Monday, November 30, 2020

it has nothing to do with luck

you're lucky, she tells me. so
so
lucky.
look at all you have.
so much.
your house,
your cars,
the money in the bank.
you have
everything
you've ever wanted
and more.
you're so lucky
to be where you are.
and then i turn my hands
to her and open
them. for her to
see the scars,
the wounds from today,
fresh with blood,
the callouses of decades.
i open them flat
upon the table
to show her
that it has nothing to do
with luck
at all.

we had some laughs

i hear her voice
on the line.
it's whispery and distant.
come home, i tell her. you've
been away
too long.

i miss you. 
i ache for you
to be in
my arms again.
she begins to cry.

i can't she says.
i've met someone.
i've fallen in love and won't
be coming back.
i'm sorry.

i'm really sorry. but it's
nothing to do
with you.
it's me.
it's always been about me.


i'm sorry that it had
to end this way. i really am,
but you'll be fine.
you'll find someone new,

you're a wonderful person.
remember that.

and yes, i know we had 
some laughs.

the beautiful child

she was a beautiful child
before
life
took hold
of her. before
mistakes
were made. before the storms
arrived.
those eyes.
those arms. that hair,
so brown
and bright.
how life takes hold of
all of us
if you live long enough.
like water
changing 
the river bank, time
and circumstances
has their way on us.
aging us.
reminding us of who
we once were.
lineless
and beautiful.
innocent
flowers just risen from
earth.

that's a good thing

when i look 
out the window
and see
the cold
white splash of moon
upon
the wide
stream
rolling with new rain.
i'm grateful.
not full of joy,
not full of happiness,
not thrilled to be where
i am at this point.
but grateful
just the same,
and that's a start.
that's a good thing.

treading water

there were years
when i was invisible.

punching the clock in a lifeless
job

coming home to

a loveless marriage.
a garden of roses gave me
no joy.

i hung a picture on the wall
without measuring.

i listened to the clock tick
and wrote nothing.

there was no salt
in anything. no spice.

sugar was a thing of the past.

i was invisible.
walking about unseen, unheard.

treading water in the Sargasso sea.

uncertain about so much
in my life.

i wondered often 
when i'd
be alive again.

would that chance present itself
once more.

and luckily it did. 

i fell asleep on the train

i fell asleep on the train 
heading home
and missed my stop.

i didn't hear the whistle,
i didn't hear
the conductor's voice,

i didn't hear the wheels come
to a halt.,

the bustle of passengers
departing.

i was asleep,
sound asleep. the kind of sleep

i used to have when i was a child
in
northern Spain,

the sky ceruleasn..
the Pyrenees off
in the distance

like thoughts waiting
their turn.

when i awoke, i smiled.
not knowing

where i was or how i would
return.
but things were
fine.

things at last were good
again.

sleepy time yo

i force myself to keep reading
my book
about churchill
the bombing of great britain.

the war may have been shorter
than the time

it's taking me to get to the end
of this tome.
they haven't even
bombed pearl
harbor yet.  

but i order more books
and stack them up on the nightstand

to prompt me on.
to push me forward.

it's just that after three pages
about
winston, talking about
his baths

his dogs, his drinking, his 
temper
and humor

and how he chewed his cigars
i'm out like a light

in no time. i'm nearly off
my trolley

with this book.

get the hell off my lawn

everyone
seems younger. the cop.

the clerk.
the priest. teachers and lawyers.

the news people on tv.

where are all the old people.
even my
friends have

suddenly become old.
please

don't call me sir.
please don't call me mister
so and so.

no need to hold that door.
or help
me with my bags.

get out of my way
you little whipper snappers.

get off my lawn.
i'm here, i'm forever young.

i'm here to stay.


is it real love?

don't keep acting 
like you really
love me if you don't
i tell her
when i come home
from work, taking my
coat off,
setting my brief case down.
her big brown eyes
flash wildly
in the foyer light
as she kisses my face..
she's all over me
as she shimmies and shakes.
she's absolutely
beautiful, a sight to see, but
is she gaslighting me,
is this love real?
i'm such a sucker for
affection these days.
okay, okay. i tell her.
giving in and finally
believing her in that last
sloppy kiss.
let's go get your leash
and go for a walk, 
a long walk around the lake,
i know
you've been stuck
inside all day.
and maybe when we
come back
i'll give you a treat.
and by the way,
that tail is going to fall
off if you keep
wagging it like that.



leaking toilets

i take a wrench to the leaking
toilet.

not sure if i turn right or left.
it turns.

it leaks more.  a puddle forms.
my sleeves are wet.

i say several words that surprise me.
and get up
from

lying down like a drunken bum
from under the tank.

i pull myself up trying not to
slip in
the water spitting furiously
from the pipe.

i find the main valve and turn
it off.
i shut

the door and look at my watch.
my god.

it's happy hour. i fix a martini,
then text mike
the plumber.

i'll leave a thousand dollars
on the table i tell
him. key under the mat.

if that's not enough. let me
know.

alfredo sauce

i have limited skills in the
kitchen.
i admit that.

martinis have never been
an issue, but

i've got the basics down.
pasta
fish, meat.

scrambled eggs.
occasionally i'll step it up
and make

alfredo sauce
from scratch and pour it
onto

a steamy plate of fettuccine.

that's basically a moon landing
for me.

i'm much better in other
rooms, although folding laundry,

especially the fitted sheet
is an impossible task.

and then there are other days

i go through a phase
where i trust everyone.
each
soul
that comes my way.
a hand shake,
a smile, a contract made
as a name
is signed on the dotted 
line.
a kiss received is sincere
and real,
lips puckered
and fine.
i feel that they are good
souls, people
who would never hurt
a fly,
or lie,
or do anything that could
alter my way
of thinking about
their unknown lives.
and then there are
other days.

quit nagging me

i tell myself
to get up and get going.

what are you going to do, sit
here all
day
drinking coffee and eating

cinnamon toast?
come on brother, get a move on.

giddyup.
there's work to do.

i look out the window.
it's raining.

it feels cold. i can hear the wind.

i don't know what to wear.
jeans,

shorts.
maybe i'll just leave the house
in my

bathrobe and slippers.
it feels like
that kind of day.

okay. i tell myself, ten more
minutes, then i'm

going to take a shower,
brush my teeth
and get going.

so quit nagging me.

you get three wishes

i find an old bottle
in the attic.
left over by someone
who lived here
years ago.
it's more of a lamp
than a bottle.
i give it a rub
to wipe the dust off
and out comes a Genie.
who are you, he says.
where's Mildred?
i don't know i tell him.
i think she's probably
dead.
oh, he says, rubbing
his eyes.
i've been asleep for
a long long time.
but you know the drill.
you get three wishes.
that's nice i tell him.
his arms are folded
and he's wearing a turban.
with a big jewel
in the center of the purple
wrap.
three wishes? i tell him.
yes.
can i think about this
for  day or two.
is that your wish?
no, no...don't try and trick
me.
what did Mildred wish for.
hmmm. he says, hand
on his chin.
well, she wanted a new
boyfriend, she loved the mailman,
so i set that up.
complete disaster.
he had more girlfriends on
his route than you
can shake a stick at.
then she wanted
a cat,
and then she wanted to learn
out to crotchet really fast
to make her friends 
jealous when they came
over to have tea and a chat.
where's the cat?
the boyfriend?
i don't know, he says, these
things rarely work out
for good.
so my advice is to keep it
simple. don't go for emotional
things like
love, or peace and harmony.
feed the world, all 
that liberal malarkey.
it never works out the way
you think it will.

go for money.
a boat maybe, or a nice house
in Nantucket.
do you want a nice watch,
something like that?

