Sunday, November 15, 2020

the firefly of summer

i prefer
the lightning bug,

the firefly of summer

as opposed
being struck by a line
of electricity

dancing in the sky.
i prefer the subtle

jolt of love.
not the sting and fury
of

arrows from above.

just a simple
kiss.
a warm embrace.

that's enough.

different shades

different shades
of color.

likes and tastes.
design.

no one quite alike
exactly

though similar
at times.

is there middle ground
to shake

on,  a decent compromise.
maybe.

maybe not.
time will decide.

Milagro

i throw down
some extra money for milagro.

she works hard.
cleaning

my humble
home.

it's just me now
and forever more,

me making all this mess
of
dust and

crumbs, things tossed
about on
the floor.

does she wonder why i have so
many shoes.

what are all these
bathrooms,
and towels for.

she puts a shine on the dull.
the bed
made.

the clothes folded.
the windows
wiped.

she brightens up the day,
she leaves
the key

beneath the mat after
she's finished,

locking the door.


in the blink of a wet eye

circumstances beyond
your control

change everything.
not just the rain, and the wind.

not just traffic,
or past lives,
not the way the stars have
refused
to align

once more.
things change in the blink
of a wet eye.

again.

help yourself

all these bottles
of wine.

i don't drink wine. does
anyone drink

wine.
red, white.

cheap, expensive wines.
crushed grapes

from some far away
vine.

i'll set them on the stoop.
have at it.

i have blue cheese
too
and crackers.

help yourself, have
a party.

the left overs

i feed the trash can
the leftovers
uneaten
untouched.
down goes bread
and noodles
cheese
and olives.
the remains
of salad.
the dishes scraped
clean.
the glasses poured
out.
i wipe
the table, the counter,
flip the switch
for wash,
then sit.
all of it goes away
so quickly.
as if it never
happened.

the confusion of sin

i walk over to the church
through
the narrow path,
the slender patch of woods
where
the gravel ends
and dirt begins, before
pavement.
the bells are ringing. i'm
late
once more for mass,
but i'm not here to enter.
but
to think about what is now.
what was then.
i'm very done with 
forgiveness,
repentance, 
the confusion of sin.

raking leaves

we all have moments
of insanity.

strange
behavior.

erratic thoughts and words.
you're out of
touch

with your real world.
lost in

some unseasonal weather
of doubt
or fear.

the world isn't right
for
a short while.

you need to gather yourself
and go outside.

the leaves need to be raked.
your
mind cleared.

Saturday, November 14, 2020

sunday visit with Ernie

he would bring out
a plate
of grapes

and cheese. crackers. nothing
fancy.

a knife, a fork.
some cold cuts.

he'd stumble forward
in his hat

his glasses.
his thick socks.

gentle and wavering.
a wizened smile
creased upon his face.

let me know, he'd say,
when

you're ready for a drink.

popcorn?

the bird bath

my yard needs help.

a tree, perhaps. some sort of flower
beds.

what about carrots, though,
or lettuce.

or soy beans.

a mini plantation of cotton
and corn.

ridiculous, i know.

i see the bird bath, a shallow
circle

of stone full of water
surrounded
by the ruffage

of weeds and tall grass.
there's a  blue bird

in it.

which means everything to me,
it makes
my dusk

seem brighter.

smell the roses

i smell the roses,
as told,

i take the time
to breathe.

i stretch and bend
toward the sun, in 
an attempt

at treating myself
all in the name of self love.

that's what the book says to do.

i am in the moment.
in touch

with my inner child,
my true self.

my center.

and then when i'm done
and in my
happy place.

i sit by the window
and it all slips away, again.

temporary magic

it's hard to not embellish,
to not
confabulate
a story.
to bring it back to life.
to color
inside
and outside the lines
with splashes
of wishful thinking.
to put a shine
on things that were truly
dull
and hard.
it's hard not to stare at
a rainbow
and make it more than
what it is. just
light through
a wet prism held aloft
in the sky.
but lets call it lovely,
call it beautiful
and remember how lucky
we were to find it
in our wandering eye.

five days in mexico

it rained for five
days
and nights
while we were in mexico.
the room was
full of wind blown water.
we were full of bad food
and tequila.
we fought about the weather.
about the floor
being wet.
about the future
which wasn't meant to be.
would i have loved her
more or less,
if i'd known
she only had a year
to live.
maybe.
would she have loved me?
it's hard to know these
things
so many years later, so
many years gone
by after that last kiss.

across the miles

we tend to think
of those
in thought
about us.
the vibration of energy
knowing
no
sense of distance,
barriers
or days gone by.
we linger
on the sound of a train
whistle
not far away.
we stay
in the moment and say
hello
to what was.

even now

even now
the bones shine with light.
the pillows have
been filled
with dreams.
stars
align
and candles light
as if by
themselves
strung like
gems across the night.
even now,
there is more to come.
more to know.
more love
to bring home, more
of everything
good to be done.

the hand written letter

i see the mailman
get out of his truck.

he's carrying a letter
on a gold plate
with both hands.

i open the door.
this is for you, he says.

it's so rare.
it's a personal letter.

there are tears in his eyes
that he wipes away with his
grey sleeve.

someone has taken the time
and effort
to sit down

and with their hand and a pen
and write
a letter.

we opened it at the post office.
we just had to know
what was said.

we hope you don't mind.
sadly

it's not good news.
but i'll leave you to it.

the land line

i stare at the phones
in
each room.
sitting there, silent except
for telemarketers,
or an old client, a wrong
number.
the police wanting money.
land lines.
how long do you hold on
to them.
it was
how my mother would
call when it snowed
or rained hard
or she had a secret she could
no longer keep to herself.
my number was inscribed
on a laminated list
of names and numbers
thumbtacked
to her kitchen wall.
there was always  red
sauce
dried on it, or cookie dough
where she
moved her finger down
the list making call
after call
until she found the right
son or daughter
who would visit.

the praying mantis pose

what do you do for fun, she asks.

skipping rope
and 

and then doing yoga
on her red
mat.

stuff. i tell her.
like what?

you know. beach. woods.
museums. biking.

what was the last museum
you went to
she asks,

as she stretches herself out
into a praying mantis
pose.

ummm. the museum
of sunken ships, i think.

boring, she says.

i'm taking a ballroom dancing
class.
do you want to take
it with me.

you know. i think i left
something in the car.

i'll be right back.

a soft knock at the door

what isn't clear
not always becomes clear.
sometimes
you need more time, more space.
more room
to figure things out.
sometimes you need a stiff
drink
or a long walk along
an empty shore.
other times it's just sleep
that will untangle the mystery,
another book, another
poem.
another soft knock a the door.

you enter a room

you enter the room.
it's the same room you've been
walking into
for years.
many seasons have passed
since the first day
you came
into this house.
you sit in a chair and watch
the trees.
you smell the change.
you hear the wind.
feel the air through 
the open window.
you've entered this room
so many times
with others.
so many times alone.
it has become your place
of refuge.
of thought and desire.
of past sorrow and healing.
it has become
a true home, a place of joy,
a place
you may never leave.
you enter the room,
it's the same room you've
been walking into
for years.

