to rely on,
to defend and offend
those that need to be
dealt with. my body
is my prison. it reeks
with old age, the bones
crumbling below the
sagging skin now a
horror of splotches
and sun driven ravines.
ah, but i still like to
see a woman in a dress,
as she strolls down
the sidewalk on the
first day of summer,
of course she doesn't
pay me any mind, or
even steal a glance,
those days are far
gone, and if she does
notice me, it's out of
pity, like seeing
a dog stuck on the median
of a four lane highway,
stranded with no way
out, no hope of survival,
but i bark just the same.
even at this age of
ninety-two. i have my
wits and wisdom
and cane to rely on,
to defend and offend
those that need to be
dealt with. my body
is my prison. it reeks
with old age, the bones
crumbling below the
sagging skin now a
horror of splotches
and sun driven ravines.
ah, but i still like to
see a woman in a dress,
as she strolls down
the sidewalk on the
first day of summer,
of course she doesn't
pay me any mind, or
even steal a glance,
those days are far
gone, and if she does
notice me, it's out of
pity, like seeing
a dog stuck on the median
of a four lane highway,
stranded with no way
out, no hope of survival,
but i bark just the same.
Saturday, March 6, 2010
i remember
that there was a point
when she had become
an undeveloped country,
wreaked with natural
disasters, crushed by
unseen or unforecasted
catasrophes, swamped
in a sea of debt by
careless handling of
her resources, and
spending sprees at
nordstroms, she was
living on the fumes
of soon to end alimony
and child support,
completely bone dry
of her half of equities
and a meager torn
asunder stock portfolio.
she applied for permanent
victim status to the united
nations and got it.
she wore black and
rubbed ashes onto her
face as she carried
the weight of her sorrow
on her back. her flag was
set half mast in surrender,
until the troops
surprisingly arrived
and now she's back on top
and won't even take my calls.
when she had become
an undeveloped country,
wreaked with natural
disasters, crushed by
unseen or unforecasted
catasrophes, swamped
in a sea of debt by
careless handling of
her resources, and
spending sprees at
nordstroms, she was
living on the fumes
of soon to end alimony
and child support,
completely bone dry
of her half of equities
and a meager torn
asunder stock portfolio.
she applied for permanent
victim status to the united
nations and got it.
she wore black and
rubbed ashes onto her
face as she carried
the weight of her sorrow
on her back. her flag was
set half mast in surrender,
until the troops
surprisingly arrived
and now she's back on top
and won't even take my calls.
you can smell the earth
burn on the wind, as it
sweeps through the dry
brush of california, the
waves of fire taking
everything in it's path.
nature finds a way of
bringing us not only to
our knees, but to put
us on the run, humbled
and fearful of what we
can't control or
understand. in time, all
of this and us are dust
and ash, and yet we cling
to the notion of forever,
because otherwise there is
no point and the fire has
no memory of what it takes.
burn on the wind, as it
sweeps through the dry
brush of california, the
waves of fire taking
everything in it's path.
nature finds a way of
bringing us not only to
our knees, but to put
us on the run, humbled
and fearful of what we
can't control or
understand. in time, all
of this and us are dust
and ash, and yet we cling
to the notion of forever,
because otherwise there is
no point and the fire has
no memory of what it takes.
Thursday, March 4, 2010
mexico
this love thing
has taken a turn
for the worse.
she has run out
of pills to keep
her calm, and she's
getting on my last
and final nerve.
i should have never
told her that i
loved her, and wanted
to marry her, but
i was in an amorous
mood, she was a good
dancer, and the martinis
made me careless.
i don't know how
her name got tattoed
on my arm, or when
we ordered room
service. but she's
still asleep, and she
looks so different in
the daylight. if i can
get this ring off
with enough spit,
maybe i can slip out
the door and down
the back steps to
freedom, catch a cab
and get the hell out
of mexico.
has taken a turn
for the worse.
she has run out
of pills to keep
her calm, and she's
getting on my last
and final nerve.
i should have never
told her that i
loved her, and wanted
to marry her, but
i was in an amorous
mood, she was a good
dancer, and the martinis
made me careless.
i don't know how
her name got tattoed
on my arm, or when
we ordered room
service. but she's
still asleep, and she
looks so different in
the daylight. if i can
get this ring off
with enough spit,
maybe i can slip out
the door and down
the back steps to
freedom, catch a cab
and get the hell out
of mexico.
travel tips
she tells me
over the phone
that she is leaving
for cairo in a week.
in two weeks
she'll be on
a camel in the desert
with the hot sun
beating on her
pale skin. i have no
advice for her
except bring water,
sun screen, a camera,
a map, perhaps,
and sunglasses.
that's it. i don't
even know what she
could possibly bring
back for me, so i
don't even ask.
maybe a magazine
from the plane.
over the phone
that she is leaving
for cairo in a week.
in two weeks
she'll be on
a camel in the desert
with the hot sun
beating on her
pale skin. i have no
advice for her
except bring water,
sun screen, a camera,
a map, perhaps,
and sunglasses.
that's it. i don't
even know what she
could possibly bring
back for me, so i
don't even ask.
maybe a magazine
from the plane.
venus
i've fallen in love
with venus. it's distance
and light on the low
sky. i'd like to imagine
that she is waiting,
this silver drop of light,
behind the sheer curtains
that catches a spring
breeze that lifts your
spirits into another year.
i've have no need for
the other planets, not
even this one. i'm done
with this one. it's all
about venus at this point.
i'll find a way, don't worry,
just wait, i'm coming.
with venus. it's distance
and light on the low
sky. i'd like to imagine
that she is waiting,
this silver drop of light,
behind the sheer curtains
that catches a spring
breeze that lifts your
spirits into another year.
i've have no need for
the other planets, not
even this one. i'm done
with this one. it's all
about venus at this point.
i'll find a way, don't worry,
just wait, i'm coming.
date night
it's the chase
the hunt, that gets
the blood going,
seeing the big
cat through the trees
in the jungle, black,
and slick as night.
his green eyes
flashing, as his
muscled haunches
rise, poised for strike.
there is nothing
you can do at this point,
but give in, and let
him have his way.
pick you up at eight?
the hunt, that gets
the blood going,
seeing the big
cat through the trees
in the jungle, black,
and slick as night.
his green eyes
flashing, as his
muscled haunches
rise, poised for strike.
there is nothing
you can do at this point,
but give in, and let
him have his way.
pick you up at eight?
Wednesday, March 3, 2010
changes
all
the trees
have worried
off
their leaves
and left
them
like tears
upon
the cold, hard
ground.
perhaps
we need
a new season
too.
the trees
have worried
off
their leaves
and left
them
like tears
upon
the cold, hard
ground.
perhaps
we need
a new season
too.
voice mail
so i saved the message
on the voice mail.
her voice, clean and clear.
it wasn't what she said,
but the sound, the rythmn
of her, captured. and
sometimes, late at night
when i no longer can
remember exactly what
she looked like, or the
smell of her perfume, i'll
dial up the message
and lay back down upon
the bed, with the phone
to my ear, and listen.
sometimes i can even fool
myself into thinking that
it's almost enough.
on the voice mail.
her voice, clean and clear.
it wasn't what she said,
but the sound, the rythmn
of her, captured. and
sometimes, late at night
when i no longer can
remember exactly what
she looked like, or the
smell of her perfume, i'll
dial up the message
and lay back down upon
the bed, with the phone
to my ear, and listen.
sometimes i can even fool
myself into thinking that
it's almost enough.
Tuesday, March 2, 2010
lifting weights
each year, no, let
me rephrase that, each
month, i see the
difference, the casual
slide of self, the slow
and easy crawl towards
the other side, the big
and endless side, so
unknown, despite what
you may hear each sunday
from the pulpit. you may
actually have to get
there, to truly know.
but you feel it in
your bones, your legs,
when you go up the stairs,
or lift the weights
that sit upon the bench
in the cellar. the mirror
holds you in the moment,
and let's you know on
a daily basis what's
coming and you can't stop
what's coming. instead
of thirty reps, you do
twenty, that's enough.
me rephrase that, each
month, i see the
difference, the casual
slide of self, the slow
and easy crawl towards
the other side, the big
and endless side, so
unknown, despite what
you may hear each sunday
from the pulpit. you may
actually have to get
there, to truly know.
but you feel it in
your bones, your legs,
when you go up the stairs,
or lift the weights
that sit upon the bench
in the cellar. the mirror
holds you in the moment,
and let's you know on
a daily basis what's
coming and you can't stop
what's coming. instead
of thirty reps, you do
twenty, that's enough.
Monday, March 1, 2010
art
it's relentless
this vine that
grows beauty along
the side of brick,
from the ground up,
it's fingers becoming
thick arms, running
everywhere at once,
gripping the mortar,
weakening all that
we stand for.
spreading it's notion
of life and art,
it will bring the
building down if
it's not stopped. we
must declare war
on it, cut it off
at the roots, it's
them or us.
this vine that
grows beauty along
the side of brick,
from the ground up,
it's fingers becoming
thick arms, running
everywhere at once,
gripping the mortar,
weakening all that
we stand for.
spreading it's notion
of life and art,
it will bring the
building down if
it's not stopped. we
must declare war
on it, cut it off
at the roots, it's
them or us.
your mother
let's pretend to be
happy, sing and dance,
drink the night young
again. put on your red
dress, your heels and
lipstick, throw open
the windows and turn
the music up. let's
forget the days gone
by, the days ahead,
let's invite everyone,
even your mother, yes,
let's pretend to be
happy once more and fill
the room with laughter.
happy, sing and dance,
drink the night young
again. put on your red
dress, your heels and
lipstick, throw open
the windows and turn
the music up. let's
forget the days gone
by, the days ahead,
let's invite everyone,
even your mother, yes,
let's pretend to be
happy once more and fill
the room with laughter.
a reason to leave
i'm nearly asleep
beside you, as we
listen to the rain,
and the radio on low.
you are reading from
a book you stole
from the public
library, a poem by
mark strand, called
pot roast, and it's
about the memory of
meat, the memory
of youth, and i love
that poem, and wish
you hadn't stolen
it, because now
i have to leave
and i'll never again
think of that poem,
or you, in the same way.
beside you, as we
listen to the rain,
and the radio on low.
you are reading from
a book you stole
from the public
library, a poem by
mark strand, called
pot roast, and it's
about the memory of
meat, the memory
of youth, and i love
that poem, and wish
you hadn't stolen
it, because now
i have to leave
and i'll never again
think of that poem,
or you, in the same way.
St. Elizabeth's
so many trees
are leaning
sideways from
the heavy snows,
their roots are
pulled out of the
ground and they
lean towards
the roads,
or into the cold
streams that are
full and blue
and holding
the open sky,
the power saws
are coming
to take them down,
to sever the broken
branches, the men
in white coats,
are there to lift
and push them
upright, if that's
possible, to get
them through
another winter,
another year of life,
to give them
reason to go on.
are leaning
sideways from
the heavy snows,
their roots are
pulled out of the
ground and they
lean towards
the roads,
or into the cold
streams that are
full and blue
and holding
the open sky,
the power saws
are coming
to take them down,
to sever the broken
branches, the men
in white coats,
are there to lift
and push them
upright, if that's
possible, to get
them through
another winter,
another year of life,
to give them
reason to go on.