No.
okay, then what?

okay. i tell him, rubbing my
hands together.
here we go.,

i want a beautiful house
on Nantucket. Unlimited
money and Heidi Klum.

really? he says. that's it?
those are your lame wishes.
Heidi Klum?

i shrug i guess so, no wait.
maybe the ability to go back
into time
whenever i want.

so no Heidi Klum. yeah, forget
her.

okay, he says, bored with the whole
thing. but i like
the go back into
time one, he says.
 that should be interesting.

he shuts his eyes and says
some hocus pocus mumbo
jumbo and then says your
wishes have been granted.

it'll take about a month for
them to happen. sorry, but
it's policy...paperwork. etc.

then he disappears
in a puff of smoke.



we want it now

we want the short line,
the speed pass,
we want
instant coffee, 
the microwave.
we want the screen
to appear, to stop
buffering
and get clear.
instant gratification
is our goal.
we want the third date
on the first date.
we want our
tickets stamped,
our fast food quicker.
we want
our overnight delivery,
our water to boil.
our waitress
to pick it up
as she lingers with
the check.
we want to get out
of here.
get on to the next.
we want the call,
the text.
we have no patience
for the sun
to rise, for the traffic
to move.
we want what we
want and we
want it now.
we are babies in
the crib, whining
on our backs, 
turning blue.

Sunday, November 29, 2020

purpose and passion

do we need a purpose?
do we
need that kind
of pressure on our already
difficult lives,
do we need
a plan, a goal, a place
we need to get to,
or can't we just
relax and find peace, find
joy in the simple things
in life, in what we do?
it's more about passion,
i think
than purpose.

let's pretend

let's pretend.
let's sit
and talk.
have a drink. have
tea.
have a chat
along the promenade.
let's pretend we
don't know
each other,
you be Danielle and
i'll be Etienne
let's imagine we're
in paris,
on the left bank.
i have a beret, you
in gucci,
prada
dressed as if for
a parade.
let's laugh in another
language,
let's blow kisses
as we sit
across the small
round table
in this outdoors cafe.
let's fall in love
and stay
where we are, never
leaving
this moment, this day.

the amusement park ride

i hang onto the bar
in front of me
as the rollercoaster climbs
the first
steep hill
upon the tracks,
it feels straight up
as we rise to the clicking
and clack, it's
as if we're going into
the clouds.
there is no turning around,
no point
in looking back..
i feel my heart
pounding.
the sort of feeling i've
had when
falling in love,
when it's all good, all
wonderful.
the clouds are white,
there's a warm
sun above me,
and then it peaks, and
down we go in a blood
curdling scream.
my gut tumbles,
my eyes are wide
with fear
and strange joy,
but not for long, there
are hills, other turns,
other places
to keep the love
strong, to keep it going
and going
until at last the ride stops,
and it's gone.

the barren field

i sit with my therapist in her small
corner office.
a large window
shows the parking lot, the road,
the lights,
a building
being torn down across the barren
field
covered in thin snow.
her books are on the shelf.
her degrees on the wall, a picture
of an ocean.
a picture of trees.
it's neither here or there. this place.
benign and safe.
a womb of sorts.
she looks at me and crosses her
legs. she's very patient, very smart,
she sees what i'm doing.
she waits.

let not a minute waste

you stare at your hand.
there's
a slight tremor, a shake,
a nervous
movement.
as if a small wind
has
pushed
it again and again.
you stare at the lines
on your face.
the smoothness
of your scalp.
you take stock of your
posture your waist.
the slight pain
in your back,
your knee and leg.
time has been neither
cruel nor nice.
but let's turn off the
light and go  forward,
time is fleeting.
let not a minute waste.

we can still be friends, can't we?

we can still be friends,
can't we.
we can still laugh and talk.
meet for lunch.
take a walk.
all is forgiven.
all is not lost.
we can still be friends
can't we.
despite all, it was that 
that brought us together.
nothing more, nothing
less, the shared small things
of life. the connection
of heart and mind.
let's forget the rest.
let's mend the fence,
let's talk.

the neighborhood network

the next door neighborhood
online
forum
is alive with questions.
did anyone hear
that bang last night.
it sounded like
gunfire,
or fireworks.
i heard the post
office is closed.
does anyone know why?
is it covid?
i found a white
cat on my porch, here's my
number if you
want her back.
what's the best way to freeze
left overs?
what kind of snake is this,
picture attached.
has anyone here seen
that white
van driving around?
the police were on my street,
what's up
with that?
i have some old clothes,
that i'll put
on my porch,
shoes, underwear,
my father's old derby hat,
come by and see if any
of them fit.

no direction home

she says glumly.
i'm lost.
i have no direction.
i feel adrift.
the air is cool.
the lake
before us rolls
like a blue
 knitted cloth
of waves.
of birds, of sky.
it's crowded.
but warm enough
to walk.
we find a bench
in the sun.
i have no
purpose she says.
looking towards
the darkening woods.
there is nothing
i can tell her.
there is nothing
new, nothing old,
nothing wise
to say.
but have fun and
enjoy your life.
in time this will all
go away.
you'll be old, you'll
be grey
and you'll wonder why
you spent
so much time
with worry, with dismay.

by george i think i've got it

she fiddles with the lock.
a screw driver
in hand.
a pair of pliers.
she's  in her underwear,
her thick
wool socks
with little christmas
trees
upon them.
she closes the door,
then opens it
back up.
she squeaks a little
oil
onto the hinges,
into the slot. 
at last, she folds
up the paper instructions
and smiles.
by george, she says.
i' think i've got it.

best of friends

best
of friends. 
we see each other off.
we
go our separate ways.
one back
to work, the other
into the clouds,
the grave.
it's the way
the world is,
one leaves, one
stays behind
while the other
finds their end,
such is
this life.
this mystery. this
star filled
night
we live in.

ready for the show

there was an elderly couple
on the subway
beneath new york
who sat apart because
of the crowd.
him in his black overcoat.
his flower
in his lapel.
his hat in hand, a cane.
his boots
gleaming in the flickering
light of a rambling
train.
and she, i suspect his
wife.
across from him. a cat like
smile upon her
face. a gentle aura
of love
between them. each nodding
at each stop.
knowing when to rise
and go, when to hold
each other's arm
and disappear upwards
tickets in his coat pocket,
ready for a show.

her empty plates

i have a stack 
of her dishes.
trays, a pan.
a cup, a saucer.
a plate adorned 
with flowers.
all had arrived with 
something
on them, wrapped
and sealed,
some hot, some cold.
some rich desserts,
others
a dinner, just needing
the oven
to get warm.
but now they're empty,
i've taken care
of that.
they sit by the door
in a paper bag, waiting
to go home.

the complaint department

i write down my list
of grievances
and go down to the local
complaint department.
i see disgruntled
husbands and wives,
children full of sugar
with homework
under their arms. i see
old people
with canes and dogs
that are now their eyes.
i see cops and protestors.
tear gassed and bruised.
dazed and confused.
i see a world of
upset souls,
store owners, bar keeps,
priests in long
robes.
all cold and stone faced,
sharpening their knives.
chomping at the bit
to express their woes.
i look at my list.
it's a short list. just
one thing, just one thing
i want to know.
i've got nothing really
to complain about,
so turn around
and go home.