Friday, November 13, 2020

love story was wrong

i look back and think
is there anyone
left to apologize to.

is there anymore damage
of past
relationships to repair.

and at the moment the answer
is no.

i go through the checklist
of former friends and lovers,

wives
and girlfriends. each has
been

told
i'm sorry, some a few
times over.

but now,
i think i'm all caught up.

the cruise

there was this one time
on a cruise
down the Aegean Sea
when she took a swing at me
in a restaurant.
i was able to duck the punch
but then
she disappeared and hid
herself on the ship.
it took hours to find her
as the crew looked overboard
in case she had leaped into 
the water.
she forgot to bring her meds
along. serious meds,
on this voyage, so she kind
of lost it for a while.
there was no way to reach
her psychiatrist back in 
new york.
i slept with a butter knife
clutched in my hand when
we went to bed,
as she tossed and turned
and muttered something
in Latin beside me.
but by the photos everything
looked peachy.

interpretative dancing

she asks me if i dance.
swing, shag, two step or salsa.

ballroom?

i shrug. i used to. back in the formative
years.

but now it's mostly
in the shower

or if forced to by an aunt
at a wedding.

occasionally if a song comes
on the radio

i might do a few spins in
my socks

around the kitchen floor, but no
dips,

or fancy moves. it's mostly
interpretative dancing.

i have to work the next day, so
i keep
it simple.

it's not all good

the times
have changed.

for the better though.
it's
not as bad

as it was
in the middle ages.

the black plaque and all that.

so quit crying.
quit whining.

we have indoor plumbing
and coffee.

we have netflix
and jello.

it's not all good, but
it's good.


Thursday, November 12, 2020

red shoes

when i was
young man
if i saw a woman's shoe
tossed aside,
near the bed
it would
get the whole ball rolling
all over again,
especially if it was
a black heel
or red,
or a pair of boots,
and truthfully
nothing much has changed
about that.

too many balloons

she buys
too many balloons
for the child's party,
and when she gets outside
up she goes.
lifted in the wind
over wires
and poles.
somehow she holds
on.
she laughs.
she whistles. she shouts
hey look at me.
take a picture,
i'll throw you my phone.

how to carve a turkey

i remember
her mother taking the knife
out of her
husband's hand and saying.
sit down.
you don't know how to
carve a turkey.
i got this.
we sat there in stunned silence
as she
masterfully cut
into the bird
roasted brown.
legs and wings came
off,
the breast
cut clean and careful
in thick slices.
see, she said, that's how
you do it, while
the husband
poured himself another
scotch on the rocks,
mumbled something
under his breath that
he would pay
for later, then tossed
the strong drink down.

thumb prints

i find a thumbprint
in
the pudding.
a small slender
thumb.
i see footprints
wet from the rain.
someone
slight of stature has
come and gone.
she's been
in the ice box,
in the cupboards.
nothing is where
it was before.
i see
on the bed.
the ruffled sheets
the pillows
on the floor.
there is no note.
no sign
of her.
nothing, as i look
down the street
before closing 
the door.

the sweet and sour

do we
need the sour to understand
the sweet.
the pain
to feel the joy.
is it possible
to
get there without
a struggle,
or do we have to knock
and bang
on every door.
must we taste
and test
each thing before
we swallow
it whole.

gypsy woman

some souls
are forever gypsies. 
never finding a place
to call home,
always on some road.
going somewhere
without a map
or plan.
without a true north.
it's in their blood
to keep moving.
to keep settling and unsettling
down.
carrying boxes in
carrying boxes out.
it's been that way
since birth.
and nothing
ever changes but the
address.
a postal box.
another new life
in a another new town.

four out of five doctors

i see a group
of doctors outside the hospital
smoking
cigarettes
and drinking beer.
they still have on their
surgical gowns
and booties on their shoes.
my doctor sees
me and waves.
come on over and have
a beer with us, he says.
my next surgery isn't 
for an hour.
i go over and pop a can.
they're talking about
operations gone wrong.
sponges left inside
of patients. scalpels
and whatnot.
my doctor starts telling
the story about
the time
he got the hiccups
and all the nurses started
laughing so hard
they cut
off the guy's oxygen
and barely pulled him
back to life.
i finish my beer and go home.
i don't feel 
so bad after all.

sending out a signal

i send out my version
of the bat signal into the sky.

but instead of a bat
it's a chocolate chip cookie
with nuts
in it

that illuminates itself upon
the clouds.

warm freshly baked cookies
is what i want.

i send out the emergency
signal and wait.

i pace back and forth with
my cold glass of milk.

i wait patiently
for her to begin to bake

and then deliver.

saturday came around

we saw each other every tuesday
for years.

it was in ink.
a standing date.

we never questioned why
or how it got that way.

tuesday was our night
to meet and catch up,
shoot the breeze.

we both

had other lives to attend to
and
we never
crossed a line.

there was no me and mrs. jones
going on.

no thing going on.
just a friend. a tuesday friend.

and that's all it was.
so sad

that it had to end.
when saturday came around

and  drew her
line in the sand.

the hotel room

you leave the hotel
room
not quite as neat as you 
had found it.
newspapers, cups.
bags
are strewn about.
both beds unmade.
why not use both for
your two day stay?
you look around.
you look under the bed.
under the blankets,
toss pillows aside.
you have no idea what
you're looking for, but
you don't want to leave
anything behind.
you find a quarter on the floor.
you look into the drawers
you never used,
open the closet door,
and say, oh, an iron.
there's nothing though
that you haven't packed
into your one small bag.
you pull the curtains open
to liven the place up
with beach sun.
then say adios and hit
the road.

loose change

i tumble coins
into the slot as the machine
loudly
grinds on
counting
my loose change.
it takes a while
as i dig
out nails and screws.
mexican coins
from a trip
to cancun.
a canadian half dollar?
there are paper
clips
and buttons.
receipts. ticket stubs.
small tumble weeds
of cotton.
toothpicks
and batteries.
strange things once
in my pocket
and tossed into the blue
bowl
on the counter.
pounds of coins roll
down
into the mouth of the bank.
while the rest
goes back
into my pocket.

careless love

i see how
they turn over the fruit.
the plums
and apples.
how they turn over 
the melons, tapping
at their
hard skin.
tasting a grape.
i see how they inspect
nearly everything
before
putting it into the cart
and moving on.
holding kiwi to the light.
i wonder
if i should do the same
and stop
being so
careless with love
again.

more than what it is

i see how wide the stream
has grown
overnight.
the onslaught
of a storm
filling it to the brim
and beyond.
the sleeve of dull water
reflecting
a sky that pellets down.
i see that it wants to be
more
than what it was planned
to be.
a river perhaps, something
larger, a bay,
an ocean,
a sea.
more ambitious
than what it was before.
who doesn't think 
like that?

This age

this age means little
to me
these bones
that
grow smaller with each
passing day.
the grey wind
that has passed across
my body.
the blurring
and muting of sound
and sight,
the morning aches,
and early
rising.
this age means nothing
to me.
i am still the same
boy
mother kissed
before leaving, 
as she stood at the door
and waved.
telling me
to be good.