Sunday, February 28, 2010
dust
unattended,
the dust rises
as if by magic,
as if sprinkled
down in dry clouds
while you sleep.
in a thin layer
it lies upon
the sills, the tops
of dressers,
tables and vases.
you drag a finger
through the fine
silt and realize
that this is just
one of many things
that you are
letting go without
attending to.
the dust rises
as if by magic,
as if sprinkled
down in dry clouds
while you sleep.
in a thin layer
it lies upon
the sills, the tops
of dressers,
tables and vases.
you drag a finger
through the fine
silt and realize
that this is just
one of many things
that you are
letting go without
attending to.
the lost shoe
it's a worn shoe
i find in the alley,
just one, brown,
the polish dulled
and the tongue ripped out,
a thin layered hole is
at the point of contact
of foot and pavement,
but there is only one
shoe, not the other,
the left and not the
right, i look around
and see nothing, only
this single tattered
wing tip and so i take
it with me, under my arm
as i start the day, going
about my business,
but on the lookout for
the person with only
one shoe on, and not
the other. it has become
as much my problem
as it is his, or was.
i find in the alley,
just one, brown,
the polish dulled
and the tongue ripped out,
a thin layered hole is
at the point of contact
of foot and pavement,
but there is only one
shoe, not the other,
the left and not the
right, i look around
and see nothing, only
this single tattered
wing tip and so i take
it with me, under my arm
as i start the day, going
about my business,
but on the lookout for
the person with only
one shoe on, and not
the other. it has become
as much my problem
as it is his, or was.
the calm
there are no maps
to get you there, no
road signs along
the way, no traffic
cop, or guru in a gown,
standing front and
center with a golden
staff to lean over
into the window and
say, stop, you are
there. it's not
easy, the trip, and
most don't arrive,
or even begin to
start, but those that
do will know when
they have made it to
a place where nothing
can disturb the calm
that resides within.
to get you there, no
road signs along
the way, no traffic
cop, or guru in a gown,
standing front and
center with a golden
staff to lean over
into the window and
say, stop, you are
there. it's not
easy, the trip, and
most don't arrive,
or even begin to
start, but those that
do will know when
they have made it to
a place where nothing
can disturb the calm
that resides within.
don't look back
despite the years
of being together,
things find their
way into boxes,
books, shirts, shoes,
an album of photos,
all of it packed
to be taken to
another point of
view, and it suprises
you that the sun
still comes up on
cue and the seasons
pay no mind to the
movement of your life,
and suddenly there is
another address
to remember, another
phone number, and so
you position the couch,
the bed, the table
without compromise
this time and choose
a color for the wall,
most likely another
shade of blue and it's
not for her, but for you.
of being together,
things find their
way into boxes,
books, shirts, shoes,
an album of photos,
all of it packed
to be taken to
another point of
view, and it suprises
you that the sun
still comes up on
cue and the seasons
pay no mind to the
movement of your life,
and suddenly there is
another address
to remember, another
phone number, and so
you position the couch,
the bed, the table
without compromise
this time and choose
a color for the wall,
most likely another
shade of blue and it's
not for her, but for you.
light
don't turn off
the light
just yet,
leave it on,
let me see
what i need
to see,
the parts of you
that are hard
to show,
the inside out
of you,
uncovered,
bare in the pale
bloom of yellow
light from
the lamp upon
the table.
the light
just yet,
leave it on,
let me see
what i need
to see,
the parts of you
that are hard
to show,
the inside out
of you,
uncovered,
bare in the pale
bloom of yellow
light from
the lamp upon
the table.
Saturday, February 27, 2010
the other side
the lanquid sea rises
above my knees as i walk
out into white lazy waves
with arms of green, it's
colder as it gets deeper,
and the sun is warmer
as it lives and jumps off
the flat sweet ocean.
it seems perfectly within
reason to dive down, and
swim, to hold one's breath
in the dark depths, until
reaching the other side
of whatever might lie
beyond the sea, beyond me.
above my knees as i walk
out into white lazy waves
with arms of green, it's
colder as it gets deeper,
and the sun is warmer
as it lives and jumps off
the flat sweet ocean.
it seems perfectly within
reason to dive down, and
swim, to hold one's breath
in the dark depths, until
reaching the other side
of whatever might lie
beyond the sea, beyond me.
Friday, February 26, 2010
the price you pay
i got hit by an arrow
on valentine's day, it
zipped right through
the heart. it partially
splintered and went
through a lung,
collapsing it and sending
me into shock. it nearly
severed an important
artery. i was told later,
although to me they all
seem important. when they
finally brought me back
into consciousness,
the arrow was still protruding
through my chest, the point
glistened with my own blood,
a love note was still attached.
i asked the doctor what
the deal was, why couldn't
he remove it, he said no,
it has to stay this way, this
is the price you pay for love,
i'm sorry, there's no other way.
on valentine's day, it
zipped right through
the heart. it partially
splintered and went
through a lung,
collapsing it and sending
me into shock. it nearly
severed an important
artery. i was told later,
although to me they all
seem important. when they
finally brought me back
into consciousness,
the arrow was still protruding
through my chest, the point
glistened with my own blood,
a love note was still attached.
i asked the doctor what
the deal was, why couldn't
he remove it, he said no,
it has to stay this way, this
is the price you pay for love,
i'm sorry, there's no other way.
april 15th
i hear a dog barking
outside the window, and
there's someone knocking
at my door with a registered
letter from my mother, that's
how we communicate now, but
i can't be bothered.
i'm shuffling papers,
taking notes, getting organized
for what's coming. tax time.
i've got the calculator out
and i'm all set to pound
the keys to see what i made,
what i spent, what i need to
give the kid, the ex, and an
assorted short list of tax
deductible charity organizations.
money arrives in glass fulls
and swims out like a stream
bursting over the levees
and sending me to high ground.
but it comes down this, a bed,
a roof, food, a good book,
a blank sheet of paper to do
this on, and i'm good. vodka
helps too and someone with a
name like marla, but i'm getting
distracted, i've got work to do.
where's my pencil sharpener?
outside the window, and
there's someone knocking
at my door with a registered
letter from my mother, that's
how we communicate now, but
i can't be bothered.
i'm shuffling papers,
taking notes, getting organized
for what's coming. tax time.
i've got the calculator out
and i'm all set to pound
the keys to see what i made,
what i spent, what i need to
give the kid, the ex, and an
assorted short list of tax
deductible charity organizations.
money arrives in glass fulls
and swims out like a stream
bursting over the levees
and sending me to high ground.
but it comes down this, a bed,
a roof, food, a good book,
a blank sheet of paper to do
this on, and i'm good. vodka
helps too and someone with a
name like marla, but i'm getting
distracted, i've got work to do.
where's my pencil sharpener?
Thursday, February 25, 2010
faith
i keep sending in money, my
ten per cent and more
to the guy on tv, jimmy
the evangelist who wears a slick
black suit with white stripes,
and has hair to match,
his eyes bulge and his voice
screams and pleads from the pulpit.
i can tell that he's speaking
directly to me, he's a wild eyed
man who promises me blessings
if i'm faithful and keep the money
coming, but nothing happens.
i still have that goiter on my
neck and when i i look out onto
the driveway there sits my old dodge
dart that still won't start. i write
another check and send it off,
but my kids still hate me, my son
has a circle of me tattoed on his
arm with a line through it,
and my wife is still asleep
in the bedroom with a box of
oreos beside her and two cats
sleeping on her back. i buy
the bible, i get the beads,
the hat, the sweatshirt, the video,
i get the gold cross, the piece
of wood sworn and blessed to be
the real thing, but nothing changes,
my job at the cigarette factory
makes my skin itch and my boss wants
to fire me, my dog bites me
on a daily basis, and the IRS
won't leave me alone for back taxes,
so i send in another offering, a
check, a larger check and i go
kneel by the television, adjusting
the rabbit ears, and i squint
my eyes tightly together and
pray the prayer pastor jimmy
is telling me to pray,
i even say it in that same deep
southern accent that he uses, i
muster up all the sincerity
i can find within me, oh sweet
geeeeeesus hear my prayer, my eyes
well up with tears, but still
nothing, i don't know how much
longer i can keep this up with
no results. maybe this is God's
test for me, maybe it's God's will
that my life remain a total
shambles with no way out, yeah,
that might be it, so with that
in mind i send in another check,
i don't even put in a number, let
jimmy decide that for me.
ten per cent and more
to the guy on tv, jimmy
the evangelist who wears a slick
black suit with white stripes,
and has hair to match,
his eyes bulge and his voice
screams and pleads from the pulpit.
i can tell that he's speaking
directly to me, he's a wild eyed
man who promises me blessings
if i'm faithful and keep the money
coming, but nothing happens.
i still have that goiter on my
neck and when i i look out onto
the driveway there sits my old dodge
dart that still won't start. i write
another check and send it off,
but my kids still hate me, my son
has a circle of me tattoed on his
arm with a line through it,
and my wife is still asleep
in the bedroom with a box of
oreos beside her and two cats
sleeping on her back. i buy
the bible, i get the beads,
the hat, the sweatshirt, the video,
i get the gold cross, the piece
of wood sworn and blessed to be
the real thing, but nothing changes,
my job at the cigarette factory
makes my skin itch and my boss wants
to fire me, my dog bites me
on a daily basis, and the IRS
won't leave me alone for back taxes,
so i send in another offering, a
check, a larger check and i go
kneel by the television, adjusting
the rabbit ears, and i squint
my eyes tightly together and
pray the prayer pastor jimmy
is telling me to pray,
i even say it in that same deep
southern accent that he uses, i
muster up all the sincerity
i can find within me, oh sweet
geeeeeesus hear my prayer, my eyes
well up with tears, but still
nothing, i don't know how much
longer i can keep this up with
no results. maybe this is God's
test for me, maybe it's God's will
that my life remain a total
shambles with no way out, yeah,
that might be it, so with that
in mind i send in another check,
i don't even put in a number, let
jimmy decide that for me.
Wednesday, February 24, 2010
no horse to ride out on
it's a dry spell
here, the land
is coarse and brown,
my boots throw up dust,
and the slight wind
is soft. like a warm
whisper holding the sun's
breath. there is nothing
green as far as the eye
can see, no blue either,
but a white quilted sky
of long tired clouds.
the memory of water
sits like sand pebbles on
my parched tongue. nothing
is coming up the road,
or on the rails. this is
the way things end, slowly,
without rain, without
hope, with no horse
to ride out on.
here, the land
is coarse and brown,
my boots throw up dust,
and the slight wind
is soft. like a warm
whisper holding the sun's
breath. there is nothing
green as far as the eye
can see, no blue either,
but a white quilted sky
of long tired clouds.
the memory of water
sits like sand pebbles on
my parched tongue. nothing
is coming up the road,
or on the rails. this is
the way things end, slowly,
without rain, without
hope, with no horse
to ride out on.
tonight
i don't expect
heartbreak when i
see you standing
there in a crowd,
dark and beautiful
as the day i met
you. but it's there,
and i linger,
i mingle, i feel
stranded. i am
reminded of what
love is, the absence
of you hurts. and
i want to stay,
i want to gather
you in my arms,
and make it right
again, but it's
raining, it's cold,
i am intruding
on the life you lead
without me. and so
i leave so that
you can't see
the tears that burn.
heartbreak when i
see you standing
there in a crowd,
dark and beautiful
as the day i met
you. but it's there,
and i linger,
i mingle, i feel
stranded. i am
reminded of what
love is, the absence
of you hurts. and
i want to stay,
i want to gather
you in my arms,
and make it right
again, but it's
raining, it's cold,
i am intruding
on the life you lead
without me. and so
i leave so that
you can't see
the tears that burn.