Saturday, November 28, 2020

handle with care

be gentle
with the box. handle with care.

don't rattle
the inside,

don't shake it.
don't

try to know what's in
there.

give it time.
let it age like wine.

she'll come around.
you'll
see.

one day, one day soon,

she'll open up,
again she'll be mine.

sunshine and oranges

they retire
and sell the house.

they quit the fast lane.

take their money
and head
south

where the tax man is kinder.
where
the sun is warmer,

where the ending
will be easier,

life will be less of a pain.
no snow
to shovel

no yard to mow.
no traffic to get stuck in

with no place to go.
it's sunshine

and oranges. it's sand
and surf.

it's a metal detector for
him
a book club for her,

it's where the old folks
go
to live

before they're under
the dirt.

finding a new path

it's the same lake.
the same worn  trail.
the water, the sky, all of it
a familiar
canvas
to fill
my eyes.
the memories of so
many
friends that have
come to pass
are in the stones, the leaves
the weeds,
the grass.
i breathe deeply
as i walk.
stepping over the cords
of vines,
the fallen
trees. the rocks.
the debris of woods.
i'm here every year.
but this year
i realize, that i need
a new path, a new way
to travel on,
and to not look back.

stirring the fire

i put some music on.
some delfonics
some gordon
some
al green
marvin,
teddy, a little jazz.
chet baker,
some old
songs.
mood music for the soul.
i fix a drink
and find
a couch
after stirring the fire,
getting the house
warm.
i'm in no rush. i'm patient
now for all things,
in this life
and the next, with no
lack of
love,
no waning of desire.

i don't expect an answer

i don't expect
an answer.

not a call or text. not a card
in the mail.

not a signal in the sky.
there will

be no tin can
tied
by string to mine.

i don't expect an answer.
but it's
okay.

i've tried.

when i see snow

when i see snow

i think of you.
the same goes for rain.

when i feel cold,
again

you come to mind.
when a summer breeze blows

and the warmth of
sun
lies upon my face.

yes. 
there you are.

i'm waiting for your
departure.

for our season to end.
but

it's taking time,
a long long time,

for you not to be
so near,

but far.


the absence and quiet

i'm surprised
that the mail man hasn't come today.

i take the letters
out of
the door slot and toss
them on the table.

i look out the door, up
the street.

i don't see his truck or
him either,
slouching under
the weight of christmas

coming.
no dogs are barking.

no mail is going out.
or coming in.

his absence worries me.
the absence 
and quiet of anyone
i like

makes me ill at ease.

the curl of her toes

she'd reach
over with her long arm
her long
nails
her long sigh
and say
where.
tell me dear
where does it itch?
direct me to the spot
and i'll
relieve you,
i'll take care of it,
but then it's my turn.
you can
start anywhere,
but be gentle,
go slowly
until you discover
by my smile
and the curl of my
toes,
where it is.

i can't eat another bite

i can't eat
another bite. another slice,
another
chew
of food.
i can't put another fork
near my mouth,
not a crumb
or speck,
not a single
table spoon
of anything from a
dish
or bowl
or tin. please
wheel me away
from this table.
i'm done.
i'm full.

shame it had to end

we used to sit
on the front porch,

remember?
that gentle sway of swing.

we used to talk, or even
better

yet.
not say a word.

a splendid quiet would
come upon us.

suns would rise and fall,
summers
would pass.

winters would
arrive.

we had more than we
would ever need.

ever spend.
we had each other.

sitting on the front
porch.

hand in hand.
shame it had to end.

a shiny new pan to bake on

i buy what i need.
what i want.

what makes me happy.
no more

no less.
if i need sugar.

i put it in the cart.
unsalted butter,
of course.

flour.
vanilla extract,
walnuts,

in pieces, dark
chocolate chunks.

a new shiny pan to bake on.

do you see what
i'm getting at?

a new best friend

you lose a  friend
a best friend.

so you look around for
a new
friend.

someone that gets you.
that understands
what

makes you tick.
what melts your butter

what
pleases you,
what bothers you.

and you understand them too.

a new friend, a best
friend would be
nice

to get through the winter
with.
the hard
times.

the good times.
just one

new friend, with a heart
of gold,
would suffice.

remember the time...

she calls me up,
crying.

i miss you so much, she says.
i miss

everything about you, about
us

about all the fun we had.
she blows
her nose

and takes a deep breath.
remember
that time we went to the beach

and stayed at that great
hotel.
how we rode the horses
along the white
sand.

we made love night and day.
remember that?

room service,
champagne and breakfast
in bed.

remember how we watched the sun
rise
over the ocean

as we sat on the balcony
holding hands.

no. i say.

she's sobbing now. ignoring
that i just said, no.

we had so much fun together.

how you proposed to me
on your bended
knee
and i screamed yes, yes.
yes.

i was so in love with you
and i still am.

ummm. who is this?
it's me. jennie, she says,
blowing her nose onc again.

i'm sorry, but i don't know
any jennies.

who's this? she says. you're
not William?

ummm. no. i think you might
have the wrong number.

oh, she says. oh my.

but, what are you doing later,
i ask her.
you sound like fun.
want to meet for lunch somewhere?

sure, she says. i just need to take
a quick shower
and clean up a little. one hour?
casual wear?

sure. perfect. jeans and a sweater
are fine.

we won't be waiting long

i get in line.
why not?
i have nothing to do
today.
it's a long line, but
it seems to be moving fast.
it wraps
around the block.
we inch forward
in the cold
wind, our hands
in our pockets.
i tap
the man in front of me
on the shoulder.
i ask him
what the line is for.
he shrugs
and says he's not sure.
but it's
moving fast, he
says.
i don't think we'll
be waiting long.

leave it alone

a carved
white stone. let's call it 
the moon
for poetic
sake
is just a sliver
above the trees.
empty and devoid
of life,
but we
stare at it as if
we'd never
seen
the likes of it before.
a symbol of what?
but
for the sake of
poetic
endeavors 
please
leave it alone,
don't go there
anymore.

the dark and the light

there's good
in the world, you can feel that
energy
in certain people.
it's sweet
and light. forgiving
and full
of warmth.
you can see the aura
of goodness,
compassion and empathy.
you want to be around
them,
you want to hold
them tight.

and then
there's the other side.
when you
meet someone and you know
something's wrong,
you feel it.
the darkness,
the shadow. your gut
screams
run. take flight.. it's 
the vibration of someone
lost
and dangerous to your
soul
if you let them in
it will
be a long cold
night.