Wednesday, November 11, 2020

make up sex

can we not fight tonight,
 i ask her
politely.
can't we just
pretend we had the fight
and then
have great make up
sex?
i really don't want to argue
with you.
it's been a long day.
she looks at her list of
grievances and shakes her
head. but i've been working
on this list of
all the things that bug
me about you.
and it's friday, you know how
we always fight on friday.
can't we just do one?
one item, and that's all.
okay, okay. sure. give me
your best shot.
okay, she says.
why do you always put
a wet towel on the bed?
what are you talking about,
i never do that, ever.
okay. are we good now?

making new friends

it's a  room with a view
of other rooms
other people looking out
of their windows.
do you wave?
do you ignore them
in their half
dress, you with a towel
around you,
toothbrush in your mouth.
colgate suds
on your lips.
sure, why not.
i wave. give the the ole
queen's wave
as if i'm in a parade.
they wave back.
it's good to make friends.

the book about me

is there a book in all of us?
a long
winded tale
of our escapades from
the jump
until the near end, or should
we wait that long
and just 
go up till now?
is there enough drama,
enough
heart ache,
enough pain and sorrow,
is there birth
is there death, two necessities
to any great novel.
how much do you embellish,
expand,
extrapolate,
polishing the key components,
are you the hero,
the villain, or both?
tell me about the protagonist.
the plot line,
the complexities
of it all.
who would want to read this
memoir,
this biography of self?
would it sell. 
would there be a movie,
a series.
a season two.
a sequel.
or would it just be paper
binded and hard bound 
forever
holding up one end
of your wobbly ikea shelf?

until now

i resist
change. despite how good
it would be
for everyone involved,
especially me.
i hang on
to the cliff despite
the drop being a mere
two feet above the ground.
i hold on to too many things.
like hearts
and memories,
places and things 
not meant to be.
i resist change.

until now.

the quiet sea

the flicker
of moon is enough to get
me through
this night.
a quarter of its shape
above the quiet sea,
slipping under
the torn clouds.
the rolling sheets of stars
above us.
if you were here
i'd say look, look up, 
look there.
see how
lucky we are.

the accident

we slowly pass
the upturned car on 95
bodies strewn
like dolls tossd
the rain
in black sheets, split
by headlights
moving in slow
procession.
you can almost hear
drum beats.
we don't weep. we
want to get home
to our beds,
our meals, our children.
we just want
to be off this road.
the blue lights are there.
the red lights.
the trucks.
the stretchers.
people are rising in the air.

she's alive

there is electricity
in her eyes.
the tips of her hair.
her fingers.
her lips her body.
every thing is connected.
she's alive
with things you don't
understand.
but you're getting
there. she wants to
take you there.
she's been to bedlam
and back.
she's ann sexton
in a white dress,
drinking a dirty martini
one finger, held
high.
she's alive.

Tuesday, November 10, 2020

breakfast all day

i find a diner
open
all day for breakfast.
it's on a side road not
far from the beach.
there's a car
with a flat tire in the gravel
lot.
i'm the only one there at two
in the afternoon.
the waitress
is in the back
on her phone.
she has streaks of blue
in her yellow hair and a small
tattoo 
on her arm which i see when
she greets me with a wave.
she brings out the coffee.
two eggs over easy,
i tell her.
bacon, toast. juice.
hash browns with peppers
please.
she seems tired
and doesn't write anything
down.
i see a spill
on her pale blue apron,
a smudge of jelly, coffee.
today's my last
day, she says. i'm quitting,
in fact you're my 
last customer.
where are going?
i look at the name tattooed
on her arm.
it says BILLY., she rubs
it slowly. 
i don't know she says,
pouring the coffee and taking
cream out of her apron
pocket..
i don't know. i'm open
for suggestions.
then she walks away.

and cake

there is new age,
old age,
middle age. if we're lucky
we'll pass through them all
without too much pain and sorrow.
and leave
with a smile on our
face,
sand in our shoes
and the fullness of love
and cake.

Monday, November 9, 2020

at your feet


the ocean is at your feet.
your chair sunk
into the cold sand.
it's november after all,
but 
the sun refuses to give up
and feels warm
upon you face.
gulls sweep in but you have
nothing to give.
the waves neither whisper
or roar,
they just fold over
and over
like days do as
ships in the distance
press onward.

waiting for sweets

she's very kissable.
i can see that from
here.
a pastry
with icing, 
sitting on a shelf
behind the window.
i've been out all
night in the cold.
i stand
and stare
at my watch waiting
for the sign
to say open.
for the lights to go on
for the baker to say
come in.
come in come in where
it's warm.
tell me what you want,
why you've waited so long.

we adapt

we adapt.
we are creatures
of survival
crawling out of the muck.
we find our way
through the dark
with a stick of fire.
we find a way to fight
off the cold
or heat.
we do what we need
to do
to keep going,
we hunt
we kill we plant seed
we learn how to live,
how to be.
but now we do it all
by phone.

the safari

i go on a photo safari.

deep into the woods of 
springfield.
which ends
at the edge of the mall
and 495.

i have my
camera on.
ready
for the next wild beast

to appear.
i bring a chair

and a book.
a bottle of water.

i have on my LL Bean
sweater

and boots laced to my knees.
i'm patient.

and not scared.
even if it is my first
safari.

then i see linda coming
up path
singing and drinking
her coffee.

she's oblivious to my safari.
i wave to her
to be quiet, to settle down.

she comes over
and says, what's up. what are
you doing.

shhhh. i say. i'm waiting
for the lions
and zebras.

the elephants to come around

oh brother she says. you've really
lost it. haven't you?

shhh. you can stay if you want,
but sit down.
and no talking.

oh look, she says. a squirrel.
quick, take it's picture.

a few more blocks

i could stop and take this
stone
out of my shoe
anytime i please.
i could find
a bench, or a set of steps
in the sun
and remove
the shoe and shake
free this sharp
pebble that presses
against my skin.
i could do that
at any point i choose.
but i don't, not yet,
a few more blocks
of remembering,
and then i'm  done,
free of everything.

retail therapy

she spends
some money on things.
a treat.
an afternoon of shopping
with a friend.
there's a little guilt involved,
but she gets over
it quickly
as she slips into 
a dress, new shoes. and
stands at the mirror.
the boxes and bags
strewn around
the floor.
why not? she says.
why not?
we work so hard. why
not reward ourselves.
what are we living for?

no rescue

i try to save
the drowning woman.

she flails her arms, screams.
she's too far
out
to swim back.

so i go to her.
i can do this, i think.
swimming swiftly

to her rescue, but when
i get there
i see what's holding her
in place,

tied to her arms and legs
and neck
are the loves of others.
the baggage

that will weigh her down
until her death.
i tell her sorry, but if you
can't let go

you can't move on and live.
you'll never get to shore,
and i'm sorry but
i don't have another life
left to give.