Tuesday, February 23, 2010
water dreams
i dream best,
most vibrantly
when alone, when
it's cold, and the night
is long, and the wind
scratches the earth
with the long nails
of trees, and scattered
cans, the lost dogs
who howl and move
through the woods
on broken legs.
i dream of death
and dying, of love
and leaving, and being
left behind, of things
i can't get my hands
on, no resolutions.
it's a dark world,
a world of water,
deep and bruised,
blue and endless,
where the waves cup me
in thick arms and toss
me from side to side
before i find the shore,
and morning arrives
just in time.
most vibrantly
when alone, when
it's cold, and the night
is long, and the wind
scratches the earth
with the long nails
of trees, and scattered
cans, the lost dogs
who howl and move
through the woods
on broken legs.
i dream of death
and dying, of love
and leaving, and being
left behind, of things
i can't get my hands
on, no resolutions.
it's a dark world,
a world of water,
deep and bruised,
blue and endless,
where the waves cup me
in thick arms and toss
me from side to side
before i find the shore,
and morning arrives
just in time.
the artist
my paintings
are everywhere,
they have become
my friends,
my companions,
they line the walls
of my house,
stacked one against
the other,
in the kitchen,
they even crowd
the bathroom.
i can almost hear
their chatter
in the night,
bickering about how
cramped it's becoming.
i've run out of space
for them, but i
can't stop myself,
my hands each day find
a new color, a fresh
white canvas and a face
to bring alive with
my strokes of gold
and blue, titian red,
raw umber, lamp black,
i am on a subway
of faces that
never change,
i'm hanging onto
the strap as this
life i lead rolls on.
are everywhere,
they have become
my friends,
my companions,
they line the walls
of my house,
stacked one against
the other,
in the kitchen,
they even crowd
the bathroom.
i can almost hear
their chatter
in the night,
bickering about how
cramped it's becoming.
i've run out of space
for them, but i
can't stop myself,
my hands each day find
a new color, a fresh
white canvas and a face
to bring alive with
my strokes of gold
and blue, titian red,
raw umber, lamp black,
i am on a subway
of faces that
never change,
i'm hanging onto
the strap as this
life i lead rolls on.
red wine
there is that fog
of feeling, the gauze
of wine when it hits,
and things soften to
an easy glow, and your
lips are present too,
that makes so much
of the hard day
disappear. of course
there is always tomorrow
to deal with what's
about to happen,
but that seems so
far away, so distant,
and unimportant
as you pour another
glass, and move like
a cat with nails
unhinged towards me.
of feeling, the gauze
of wine when it hits,
and things soften to
an easy glow, and your
lips are present too,
that makes so much
of the hard day
disappear. of course
there is always tomorrow
to deal with what's
about to happen,
but that seems so
far away, so distant,
and unimportant
as you pour another
glass, and move like
a cat with nails
unhinged towards me.
Monday, February 22, 2010
bon appetit
her stories, were long
and repetitive, alot like
my poetry, or so called
poetry. she found a theme
to rely on and wrapped
each tale around it like
bacon on a water chestnut.
it made no sense, but it
tasted good, and you had
another. and another,
until full and finished
with the sound of her
voice. after four months
of this i realized that
there was no room for me
in her stories, just her,
and so i took my toothpics
and left.
and repetitive, alot like
my poetry, or so called
poetry. she found a theme
to rely on and wrapped
each tale around it like
bacon on a water chestnut.
it made no sense, but it
tasted good, and you had
another. and another,
until full and finished
with the sound of her
voice. after four months
of this i realized that
there was no room for me
in her stories, just her,
and so i took my toothpics
and left.
whistle
your constant whistling
disturbs me, but not so
much as silence. because
i know what that means.
with the whistling, i don't
have a clue, happiness,
perhaps, insanity is more
likely, but this too shall
pass, so for now, i'll
listen to you whistle,
like a bird with the key
to come and go from cage
to cage, from tree to tree.
disturbs me, but not so
much as silence. because
i know what that means.
with the whistling, i don't
have a clue, happiness,
perhaps, insanity is more
likely, but this too shall
pass, so for now, i'll
listen to you whistle,
like a bird with the key
to come and go from cage
to cage, from tree to tree.
the idling life
i'm waiting here
with the engine
idling,
my hands
on the wheel,
sitting patiently
in the car
at the light,
waiting for red
to turn green.
i'm on the bus,
the train,
making
stops along
the way,
waiting
for others to
get on,
to get off,
i'm waiting for water
to boil, for toast
to brown,
for the tub
to fill,
for the phone
to ring,
i'm waiting for a letter
to arrive in
the mail,
i'm waiting
for snow to melt,
i'm waiting for spring,
for
the rain to stop,
for
flowers to bloom,
for paint to dry,
for the check
to clear,
i'm waiting
in line for
food,
for stamps,
for a flu shot,
i'm waiting for the end
of things,
the
beginning,
of the next thing.
i'm waiting
like a cat
on a window sill,
ready to pounce.
i'm waiting for love
to stick
and be done with it.
Sunday, February 21, 2010
unfinished
my father when he left
was in the middle of
many things, a bottle
of bourbon being one
and another being
the woman next door,
the avon lady, my mother's
best friend. but he had
started to finish
the basement, the tiles
half down, the ceiling
lights half in, paint and
nails, boards and sheets
of drywall, all still there
collecting dust in the
darkness, awaiting his
return. but he didn't come
back. he took a harder road,
one he would never recover
from. he left it all for
her, left the unfinished
room, and seven unfinished
lives, his children.
was in the middle of
many things, a bottle
of bourbon being one
and another being
the woman next door,
the avon lady, my mother's
best friend. but he had
started to finish
the basement, the tiles
half down, the ceiling
lights half in, paint and
nails, boards and sheets
of drywall, all still there
collecting dust in the
darkness, awaiting his
return. but he didn't come
back. he took a harder road,
one he would never recover
from. he left it all for
her, left the unfinished
room, and seven unfinished
lives, his children.
quietly
you gave me what you
could, and i accepted
the pebbles from your
hand as gems, as bright
and priceless stones,
i mistook your kisses
for love, your smiles
for promises. there was
so much i didn't know,
the light of you being
so bright, that i couldn't
see the knife you were
holding to remove my
foolish heart.
could, and i accepted
the pebbles from your
hand as gems, as bright
and priceless stones,
i mistook your kisses
for love, your smiles
for promises. there was
so much i didn't know,
the light of you being
so bright, that i couldn't
see the knife you were
holding to remove my
foolish heart.
with ease
i lift the moon
with my hands
and hold it up
into the cold
night air. it's
a silver bowl of
stars that i've
come to know and
possess with a sweet
sad wonder on these
nights i live alone.
i haven't
conquered much,
but this i have,
this moon, this
pen and blank sheet
of paper on which
to write.
with my hands
and hold it up
into the cold
night air. it's
a silver bowl of
stars that i've
come to know and
possess with a sweet
sad wonder on these
nights i live alone.
i haven't
conquered much,
but this i have,
this moon, this
pen and blank sheet
of paper on which
to write.
Thursday, February 18, 2010
this bird outside my window.
busy with her life, one twig,
one thread of grass at time,
and there is all the time in
the world for what she does,
or so she thinks. slowly,
endlessy, with delibrate finds
and flight, so much hope
before the eggs appear that
won't, because it's too late
in the season, too far into
the winter months, and her
hair is turning silver,
and her walk is no longer
with wings, but a crawl towards
darkness, and ebbing light.
busy with her life, one twig,
one thread of grass at time,
and there is all the time in
the world for what she does,
or so she thinks. slowly,
endlessy, with delibrate finds
and flight, so much hope
before the eggs appear that
won't, because it's too late
in the season, too far into
the winter months, and her
hair is turning silver,
and her walk is no longer
with wings, but a crawl towards
darkness, and ebbing light.
moon man
during my years as an astronaut,
landing on the moon, walking in
space, there was nothing but
the joy of weightlessness,
and purpose. who needed love.
but things have changed and
i've come to my senses, nothing
compares to how i feel about
you, here on earth. the moon
holds nothing when held up to you,
it's dust, the silky powder
that my boots stirred up,
the rocks i carried
back to the ship, a billion years
old, worth nothing, no value,
no gems to be found, but back
here on this planet, feet firmly
on the ground is you, and pretty
much that's why i came back
and didn't stay. come see me
when you're not busy, i think
we can work things out. i am
no longer weightless, but ready.
landing on the moon, walking in
space, there was nothing but
the joy of weightlessness,
and purpose. who needed love.
but things have changed and
i've come to my senses, nothing
compares to how i feel about
you, here on earth. the moon
holds nothing when held up to you,
it's dust, the silky powder
that my boots stirred up,
the rocks i carried
back to the ship, a billion years
old, worth nothing, no value,
no gems to be found, but back
here on this planet, feet firmly
on the ground is you, and pretty
much that's why i came back
and didn't stay. come see me
when you're not busy, i think
we can work things out. i am
no longer weightless, but ready.
the struggle
between the steak house
and the chinese restaurant
where the fumes of broiled
beef and fried rice fill
the air, there is a gym,
a workout center full of tread
mills and weights, you can see
the patrons soaked in their
own sweat, breathing
heavy. further down
the road, between the churches,
the synagogue is the strip
club where the lean and
curved women gyrate like snakes
on a vine for your dollars,
one at a time. around the block,
further up the street there
is a health store and a
jesus book store, next to
them and inbetween is the
porn shop with movies and
magazines, and the liquor
store with a shiny window
displaying vodka by the case.
above them, in a separate
space there is a yoga class,
i see the women, some men
going up the stairs carrying
their plastic mats and candles.
i sense a struggle going on.
and the chinese restaurant
where the fumes of broiled
beef and fried rice fill
the air, there is a gym,
a workout center full of tread
mills and weights, you can see
the patrons soaked in their
own sweat, breathing
heavy. further down
the road, between the churches,
the synagogue is the strip
club where the lean and
curved women gyrate like snakes
on a vine for your dollars,
one at a time. around the block,
further up the street there
is a health store and a
jesus book store, next to
them and inbetween is the
porn shop with movies and
magazines, and the liquor
store with a shiny window
displaying vodka by the case.
above them, in a separate
space there is a yoga class,
i see the women, some men
going up the stairs carrying
their plastic mats and candles.
i sense a struggle going on.
sadness
the fog seeps in,
a layer of grey
white mist that has
no start or finish,
and rises and falls
within itself,
no lights exist
within it's thick
cloak, it's wavering
mystery of shadow,
and doubt. a place
you can't quite
get out of, but
when you come to
a clearing, even
the grass is more
green and lush than
you ever imagined
it to be.
a layer of grey
white mist that has
no start or finish,
and rises and falls
within itself,
no lights exist
within it's thick
cloak, it's wavering
mystery of shadow,
and doubt. a place
you can't quite
get out of, but
when you come to
a clearing, even
the grass is more
green and lush than
you ever imagined
it to be.
