i start to tell my therapist
about recent events
when she interrupts me
in mid angst sentence
and holds up her hand.
these shoes are killing me,
she says.
my boyfriend insisted i
get these red pumps and
my toes feel like their
being tortured.
i nearly broke my ankle
coming into work today.
she takes one off and holds
it in front of me.
it's a beautiful red shoe
from nordstroms. a nice
glossy red with a long heel.
i can see the blisters
on her feet. do you mind
if i take them both off,
she asks, as she does so.
no, i tell her. please.
make yourself comfortable.
okay, she says, grabbing
her pen and pad while
stretching her legs
out on the chair beside
me. i wish i had a pan
to soak them in. anyway.
where were we?
Wednesday, February 28, 2018
indecision
I see him
on the bridge, the water below.
the road.
the trees
that reach where he's standing.
a crowd
gathers.
he hangs on with hands
in back of him,
touching
the crumbling
marble of the ancient
wall.
someone comes up
asks him if he's
going to jump
or not.
traffic is piling up.
the crowd
is making it impossible
for people to go to work.
he looks around
at the waiting faces.
they just
want to get on with their
own lives,
not caring too much
about
what's to come, or not
come.
on the bridge, the water below.
the road.
the trees
that reach where he's standing.
a crowd
gathers.
he hangs on with hands
in back of him,
touching
the crumbling
marble of the ancient
wall.
someone comes up
asks him if he's
going to jump
or not.
traffic is piling up.
the crowd
is making it impossible
for people to go to work.
he looks around
at the waiting faces.
they just
want to get on with their
own lives,
not caring too much
about
what's to come, or not
come.
Tuesday, February 27, 2018
the pressure
the barista in his green
apron, with his earrings
and lip piercing
glimmering in the low
light of the coffee shop
tells me to have a good day.
same to you
I say
taking my coffee in hand.
licking the overflow
of vanilla foam
off my thumb.
all day I think about
what he's asked me
to do, to have a good day.
so i keep at it.
I smile. I forget my
troubles. I am conscious
of making this the best
day possible.
but it's hard. so
tomorrow i'll make
my own coffee at home
to not be under
such pressure.
apron, with his earrings
and lip piercing
glimmering in the low
light of the coffee shop
tells me to have a good day.
same to you
I say
taking my coffee in hand.
licking the overflow
of vanilla foam
off my thumb.
all day I think about
what he's asked me
to do, to have a good day.
so i keep at it.
I smile. I forget my
troubles. I am conscious
of making this the best
day possible.
but it's hard. so
tomorrow i'll make
my own coffee at home
to not be under
such pressure.
nothing to say
exhaustion sets in.
lies
next to sadness
and futility.
wearily
I move over and let
grief
and sorrow
into the bed as well.
we lie
there beside one another,
still as stone
and say nothing.
what more is there
to say. what more can
be done.
lies
next to sadness
and futility.
wearily
I move over and let
grief
and sorrow
into the bed as well.
we lie
there beside one another,
still as stone
and say nothing.
what more is there
to say. what more can
be done.
there is work
it's work.
this glue, this binding.
what holds
the book
together.
the pages worn, earmarked
and stained.
it's work.
this day into another year.
the boots on.
the splattered shirt.
the dusted hat.
we find
what we need to find
and eat.
we settle into
our chairs,
our bed at the end
of the day. we wait
for sleep and sigh
into the darkened air.
tomorrow
there is work.
this glue, this binding.
what holds
the book
together.
the pages worn, earmarked
and stained.
it's work.
this day into another year.
the boots on.
the splattered shirt.
the dusted hat.
we find
what we need to find
and eat.
we settle into
our chairs,
our bed at the end
of the day. we wait
for sleep and sigh
into the darkened air.
tomorrow
there is work.
the gas
the furnace
won't stay lit.
the gas
seeps out into the air.
misting
into rooms,
into our lungs as
we sleep.
we need the fire
to burn
it off.
we shiver
in our bed and listen
to the vents
empty
of wind.
we wonder what the house
is telling
us,
whispering to us
about who once lived
here.
we take a match
down the dark
steps and pray.
won't stay lit.
the gas
seeps out into the air.
misting
into rooms,
into our lungs as
we sleep.
we need the fire
to burn
it off.
we shiver
in our bed and listen
to the vents
empty
of wind.
we wonder what the house
is telling
us,
whispering to us
about who once lived
here.
we take a match
down the dark
steps and pray.
wrong address
I get a photo in the mail.
carefully
I open it. afraid
these days of any
envelope
that reaches my house.
it's a horse.
a small horse
in a field.
there's no one else
in the photo.
there's a red barn
in the background.
hills.
trees.
a small white chicken
in the yard.
I want to give
some meaning to the horse.
to the photo.
the empty field.
but I've
got nothing and let
it go.
I tear the photo in two
and drop it into
the can. then I look
at the envelope.
it's addressed
to the neighbor next door.
carefully
I open it. afraid
these days of any
envelope
that reaches my house.
it's a horse.
a small horse
in a field.
there's no one else
in the photo.
there's a red barn
in the background.
hills.
trees.
a small white chicken
in the yard.