Sunday, November 8, 2020

polishing the apple

i'm not finished with this poem.
there's a lot more
to be done.
spelling and structure.
grammar. there are
more words,
more thoughts to be put into it.
more ruminations
about love
and loss, about hope
and faith.
i need to polish it like
the dying apple
it is. off the tree, just a day
away from turning
brown while a joyful worm
burrows happily,
thrilled at what he's found.

where are the elephants

there are certain
times and places,
like when in wal-mart,
when it feels like the circus
is in town,
everyone looks just a little
bit odd,
a little out of sorts,
strange.
something about
their faces,
their physique, even 
their names,
have an exotic bent to them.
at any moment
you expect juggling to
break out.
or handstands,
or someone with fire
coming out
of their mouth.
every size and color of
the human species
appears
with blue or green hair.
fishing hooks
dangling from 
noses and ears.
they smell of cigars
and sawdust,
whiskey.
you look around wondering
where the elephants are.

the obituary

i wrote an obituary once
for a woman
i had been in a relationship with
for several
tumultuous years.
up and down.
break ups and reconciliations.
modern love
such as it is.
but i wrote a glimmering
embellished tale
of joy and goodness all of which
she possessed.
not a instance of wrong doing,
of arguments, or disharmony
appeared in any line.
even her picture was angelic.
but when we were together,
and alive, she nearly drove
me out of my mind.
i can only imagine what she would
have written if
she'd had the chance
to write mine.

fat on her peaches

i could get fat on her peaches.
her cherries
and
apples.
what love there was in her
hands.
blue
veined and long
kneading the dough.
hardly a month would go by
without
a cooling tin
upon a kitchen sill,
and the joy she felt,
was a joy
you tasted as she carved
a slice
and told you to sit. sit boy.
here's milk.
go on, begin.

beware of goodness

beware of those without problems.
those who
sleep soundly through
the night.
those unbothered by the new.
those who smile too much,
shake hands too long,
or want to hug you
with each meeting.
beware of those who want
you to know about their
church attendance, about
their donations, about the orphans,
their education,
the marches they attend.
they books they have read, and
that you should read too.
they will tell you they have voted.
they have all recycled their
bottles and cans.
they bleed in public, they smile
at children, they stop to pet dogs.
beware of goodness of
those who weed all day long.
they are never angry, never blue,
good neighbors, good citizens
of the world. beware of them.
they are deeply sad and lonely,
and are unloved. there is  
something within them that is
terribly wrong.

cheesecake

she says
i don't eat meat,
or chicken or bovine
or fish
or eggs. anything
with a nose
or eyes.

i don't drink milk.
or booze.
or tap water.
or wine, the white
or the red kind.

what about cheesecake,
i ask her. holding my breath.

and she says, of course.
anything to do with
cheese is wonderful.

that will be fine.

to cash in

is it time
to cash in and find a place
to ride
out the waves,
the sun.
to breeze through
the later
years,
without a care.
no longer working,
under some self imposed 
gun.
is it time,
to call it a day and go
gently into that good
night.
sleep in, sleep late.
perhaps soon but
not yet.
not even close.
but i'll know when
the time is right.



they lie in wait

i see the fish
cold on ice. rows and rows
of
their limp bodies.
beautiful
in the store light, 
dressed still in colored
gowns
of grail, but
asleep
in dream
of the oceans they were
pulled from. they lie
in wait, like many of us,
who always will.

the next day

another door opens.
then another.
we go through
and see what's next, what
new phase
of life is waiting.
around the corner.
the next
house, the next love.
the next
day.
it's a mystery how
many we
have left.

blue or green

so many shades of blue,
of green.
one fading in the light,
one brighter
in the shadows.
each eye to his or her own
taste
of what
will work, what pulls the room
together.
making it
serene.
picking colors is hard,
seeming simple,
as are many things
in life.

one boat together

it's hard to row
as one, both in the same boat
together.
stroking
paddles into the cold blue
lake,
under
the sun.
it's hard to go in a straight
line.
one being more strong
than the other.
pushing left or right.
each with their own idea
of which
shore,
which landing needs to
be reached
in peace, without a fight.

there's always more

there is always more to know.
another page
to turn, or story to be told.
so much of us are just tips
of the ice berg.
it takes time to
discover all that lies below.
and even
then, there's more.

Saturday, November 7, 2020

very confused

i don't want complex.
i don't want
to strain
to understand the text.
the equation
of you.
the math of you.
the mystery of you.
the abstract nature of
your brain.
i don't want simple either.
i want a mixture
of edge and fun,
of quiet and thoughtful.
loving and kind.
yeah.
i guess you could say,
i'm very confused.

if they make you laugh

if someone makes
you laugh
hold onto them.
they are lights in the world,
guiding the way
down a long dark path.
usually they have been
through more
suffering than you'd
like to know
or care to ask.
but they've found a way
to make life
work.
they see the humor
whether light, or black
in most everything,
themselves included.

two cups and waiting

i need to sweeten
the cup.
to pour
a dollop of cream
into the black pool
of coffee
to lighten
and make the taste
more to my liking.
two
lumps of sugar.
stir
and taste.
then sip while it's
hot.
i'll have a second cup
while i wait,
i'm really
not surprised that 
you're late.

at midnight

you hear
the rattle of paws.
the creak
of boards.
the scratch and grind
of what
might be
teeth
or claws.
the rustle of something
beneath
or above
the floor. is it in
the attic,
or between the walls.
it could be
nothing.
just wind, just rain,
just fear. or maybe it's
nothing at all.

down the line

to settle 
is something we all do.

not quite
perfect. but good enough
we tell ourselves.

this will do,
for now.

but we know in time
the boxes
will be packed

and we'll be somewhere else,
with someone
else

at some point
down the line.

without regret

there is the effervescence
of affection.
the cork
popped
on new love.
the bubbles
and spray of joy and
warmth.
the cold bottle
in two hands
poured
into the overflowing
glasses.
there are fireworks
outside the window.
there is noise.
streamers.
there is tomorrow, but
let's not go
there quite yet.
let's drink.
make love.
bring in the new year
without regret.

be ready

there is always more to do.
more ground
to break.
more
things to learn.
there is always another
stone
to turn over along the way.
a book
to read,
an ear to lend to a spoken
wise word.
there is much left
to be learned,
or unlearned.
be ready.

Friday, November 6, 2020

love, it's simple. boy meets girl.

love is truly simple.
boy meets girl.
boy falls in love with girl.
girl falls madly in love
with boy.
boy meets another girl.
the girl
meets another girl.
an old
girlfriend shows
up.
an ex husband appears.
there's a line out the door.
it's a crowd.
no one knows exactly
what's going on or
how they feel about each
other any more.
it's a mess.
as the years go by.
then one day they get
old and tired.
a few die off,
then everyone is finally
gone.
and well, that's that.
it's a wrap.

the kitchen window

i was standing at the kitchen
window
the other day,
eating, and thinking,
not unlike how my mother used
to do when
she was waiting
for my father to come home
after being
out drinking and gallivanting
with his buddies
and some
bar floosie.
pulling up in his turquoise
chevrolet with another dent
in the side.

but i was standing there eating
a tuna sandwich
when it occurred to me
that i actually have a dining
room table,
with dishes and plates.
silverware. etc.
and could i sit down and eat
any time i wanted.
my mother could too. but
this was her favorite place to
worry, as it has become mine.

i work for a non-profit organization

in the washington
dc
metro area
so many people
say they work for a non profit organization.

that used to be called the church,
but not anymore.

it's an actual business where people
get paychecks.
but no money is made.

it sounds
like volunteer work.

out of the goodness of their
heart
they show up every day

and do something.
what they do exactly is beyond
me.

i assume there are telephones
involved.
computers. papers to be shuffled

on desks,
i assume there's 
a coffee machine somewhere
down the hall.

i get sleepy when they go into
the details, putting toothpick
into my eyelids to keep them open.

my first yawn occurs
when i hear the words non-profit.

what does that mean?

or worse.

i work for a think tank
on foxhall road, upper northwest
near the French Embassy.
it takes

me a few minutes to wrap my head
around that.
i find a bottle of extra strength
tylenol at this point.

i imagine people in a sealed
steel tank
with pure oxygen pumped in,

they all have their hands
on their chins,
tin hats on their heads as
they think deeply about stuff.

steam coming of their ears
as they ponder
solutions to the world problems.

and then they break for lunch.