the measuring stick
so, what are you reading now,
what's on your nightstand, which
books do you favor, or need
to get before the year is done,
and where have you traveled,
what countries, what cities
have you slept in and bathed
in their water, immersed your
self in their food and culture,
oh, and do you have a new car,
which one, is it black with
all the trimmings, and that
house, that neighborhood you
moved to, how are the schools,
how is the community, the leaders,
the fences, are they high
and thick to keep out the riff
raff. tell me about your beach
house, or the diet you are on,
your doctor, your lawyer,
what is that watch you're wearing,
is that rolex? are you green,
are you ladling soup down at
the shelter, are you picking
up trash on the street you
sponser? did your daughter
get into the right school? what
kind of dog is that, i've
never seen a dog like that
before around here. oh my.
so how will you spend your six
weeks off this year? paris,
rome, greece, perhaps barcelona,
no? who's your decorator and
where can i get a painting
like that. is the artist dead
yet. it'll be worth so much more.
what's on your nightstand, which
books do you favor, or need
to get before the year is done,
and where have you traveled,
what countries, what cities
have you slept in and bathed
in their water, immersed your
self in their food and culture,
oh, and do you have a new car,
which one, is it black with
all the trimmings, and that
house, that neighborhood you
moved to, how are the schools,
how is the community, the leaders,
the fences, are they high
and thick to keep out the riff
raff. tell me about your beach
house, or the diet you are on,
your doctor, your lawyer,
what is that watch you're wearing,
is that rolex? are you green,
are you ladling soup down at
the shelter, are you picking
up trash on the street you
sponser? did your daughter
get into the right school? what
kind of dog is that, i've
never seen a dog like that
before around here. oh my.
so how will you spend your six
weeks off this year? paris,
rome, greece, perhaps barcelona,
no? who's your decorator and
where can i get a painting
like that. is the artist dead
yet. it'll be worth so much more.
true love
when i was in the eighth
grade i had this girlfriend
named molly. she had bright
blonde hair, straight like
a dolls, and eyes as blue
and bright as was the april
sky outside those school windows.
i'd wait for her in the hallway,
to walk her to lunch. my
hands would be sweating,
my heart pumping, standing
there with my books, my
hair combed quickly back,
slick with that morning's
dab of brylcreem, my buttons
checked for proper
alignment and then the bell
would ring, and the class
would file out, and there
was molly, i'd take her
books, wipe my hand on my
pants and grip hers,
she was a head taller than
me, but i didn't care.
i loved her and imagined
our lives going on forever
and ever, until the end of
time. I'd walk her all
the way to the cafeteria
where i would sit beside her
at a long table and sip milk
from a straw and eat a bad
tuna sandwich my mother had
stuffed into a paper bag
with an apple. and molly
would sit there beside me,
eating carrots from a plastic
bag, and white bread with
the crust carefully cut off,
sitting perfectly still,
her back straight, smiling,
as if she knew something
i didn't know, as if she was
waiting for the world to
find her. this lasted about
two weeks before she found
jerry, who was tall and lean,
freckled and always had a cast
on his arm or hand from punching
kids like me on the playground.
grade i had this girlfriend
named molly. she had bright
blonde hair, straight like
a dolls, and eyes as blue
and bright as was the april
sky outside those school windows.
i'd wait for her in the hallway,
to walk her to lunch. my
hands would be sweating,
my heart pumping, standing
there with my books, my
hair combed quickly back,
slick with that morning's
dab of brylcreem, my buttons
checked for proper
alignment and then the bell
would ring, and the class
would file out, and there
was molly, i'd take her
books, wipe my hand on my
pants and grip hers,
she was a head taller than
me, but i didn't care.
i loved her and imagined
our lives going on forever
and ever, until the end of
time. I'd walk her all
the way to the cafeteria
where i would sit beside her
at a long table and sip milk
from a straw and eat a bad
tuna sandwich my mother had
stuffed into a paper bag
with an apple. and molly
would sit there beside me,
eating carrots from a plastic
bag, and white bread with
the crust carefully cut off,
sitting perfectly still,
her back straight, smiling,
as if she knew something
i didn't know, as if she was
waiting for the world to
find her. this lasted about
two weeks before she found
jerry, who was tall and lean,
freckled and always had a cast
on his arm or hand from punching
kids like me on the playground.
Wednesday, February 17, 2010
folding laundry
folding laundry in
the basement, the floor cool,
the dryer holding another
load, spinnng with the
click of coins and buttons
i failed to remove from
pockets, there is no one
here but me, i listen to the
wind through the small
crease of window, like a
sigh, a whistle. it's a
simple task, this folding,
and one that can wait, but
i let that thought go by
and quietly fold, and stack,
there is no metaphor
to find in this, no twist
or turn to ponder in the
act. it's life, doing what
has to be done, never to be
known or talked of, like
so much of what we do.
the basement, the floor cool,
the dryer holding another
load, spinnng with the
click of coins and buttons
i failed to remove from
pockets, there is no one
here but me, i listen to the
wind through the small
crease of window, like a
sigh, a whistle. it's a
simple task, this folding,
and one that can wait, but
i let that thought go by
and quietly fold, and stack,
there is no metaphor
to find in this, no twist
or turn to ponder in the
act. it's life, doing what
has to be done, never to be
known or talked of, like
so much of what we do.
trees
like trees they bend
in the wind, they live
through the seasons
of frost and cold, and
sometimes the worst
happens, and lightning
strikes, bringing them
to their knees, or rot
seeps in from under,
life's undertow taking
out the roots from below
causing a riff between
you, but friends are not
easily found, even
the strong ones, they
need tending, they need
their branches pulled,
their leaves raked
and listened to. don't let
these precious trees go
down, prune them, climb
them, love them in all
seasons of your life and
theirs, let their shade
cool you when it's hot,
and warm you when you
need a fire, do it now,
for this is brief.
in the wind, they live
through the seasons
of frost and cold, and
sometimes the worst
happens, and lightning
strikes, bringing them
to their knees, or rot
seeps in from under,
life's undertow taking
out the roots from below
causing a riff between
you, but friends are not
easily found, even
the strong ones, they
need tending, they need
their branches pulled,
their leaves raked
and listened to. don't let
these precious trees go
down, prune them, climb
them, love them in all
seasons of your life and
theirs, let their shade
cool you when it's hot,
and warm you when you
need a fire, do it now,
for this is brief.
Tuesday, February 16, 2010
cell phones
i counted my dead
cell phones the other
day, so far eleven,
not counting the one
that still works.
i truly loved them
all when they were new.
sassy and bright, full
of life. they would
light up with a simple
twist of my hand.
i keep the spent ones
in a drawer now
in the kitchen, next
to the matches, the
rubber bands, a phillips
head screwdriver,
white out, and other
assorted junk, all
of them still sleek, plum
colored, red as cherries,
black like the ice
on a winter's night.
stone blue, of course
none of them work
anymore, shorted out
from water, dropped
on the street, batteries
gone south. i threw
one into a lake once
after a bad conversation
with someone i'd rather
not say, okay, linda,
and another i dropped
into a vodka tonic, icy
cold with a lime wedge
floating on top, accident,
that one, mostly though,
all of their failures were
my fault, if i had been
more careful and caring,
more attentive and gentle
with them, if i had
properly plugged them all
in when they needed it,
well, mabye they'd still
be working, but no, and
it really doesn't matter,
they were not meant to last
and the new ones are always
so much more fun anyway.
cell phones the other
day, so far eleven,
not counting the one
that still works.
i truly loved them
all when they were new.
sassy and bright, full
of life. they would
light up with a simple
twist of my hand.
i keep the spent ones
in a drawer now
in the kitchen, next
to the matches, the
rubber bands, a phillips
head screwdriver,
white out, and other
assorted junk, all
of them still sleek, plum
colored, red as cherries,
black like the ice
on a winter's night.
stone blue, of course
none of them work
anymore, shorted out
from water, dropped
on the street, batteries
gone south. i threw
one into a lake once
after a bad conversation
with someone i'd rather
not say, okay, linda,
and another i dropped
into a vodka tonic, icy
cold with a lime wedge
floating on top, accident,
that one, mostly though,
all of their failures were
my fault, if i had been
more careful and caring,
more attentive and gentle
with them, if i had
properly plugged them all
in when they needed it,
well, mabye they'd still
be working, but no, and
it really doesn't matter,
they were not meant to last
and the new ones are always
so much more fun anyway.
paper route
when i was a kid
i delivered newspapers.
i had maybe a hundred
houses, maybe more,
less on sundays, and
i'd walk with my dog,
and sometimes the cat
would follow too, but
a half a block behind,
too special to be with us.
i had a wagon or a shopping
cart i'd borrow from a
grocery store, but i'd
be up by five thirty
in the morning, the
winter months were
the hardest, the ice
the snow, the wind, but
i'd trudge on, sometimes
it was so cold, the dog
wouldn't leave the
house, nor the cat, but
i would, i'd do my route
in the dark, always dark
or just enough sun to
turn the morning pink
and pale blue by the
time i got home, my hands
black with ink. in the
summer months i'd run
the entire route, pushing
myself, trying to beat
a time, but mostly i'd
walk, just me, in the
quiet. the world smelled
different then at that
hour, there was a serenity
that i've never felt before
or since then. but i was
of the age when i delivered
the war news, vietnam,
kennedy and king murdered,
woodstock, and i remember
standing there over my
stack of papers, reading
the headlines, sometimes
sitting in light of a
street lamp trying to absorb
it all, before tossing
the rolled papers onto
the porches of my neighborhood.
i delivered newspapers.
i had maybe a hundred
houses, maybe more,
less on sundays, and
i'd walk with my dog,
and sometimes the cat
would follow too, but
a half a block behind,
too special to be with us.
i had a wagon or a shopping
cart i'd borrow from a
grocery store, but i'd
be up by five thirty
in the morning, the
winter months were
the hardest, the ice
the snow, the wind, but
i'd trudge on, sometimes
it was so cold, the dog
wouldn't leave the
house, nor the cat, but
i would, i'd do my route
in the dark, always dark
or just enough sun to
turn the morning pink
and pale blue by the
time i got home, my hands
black with ink. in the
summer months i'd run
the entire route, pushing
myself, trying to beat
a time, but mostly i'd
walk, just me, in the
quiet. the world smelled
different then at that
hour, there was a serenity
that i've never felt before
or since then. but i was
of the age when i delivered
the war news, vietnam,
kennedy and king murdered,
woodstock, and i remember
standing there over my
stack of papers, reading
the headlines, sometimes
sitting in light of a
street lamp trying to absorb
it all, before tossing
the rolled papers onto
the porches of my neighborhood.
a fresh start
i was thinking that
in the next life i'd
be a divorce lawyer
or a therapist, or
perhaps a funeral
director, i'd choose
something to do that
was unaffected by the
economy, or by natural
disaster, war, or a stroke
of bad luck, no,
these calamities, in fact,
increase business.
there are no down times
with these jobs.
strangely they all have
something in common,
something to do with
the end of things,
and also strangely, but
in a different way, they
offer new beginnings.
a clean fresh start.
in the next life i'd
be a divorce lawyer
or a therapist, or
perhaps a funeral
director, i'd choose
something to do that
was unaffected by the
economy, or by natural
disaster, war, or a stroke
of bad luck, no,
these calamities, in fact,
increase business.
there are no down times
with these jobs.
strangely they all have
something in common,
something to do with
the end of things,
and also strangely, but
in a different way, they
offer new beginnings.
a clean fresh start.