I want to give
some meaning to the horse.
to the photo.
the empty field.
but I've
got nothing and let
it go.
I tear the photo in two
and drop it into
the can. then I look
at the envelope.
it's addressed
to the neighbor next door.
today
the future is not
what it used to be.
the unknown
stays ahead of us,
a vague figure
in the fog.
the past is
so far behind.
nothing to do about
what's coming
or what came.
it's the moment
that counts.
the shoe striking
the pavement.
the air
coming in, going out.
what it used to be.
the unknown
stays ahead of us,
a vague figure
in the fog.
the past is
so far behind.
nothing to do about
what's coming
or what came.
it's the moment
that counts.
the shoe striking
the pavement.
the air
coming in, going out.
Monday, February 26, 2018
the palm reader
the gypsy laughs
as I give her my hand,
palm up.
boy oh boy she says.
would you look at this mess.
ain't you seen it all,
she says
laughing. she yells to her assistant,
jezebel, who's making chicken
soup and nursing a baby
behind a beaded curtain.
get a load of this dude's
palm. she says. jezebel comes in
and they both
slap their foreheads and shake
their black mops of wild
hair.
this one's free, she tells
me.
sit down you poor poor man.
this one's on the house.
oh the trouble you've seen.
jezebel get this man
a cold drink. make it a double.
gin and tonic, I tell her.
Tanqueray, she yells through
the curtain as it sways
between rooms. get the cheese
and olive tray too.
as I give her my hand,
palm up.
boy oh boy she says.
would you look at this mess.
ain't you seen it all,
she says
laughing. she yells to her assistant,
jezebel, who's making chicken
soup and nursing a baby
behind a beaded curtain.
get a load of this dude's
palm. she says. jezebel comes in
and they both
slap their foreheads and shake
their black mops of wild
hair.
this one's free, she tells
me.
sit down you poor poor man.
this one's on the house.
oh the trouble you've seen.
jezebel get this man
a cold drink. make it a double.
gin and tonic, I tell her.
Tanqueray, she yells through
the curtain as it sways
between rooms. get the cheese
and olive tray too.
make it go away
you despise them
but sometimes you need one.
a good lawyer?
someone who can cut
to the chase.
a man or a woman in a sharkskin
suit who can
see the light at the end
of the tunnel.
someone who can make it all
go away.
let you sleep at night,
penniless perhaps,
but well,
whatever.
but sometimes you need one.
a good lawyer?
someone who can cut
to the chase.
a man or a woman in a sharkskin
suit who can
see the light at the end
of the tunnel.
someone who can make it all
go away.
let you sleep at night,
penniless perhaps,
but well,
whatever.
the crazies
we need lines
in the sand.
walls of brick and mortar.
barbed wire.
chain link.
tall fences
with mirrors and wires,
cameras.
we need barking dogs
and alarms.
we need protection from
the crazies
of the world.
from the ones who want
in,
who can't let go.
who tunnel
into the earth to get
to where we are.
look how they swim
across the moat with
torches,
with arrows
and bullets.
they are relentless,
unmedicated and lost.
in the sand.
walls of brick and mortar.
barbed wire.
chain link.
tall fences
with mirrors and wires,
cameras.
we need barking dogs
and alarms.
we need protection from
the crazies
of the world.
from the ones who want
in,
who can't let go.
who tunnel
into the earth to get
to where we are.
look how they swim
across the moat with
torches,
with arrows
and bullets.
they are relentless,
unmedicated and lost.
all yours
I show her my scars.
the old bruises.
the bumps,
the redness of muscles.
I show her
how my finger was twisted
from a long
ago injury. the broken
bone that healed.
I lie down on the floor,
take off my clothes
and stretch out my arms,
my legs.
I open my mouth.
I let her peer inside.
I tell her to take a long
good look.
I tell her to put her
ear to my chest
and listen to my heart.
I ask her to listen
to my lungs
as they grow and diminish
with each breath.
I tell her that I have
nothing to hide.
no secrets. no lies.
look as far into my eyes
as you can, I tell her.
i'm yours. all yours.
what's on the outside.
what's within.
the old bruises.
the bumps,
the redness of muscles.
I show her
how my finger was twisted
from a long
ago injury. the broken
bone that healed.
I lie down on the floor,
take off my clothes
and stretch out my arms,
my legs.
I open my mouth.
I let her peer inside.
I tell her to take a long
good look.
I tell her to put her
ear to my chest
and listen to my heart.
I ask her to listen
to my lungs
as they grow and diminish
with each breath.