the new bedroom chair

i buy a chair that i'll probably never
sit on.

off white. 
i set it in the corner.

right away i can see that it's
going to be a receptacle
for clothes.

it looks nice in the lamplight
though.

low to the floor.
it has a nice sexy curve to it.

it took six weeks to get here,
but well worth the wait.

i pick my jeans and shirt and socks
up off the floor
and fold them neatly,

then i place
them all on the new chair.

the list of new years resolutions

i start working on my new years
resolutions, trying
to get a positive jump start
on the next
12 months.

i lay out a clean sheet of paper.
unwrap a new ball point pen
after wrestling with
the plastic package for ten minutes,
finally opening it
was a hammer.

i like these pens though.
the roller kind. very smooth
but they have a tendency to smudge.

i open the window. quite nice out.
i breathe in the fresh air then
pull up the shades.

i adjust the a little lower
and open the slats.

i yell out the window to tell
the cat
to get off the bird feeder.

it raises it's paw at me and frowns.

okay, where was i. 
new year resolutions.

i'm feeling a tad thirsty.
i go down and make a cup of tea
and bring it back
up to the desk.

i stare at the blank sheet of paper.
right.  resolution number one.

i tap the pen against my forehead
leaving a line of ink
on my face.

new years resolutions.
i got nothing right now.

maybe i'll make a sandwich.

the local butcher

i go the local butcher shop
and stare at the long glass enclosed
counter. it's
full of red meat and fish, 
poultry.
the men are busy sharpening knives
as I take a number.
the walls are painted white.
the floor is black and white.
it's clean
like an operating room might be.
there's a bell on the door
and a picture of a pig on the wall.
a fat man
in a bloody apron,  yells at me
and says,
what's it gonna be.
we've got some rib eyes just cut.
you look like a rib eye kind of guy.
how could he possibly know that?

the childhood wound

we talk about the childhood
wound.

that's the key
the therapist says. the books say.

Jung Freud, etc. etc.
mother, father.

they fucked you up.
not me, not them,

no one in this room.

it's  about closing that wound.
sewing it up
tight

and healing.
you don't have to be this
way.

you don't have live like this.
solve your past

or stay in it, not later, but
soon.

the white feather

you haven't changed a bit,
have you,
she says
in a dream,
brushing a white feather off my
shirt.
you're still the same
boy
inside.
a glass of milk, a slice of cake.
the devilish grin,
the glint
of mischief
in your green eyes.
you haven't changed a bit,
have you? she says.
you're the same boy
i knew 
when i was still alive.

we could get away

we could get away.
i've got a car.
i've got a pocket full of cash.
we could run.
drive to the west coast
or to canada.
maybe Arizona.
let's go. don't leave a note.
no need
to call or tell anyone. just
me and you.
let's go.
pack a bag.
let's hit the open road.
what are we waiting for?
why stay here and live
out our lives in misery.
come on.
be bold, be brave, be mine.
we could get away.
let's go while we're young,
before we're stuck,
let's go while there's still
time.

a cigarette break

we all find a way
to numb
ourselves 
from pain. whether drink
or drug
sex
or gambling, or some other
sort of 
self indulgent
dark habit
that helps us handle
the day.
and the nights are even worse
when the storm
arrives.
at times you even see
the priests
out back, smoking a cigarette
and shaking their
heads.

wired above us

the wires were strung
from
pole to pole on every street.
little below
ground,
telephones
and power exposed.
a web
of sorts.
each house connected
to a source
beyond our imagination.
one storm. a blizzard,
cold
snow
and it would flicker,
then black out,
and back
to the bronze age
we would go.

Thursday, November 5, 2020

sentimental drinking

i can't be around a phone
after
a drink or two.
cell phone, pay phone.
hotel phone,
anyone's phone.
i stare at a telephone wire
and want to climb
the pole to hack
in and dial someone up.
i suddenly need to talk,
or text,
or send a picture or an
emoji
to someone that i haven't
seen or heard
from in years.
most of whom wouldn't
pour a glass of water
on me, if i was on fire.
i have no control over
my fingers.
i have the will power
of an infant when it comes
to sentimental feelings
set loose under
the delusion of a gin and tonic.
my undying devotion
and love
rises to the surface
like a dead body
under water.
here take my phone.
take the battery out and put
it where i can't see it.
tie my hands behind my
back and gag me until
i come to my senses.

the hot tub

i ponder the hot tub,
perusing the multitude
of choices
online.

everybody and their sister
sells them

now. walmart, home depot.
i think even
the grocery store is offering
a deal
on one.

but it would be nice,
to come home

snowy cold or summery hot
and soak in the bubbly
commotion of water.

the jacuzzi spray hitting those
sore spots.

perhaps one
built for two, or three
or five?

an odd number seems odd.
two just right

in case love is in the air
or too many white russians
have been consumed.

i envision a built in
little bar for ice and beverages.

music.
some party lights strung around.
but what about the neighbors
and their

spying eyes.
i'm already on the hot seat
with the board

and their coven of witches.
i never should have painted the front
door red.

they definitely won't
be invited over

on opening day, not even if
they beg.

drinking hose water

was there anything worse
than
drinking water
out of a garden
hose
on a steamy summer day.
tired and dying
of thirst
having been playing
ball in the field
where there was no fountain.
it was impossible
to wait
for the taste to change,
for the water to become
cold
not lukewarm like
it was 
as it sputtered out.
we ate a lot of bugs
in the summer.
got gnats in our eyes
and ears,
got stung by a lot bees,
and 
chiggers got under
our skin.
but that hose water was
the worst.

one day

if i could do it all again.

i would.
i'd say things differently
not
do things

that i'll regret to the end.
but there
is no

turning back, no time machine.
there is

only change,
only
hope

that one day we will be
friends.

a string of summers

there were a string of summers
when we were young.
the wet grass under our bare feet
in the cool of night.
the fire flies we'd capture
in mason jars.
the lamp posts gleaming
yellow as we
ran between chalked lines
on the black top street.
parents on the porches, it was
too hot to be inside.
fanning themselves,
with drinks in hand.
discussing their complex lives.
the hydrants set free sending
fountains of water upon us.
we'd lie on our backs with strands
of weeds between our
teeth and stare up at the stars,
pointing at the comets
flashing by.  it was before so much
in our life was to take place.
the first love, the first heartbreak.
it was when everyone you knew
and cared about was still alive.
was still a door away, a call
upon the phone. a letter sent
their way.

trying to be a better person

i'm working on being
more patient, more
understanding,

more kind to the unkind.
more compassionate
to the mean

and unthoughtful.
i'm trying to a better person.

to not roll my eyes
so much.

to not grumble and curse
beneath
my breath when something
annoying happens.

i'm letting people in
when the line is long
and traffic is heavy, even if
they don't have a signal on.

i'm getting into the habit of giving
people the thumbs up
when i see them recycle on
wednesday. or is it tuesday?

i'm trying so hard to forgive
and forget.

the forgetting part is really
really hard.

but doable.

i try to be more sincere.
to listen
more and not
talk while others are talking,

trying to finish their slow
moving thoughts.

i'm trying to be nice to this
one neighbor who
keeps putting notes on my door

telling me it's too early
to put the trash out.

i know that. i've been living
here fifteen years. i know what
the rules are.

namaste.

i try very hard
to stop being
so sarcastic
and making fun of everything.

again, very very hard.
but doable.

i'm trying.