Monday, February 15, 2010
pearl
pearl lives above me,
right up the steps,
she's in three o one,
i'm in two o one,
she used to have a boy
friend, sam, who would spend
the night, and they'd
play records and dance,
and then i'd hear them
in bed, above me, the
symphony of springs,
she was a screamer
and sometimes i'd wake
up in a sweat startled
by her yelling out, like
a wounded animal, i'd hear
the headboard clanging
against our shared walls.
my ceiling is her floor.
sam left at some point,
they borke up, and she's
alone now. she broke her leg
in the snow two weeks
ago, shoveling, slipped,
on the ice and went
down, i remember looking
out the window and seeing
her lying next to her
pale green prius with
a pair of dice hanging
from the mirror. the dice
sam gave her when things
were good, now when she
walks around, i can hear her
crutches on the hardwood
floor, sometimes she puts
on an old elvis record
and i'll hear her trying
to dance, by herself,
the banging of the crutches
and her cast rattling
my lights, and then she'll
go to bed and i'll listen
to her crying, softly
through the vents, until
one of us falls asleep.
right up the steps,
she's in three o one,
i'm in two o one,
she used to have a boy
friend, sam, who would spend
the night, and they'd
play records and dance,
and then i'd hear them
in bed, above me, the
symphony of springs,
she was a screamer
and sometimes i'd wake
up in a sweat startled
by her yelling out, like
a wounded animal, i'd hear
the headboard clanging
against our shared walls.
my ceiling is her floor.
sam left at some point,
they borke up, and she's
alone now. she broke her leg
in the snow two weeks
ago, shoveling, slipped,
on the ice and went
down, i remember looking
out the window and seeing
her lying next to her
pale green prius with
a pair of dice hanging
from the mirror. the dice
sam gave her when things
were good, now when she
walks around, i can hear her
crutches on the hardwood
floor, sometimes she puts
on an old elvis record
and i'll hear her trying
to dance, by herself,
the banging of the crutches
and her cast rattling
my lights, and then she'll
go to bed and i'll listen
to her crying, softly
through the vents, until
one of us falls asleep.
behind the school
it isn't true,
it's a lie, a
fabrication of sorts
about me and you,
our love affair,
our secret
rendezvous behind
the school, when
the lights go
down, the sun
subsides, the animals
come out and watch
with bright
wet eyes. but
no, it isn't true
at all
although, i wish
that weren't so.
it's a lie, a
fabrication of sorts
about me and you,
our love affair,
our secret
rendezvous behind
the school, when
the lights go
down, the sun
subsides, the animals
come out and watch
with bright
wet eyes. but
no, it isn't true
at all
although, i wish
that weren't so.
dinner at eight
she insists on dinner
despite having never met,
having never talked on
the phone, having never
stood within inches of
one another, or having a
clue about who or what each
other is all about, and
yet the persistence to
get a table, to make
reservations and to plan
a meal together, as if
we were both old friends,
or lovers, or something
else entirely that i'm
missing continues through
communication. finally
a flurry of e mails confirms
the date, but i hedge on
dinner and i say no, let's
meet just for a drink, a
drink the first time and go
from there, she says ok,
and i wait, i wait and
i wait, and she doesn't
show. insulted that i would
not feed her sight unseen.
she writes that she is
dinner worthy and would not
be humiliated, to be judged
in her mind, in such
a way, ah, there is a
sadness in the world that
goes beyond the depth
of any cold ocean.
despite having never met,
having never talked on
the phone, having never
stood within inches of
one another, or having a
clue about who or what each
other is all about, and
yet the persistence to
get a table, to make
reservations and to plan
a meal together, as if
we were both old friends,
or lovers, or something
else entirely that i'm
missing continues through
communication. finally
a flurry of e mails confirms
the date, but i hedge on
dinner and i say no, let's
meet just for a drink, a
drink the first time and go
from there, she says ok,
and i wait, i wait and
i wait, and she doesn't
show. insulted that i would
not feed her sight unseen.
she writes that she is
dinner worthy and would not
be humiliated, to be judged
in her mind, in such
a way, ah, there is a
sadness in the world that
goes beyond the depth
of any cold ocean.
Sunday, February 14, 2010
valentine's day
there are days
when you just start
cleaning, you don't
know why, or what makes
you go at it like
you do, but off you
go, with bucket
and mop, vacuum
buzzing on every rug,
all of those cleaning
liquids and sprays,
come out from under
the kitchen sink,
you've got the rags,
the broom, the polish,
dirt has no chance,
you even clean the oven,
pull everything
out of the fridge, those
hot sauce bottles
sealed shut with
their own goo, you toss
the meat wrapped
in foil that you'd
never eat anyway, bruised
fruit, brown lettuce,
bread like concrete
on the counter.
you break it up and toss
it into the woods for
the birds and squirrels,
and then the bathrooms,
the tub, you are on
your knees for an hour
in each bathroom,
you give the tiles, the
toilet, the sinks
the whatfor, it's like
in church when you were
a kid, getting the sin
out, the dirt and grime
off, it makes your knees
hurt, you make the beds
toss the sheets down
the steps, you do a load
of whites, smelling
the bleach, a load of
coloreds, you dry
everything, you fold
everything and carrry
the baskets up the stairs
to be put away, not
tomorrow, but now,
and finally you're
finished and you gaze
out the bright shiny
window that you just wiped,
you stare at the melting
february snow, and she
still hasn't called to wish
you happy valentine's day.
when you just start
cleaning, you don't
know why, or what makes
you go at it like
you do, but off you
go, with bucket
and mop, vacuum
buzzing on every rug,
all of those cleaning
liquids and sprays,
come out from under
the kitchen sink,
you've got the rags,
the broom, the polish,
dirt has no chance,
you even clean the oven,
pull everything
out of the fridge, those
hot sauce bottles
sealed shut with
their own goo, you toss
the meat wrapped
in foil that you'd
never eat anyway, bruised
fruit, brown lettuce,
bread like concrete
on the counter.
you break it up and toss
it into the woods for
the birds and squirrels,
and then the bathrooms,
the tub, you are on
your knees for an hour
in each bathroom,
you give the tiles, the
toilet, the sinks
the whatfor, it's like
in church when you were
a kid, getting the sin
out, the dirt and grime
off, it makes your knees
hurt, you make the beds
toss the sheets down
the steps, you do a load
of whites, smelling
the bleach, a load of
coloreds, you dry
everything, you fold
everything and carrry
the baskets up the stairs
to be put away, not
tomorrow, but now,
and finally you're
finished and you gaze
out the bright shiny
window that you just wiped,
you stare at the melting
february snow, and she
still hasn't called to wish
you happy valentine's day.
being late
the snow,
the rain,
traffic, my
daughter called,
work phoned,
flat tire,
my ex blocked
me in the drive
way demanding
remorse,
a gust of wind
blew a trashcan
under my car,
i ran a hole
in my stocking,
a powerline
went down across
the highway,
code orange,
i left the iron
on and had
to go back,
i forgot to let
the dog out
and the cat in,
i forgot my
purse, my phone,
whoops, my
breath mints.
i needed gas,
i got lost.
i lost your number,
forgot your name,
i went to the
wrong address.
i'm sorry
i'm so late.
again, are you
still there. no?
raincheck?
the rain,
traffic, my
daughter called,
work phoned,
flat tire,
my ex blocked
me in the drive
way demanding
remorse,
a gust of wind
blew a trashcan
under my car,
i ran a hole
in my stocking,
a powerline
went down across
the highway,
code orange,
i left the iron
on and had
to go back,
i forgot to let
the dog out
and the cat in,
i forgot my
purse, my phone,
whoops, my
breath mints.
i needed gas,
i got lost.
i lost your number,
forgot your name,
i went to the
wrong address.
i'm sorry
i'm so late.
again, are you
still there. no?
raincheck?
Saturday, February 13, 2010
surrender
eventually you come around
to thinking that there is no
point in worrying, agonizing
over life's little things,
although anyone that i've
ever known that has owned
the book don't sweat the small
stuff is usually sweating
profusely over the small stuff,
they are helplessly locked
into a perpetual state of worry,
but you do reach a point of
exhaustion with many things,
like cars, and kids, and work,
and pets, and the house,
parents and the food you eat
or don't eat, and you sort
of let it all go, you toss
it out the window and take
a break from the madness of
trying to control your life,
the world. it's impossible.
you surrender, and in that
brief and wonderful moment,
you feel like you've finally
reached an understanding
of the world and life and
you wish you could hang onto
that instant forever and ever,
or at least until the phone rings.
to thinking that there is no
point in worrying, agonizing
over life's little things,
although anyone that i've
ever known that has owned
the book don't sweat the small
stuff is usually sweating
profusely over the small stuff,
they are helplessly locked
into a perpetual state of worry,
but you do reach a point of
exhaustion with many things,
like cars, and kids, and work,
and pets, and the house,
parents and the food you eat
or don't eat, and you sort
of let it all go, you toss
it out the window and take
a break from the madness of
trying to control your life,
the world. it's impossible.
you surrender, and in that
brief and wonderful moment,
you feel like you've finally
reached an understanding
of the world and life and
you wish you could hang onto
that instant forever and ever,
or at least until the phone rings.
the last word
my ex wife told me, she
said, i gave you the best
years of my life, and i
laughed. she said why
are you laughing and i
said because you're only
thirty four, give
yourself a chance, you
might just be peaking.
that didn't help matters
at all, and she picked
up a bottle of spring
water like she might
throw it at me, but took a
sip instead and said,
i would have done it all
differently if i hadn't
married you, and i said,
what, what would you have
done, gone to college,
got a degree, perhaps
then a job? she said no,
i would have married
a doctor, or a lawyer,
that's what i would
have done. oh, really,
i said, and then there's
quiet as happens in
every pointless arguement,
you are in the eye
of the hurricane,
it's that point in time
where you have to walk
away, there's no sense trying
to get the last word in,
it's done, it's over, it's
like driving a nail through
concrete using your head.
so you say something completely
useless like, well,
good luck with that. ten
years later i see her
driving down the street in
her husband's, dr. jimmy's
black mercedes, she beeps
at me, rolls down
the window and yells
as i'm walking alone down
the sidewalk pushing a
shopping cart holding
everything i own hey,
she says, good luck with that!
said, i gave you the best
years of my life, and i
laughed. she said why
are you laughing and i
said because you're only
thirty four, give
yourself a chance, you
might just be peaking.
that didn't help matters
at all, and she picked
up a bottle of spring
water like she might
throw it at me, but took a
sip instead and said,
i would have done it all
differently if i hadn't
married you, and i said,
what, what would you have
done, gone to college,
got a degree, perhaps
then a job? she said no,
i would have married
a doctor, or a lawyer,
that's what i would
have done. oh, really,
i said, and then there's
quiet as happens in
every pointless arguement,
you are in the eye
of the hurricane,
it's that point in time
where you have to walk
away, there's no sense trying
to get the last word in,
it's done, it's over, it's
like driving a nail through
concrete using your head.
so you say something completely
useless like, well,
good luck with that. ten
years later i see her
driving down the street in
her husband's, dr. jimmy's
black mercedes, she beeps
at me, rolls down
the window and yells
as i'm walking alone down
the sidewalk pushing a
shopping cart holding
everything i own hey,
she says, good luck with that!