i can't be your friend anymore

i can't be your friend anymore,
i tell
jimmy, my life long 
friend.
you are too obnoxious,
too political
too narcissistic
and self centered.
it's all about you. you never
ask how i'm doing,
and you always
contradict every single
thing i say.
you think you know everything.
you're a bully
and a misogynist 
a liar and a cheater.
a closet racist.
a person without morals.
so, i'm sorry, but i have
to end this friendship.

so what do you have
to say about that?

he looks at me
and smiles. shrugs.
yeah. i know. but are we
still going out later
for drinks?

pinching pennies

all his pennies would
groan
lincoln
had a grimace on
his bearded
face.
pinched
flatter
than a dime.
his thumb pressing
down
holding
on, holding on.
saving
for what, he wasn't
sure,
perhaps
when the world went
down,
when all things
went awry.

it's not too cold out

it's not
too cold to sit out in
alley
now deemed
the meadow.
it's a ghost town.
hardly
a soul about.
the waitress appears
then
disappears,
masked
and coated
with boots, a hat.
the walls
are painted orange
and blue.
a few stars peek
through
the high brick,
but it's not too cold
to sit out
and talk.
to keep it light
and ignore
a world gone wild.

Friday, November 27, 2020

when dogs run free

when the dog
runs
out the front door,
she looks back
with wild eyes.
free at last.
her tongue out,
her tail
wagging. her fur
a blonde brush
in the wind.
she hops the fence,
and gallops
across the street,
disappears into the woods.
she might
come back.
but the odds are
against
that.

don't wait for me

don't wait for me.
again i'm
late.

no need to look down the street.

it's the traffic,
the rain.

life
getting in the way
of you and me.

no need to wait much
longer.

you deserve better
than this,
and so
do

i. so it's fine,
it's okay

if you decide to leave.

a cup with a hole

you fill your shoes
with your feet,
your day with work,
your belly with food,
you quench your thirst
with drink.
you fill the tub with
hot water
to soothe your wounds,
your tired back.
you fill the time with
books,
with reading,
with writing the next
line
on the next page.
you fill
the void
with a search for true
love
and find maybe.
you fill your soul
with
prayer, with hope
and faith, and yet.
it seems at times you
remain
unfulfilled, a cup
with a hole, perpetually
draining.

the palm reading

i ride by
the old gypsy house on
the way home.
i see Esmeralda on the porch
smoking a cigarette.
there's a u-haul truck out
front.
i pull over and get out.
what's up? i ask her, you moving?
covid, she says. i haven't
given a palm reading
in three months.
damn virus is shutting me
down.
do you need to know the
future?
i haven't packed up my 
tarot  cards or crystal ball
yet.
maybe read your palm?
i'll give you the holdiay
special.
here's a coupon.
sure, i tell her and go sit
beside her
on the porch with her
green eyed black cat.
she takes my hand
and sprays it with some rubbing
alcohol
then stares deeply into the lines.
oh my she says.
what hell has been  going on
with you dude.
she puts out her cigarette and
blows the last puff of smoke
into the air.
yeah, yeah, i tell her.
but tell me the future
forget the past.
geez marie, you have so much
paint and what is that,
caulking, on your hands.
it's hard to get a clear reading.
but from what
i can see
it's pretty damn good.
the rockettes just flashed into
my mind
for some reason.
they're coming to town for
the holidays.
i see you with the rockettes
at the Hilton Hotel.
i give her a twenty
dollar bill.
and tell her good luck.
skipping down the steps.
wait wait, she says, there's
something else. there's more.
stay far away from the red
head. don't go near her.
okay, i yell from the car
as i pull way. got it.
stay away from the red head.

sharing the wealth

i box up my collection
of psychology books. 
self help manuals.
my thick copy of the DSM.
twenty one by last count.
i say goodbye.
carefully putting them into
the large box
then tape it shut.
it's time to share all
that i've learned.
i carry them all to my
therapist's office and find
a seat in the crowded
room. i ring her bell.
she comes out and says
thank you, i'll put these
on my shelf, i'm so 
glad they helped.
do you need to talk.
i tell her no, not today.
not tomorrow. i'm actually
good to go.
but stay tuned, one never
knows.

start here

i feel i'm losing it.
what it is is yet to be determined.
my mind.
perhaps.
my memory.
my ability to run five
miles.
my strength
in lifting small dogs over
my head
or the sunday new york times.
i'm losing things.
my keys.
my wallet.
my friends.
what day of the week is this?
i'm wandering the streets
of new york wondering
where everyone
is.
i'm in central park
looking up into the impossibly
blue sky
and thinking, okay.
start here.
begin once more to live
again.

your best image

we want to know people.
but
not really.
give me your best image.
your best
behavior.
don't tell me about
the cracks
in the foundation, the past,
the awful
present,
the dire future
that's in store for you.
i don't want to hear about
the if onlys,
the buts,
the maybes.
just smile and be pleasant.
that's enough
for now.

it's early, i know, but kiss me

i like an old book, 
dusty,
the cover loose,
a page torn,
dog eared and read
over
and over again.
stained and 
worn.
i like
an old bed, old
music.
an old friend.
i like what i know,
what
brings me comfort.
the old car
in the drive way,
how it starts up so easily
on a cold
morning.
not unlike you my love.
it's early i know,
but kiss me.

Thursday, November 26, 2020

time to head home

we come out of the roundabout
and
head straight
for home.
we've seen enough
of the country side.
the shoreline,
the winery,
we've filled our minds
with land
and horses, cattle that we
pass by.
we'll sleep with the clouds
tonight.
the long fences.
the barns across the field.
we'll find
our dreams filled
with stone houses
built
before we were born,
before our
grandfathers were born.
we've had a day
together. alone.
that box is checked.
it's time to head home.

the flower

she's a rose.
a flower.
she's perfume in the air.
a colorful
vase
of petals
in the sun.
she's everything.
she fills
the void,
the room, but i fear
the day
that always comes,
when
she loses 
her joy,
her heart, 
her ephemeral bloom.

at the end

he doesn't answer his phone,
or open
the door when
knocked upon.
his
fear
is children.
some he claims aren't
even his own. but
they come around
just the same
for crumbs of
money,
of love, for affection
that he never gave.
so he sits in the sun
out back
without a phone,
his hearing aid unplugged.
quiet and still.
his mind
empty of all things
gone wrong, of
what was done.

as the day dies

as the day dies,
as 
the faint
blush of an autumn
moon appears, as we
lie in
bed and ponder the day
that was,
still near.
we wonder, still 
unconvinced
of so many things
about us,
about love, what
there is to fear.

i can't remember not knowing you

i can't remember 
not knowing you, she says,

there is no
defining moment, no day
or night

no calendar page,

no clock to delineate when
we first

said hello, when our eyes first met.
i can't remember 

not knowing you,
we've known

each other since birth, and will
forever,

even beyond
our death.

the blackbirds

it's unclear at times.
nearly everything.
the fog
lies down in front of you.
the unwashed
sky.
unwarmed
by
a hidden sun.
it feels like sadness
but it isn't.
the stones
below the raw stream
are fine.
it moves on.
the trees
with bare limbs, they
too have
no complaint
bending or fallen
against
the ravages of time.
so much of our desires
and sorrows
are just that,
imaginary things 
sitting like
black birds
on the wires of our
mind.