the last twenty years

i go through the lost and found
box
in the basement.
it's quite a collection
of odds and ends.
black heels. one shoe.
stockings.
ear rings.
watches.
rings and necklaces.
ticket stubs and hair brushes.
under garments
of pale unearthly
colors.
tubes of lipstick.
cell phones.
road maps with my house
circled
in red.
a small pink gun, unloaded.
one whip.
one mask.
a coiled rope
and a pair of leather gloves.
small size.
a pack of gum,
mints.
an empty bottle of cheap
perfume.
a dog collar and a leash.
a stewardess pin.
a polaroid camera with
the film still in.
one wig, red.
a swiss army knife,
a frisbee and
one unopened package
of twinkies.
i shake my head and laugh.
it's all a blur now.
i take the twinkies and go
upstairs
for a snack.

the little blue pill

i stand in line
at the pharmacy and the guy at the
kaiser window waves
to me. calls out my name.
says, yo. look who's in the house.
hey. he says.

oh my god.
he knows my name now.
i'm one of them.
i'm in here so much, i'm a regular.
the usual, he asks,
as i go to the counter.
yeah.
sure.
wrap them up to go.

how's the leg, the lungs?
sleeping well.
any issues down below?
i've got a special
on the blue pills.
and zinc.

what do you mean?

you know. come on. we ain't
spring chickens anymore.
hey, can you keep your voice
down.
jimminy crickets.

her name was lola

her name was lola,
not really
but she reminds me of the woman
in the barry
manilow
song back in the day,
i know. i know.
just shoot me now
and get it over with.
but she was a show girl.
that part is true.
that was forty years
ago
when there used to be
a show.
three husbands later,
she's still in the mix.
i see her
climbing into a cab
going out
and coming home.
her hair up in a bee hive.
heels
and a short black dress
wrapped
tightly on.
she waves and smiles
as i look out the window.
i get it how that beat does
go on.

house for sale

it's almost done.

there is nothing left to hang on the walls.
new windows

new stove
new dishwasher.

all have been installed.
the new tile
shines.

the walls are painted a soft
grey blue.

the curtains hang just right.
the furnace

rumbles gently with heat.

everything is wonderful
and so
sublime.

i stand there and look at
what has become
of this humble abode,

then go out front
to take the for sale sign
out of the yard.

i've changed my mind.

what's for dinner?

are you watching
the election
she asks me, as i yawn. no.
who's in it this year?
oh right.
him and him.
sleepy and the big mouth
guy.
oh what a world
we live in.
it's like
saying you have two choices
for dinner
tofu, or kale. an
indigestible state of
affairs.

the last party

we don't have parties
like that anymore.

drinks and food
flowing

on the table.
the counters. people
all over the house.

everyone over served.
the bartender not keeping up.

the music so loud
that the cops show up at your door.

cars parked on the lawn.
dancing breaks out.

we don't
have gatherings
like that

these days.
strangers kissing under the 
mistletoe.

the lights,
strung out around the house.
the tree
in the corner
full of tinsel.

the room gets so hot we
open the windows
to let in the cold from

outdoors.
we don't fall in love at parties
anymore.

but we remember them.




Wednesday, November 4, 2020

don't let it bleed

blood drips
and drops
but it doesn't mean a thing.
how much
do you
really need. you realize
how dull
and bland
how colorless your life
truly is
until you cut a vein
you see how bright what lies
inside
can be,
but don't cut too deep,
don't let
it bleed.

you give me reason to live

you can leave your hat on
i tell her
stealing an entire song from randy
newman.
baby take off your coat.
take off your shoes.
take off your dress.
yes yes yes.
come over here.
turn on the light, no all the lights.
come up here,
stand on this chair.
wave your arms up to the ceiling
and shake em.
you give me reason to live,
you give me reason to live.
you give me reason to live.
you can leave your hat on.
suspicious minds are talking.
they're trying to  tear us apart,
but they don't know what love is.
they don't know what love is.
i know what love is.

standing at the cross road

we all have crossroads.
intersections
where we stand
and turn to each empty
road
and try to decide which
way to go.
which direction will your life
take, now that there
is nothing or no one
to answer to.
you are a child again
but with less time to sow.

turn on the light

there is a big drawer in the kitchen
that holds
every sharp
instrument with which to cut,
serrate, slice
or dice. chop or make
mince meat out of
something on the big wooden
board.
it's heavy, this large drawer,
the wood old and wobbly, 
but it holds
four different shapes
of knives.
scissors.
peelers. shredders.
openers,
unknown devices that
have arrived
into my life that i have
no memory of.
it's a dangerous drawer.
one best turn on the light
before sticking a hand in.

be patient and wait

when i see someone i know
or don't know,
or barely
know
going off the proverbial 
deep end.
i breathe.
i sigh.
i've been there. i've spent
much time
in the dark night of the soul.
i don't wish it upon
anyone.
to travel to this place
where you hold your head
in your hands
and wait desperately
for relief, for the saving
hand
of God's grace.
there is little you can do
or say to help.
you can only hold them.
stand by
and whisper, it's coming,
it's coming
keep your faith. be patient
and wait.

what we take with us

at a certain age
we have most of the things we need

in a material sense.
our basic
needs for survival

have been taken care of,
unless the worst has happened

as it occasionally does.
but anything

we can touch, or has a physical
weight to it
has been bought

or earned.
we fill our houses,
we fill our pockets with things.

things that will remain long
after we're gone.

at a certain age, you see the  comfort
of these things. but none of them

mean anything,
or stand up to
what a friendship brings.
what a true love brings.
what family brings.

those are what we take with us,
when
we at last leave.

four out of five

my list of needs
and desires, 
used to be a mile long.

but lately
i've whittled it down
to a few basics.

food, clothing, shelter. 
cable.

and love.
four out of five ain't
bad.

fur coats in the garage

after irwin died,
she called me that afternoon
and told
me he had a heart attack while
sitting behind
the wheel 
of their Lincoln,
stopped at a red light.

go irwin, she said, hitting
his arm,
why aren't you going?
Irwin, look at me,
are you deaf?
people are honking their horns.
why aren't you going?

a month later, she shut the house
down.
and told me she was moving to Miami.

she put all her fur coats on
racks in the garage
and told me to come and take
a look.
take whatever you'd like,
she said.
maybe there's something here
for your wife,
or your girlfriend, or
i don't know, maybe if you're
like Irwin.

you have both. 

rebuilding bridges

i look behind me
at all the burned bridges
that i set fire to.
the charred remains
of wood
and iron.
smoke fills the air,
all of them in flames.
it's going to take a lot
of work
to build them
up again.
but i will, or least will
try.
i need bridges.
i hate goodbyes.

birthday wishes

i see her
with a cake and candles
lit
upon the table
her friends and family
gathered around
her,
singing.
i see the gifts.
the cards.
the balloons hanging
in the air.
another birthday.
another
well spent year.
age is not a number,
but what
lies within is her
true beauty,
go forward and have
no fear.

whatever you're drinking

you've changed she says.
you're different.
you seem
calm
and at ease.
you seem unworried.
you've got the world
on a string.
content, and oddly
happy,
i must say.
tell me.
tell me please.
i need some of whatever
you're drinking.
it's strange to see you,
at last,
this way.

your own way of walking

we find a style
and stick to it, finally
settling
on a look.
shoes and pants,
shirts.
etc.
the way you comb
your hair, or don't.
a ring, a watch.
the way you walk.
the way
you leave or come
into a room.
the way you say hello,
or wave.
make small talk.
you've found out who
you want to be
at last in life.
you have found your
drummer
and walk to your own
beat.

the made bed

there are people that make
their bed
everyday.
it sets the table
for their life.
neat and organized.
the sheets and blanket
pulled tight,
the pillows positioned
just so.
and then there are those
that don't.
i can go either way.
depending on the time,
the weather.
the mood.
what took place,
last night.

blistered

two blisters
appear at the tips of your fingers
pulling
a hot pan
from the oven
when the heat was on.
the skin
singes with a burn.
turns red, then white.
you know better,
you know better
about so many things,
and yet.
you reach
without thought,
again.

a new town

the land shrinks
as more 
bulldozers appear,
cranes
and machines bent on
extending the city.
new trees appear
as forests go down.
new stores.
new families
sprout like fresh grown
produce
from the turned soil.
streets are paved.
pools are dug, schools
are built.
we can hardly remember
when we walked
through these
woods
in love, each season
different
in its quiet.