Friday, February 12, 2010
downstream
when she
died
i used to
go down
to the stream,
find a rock
to sit on
and watch
the water
for hours
roll blue,
roll
green
towards
the ocean,
where all
water goes
given time.
died
i used to
go down
to the stream,
find a rock
to sit on
and watch
the water
for hours
roll blue,
roll
green
towards
the ocean,
where all
water goes
given time.
monkeys
i was lost the other night,
i got turned around leaving
Marla's house at three in
the morning. she lives
in an apartment complex
off Georgia Avenue, but
in leaving, i forgot how
we came in, and missed
the exit. i ended up
down by the zoo, off
of Rock Creek Parkway.
There are no street lights
down there, it's pitch
black and the place
is loaded with deer
and fox running wild,
and the roads
wind through the trees
and gullies, one false
turn and your in a ditch
or the water, and a tow
truck needs to come
in the morning to drag
you out. it's never good
when that happens. so
i pulled over onto the grass
to get my bearings. i
thought about calling
Marla, but i knew she'd
be fast asleep and i didn't
want her to know how stupid
i was getting lost
like this. it might affect
the next date, so i rolled
down the window to get
some air and turned the car
off, listened to the woods.
i was close enough to the zoo
that i could hear the animals,
especially the monkeys,
still going at it, so
early in the morning.
chattering up a storm in
their cages, happy as clams
swinging around those bars,
getting three square meals
a day, plenty of social
activity and free medical care,
that's the life, i thought.
no driving around at three
in the morning, trying to
get home in the dark, jesus,
now that's living.
i got turned around leaving
Marla's house at three in
the morning. she lives
in an apartment complex
off Georgia Avenue, but
in leaving, i forgot how
we came in, and missed
the exit. i ended up
down by the zoo, off
of Rock Creek Parkway.
There are no street lights
down there, it's pitch
black and the place
is loaded with deer
and fox running wild,
and the roads
wind through the trees
and gullies, one false
turn and your in a ditch
or the water, and a tow
truck needs to come
in the morning to drag
you out. it's never good
when that happens. so
i pulled over onto the grass
to get my bearings. i
thought about calling
Marla, but i knew she'd
be fast asleep and i didn't
want her to know how stupid
i was getting lost
like this. it might affect
the next date, so i rolled
down the window to get
some air and turned the car
off, listened to the woods.
i was close enough to the zoo
that i could hear the animals,
especially the monkeys,
still going at it, so
early in the morning.
chattering up a storm in
their cages, happy as clams
swinging around those bars,
getting three square meals
a day, plenty of social
activity and free medical care,
that's the life, i thought.
no driving around at three
in the morning, trying to
get home in the dark, jesus,
now that's living.
flourish or perish
i believe that given
time, the seed you
buried in your
yard will find
a way to surface,
of course
providing enough
water, tending
to the weeds
and bugs,
and whatever else
might keep it from
growing and finding
sunlight, will have
to be done.
but a day will come,
a morning when you
stand at the door,
you may be old,
or you may still
be young, but
you will be looking
at the yard
and you will see
the hope and dream
within you fulfilled.
time, the seed you
buried in your
yard will find
a way to surface,
of course
providing enough
water, tending
to the weeds
and bugs,
and whatever else
might keep it from
growing and finding
sunlight, will have
to be done.
but a day will come,
a morning when you
stand at the door,
you may be old,
or you may still
be young, but
you will be looking
at the yard
and you will see
the hope and dream
within you fulfilled.
kitty kitty
she's like a cat
in the alley, purring,
the way she comes
and goes, stealthy
in her lace covered
paws, her dark eyes
flashing in the bits
of light that my heart
gives her. with ease
she slides into my door,
finds the bowl of
milk i set out,
then goes up the stairs
and finds the keys
to me, and what i
adore about her
and her feline ways.
in the alley, purring,
the way she comes
and goes, stealthy
in her lace covered
paws, her dark eyes
flashing in the bits
of light that my heart
gives her. with ease
she slides into my door,
finds the bowl of
milk i set out,
then goes up the stairs
and finds the keys
to me, and what i
adore about her
and her feline ways.
Thursday, February 11, 2010
small things
there are small
pleasures, like putting
your hands near a fire
when you are cold,
or getting a sweet kiss
on the lips from someone
you care about, the taste
of a well cooked meal,
ice water on a summer day,
clean sheets, cool
and crisp on a bed with
the window open,
perhaps a hand written
note from a friend,
or the sound of someone's
voice that you miss.
these are the things
that keep you afloat,
keep you going in the
night, through winter.
pleasures, like putting
your hands near a fire
when you are cold,
or getting a sweet kiss
on the lips from someone
you care about, the taste
of a well cooked meal,
ice water on a summer day,
clean sheets, cool
and crisp on a bed with
the window open,
perhaps a hand written
note from a friend,
or the sound of someone's
voice that you miss.
these are the things
that keep you afloat,
keep you going in the
night, through winter.
putting things off
i have a client, a woman,
who lives alone, no pets,
no husband, no one that can
be visibly seen living with
her, who calls me every two
months or so to give her
another estimate
to paint her walls, patch,
repair, caulk, strip the
paper, and i walk through
the condo with her, patiently,
taking notes as she tells
me about what she wants done
and needs done, the sooner
the better. i've done this
four times now,the last time
i didn't even open my book
or pull out a pen while gave
me the run down on what had
to be done. the sooner
the better, and that she'll
give me a call in a few days.
it's a very small, cramped
place, full of old furniture,
boxes still unpacked from when
she moved in five years ago.
in some ways, it's so dirty
that it looks like no one
could possibly live there,
and yet, there could be
ten people making this
mess. she asks me if i have
any plastic, and drop cloths
to cover things up, and i nod,
i tell her, of course. good,
she says, i'll call you soon.
i'm ready this time, and i
tell her okay, fine, i look
forward to your call, but
i know i'll never do this job.
who lives alone, no pets,
no husband, no one that can
be visibly seen living with
her, who calls me every two
months or so to give her
another estimate
to paint her walls, patch,
repair, caulk, strip the
paper, and i walk through
the condo with her, patiently,
taking notes as she tells
me about what she wants done
and needs done, the sooner
the better. i've done this
four times now,the last time
i didn't even open my book
or pull out a pen while gave
me the run down on what had
to be done. the sooner
the better, and that she'll
give me a call in a few days.
it's a very small, cramped
place, full of old furniture,
boxes still unpacked from when
she moved in five years ago.
in some ways, it's so dirty
that it looks like no one
could possibly live there,
and yet, there could be
ten people making this
mess. she asks me if i have
any plastic, and drop cloths
to cover things up, and i nod,
i tell her, of course. good,
she says, i'll call you soon.
i'm ready this time, and i
tell her okay, fine, i look
forward to your call, but
i know i'll never do this job.
natasha
she called herself natasha
but her real name was gladys,
natasha was her internet name.
she said she was forty-nine,
but i'd bet my eyes and ears
that she was at least fifty-six,
mininum. her profile said average
weight, perhaps this was true,
but you couldn't tell because
of the black raincoat she was
wearing that matched her black
lipstick. things didn't go well
at first, but we ate, and drank,
and told each other enough tall
tales from dating that we
actually liked each other by
the third drink. maybe it was
the martinis. i don't know.
so in the end i walked her to
her car and she tried to pull
me in for a hug and a goodnight
kiss, but i held my ground and
stiffened which made her slip
in the light snow that had begun
to fall. she snapped off one
of her heels and went down
like a wounded animal,
hitting her head on the side
of her jeep wrangler making
a bloody gash, jesus, i said,
natasha, are you okay? you're
bleeding. it's gladys,
she said, i'm really gladys.
you don't listen, do you?
i was carrying the doggy bag
of pork chops that she had half
eaten, and put the bag gently
against her head to stop
the bleeding, then helped her
up and into her car. i feel
dizzy, she said. go straight
home, i told her, and if
you feel like you're going
to pass out pull over, okay?
she shut the door and drove
off, holding the bag of chops
to her head, gladys, not natasha.
but her real name was gladys,
natasha was her internet name.
she said she was forty-nine,
but i'd bet my eyes and ears
that she was at least fifty-six,
mininum. her profile said average
weight, perhaps this was true,
but you couldn't tell because
of the black raincoat she was
wearing that matched her black
lipstick. things didn't go well
at first, but we ate, and drank,
and told each other enough tall
tales from dating that we
actually liked each other by
the third drink. maybe it was
the martinis. i don't know.
so in the end i walked her to
her car and she tried to pull
me in for a hug and a goodnight
kiss, but i held my ground and
stiffened which made her slip
in the light snow that had begun
to fall. she snapped off one
of her heels and went down
like a wounded animal,
hitting her head on the side
of her jeep wrangler making
a bloody gash, jesus, i said,
natasha, are you okay? you're
bleeding. it's gladys,
she said, i'm really gladys.
you don't listen, do you?
i was carrying the doggy bag
of pork chops that she had half
eaten, and put the bag gently
against her head to stop
the bleeding, then helped her
up and into her car. i feel
dizzy, she said. go straight
home, i told her, and if
you feel like you're going
to pass out pull over, okay?
she shut the door and drove
off, holding the bag of chops
to her head, gladys, not natasha.
betting on the horses
my friend jimmy
called me up the other
day and asked me
for money. i told
him that work was
slow, times were tough
between the weather,
the economy, business
wasn't what it used
to be, plus i had
alimony and child
support to the first
wife and a cat
with a liver condition
who needed a special
diet of rice and lamb
and a bevy of pills
to keep him alive,
the cat was killing me,
i told him, but maybe
i could spot you
something, so i asked
him how much
he needed. a thousand
dollars, he said. i knew
that he liked to bet
the horses, and that
a big race was coming
up soon, so i was
certain that that's where
the money was going. How
will you pay me back,
jimmy, i asked him.
i'm good for it, i'll
give it back to you next
week. so i lent him
the money. why not. we
both had bet on so many
things in life, and lost,
lost big and often.
his way was the track,
while i took a different
route all together.
called me up the other
day and asked me
for money. i told
him that work was
slow, times were tough
between the weather,
the economy, business
wasn't what it used
to be, plus i had
alimony and child
support to the first
wife and a cat
with a liver condition
who needed a special
diet of rice and lamb
and a bevy of pills
to keep him alive,
the cat was killing me,
i told him, but maybe
i could spot you
something, so i asked
him how much
he needed. a thousand
dollars, he said. i knew
that he liked to bet
the horses, and that
a big race was coming
up soon, so i was
certain that that's where
the money was going. How
will you pay me back,
jimmy, i asked him.
i'm good for it, i'll
give it back to you next
week. so i lent him
the money. why not. we
both had bet on so many
things in life, and lost,
lost big and often.
his way was the track,
while i took a different
route all together.
while she lay dying
i noticed that
there is a distant
port that the dying
sail towards, without
them knowing, but the
boat is in the water,
it's in their
speech, the movement
of their bodies,
an instinct to flee
the world that they
can no longer
particpate in,
and the feeling
is strangely mutual,
though unadmitted,
for the two cannot
coexist, the living,
the healthy must press
on, while the soon
to die, must raise
the white sail and
shove off towards
unknown shores. it's
not sad, or wrong
in any way, it's nature
separating what must
leave, what must stay.
there is a distant
port that the dying
sail towards, without
them knowing, but the
boat is in the water,
it's in their
speech, the movement
of their bodies,
an instinct to flee
the world that they
can no longer
particpate in,
and the feeling
is strangely mutual,
though unadmitted,
for the two cannot
coexist, the living,
the healthy must press
on, while the soon
to die, must raise
the white sail and
shove off towards
unknown shores. it's
not sad, or wrong
in any way, it's nature
separating what must
leave, what must stay.