what they will become

i remember
the woman next door, 
moving in
five years ago,
about to
give birth
to her daughter.
the husband attentive
to her needs
holding the door, the hand
of other child,
perhaps one, in his,
but now i see the for sale
sign
in the ground,
the truck arriving.
they are about to leave.
i'll never look out
the window again
and sadly not see 
them growing
into what
they will become.

when Ingrid calls

when ingrid calls
i can 
finally understand what she's
saying.

my ears being practiced in her Irish
way
of talking.

she's learned to slow down
when speaking to me,

enunciating her words
more clearly

as if i'm a small child who's
hit his head
too many times.

we talk

about Philip Larkin
again,

our mutual friend
and wonderful
book
the Whitsun Weddings.

i could listen to her
now recite a book of poems,

or just a grocery list,

the lilt, the tug and pull of her
homeland.

the sound of salted waves.

i can almost smell the sea.
the city of Belfast in her voice.


the holiday stretch pants

i find my holiday stretch pants
at the bottom

of the drawer.
and put them on.

not too snug or tight.
with a little room at the waist
for what's

to come.
i reach into a pocket and find
a note

from a former ex wife.
it's a grocery

list.
perfect, i think, now
i don't have to make another

one.  off i go to the store.
buying things i need

and other things,
that i have no
clue
what they could be for.

i'd like to call her to say
thanks,
but she's blocked and deleted

me
not unlike what so many others
have done before.

Wednesday, November 25, 2020

the new room mate

i find a cricket in the house.

i've heard that it's good luck.
but i'm not sure
about that.

i have a conversation with the cricket
asking
him what

in the world he's doing here
this time of the year.

are you lost?
how'd you get in here.

i can hardly hear him, though,
because
he's so small.

i ask him if he wants to go
back outside

into the woods, perhaps.
he shakes his head no.
at least i think it's his head.

he asks me in a high pitched
scratchy
voice

if have a box he can live in
until spring.
it's too cold out now.

maybe throw in some grass
and dirt.
a few branches.

that sort of thing.

i shrug.  i tell him i'm not big
on room mates. i've had some
trouble

with people living or visiting
my house for very long.

he puts his two little feet, or
hands, arms,
whatever they are out
and pleads with me.

okay, okay. i tell him. but keep
it down.
lights out at eleven and

no visitors. i don't want some
butterflies, or lady bugs coming
around

keeping me up all night.
and keep

your cricket noises down.
do you really have to rub
your feet like that all the time"

what is that. ADHD?
i'll leave the hall light on
in

case you need to use the bathroom.
and i prefer
if you're
hungry to not bring food
up.

i had trouble with ants last year.

he tips his antennae and says. okay,
got it. thanks.

not really friends

he knows
a lot about a lot of things.

i tend to just
listen
and not add much to the conversation

knowing that whatever
i say

will be refuted,
dismissed or ignored. so

i put him on speaker phone
and make a ham
sandwich.

if i say the name
winston churchill, off he goes

telling me
the history of england
during world war two.

if i say.
soy bean.

he'll tell me what a valuable
crop it
is, and how easily it grows

and sells, and all the products
than can be made
from it.

he never really says hello,
or asks
a single question about me,
my life.

my work. my son.
where did the last love go?

he just goes and on and on.
we've known
each other forever,

but not really.

so off i go

it's raining.
cold.

miserable out.
the wind

rocks the house. trees
are swaying.

i peek out the door
and shiver.
i stamp my feet in the hall.

the sky
is alive with lighting.

it may snow.
it might all turn to ice

by sunrise
if there is a sun left
after

this storm.

but i need a stick a butter.
so off

i go.

in just a blink

you try hard to be more kind
to the unkind,

more understanding of the misunderstood,
compassionate

to the mean.
more loving to the unloved.

you reach out and forgive
the unforgiveable.

you try hard to take
the higher ground, to be

a better person than you
were the day
before,

but it's harder than you think.
it's tough.

we have both
sides within us, depending
on so much.


more, please

she makes
her famous bread pudding,

her cranberry
sauce,

her special stuffing.
all

secrets passed on.
she hides
the recipes.

she never gives a clue
as to what

goes in, what goes on.
we don't

ask
we just smile and say.

more please.

the black horse

the black horse
is in my dreams. 
rider less
as it
moves across
the green
pastures
before dark.
i watch it run
until it disappears
into a grove of
trees.
i wonder
what it all means.
unworried though,
i understand
that so much of life
will always
be a mystery.

a house of noise

growing up in a house
of arguments,

of loud voices
all trying to be heard

above the din.
i cringe now

at confrontation, 
of disagreement.

i'm done with the fight.
done

with the drama,
the tearing out of hairs,

the punch,
the broken bones,
the curses that once
filled

my ears.
turn off the noise.

wipe the blood off my
mother's face.

change the locks, tolerate
no abuse.

no longer be afraid.


return to sender

i unsmile
what made me happy

i unpack
the goodness of what was.

unstaple
remove

and cut. i tear away
the labels

i once stuck upon the box
of
this life.

i unsend myself.
i write return

to sender
upon the package with
a

dark pen.
i wait until midnight,

under a full wolf
moon

then send.

adjusting

the river bends
it moves
it's hardly in the same place
from
rain to rain.
the banks
overflow
are smoothed and ground
down
into a different shape.
time and weather
having its way
on who we are who
we are yet to be,
we can only look up
to the sky
to pray,
and wait.

the first thanksgiving

i remember when we came
over on
the mayflower.

cold as hell on that ship.
it was like
a cork
bobbing on the ocean.

i was sea sick the whole nine
months

we sailed.
i had nothing to read
no internet connection, nothing.

and my wife was still mad
at me for
something i said back
in england
about her never wearing
high heels.

she yelled constantly
at me for stealing our
one blanket as we
rolled along the wet deck
trying to sleep.

finally someone yelled out
land ho.

we all screamed with joy.
pointing at 
the rocky shoals.

but the captain said, no.
not there.

what the hell.
he had the map upside down.
at that point we were 
so sick of eating fish
we started to eat
our shoes

and parts of the ship.
all of us had cut lips from
the splinters.

finally we landed.
we had nothing.

the indians killed off half
of us
in about two minutes
for stealing their corn,
i got an arrow in my arm,
which i immediately broke
off and ate.

the rest got measles,
chicken pox,
and whooping cough,

but there were lots of squirrels
to eat.
i made a coat out of about
a dozen rabbits
and was quickly named

mayor for the week.

i'll never forget that first thanksgiving
though.

turkey, mashed potatoes.
gravy.
someone found a pumpkin
pie in
storage next to the salt,

then we put the game on.




party time

i invite thirty five of my dearest
and closest
friends
over for thanksgiving.

i figure maybe three will make
it.

i have the swanson turkey tv
dinners
stacked in the freezer
and ready for the oven

set at 375.

no need for a pie, or cake,
i tell them.