Tuesday, November 3, 2020

the day ends as it began

i feel a draft in here.
a door
feels open, or a window
half closed.
there's
cold air
coming in from somewhere
as i sit
building a fire,
sitting here alone.
i turn a light on.
find a blanket. a book
that
never seems to end.
the night is young.
the night is long.
the day
has ended as it began,
with darkness.

the child within

you make amends.
you pray for forgiveness.
you confess
your sins.
you do penance.
you close your eyes and
let the tears
fall.
you bare your soul.
there is nothing more to
do.
you've come home again.
to the child
within. 
walking home from 
from St. Thomas More,
in the cold,
the snow.
the wind.

the art appraiser

nearly five years ago
i met
this man
who
appraised art, and furniture.
vases
and silverware.
all things old and of value.
estate sales
filled his house.
the rug,
the lamp, the drapes, all
from somewhere else.
someone gone,
departed,
but leaving behind,
for his hands
to find a place
to stand,
to dust until once more
they shine.
and now he calls 
once more,
his walls need help again.
so many nails removed,
the holes ready
for repair, for paint.
to make fresh
for something else to hang.

magnetism

the push
and pull of magnets

is hard to understand.
but
it's true

with this metal holding
on
to other metal.

it's strange
how 
the energy unseen keeps

us apart
or keeps us
together.

the vibrations of all things.

is it love, or some unseen
force

that draws us 
near
yet still so far.

when you get there

when you get there,
it's okay.

the seat maybe cold or warm,
or uncomfortable
but
it's fine, and will do.

you stop complaining
stop
trying to change

your surroundings to make
yourself

feel better.
leave the window open
or closed.

really, it's up to you.
when you get there, you
accept

within reason other's behavior.
it's not
your job

to change them, to correct
them.
or preach to them
your views.

you let them be
who they are. you set down
the stone.

that's all you can do.
you stop
trying to fix the world

to your liking, instead
when you get there you do

what you do best.
you forgive, you go home.





it's why i like you

we like what we know.

what to order.
what we like to wear.

where we like to go
when
we travel.

we like a certain kind 
of
food,

or path along the lake.
we like
our own music,

our own way of decorating,
our art
is our taste.

we know what we like,
the familiar,

the known. what brings us
joy
and comfort.

it's why i like you.
why
go different, 
why make a mistake.

three closets full

i have to get rid of some of these
clothes.

why in the ham sandwich
do i have so many shoes and shirts,

socks and pants?
three dressers full.

three closets stuffed. on hangars
suits
i never wear.

there's enough clothes in here
to open a store.

not to mention the linen closet.
the towels,
the wash cloths.
the sheets.

i have one bed and six sets of sheets.
most of them a shade
of blue.

if i never bought another thing,
i think, while driving
to Nordstrom's,

i'd be well dressed until i reach
a hundred.

you don't look good

you don't look good,
my friend
emily says, standing at the door
with her hands
on her hips.
what's up?
you've lost weight.
you look a little beat, and tired.
come in, i tell her.
get out of the rain.
i made you a tuna
casserole she says, but i forgot
it,
left it on the kitchen counter.
it's okay.
thanks for not bringing it.
i can't keep anything down
anyway.
she puts her hand on my head.
hmmm. she says.
no fever.
open your mouth. say ahhhh.
i do as she says.
huh. looks good. all pink
and rosy in there.
no  sore throat, no aches and pains?
nah, just feeling blah.
you know.
did your team lose, cable out?
run out of cake?
what up?
nothing. nothing really. just you know.

don't forget to vote

i get another text, the ninth,
saying
tomorrow is election day. don't forget
to vote.

who will you vote for, it asks.
red or blue.

i respond back.
thanks for the reminder.
i wouldn't have know this if you
hadn't of written
again and again, and yet
again.

thank you for the reminders.
is that you mom?

by the way,
who's running this time around,
i ponder,
anyone i know?

what if i don't like both?

developing trust

when the maid
comes

i hide nothing.
i put money out all over the place.

loose change, folding money.

i put rings
and jewelry on the counter.

i put a cake on the table
with a knife
and fork

beside it.
i unlock the liquor cabinet.

i leave my journal open
to be read
by anyone walking by.

full of my dreams and desires.

i leave a note and tell her,
your check

is on the counter, but please
whatever else
you need, take it.

it's yours.

a stack of books

immersed
in so much. so many books.

fiction
and non fiction.

self help
and theology.

spiritual tomes.
breathing techniques.

how to live with others,
or live alone.

get a dog, one book says.
join
a church.

donate, volunteer.
take a trip,

get a massage.
pray and meditate.

forgive others, forgive yourself.

the list goes on and on.
you get it.

self love comes first.

you really get it, but maybe
there's something

you don't know yet.
the next page will tie it
altogether

and suddenly all is known.

location

we speak of location
of where we are
how convenient it is from
here to there
the stores and work,
family,
the park.
a sleeve of water running
by.
it's a selling point
by the agent pointing
at the boat
sailing softly across the water.
you can't beat the location,
he says, and smiles.
we talk
of it as if it means we've
arrived.
we are close to all we need.
to everything
we need to comfortably
survive.

Monday, November 2, 2020

climbing trees

we would climb
trees
when we were young.

any tree.
up we'd go.
boosted by the hands
of friends.

no reason.
just dumb kids
with nothing to do
but to show

off how brave we were.
how strong
and nimble

to scurry up the trunk.
and look
out across the land.

and then
there was always that
moment

when you're heart sank,
and you thought,
how am i going to get down.

don't go in there

i'm afraid to go into my shed.
it's dark.
it's wet.
the door creaks.
there's not much in there
but the fuse box,
a few rusted shovels
and rakes.
a bag of christmas lights.
a trowel,
some dirt in a bag.
there's no light overhead.
it's a chamber of horrors,
the mildew,
the cobwebs.
and that ever present
snake.

love in a locket

some love
doesn't fit into a locket.
as the song
goes.
some love
needs more room.
it needs to spread its wings
and fly.
to corner it
or box it will
end it all too soon..
it's not a card, or a ring.
or some poorly
written poem.
some love doesn't fit
into a locket,
some love
needs to breathe
and be free,
or watch it die.

falling in friendship

a sweet
harvest moon appears
over our heads.

it's face
upon the lake.

cider in hand.
the chair rocks as we say
nothing.