Tuesday, February 9, 2010
seaglass
she wants to say
that there is so
much seaglass among
us, not just dark
and clear shards
of broken bottles,
or windows, or plates,
but the rare colored
glass that you find
along the shore
when the moon and sun
align on the same
side of earth,
and the tides recede
or rise at their
greatest levels,
but she believes
that the sparkle
of amber, of cobalt
blue and torquoise,
the rare red glass,
are on our own dry
shores, waiting,
to be discovered,
and held to the light.
that there is so
much seaglass among
us, not just dark
and clear shards
of broken bottles,
or windows, or plates,
but the rare colored
glass that you find
along the shore
when the moon and sun
align on the same
side of earth,
and the tides recede
or rise at their
greatest levels,
but she believes
that the sparkle
of amber, of cobalt
blue and torquoise,
the rare red glass,
are on our own dry
shores, waiting,
to be discovered,
and held to the light.
lisa's cars
my friend lisa begins
almost every conversation
with a story about her
car, or her son's car,
or truck, or jeep, or
the car that her ex is
lending her until her
car gets out of the shop,
or because it drives
better in the snow, better
than her small, older
car with the peace sticker
on the back window.
i've known lisa for years
and have never seen her
in the same car, and
each story involves
a tricky situation with
the garage, a tow truck,
an expired sticker, or
a blown engine that is
or isn't covered under
warranty, and she has
to get on the phone to
talk to an insurance agent
or mechanic by two o'clock,
before friday when her
son has to go to ohio, but
pittsburgh first,
and her husband has to
fly back to Iraq, but not
before he returns his
rental car to Hertz. so
she met me for breakfast,
but walked, because
the car she has been
using throughout the week
is buried under three
feet of snow, and the
shovel is in the trunk
of her son's car who may
or may not be on the road
back to school in his
girlfriend's car, because
his car has a flat and
the jack is in Lisa's car,
the one with the peace
sticker on the back window
parked in front of her house,
buried under snow.
almost every conversation
with a story about her
car, or her son's car,
or truck, or jeep, or
the car that her ex is
lending her until her
car gets out of the shop,
or because it drives
better in the snow, better
than her small, older
car with the peace sticker
on the back window.
i've known lisa for years
and have never seen her
in the same car, and
each story involves
a tricky situation with
the garage, a tow truck,
an expired sticker, or
a blown engine that is
or isn't covered under
warranty, and she has
to get on the phone to
talk to an insurance agent
or mechanic by two o'clock,
before friday when her
son has to go to ohio, but
pittsburgh first,
and her husband has to
fly back to Iraq, but not
before he returns his
rental car to Hertz. so
she met me for breakfast,
but walked, because
the car she has been
using throughout the week
is buried under three
feet of snow, and the
shovel is in the trunk
of her son's car who may
or may not be on the road
back to school in his
girlfriend's car, because
his car has a flat and
the jack is in Lisa's car,
the one with the peace
sticker on the back window
parked in front of her house,
buried under snow.
Monday, February 8, 2010
i think that
having less as a child
does not guarantee
virtue or wisdom, but
it gives you a head
start. feeling
the pavement
through the hole in
your shoe, or shivering
from the cold that blows
through a thin pane
of glass as you try
to sleep beneath a
thread bare blanket
does not discourage
goodness within you,
and that hunger,
that rolling ache
in your belly from
lack of food
won't pave the path
towards righteousness,
or enlightenment,
but sometimes i think
it has helped.
does not guarantee
virtue or wisdom, but
it gives you a head
start. feeling
the pavement
through the hole in
your shoe, or shivering
from the cold that blows
through a thin pane
of glass as you try
to sleep beneath a
thread bare blanket
does not discourage
goodness within you,
and that hunger,
that rolling ache
in your belly from
lack of food
won't pave the path
towards righteousness,
or enlightenment,
but sometimes i think
it has helped.
bliss
with glee, she says,
we're getting married,
while shoveling snow,
her man beside her
in his red wool hat,
to match hers, and his
shovel going strong,
his face perspiring
from carving out
her car, her sidewalk,
her driveway,she says
again, and points
with her thumb, as if
hitching a ride, we're
getting married. he
doesn't look over
at me, but nods
his head. he keeps
digging, keeps at it,
the dense snow
getting heavier
with each deep push
and lift of the blade.
she moves out
of the way so
that he can shovel
where she stands,
the sun on her face
showing relief
in the unmelted snow
that is no longer
just hers. she tells
him where to put
the salt and the sand
when he's done digging,
and folds her arms,
and smiles, unable
to contain her joy.
we're getting married,
while shoveling snow,
her man beside her
in his red wool hat,
to match hers, and his
shovel going strong,
his face perspiring
from carving out
her car, her sidewalk,
her driveway,she says
again, and points
with her thumb, as if
hitching a ride, we're
getting married. he
doesn't look over
at me, but nods
his head. he keeps
digging, keeps at it,
the dense snow
getting heavier
with each deep push
and lift of the blade.
she moves out
of the way so
that he can shovel
where she stands,
the sun on her face
showing relief
in the unmelted snow
that is no longer
just hers. she tells
him where to put
the salt and the sand
when he's done digging,
and folds her arms,
and smiles, unable
to contain her joy.
within these walls
i can get out
if i wanted to.
these walls can't
hold me, i'm an
innocent man, i'm
not guilty of the
crimes they say
i committed, i
can dig, i can leap
the wall, the barbed
wire, defeat these
guards, the dogs,
the siren, the
searchlights won't
find me in the
shadows, i'm too
quick, too innocent,
too right to be
held down and out
for long. i'm
biding my time,
you'll see, you'll
hear about it, read
about in the paper,
my great escape.
if i wanted to.
these walls can't
hold me, i'm an
innocent man, i'm
not guilty of the
crimes they say
i committed, i
can dig, i can leap
the wall, the barbed
wire, defeat these
guards, the dogs,
the siren, the
searchlights won't
find me in the
shadows, i'm too
quick, too innocent,
too right to be
held down and out
for long. i'm
biding my time,
you'll see, you'll
hear about it, read
about in the paper,
my great escape.
Sunday, February 7, 2010
public service announcement
i was reading in
the paper,
sunday morning
about how over
six hundred thousand
men and women die
each year
in this country
alone because of
cigarettes. but wait,
i'm not preaching,
i'm not telling
anyone to stop,
but in one year
alone more people
will die from
inhaling tobacco
than all the soldiers
and sailors, airmen,
and marines died
in world war two.
oh, please, i'm
not telling you
or anyone what to
do. i understand it's
an addiction, one
i've never flirted
with, and it must
be hard to stop,
otherwise, the price
the stains, the
yellowed teeth and
wrinkles before their
time and horrid breath
would be enough for you
to do that. and the young
people, i think about
those young pink lungs,
absorbing tar, setting
off the flames of
god knows what inside
their precious bodies.
okay, okay, it really
does sound like
i'm preaching, but no.
i'm just saying
what if terrorists
killed over six hundred
thousand people a year,
every year, hmmm,
perhaps someone might
try to stop them. but
i'm just saying.
the paper,
sunday morning
about how over
six hundred thousand
men and women die
each year
in this country
alone because of
cigarettes. but wait,
i'm not preaching,
i'm not telling
anyone to stop,
but in one year
alone more people
will die from
inhaling tobacco
than all the soldiers
and sailors, airmen,
and marines died
in world war two.
oh, please, i'm
not telling you
or anyone what to
do. i understand it's
an addiction, one
i've never flirted
with, and it must
be hard to stop,
otherwise, the price
the stains, the
yellowed teeth and
wrinkles before their
time and horrid breath
would be enough for you
to do that. and the young
people, i think about
those young pink lungs,
absorbing tar, setting
off the flames of
god knows what inside
their precious bodies.
okay, okay, it really
does sound like
i'm preaching, but no.
i'm just saying
what if terrorists
killed over six hundred
thousand people a year,
every year, hmmm,
perhaps someone might
try to stop them. but
i'm just saying.
sunshine
when it's cold,
and ice cakes
the ground and
the wind is frenzied,
you won't find me
there, or here,
i'm on the road
to an undisclosed
destination, a place
warm, where the sun
cradles my face with
the long soft hands
of a lover who
promises to never
leave, to never stray,
to stay loyal no matter
how long the night,
how short the day.
and ice cakes
the ground and
the wind is frenzied,
you won't find me
there, or here,
i'm on the road
to an undisclosed
destination, a place
warm, where the sun
cradles my face with
the long soft hands
of a lover who
promises to never
leave, to never stray,
to stay loyal no matter
how long the night,
how short the day.
bread and butter
sitting at her table,
she'd put out a tray
of cups, and saucers,
tea in a porcelain pot,
hard butter and blueberry
jam as black and blue
as midnight without
moon and with deliberate
strokes, i watched the
roped veins, long
and bruised beneath
her skin, down her arms
and hands, she'd butter
a slice of thick bread,
all the while thinking,
her lips pursed, forming
a thought about what
she had read, there was
a slowness to it all that
made my feet tap, i had
faster things to say,
young thoughts, but i
couldn't lead, i had
to follow, and listen
to what she thought of the
poem i had given her to read.
and in this way we'd
spend the morning, her
house still needing to
be painted, the drop cloths
covering her furniture,
all of which could wait.
she'd put out a tray
of cups, and saucers,
tea in a porcelain pot,
hard butter and blueberry
jam as black and blue
as midnight without
moon and with deliberate
strokes, i watched the
roped veins, long
and bruised beneath
her skin, down her arms
and hands, she'd butter
a slice of thick bread,
all the while thinking,
her lips pursed, forming
a thought about what
she had read, there was
a slowness to it all that
made my feet tap, i had
faster things to say,
young thoughts, but i
couldn't lead, i had
to follow, and listen
to what she thought of the
poem i had given her to read.
and in this way we'd
spend the morning, her
house still needing to
be painted, the drop cloths
covering her furniture,
all of which could wait.
shoveling home
it is a very slender thread
this life, these days
where we tread on fallen
snow and scattered ice
that gleams in a small sun.
we find winter hard, and
the spring less so. the
latter years being nets
for those memories, however
vague or brilliant in each
mind's eye. it's important
to bundle up, to wear
a cap, thick gloves and
boots to keep the wet
out, the warm in when
removing what's left
of this ice cap world, one
shovel at a time.
this life, these days
where we tread on fallen
snow and scattered ice
that gleams in a small sun.
we find winter hard, and
the spring less so. the
latter years being nets
for those memories, however
vague or brilliant in each
mind's eye. it's important
to bundle up, to wear
a cap, thick gloves and
boots to keep the wet
out, the warm in when
removing what's left
of this ice cap world, one
shovel at a time.