Swanson has that covered with some
sort of apple
glop in a little tiny

side compartment of the aluminum
tray.

just bring whatever you're drinking

and your hazmat suits, extra masks.
i have straws,
plastic utensils.

i have all sorts of cleaners,
bleach.

wipes.
etc.
take the side entrance and
come up
the fire escape.

the law is on the look out for
gatherings.  tip toe quietly.

text me when you get here.

just her tree

she tells me that the tree
in her yard
can be seen from outer space.

it's a strange thing
to say
and yet

i wonder what else can be seen
from so high.

how small our world
is.
how important the unimportant
seems
to be.

when alone.
when lost, when grasping for
straws

treading water
in a placid sea.

Tuesday, November 24, 2020

Poem 3

i turn back the clock.
i empty
my pockets of all things
that are important
to me.
i throw my wallet into
the street.
i burn
the photo albums.
i erase
the messages on my
machine.
i take a broom and sweep
clear the rooms.
i am not
who i was before this.
i am exactly the same
boy my mother kissed
and sent to school.
i'm going back to that.
to the innocence
of childhood, 
the brightness of youth.
taking with me 
the wisdom i've learned,
all pain removed.

there is crying, of course

there is crying of course.
sadness,
sorrow,

confusion.
death is like that.

and as i lie here looking
out

upon the crowd. i see
many people

i haven't seen in quite
some time.

well dressed as they bend
towards me
and say
things

i've never heard them say
before.

how they've aged.
how strange

to be now on the other side
of life
peering out.

it's almost the first time
i've ever really

not been worried
about someone or something

trying desperately
to make things right.

he'll have to do

there are no more sugar plums
dancing in my
head
she tells me.

no disney princess story.
no cinderella
losing a slipper.

at our age,
he's good enough.
he can chop wood, and 
lay tile.

he's handy.
the dog seems to like
him too.

i'll settle for this. for him.
we get along, as best we
can

he's someone i can live with.
i can trust
and

almost understand.
a simple man with no
ambition

no plan other than being
with me
morning noon and night,

seeing out our final
years together is what he wants.

at least it's not misery.
it's good enough for
now.

in fact at times, it almost
feels like love. though
it's not.

the white page

i stare at the white page
imagining things i might say,
what i might write
if i wanted life
to go a certain way.
to manipulate
the cards
that have been dealt.
trick fate.
i could
rant and rave, to get things
of my chest,
out of my mind,
to try and save
what's been lost.
but i don't write a single
sentence,
not a word.
not a phrase.
silence and the purity
of white
will remain upon this
cotton cloth.

she's yours now

there is a man outside the window.
he looks familiar.
his hands are in his pocket
his collar up
in the cold wind.
he looks like
he has questions to ask.
he may be lost.
he may have found what he's
been looking for
in the empty space out front.
i wave to him.
he waves back.
he smooths out the grey
in his hair,
his mustache.
age has caught up with him.
i want to tell him she's no
longer here.
she's yours now.
go home. it's okay.
may peace be with you.
relax.

you sit in a chair

you sit in a chair
and wait
for tomorrow to begin.

the room is cold.
the walls are as white as

a wedding dress
without the promise.

you remember childhood.

and then
when it wasn't childhood.

what comes next
reminds you of the blank
page

in the back of a book.
you sit in the chair and listen

to nothing.
not even your heart
is loud enough
to fill your ears.

you are waiting.
it seems you have been waiting
for a long
time.

for what you aren't sure of,
but it feels
close.

it feels near.
you wait some more.

you sit in a chair.

the missed calls

i see
that there are seventeen
missed calls
on my voice mail.
not a single 
message left,
and yet
the one i pick up
on and take
is the one i wished
i missed
the most,
the one i'll always
remember.
the one i'll always
regret.

xmas prep

i'm ready for christmas.

my three cards
have been signed and stamped.

sitting on the table.
i've got
the candles out.

the snow globe brought
up from the basement.

the small aluminum tree
that i put on
the console.

a string of lights plugged
in behind
the side table.

i've got a wreathe on the door.
and some
of those pine
cones in a bowl

that make me sneeze.
eggnog in the fridge.

and some sugar cookies.
what's left?

a stocking hung on the fake
fireplace.

that's it. done.

the black stapler

i stare at the black stapler on my
desk
that i stole in spite
from the last office job i had.
i try to remember
the last time i used it.
maybe nine years ago
when i had to staple
up some divorce papers to send
to my lawyer.
it's full of staples
and ready to go when needed
again.
so i just can't part with it.
at least not yet.
there's a will to make.

don't ghost me

if we do this, you're not
going to ghost me
are you?

what, did you say something?
this
snap won't come undone.
why are there so many snaps?

we might have to turn the light
on unless
your phone has a flashlight.

i'll get it she says.
reaching behind
her back.

i said, you aren't going to
disappear

and never call me again, or
text

or anything like that are you?
you know, ghost me?

i just need to know
that before
we go any further.

hey,

i tell her.
do you really think i would do
that?

what's up with this crazy button,
for the life of me i can't
get it undone.

and then it starts to rain

i almost buy
a piece of property
down
south.

next to the river bank.
the agent says, we haven't
had 

a flood in weeks.
i believe him as i hold
up the pen

about to sign my name.

it's going to be my dream house.
my last
stop.

where lulla belle and I will
grow old together
in sweet marital
bliss,

my final resting place.
and then it
starts to rain.

don't let the door slam

i miss the sound
of a screen
door slamming and my mother
yelling out
don't let the door
slam while
she was on the phone blabbing
to her friends
about
a chicken recipe.
i don't even know why
we had a screen door.
the screen was busted
out at the bottom
where the dog would run
out and come back in
and at the top were holes
where balls struck.
flies and bees and the occasionally
bird would be all
over the house.
why we kept that rattling
slamming
door on its hinges is
beyond me.
i'm sure it's still there,
though,
and someone else's mother
is yelling
the same thing.

red white and very blue

i used to work on my american
made
cars.

chevy's and pontiacs,

back in the 70's and 80's.
oil pumps,
water pumps,

gaskets, filters.
leaks.

carelessly made junk
that broke down a mile
away from
the show room floor.

on saturdays
i was always on
my back asking
someone to hand me a wrench.

and then i bought a little
honda from japan

and never again
opened the hood of a car.

much to my father's dismay,
calling
me a traitor
to this day, he just can't

let go of that silly little war.

five hail marys

i feel a sin coming on
i tell
her as she closes in for a kiss.
her hand
on my knee.
her eyelashes
batting like
the wings of a bird in heat.
not to worry
she says.
tomorrow is sunday.
we can go to church
and confess,
do our penance 
and be good to go 
once clean.

apple martinis in bed

she melted
my butter, curled my
toes.
gave me reason to live.
she never
burned a single
piece of toast.
made the bed, baked
a slew
of cookies.
she even
was intimate if i was
a good boy
and let her
run wild when i wasn't
around.
it's hard to get these
people
out of your head,
without therapy
and books
and you tube videos
and 
apple martinis that
you sip in bed.

rinse and repeat

ingrid asks me why o why
do you keep
writing about the past.

about past relationships,
about women that have done you wrong,
things that have
gone bad.

i don't know i tell her.
it's fun, i guess. and i don't
have a crystal ball to look
into the future,

so i got nothing to say about
that, at least
not yet.

firing my doctor

i need a new doctor.
the one
i have stinks.

not literally, but if i told her
i had
something wrong.

an ache a bruise,
a bone

pointing in the wrong
direction,

or i'm seeing double lately,

she'd say, oh, oh my.
that's too

bad.
have you had your flu
shot yet.

you can't

you can't unsour
the milk

unstale the bread.
you

can't undo the meat
that's gone
bad,

or uncrack the egg
that's spilled,

and yet we keep them
around

just same,
hoping beyond reason

that things will change.