why ruin the moment.
we

we were young once.
it was a different love then.

unsettled love.
lustful love.

it's better
now though.

we've grown as friends.

the vandals stole the handle

i go to the faucet
to turn
off the drip.

impossible. words
keep
coming out.

i squeeze harder, press
down
on the knob.

i take a wrench and
turn
at the pipe until
it groans,

but no.
the imagination
won't turn off.

it's a runaway train,
the opposite

of writer's block.
i'm knee

deep in paper.

the number two pencil

there is something 
about a pencil.

new and slipped out 
of the box.

a number
two yellow
pencil
that holds
about a thousand memories
of school.
of a girl you once
knew.

cute as the eraser on top.

it's an easy straight line
from sharpening
the point to remembering

how funny she
was, and how perfect
she'd be for you,


attachments

do i need
another bed, or house, or
car,
do i need a pool
to swim in,
a tv the size of an entire
wall,
do i need more food,
more drink,
more shoes,
more books (maybe).
what is that i lack
that i can't go out and
purchase.
that i can't swipe a card
or write a check for?
what is this void we
try to fill,
a cup without a bottom.
what is it that we chase
from the moment
we first cry
lying on our backs
in the crib.
dependent on others,
for love, for touch, for
safety,
will
that infant attachment
every go away, will
that feeling ever die?

for what's there?

the cold pushes
you inside, your
hands stiff,
your face brushed red
with wind.
the leaves dance
in crazy circles.
the branches bend
and bend and bend.
clouds
stream by.
the low sun
does nothing to warm
you up
so you cut the day
short.
you put the tools away.
you set the ladders
aside.
maybe you'll head for
home or
maybe not, for what's there?
maybe you'll
fill up the tank and go,
just drive.

we're not lost

we leave markers to find
our way home,
deep into the woods.
the sun
striking low in a soft
melt between
the stiff branches, bared
by rain and wind.
but we press on as if we
had a place to go.
dropping bread crumbs
behind us.
perhaps a lake awaits us.
a road,
a cliff or waterfall.
let's not worry ourselves
too much.
but walk on, once there,
we'll turn around and
head back home.

life on other planets

there is no life on
other planets
little air or water
to speak of.
no place
to put your feet up
and enjoy a show.
no dog about
barking.
no wife, or children to
worry you
and make you groan.
but it's far away
and costly to get there.
and then once
there what is there
to do?
unless of course i
bring along, someone
as sweet as you.

pushing snow away

the parents
took this change in stride.
they embraced
wind
and chill
and
politics. they were able
to set
aside
and move on, live
a life,
and not be swept under
by changes
they could do little about.
and now
you too
see the wisdom
in this 
learned detachment.
you take
out the shovel
and push the snow 
away.

Sunday, November 1, 2020

scratch mine, i'll scratch yours

i used to tell her
please
in the middle, no up, no
a little down
to the left,
now right, okay, right
there, right there.
pull my shirt up.
scratch.
scratch harder.
in a circle.
dig. use your nails.
i think there's a bug
bite there
or something.
i could almost feel her
rolling her eyes.

adding it all up

i take account of money.
i make a list.

incoming versus outgoing.
if i live
to be 95

i'm fine, even
if i never make another
thin dime.

i live within my means,
whatever that
means.

this is when you wish you
had more
children, not

to take, but to spread the wealth
around.

perhaps there's still time.

the bird feeder

the bird feeder exhausted me
after a while.
the squirrels
the raccoons.
the black birds, large,
in groups
of five.
how they rocked the house.
flipping it
with seed,
side to side.
emptying what wasn't meant
for them,
but for me.
as i sat by the window
to watch
what would fly in,
fly by. where is the 
hummingbird.
the blue bird
and cardinals.
where is the wood  pecker.
with his bright
red mane.
where is the dove, white
as an angel
on brilliant wings.

on second thought

don't remember me that way.
in that light, in that
dark
night of the soul.
forget those words i said
and wrote.
dismiss those glances,
that constant frown
and grey sadness upon
my brow.
cancel those memories.
it wasn't me. we're different
when lost than we are
once found.

repairing life

i try to put things back together.
so much broken
to deal with.
shards of glass. bent
metal.
splintered wood.
i get the glue
out.
the tin snips.
a pair of pliers
and a box saw.
i set all the pieces onto 
the table
and spread them out with
wires and screws.
i don't know how this happened,
actually i do,
but here we go.
i fire up the welding
torch, the soldering iron.
i  flip down my mask,
then begin to put the pieces
back together.
one by one.

i hope that's enough

i couldn't paint
a sky like that
 if i had a thousand
years to learn how.

i couldn't write a song,
or play
the piano,
or sing,
or draw a portrait of you
if i tried.

but i can love you.
i can hold you.

i can do that
from now until the day i
die.
i hope that's enough.

the corner store

the corner store
is good. small and clean.
a well lighted place.

the fruit, the vegetables.
way over
priced

of course.
but they're friendly
and nice.

always with a question
about the kids,

the wife.
always telling you

what's in season,
what you should or shouldn't
buy.

they miss when you
haven't been in for awhile.

and they wave and smile
when you say
goodbye.

but you can't help feel at
times,
that they're up to
something.

it's already come

we keep a spare
key
under the plant box.
there's
a spare
tire
in the trunk.
an extra set batteries
are on the shelf.
there's things
frozen
in the ice box
in case
all else fails. we have
back up
generators. gallons
of water
in the cellar.
we have dried food.
we have
toilet paper by the rolls.
we have things
we'll probably never
have to use.
we have 
the landline, the chargers,
we are fully
prepared
in more ways than one.
we have a bunker
and booze.
we live a life
of waiting
for the worst to happen,
not realizing
that
it's already come.

if

if you
are truly good.
saturated with the word
and 
love
if you are to the bone
a decent
human
being,
seeking wisdom
and humility.
full of surrender
and forgiveness.
if this is so.
you let go of anger.
you let
go of sadness.
you reach out a hand
to help
another rise.

the red barn

how slight
the traffic is 
at this hour of the morning.
the sheen of rain across
the pillowed hills
of turned leaves.
i see the red barn
deep in the woods.
the house no longer there.
just a stone chimney,
and fallen lumber,
a border fence,
the gate still swinging on
its post.
a metal sign, with rusted words
saying welcome.
all of it feels like failure.
you can almost hear the breathing,
of the dying,
of the long departed hosts,
on the their knees in dirt,
praying for rain.

the unlicensed life coach

what have we learned
i ask
my mentor
as she flips through a magazine
in her office.

are you talking to me,
ummm.
yes. i believe so.
i am paying for this session,
aren't i.

oh right right.
i'm your life coach slash mentor
slash therapist/friend.
she puts friend into air quotes.
sorry, go ahead, you said something
about your mother.
a dream you had, yadda yadda.
isn't she dead now, why
are you still thinking about her?

i shake my head.
it's not important.
i think i need new hobby,
i tell her.

she puts her finger to her chin,
looks at her nails,
then takes some polish
out of her enormous purse.
i like that idea.
maybe arts and crafts?
do you like to sew, or do
origami?

what are you talking about?
no.

oh, well. i don't know what else
you could do.

you know. i'm not getting
a lot out of these talks
anymore, i tell her.

ditto, she says, dabbing
little blobs
of purple nail polish onto
her nails.
do you like the color? kind
of has that Halloween flavor.
don't cha think?