barcelona
my father, at eighty-two,
on the phone, coughs and clears
his throat before telling me
again the story of when we
were in barcelona in nineteen
fifty nine and a horse
and wagon were hit by a car,
and how the man, bleeding
from his crushing wounds
was loaded into the back
seat of his torquoise chevy
impala brought in all the way
from philadelphia. the wonder
in his voice always amazes
me, the clear vision of that
dying man in the back seat,
speaking in spanish, groaning
as we rushed him to the hospital.
i can see the blood, see his
dark brown eyes staring into
mine as he approached death,
our lives impossibly crossing
paths, and me just six years
old. but my father goes on
with the story even though
my mind is way ahead of him.
and as i let him tell me the tale
again over the phone i wonder
what he's trying to say really,
what message this story might have
if one at all. but he never
remembers turning my head away
when the policeman comes over with
a gun to put the crippled horse
down as she lies on the side
of the road. i remember hearing
the shot, and feeling my fathers
large hand gently holding my head,
trying to keep me from the brutality
of the world for just a short
while longer, but it was too late.
on the phone, coughs and clears
his throat before telling me
again the story of when we
were in barcelona in nineteen
fifty nine and a horse
and wagon were hit by a car,
and how the man, bleeding
from his crushing wounds
was loaded into the back
seat of his torquoise chevy
impala brought in all the way
from philadelphia. the wonder
in his voice always amazes
me, the clear vision of that
dying man in the back seat,
speaking in spanish, groaning
as we rushed him to the hospital.
i can see the blood, see his
dark brown eyes staring into
mine as he approached death,
our lives impossibly crossing
paths, and me just six years
old. but my father goes on
with the story even though
my mind is way ahead of him.
and as i let him tell me the tale
again over the phone i wonder
what he's trying to say really,
what message this story might have
if one at all. but he never
remembers turning my head away
when the policeman comes over with
a gun to put the crippled horse
down as she lies on the side
of the road. i remember hearing
the shot, and feeling my fathers
large hand gently holding my head,
trying to keep me from the brutality
of the world for just a short
while longer, but it was too late.
Saturday, February 6, 2010
parenthood
slowly, delicately,
after turning up the music,
she leans over the table,
sits down, and takes
out a small bag of an
illegal substance, weed,
grass, pot, whatever,
and without so much as
a glance to the door,
the window, or me, she
proceeds to roll herself
a fat joint, sprinkling
the dirt brown weed,
vaguely green onto the
thin piece of paper.
expertly, she licks the
ends and twists, before
lighting up and taking a
long hard toke, holding
the sweet, acrid smoke
inside her lungs until
she turns pink, then
exhales it towards my face,
here, she says, and i
shake my head no, suit
yourself, more for me,
she taps her chest, and
coughs, then takes another
deep hit, sliding back
into her chair and closing
her eyes. finally exhaling,
she looks at me and says,
i don't know what's wrong with
my kids, they don't listen
to me, they seem to be out
of it half the time,
they're doing badly in school,
they hang around with
the worst crowd, i think
they both have tatoos
and shelly came home with
a stick pin in her eyebrow
last night. i found an empty
pint of southern comfort
in jimmy's closet. jesus,
the car has more dents in it
than i can count, i try
to be a good mom, i really
do, she takes another
long drag from the now small
joint, then picks up a pair
of tweezers on the table
to relight the small butt,
inhaling it from under her
nose. i need to go talk to
the counselor at the school
tomorrow. these kids are wild
these days, they don't listen.
i actually have to hide my
stash now, because i know
they'll be in it.
can you believe that? it
just seems like yesterday
i was pushing them around
in strollers.
after turning up the music,
she leans over the table,
sits down, and takes
out a small bag of an
illegal substance, weed,
grass, pot, whatever,
and without so much as
a glance to the door,
the window, or me, she
proceeds to roll herself
a fat joint, sprinkling
the dirt brown weed,
vaguely green onto the
thin piece of paper.
expertly, she licks the
ends and twists, before
lighting up and taking a
long hard toke, holding
the sweet, acrid smoke
inside her lungs until
she turns pink, then
exhales it towards my face,
here, she says, and i
shake my head no, suit
yourself, more for me,
she taps her chest, and
coughs, then takes another
deep hit, sliding back
into her chair and closing
her eyes. finally exhaling,
she looks at me and says,
i don't know what's wrong with
my kids, they don't listen
to me, they seem to be out
of it half the time,
they're doing badly in school,
they hang around with
the worst crowd, i think
they both have tatoos
and shelly came home with
a stick pin in her eyebrow
last night. i found an empty
pint of southern comfort
in jimmy's closet. jesus,
the car has more dents in it
than i can count, i try
to be a good mom, i really
do, she takes another
long drag from the now small
joint, then picks up a pair
of tweezers on the table
to relight the small butt,
inhaling it from under her
nose. i need to go talk to
the counselor at the school
tomorrow. these kids are wild
these days, they don't listen.
i actually have to hide my
stash now, because i know
they'll be in it.
can you believe that? it
just seems like yesterday
i was pushing them around
in strollers.
Friday, February 5, 2010
crazy fire
on this early
february morning,
while it snowed,
there was a crowd
gathered around
the burning car
in the back parking
lot, a pillar
of black smoke rose
from the willowing
waves of flame, people
were too close,
not thinking that
it might explode
like you see on
television almost
every night.
they wanted to be
near, to be a witness
to this wild blaze,
awestruck with the power
and craziness of fire.
still, at this stage
in the history
of life a primitive
and strange wonder.
february morning,
while it snowed,
there was a crowd
gathered around
the burning car
in the back parking
lot, a pillar
of black smoke rose
from the willowing
waves of flame, people
were too close,
not thinking that
it might explode
like you see on
television almost
every night.
they wanted to be
near, to be a witness
to this wild blaze,
awestruck with the power
and craziness of fire.
still, at this stage
in the history
of life a primitive
and strange wonder.
Wednesday, February 3, 2010
the swing
there was a time
when my son would sit
on the swing for hours,
and i would push him,
higher, then higher,
feeling the small weight
of his back in the tips
of my fingers,
his small pink hands
curled tight around
the chains, he would
laugh as the sun fell
off behind the rows
and rows of so many
houses and very little
trees, there seemed to
be so much time, so many
days more just like that
in the warm summer,
hearing his voice calling
me to push, to push him
even harder before
darkness fell and a
chill set upon the air.
when my son would sit
on the swing for hours,
and i would push him,
higher, then higher,
feeling the small weight
of his back in the tips
of my fingers,
his small pink hands
curled tight around
the chains, he would
laugh as the sun fell
off behind the rows
and rows of so many
houses and very little
trees, there seemed to
be so much time, so many
days more just like that
in the warm summer,
hearing his voice calling
me to push, to push him
even harder before
darkness fell and a
chill set upon the air.
five a.m.
in the morning
when he wakes up,
he shakes the dream
of her out of his head.
he finds the bathroom,
shuffles to coffee,
lifts a cold paper
from the stoop
while it's still dark
out. the dog is asleep,
he's got time. and
then the hot shower
and he dresses, he
finds his watch, his
wallet, his phone
and keys, lets the dog
out back, then back
in to a handful of food,
some water, pats him
on the head and locks
the door behind him.
and while he drives
the almost empty
road, hot coffee in his
hand, he goes back to
the dream of her, and
how it might have been.
when he wakes up,
he shakes the dream
of her out of his head.
he finds the bathroom,
shuffles to coffee,
lifts a cold paper
from the stoop
while it's still dark
out. the dog is asleep,
he's got time. and
then the hot shower
and he dresses, he
finds his watch, his
wallet, his phone
and keys, lets the dog
out back, then back
in to a handful of food,
some water, pats him
on the head and locks
the door behind him.
and while he drives
the almost empty
road, hot coffee in his
hand, he goes back to
the dream of her, and
how it might have been.
you can leave your hat on
i see you've come around
to my way of thinking, i
like the tilt of your
pill box hat, the sway
of your hips in that
summer dress,
the color of your lips.
you've got a glint of
mischief in your eyes,
don't deny it, i can
hear it in the snap of
those heels coming across
the hardwood floor. just
give me a moment to cross
myself and ask for
forgiveness in advance.
to my way of thinking, i
like the tilt of your
pill box hat, the sway
of your hips in that
summer dress,
the color of your lips.
you've got a glint of
mischief in your eyes,
don't deny it, i can
hear it in the snap of
those heels coming across
the hardwood floor. just
give me a moment to cross
myself and ask for
forgiveness in advance.
Tuesday, February 2, 2010
is there anything else i can do for you
they ask politely
before you hang up,
before the final
thanks and goodbye is
said, they ask you
if there is anything
else they can do for you.
and it always surprises
me for a second.
i think about what else
can the bank do for me,
the credit card woman,
the phone company,
or the cable guy, or
the girl ringing up
my groceries.
yes, i found everything
okay, what do you mean?
what are they talking about?
what can they possibly
do for you once they've
done what they have been
paid to do?
you just changed the oil
in my car, i think that's it.
that's all you can do,
or that i expect you to do
for me right now.
of course later, i often
think of things that i could
have said, please
come over here, and clean
my house, rub my shoulders
and make me a drink,
walk my dog, wash
my car, buy me that
winning lottery ticket.
yes, in time i can think
of plenty of other things
that they might want to
do for me since they sound
so helpful and sincere.
oh, and on a side note,
it's okay if they stop
saying hello to me nineteen
times wile walking through
the store. this friendliness
is really having the opposite
effect on my buying habits.
before you hang up,
before the final
thanks and goodbye is
said, they ask you
if there is anything
else they can do for you.
and it always surprises
me for a second.
i think about what else
can the bank do for me,
the credit card woman,
the phone company,
or the cable guy, or
the girl ringing up
my groceries.
yes, i found everything
okay, what do you mean?
what are they talking about?
what can they possibly
do for you once they've
done what they have been
paid to do?
you just changed the oil
in my car, i think that's it.
that's all you can do,
or that i expect you to do
for me right now.
of course later, i often
think of things that i could
have said, please
come over here, and clean
my house, rub my shoulders
and make me a drink,
walk my dog, wash
my car, buy me that
winning lottery ticket.
yes, in time i can think
of plenty of other things
that they might want to
do for me since they sound
so helpful and sincere.
oh, and on a side note,
it's okay if they stop
saying hello to me nineteen
times wile walking through
the store. this friendliness
is really having the opposite
effect on my buying habits.
trouble in a dress
i've shaken free
of keeping in my
life those that weigh
me down. it was a hard
place to get to, but
i've arrived. and
the silence is sweet,
like fresh mango
pulled and cut, and
bitten. and yet,
they still come,
sometimes they are
at the window, on
the phone, flying
overhead on broom
sticks, shouting out
their discontent,
laying out their case
against me, but it's
too late, i've already
moved on, i don't
need trouble in a
dress, and i'm coming
around to understanding
this whole monk thing.
of keeping in my
life those that weigh
me down. it was a hard
place to get to, but
i've arrived. and
the silence is sweet,
like fresh mango
pulled and cut, and
bitten. and yet,
they still come,
sometimes they are
at the window, on
the phone, flying
overhead on broom
sticks, shouting out
their discontent,
laying out their case
against me, but it's
too late, i've already
moved on, i don't
need trouble in a
dress, and i'm coming
around to understanding
this whole monk thing.
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