Monday, November 23, 2020

to the bitter end

i feed
the cat her food.
premium cat
food, black caviar
and fish,
but do i get a thank you. no.

she's selfish
and aloof.

distant
and quiet. always in
a strange
mood.

i try to pick her up
but she claws

my hand, drawing
blood out

in four lines of skin.
i put her out the door.

she disappears for a while,
finding an alley
full of strange
cat men,

but returns
in the morning, her hair
a tangled mess,

her lipstick on her chin.
she cries and cries
to come back
in.

so i let her in.
i always let her in.

codependent to the bitter
end.

the senior book club

the book club,
everyone over the age of
seventy,
is reading the joy of sex.

the illustrated
version

with real photographs
of real people

not those stick figures
charcoal sketched

who neither bend or flex.
the discussion

is short and brief.
one woman says. oh,

i remember trying that once
with Edgar,

it was fun, but he hurt his
back
and was never the same
after that.

another man has to excuse
himself

and go into the bathroom
taking
the book with him.

the discussion goes dead
after
a while.

and someone says, let's have
a drink.
so the drinking begins,

martinis go around,

the lights go down.
someone puts on the some music
from their phone.

dancing ensues.

what's the next book we're
discussing
yells betty and joe,

from the coat room.

the cosmic dots

do we need to think

that stubbed toe
is the beginning of the end of things.

the flat tire,
the broken nail.

the lace
that's frayed and will not
tie again.

do we connect some cosmic
dots
and call it a bad
day,

the beginning of a bad week.
do we lump

it all in with the news and say
it's just the year 
we're in.

it will be over soon?

off my trolley

i find myself
drifting off into a british accent
from time to time.

it's not that good, but it gets the job
done

when i need
to speak to someone
who might be amused by
such

fun.

and yes.
i do think that i'm off my
trolley

today,

so early in the week.
just monday?

dear lord, i do so miss
my 

tea times across the pond.

i'll drink to that my dear

we have a delightful conversation
about fruits

and vegetables.
i can tell she's on 

her third martini.
i hear the clink of the glass.

the splash of an olive
going in.
she starts off with asparagus

and i segue into
squash corn,

then gin.

we talk soups, and desserts.
how ripe
the pomegranates
are
this time of year.

but how small the oranges
are.
she claims

she's never tasted a potato quite
like the one
she had

last night for dinner.
those

granny apples are special
too.

maybe i'll make an apple for
you.
make the crust

thick and crispy, i tell her.
and she says

cheers. i'll drink to that
my dear.

the long ride to the city

on the bus to new york
a kid

is crying. he won't stop
crying.

his mother
has her ear phones on

tapping her foot
and mouthing the words

to a song that only
she can

hear.
the kid has his gooey
fingers on the window.

drawing patterns on 
the glass with his face
in abstract smears.

he looks back with a demonic
smile,

then throws
a pickle at me from
the hamburger

he has in his hand.

he's
red faced, tear stained.
his blue

eyes dark as the devil's.
it's going to be a long
long ride

into the city.

the pre date questionnaire

did you vote.
recycle.
do you go to the doctor.
do you weed,
do you see your children
often.
your parents.
do you save
your money.
do you drink and drive,
speed.
do you go to church,
do you give,
do you volunteer,
do you get eight hours
of sleep
do you floss
do you eat raw,
avoid dairy
and meat.
do you meditate
did you validate your
parking,
cut out some coupons.
do you wear
a mask.
do you help the poor
are you kind
to the unkind
compassionate and loving
to those
less fortunate.
have you ever been arrested,
do you have
a psychological
disorder.
how many times have you
been married?
are you ready for a commitment.
loyal and true,
how much do you weigh,
how tall are you,
how's your blood pressure,
your blood sugar,
your cholesterol count,
your IQ
where did you go to school?
i've never done
this before.

should i be afraid of you?
maybe zoom first, okay?

the widow stepping out

the widow

no longer in black, but
 pink
and frilly white,

is done mourning. she's mourned
for most
of
her life 

the choices she made.
stuck

in the sadness
of love
soured. decades of biting
her tongue,
being silent.

but game over.

now it's her turn to take
a swing

at the night. stepping
out

with lipstick on, heels.
dressed

to but nines. may he rest in peace,
but
it's way over due
to live,

to have fun.

the old rockers

i see the old rockers.

still 
in leather.
still rolling their joints

but no longer with the boone's
farm

now it's red from france,
or nappa
valley.

the long grey hair.
a pony tail.

hanging on to bruce,
to journey

to the rolling stones
and others.

keeping the flame going.
the old hippie

chicks and dudes.
beads

and tie dyed clothes,
and hair.

the boots.  they are stuck
somewhere.

dreaming of woodstock,

not here. but
the party ends at ten
now.

we need to get home,
call the grandkids
and tell
them

we were there.


Sunday, November 22, 2020

lost in the crowd

there are geniuses among
us.

but we don't know.
they are lost in the crowd.

they might be pumping gas.
stocking shelves.

cutting grass.

lying flat, drunk and broke
on skid row.

the brilliant minds
and talents

of the world aren't always
out front.

aren't in the news.
on shows.

not at all, 
in fact i saw a grocery
clerk the other

who had that gleam
in her eye.

i could see the brilliance
she possessed

in the way her hands moved,
the way
her lips parted

when she took a breath.

the way she held herself
above the grey
of her life,

above the struggle,
above the rest.

let's go for a ride

my friend, who turned seventy
five
the other
day

said out loud.
this might be the last car
i buy.

he laughed.
but i understood exactly
what he meant.

he tells me about the engine,
the horsepower.

the leather seats,
the manual shift.

he tells me what it does
in the quarter
mile.

even at this age, just a simple
like a car

that goes fast
will make him smile.

come on, he says, get in.
let's go for a ride.

your life now

i haven't
melted in a while.

i haven't sat with head in hands
and

let out 
a storm.

i haven't been there
for sometime.

strange
what healing does.

at last,
to heart and mind.

come sit beside me.
it's about

your life now,
not mine.

the ingredients needed

i don't like to measure,

no cup
or spoon, no sifter,

no reading from the book.
no recipe

needed.
i know what i need to put
into

this relationship,
to make it work.
to bake

love
without a glitch.

trust
loyalty
affection
respect,

all musts.

i turn the oven on
and begin
there.

no surprises

i don't want to be surprised
anymore.
i don't
want to find a note
in your over coat,
find
a message in a bottle
washed upon
the shore.
i don't
want to pick up your phone
and find
out what i already 
know.
i don't want to know anything
anymore
about anyone
i love.
just show up and be true.
trust me
and i'll trust you.

good luck, bad luck

i blew out the candle
without

making a wish.
i'm very done with making

wishes.
tossing coins into fountains,

searching for that falling
star
in the sky.

i no longer avoid
the ladder
and walk around it.

i'll
step on ever crack,
and pet

every single black cat
i come upon

and wish it well.
bad luck
good luck.

in this age we live in,
it's so
hard to tell.


outside of your own

you see pictures
of houses being washed out
into the sea

or set on fire,
burning
like squared candles

among the trees.
you see

people with all their belongings
in a bag,

searching
for a new path.
grasping late in life

for some semblance of
dignity.

there's the dying, the sick,
the needy.

deformity.

you watch it all as if from
afar.

feel bad.
then change the channel,

you can only take so much
misery

outside of your own.

things happen

unfortunate things happen.
they do.

is God's hand
on this.

his dark humor,
his
spiteful vengeance 
for things

he does not approve,

or is there is someone else,
to blame
it on.

perhaps a fallen man,
or dark

angel,
red skin and hooved.

the night we met

the night we met
was
different. how quickly it
went
from zero
to ninety
under the ocean moon.
the black
car waiting,
a hand suddenly in
hand
the touching
of a knee.
the salt and brine,
the still warm sand.
the night we met
will be ours
for many years,
my head is still in
the clouds,
i've yet to land.

Saturday, November 21, 2020

the therapist and i

don't worry about me.
i tell my therapist
stretching out

on her couch,
my hands behind my head.

you worry too much.
really
everything is fine now.

let's talk about you for a change,
enough about
me.

she laughs.
you're funny, she says.

tapping her pen
against her yellow legal
pad.

now tell me about the set back.

the red transistor radio

i'd hold the red
transistor radio up against
my ear
as i lay in
bed.
the volume low so as not
to wake
my brother, two feet
to my left
in another bed.
i listened
to the songs
of my youth, learning
every beat,
every word
every new tune.
the beatles.
the stones.
dylan.
the dave clark five.
i'd fall asleep to them,
with the battery
dying, running low,
then wake to nothing
but the alarm
and my mother yelling
up the stairs.
you're going to be late
again.
let's go.

finding home

i count
the times of moving.

eighteen in all.
most 
against my will.

or trying to get closer
to someone

i wasn't close to
at all.

seven states
two countries.

the boxes, the trucks.
the plugging
in and out

of sockets. the nails
pulled
and struck again into
new walls.

up goes everything one
more time,

one last time, i ponder
and then
goodnight, that's all.

am i talking too much

she's worried about
the spinach
that might be in her teeth.
or if
her hair looks
right,
or if her dress is too short,
her blouse
too tight.
am i  talking too much,
she says.
no, i reply.
not at all. not one bit
she doesn't
have to worry,
i like the whole package.
she's
a perfect fit.

show me yours

what?
this scar. oh you don't want to know
about that
one.
it's an old
wound.
very old.
took a long time to heal.
years, in fact,
but
it did.
now show me yours,
and be
honest, nothing surprises
me anymore.

light baggage, please

we want to claim
small baggage
at the turnstile. we want
to say
we have no
burdens
no skeletons in the closet.
we want
no drama,
no old loves hanging
tightly
to the rails of your
life.
we want to be done
with
yesterdays troubles.
we want this new day
to be empty
of sorrow, we want
the weight of what
we carry to be easy,
to be light.

the museum of modern art

i have a picture of her
in
the museum of modern art
in
new york,
of course.
it hasn't faded.
that memory of her
and i
in the city.
walking in the cold
from the roosevelt
all the way
through
the park,
to guggenhiem. 
her face
wrapped upon a smile
as she
stares
at the nude sculpture of a
man.
oddly life size.
i know that look.
i know it well.
we taxi back when we've
had our
fill of art,
this time, no train, or
walking
slowly
back to the hotel.

at the stove

my mother meditated,
although
she wouldn't call it that.
she'd call
it stirring red sauce in a
two gallon
pot on the stove.
but there she stood,
calm and collected, her
thoughts elsewhere
as the sauce bubbled
and boiled,
adding salt, or pepper
another garlic clove.
she was there, or somewhere,
but in a far away
place we
were never told.

namaste yo

i'm not wild
about this new age malarky.

(is that still a word)

live in the moment.
really.
what other moment can you be in?

forget the past.
right.

and repeat your mistakes.
meditate

and empty your mind.
find
peace
in thinking of nothing.

sigh.
breathe. please. should i
not
breathe? thanks for reminding me.

i was wondering why i was
turning blue.

i want to think. i want
to remember.

i want to know everything
i've ever said

or done.
i want to own what's mine

and be better for it.

it's not good to be silent,
to be deaf.

to be blind. 
namaste, yo.

i don't think so.

sorting through yesterdays

in the early morning
rain
i clean out
some drawers, some boxes
in the attic
some stacked
high in the laundry room,
on the cellar floor.
old
things from the seventies
then eighties,
then nineties.
it's an archeology dig
of sorts.
memory lane
with a twisted road
full
of abrupt detours.
picture frames with
photos of loves lost
still
behind the glass.
rings
and watches.
a card, a note, a napkin
with a lipstick stain.
i find a nylon stocking.
and a heel,
red valentine
things, tucked away
and safely
stored, but for what?
a tool belt
holding lipstick and perfume.
slowly
i take each item out.
it's a long long day,
a journey
backwards and before
long it's no
longer afternoon, and i
don't have the courage to
throw a single thing away.

circling

i see a hawk
in the sky circling.

circling, slowly dropping
then

a swift rise.
the shadow of it's stretched
wings upon
the ground.

i understand it completely.

it's what i
do when shopping for clothes,

or things i don't really need,

or for someone
that's caught my wandering

eye.

rolling my eyes

i roll my eyes a lot at things
and mumble
under my breath.
really, no turn signal, and your
going left?
or right. make
up your mind and be
done with it,
or
soup again for dinner.
how much
chicken noodle soup
and one man eat
before passing out
of starvation.
i mean no never mind by
doing so, it's just a habit
learned in school
when homework was
handed out or the cute girl
in pigtails in front of me
said,
stop kicking my chair
or i'm going to tell on you.

so what else is new?

people often point
at
my clothes or hands,
my shoes,
or face
or the top of my head and say
with a pointed finger,
you have paint
on you.
right there, and there,
and there.
i know, i tell them.
i know.
so what else is new?

putting the brakes on

i put the brakes on,
and come to a screeching halt
with food.

out with the sugar and salt.
out with

the fatty foods.
the starches.

good bye bread,
good by potatoes my dear
old friends.

idaho and redskins.

down the drain goes
soda and
cow juice 

into the trash go the oreos.
the ice cream

too, but only after having
one final

enormous big scoop.

way too happy

she's too happy.
too much fun, too perky
too full of herself.
nothing
ever seems to be
undone.
rarely does she swear
or get angry
or feel blue
or get down
in the proverbial
dump.
and if she does, she
only stays for the very
briefest of moments.
she's too happy,
as if she knows the score,
has it all figured out
from top
to bottom.
i'll have whatever
she's having.
i want some of that,
pass me
the bottle of her faith
and fun.