I tell her that I have
nothing to hide.
no secrets. no lies.
look as far into my eyes
as you can, I tell her.
i'm yours. all yours.
what's on the outside.
what's within.
should have had the meat lasagna
I get the lemon
veal
with artichokes.
penne pasta
sprinkled in parmesan cheese.
sprigs of parsley.
it's a mistake,
but I wanted to prove
that I could
try different things
in my life,
that I could be
spontaneous and free
from my
long engrained
habits, not stuck in
my ways,
but after one bite
I know,
as I do every time
I try eat out of
the proverbial box,
that I should
have had
the meat lasagna.
veal
with artichokes.
penne pasta
sprinkled in parmesan cheese.
sprigs of parsley.
it's a mistake,
but I wanted to prove
that I could
try different things
in my life,
that I could be
spontaneous and free
from my
long engrained
habits, not stuck in
my ways,
but after one bite
I know,
as I do every time
I try eat out of
the proverbial box,
that I should
have had
the meat lasagna.
to kneel and pray
we kneel
to pray
and listen as the priest
goes
through
the stations of the cross.
the pews
are scattered
with mostly
older men
and women.
they've been catholics
their whole
lives
never straying once,
but making
every mass,
again and again.
you can't say the same.
but you're trying.
to pray
and listen as the priest
goes
through
the stations of the cross.
the pews
are scattered
with mostly
older men
and women.
they've been catholics
their whole
lives
never straying once,
but making
every mass,
again and again.
you can't say the same.
but you're trying.
stop the bus
the bus is crowded.
we are
meat in a rolling
sub sandwich
of metal
and fumes.
the driver is in and
out of traffic
like a drunken
sailor
on leave.
it's Friday.
everyone has the look
of a long week
on their faces.
we just want
to get home. get
off this bus,
but there are miles
to go,
stops to stop at
while we spin and creak
down the city
streets.
we are
meat in a rolling
sub sandwich
of metal
and fumes.
the driver is in and
out of traffic
like a drunken
sailor
on leave.
it's Friday.
everyone has the look
of a long week
on their faces.
we just want
to get home. get
off this bus,
but there are miles
to go,
stops to stop at
while we spin and creak
down the city
streets.
when you marry an evil person
how easy
we are fooled by affection.
the smile,
the sex,
the kindness handed out
in large
doses.
it's a game of sorts.
it all ends
once their in and have
a set of keys.
the broken winged bird
needs a nest.
needs
food, needs
all the things that are never
quite met.
one night
with your eyes open,
staring at
the black ceiling
and the future
with her, you have just
one regret.
wishing you had never met.
now to get out.
Sunday, February 25, 2018
we have the room
it's hard to be mad
for too long
at the field mice
that find a way in.
so small.
so brown.
their long tails
behind them.
the thin whiskers
alive
with worry.
why not let them in
to burrow.
to wait
out the snow and ice,
the wind.
we have the room.
why not?
for too long
at the field mice
that find a way in.
so small.
so brown.
their long tails
behind them.
the thin whiskers
alive
with worry.
why not let them in
to burrow.
to wait
out the snow and ice,
the wind.
we have the room.
why not?
a plate of hours
anxious to get out
into the yard, she looks out
the window
to the vines,
to the weeds, the fence,
then up to a grey
wet sky.
maybe tomorrow.
maybe the next day. we
need flowers, we need
to see the red
and pink blossoms.
we need sunshine.
a large unburdened
plate of weekend
hours.
into the yard, she looks out
the window
to the vines,
to the weeds, the fence,
then up to a grey
wet sky.
maybe tomorrow.
maybe the next day. we
need flowers, we need
to see the red
and pink blossoms.
we need sunshine.
a large unburdened
plate of weekend
hours.
the white cake
a sliver
of her cake is left.
the white
icing hard,
the morsels of sweet
batter
now cold but moist
under wrap,
on the shelf
next to butter and milk.
shame to see it go
so soon,
so fast.
it was a good cake.
one
to be remember.
one that will always
last.
of her cake is left.
the white
icing hard,
the morsels of sweet
batter
now cold but moist
under wrap,
on the shelf
next to butter and milk.
shame to see it go
so soon,
so fast.
it was a good cake.
one
to be remember.
one that will always
last.
the busy hens
the ice man
with his horse. his
old
chestnut
horse,
sagging under the weight
of blocks
of ice
squeaks up the street.
his wagon
worn
and splintered.
the wheels in need of repair.
the early morning is coolest
to deliver
the ice.
he whistles.
unbothered
by his task.
people need ice. what
would they do without me.
the drinks
not cold?
he snaps the reins and up
and over
the hills he goes.
waving
and nodding to the egg man,
the paper
boy,
the roosters crowing,
the busy
hens.
with his horse. his
old
chestnut
horse,
sagging under the weight
of blocks
of ice
squeaks up the street.
his wagon
worn
and splintered.
the wheels in need of repair.
the early morning is coolest
to deliver
the ice.
he whistles.
unbothered
by his task.
people need ice. what
would they do without me.
the drinks
not cold?
he snaps the reins and up
and over
the hills he goes.
waving
and nodding to the egg man,
the paper
boy,
the roosters crowing,
the busy
hens.
Friday, February 23, 2018
sunny inside
the radio
tells us about the weather.
a siren of sorts
wails
across the air waves.
wear a coat.
boots.
tie down a hat.
it's going to be a rough one.
beware listeners
the man says,
but we don't
listen.
we're in a sunny
frame of mind.
a happy disposition.
love has warmed us
to the brim.
let it rain.
who gives a damn.
tells us about the weather.
a siren of sorts
wails
across the air waves.
wear a coat.
boots.
tie down a hat.
it's going to be a rough one.
beware listeners
the man says,
but we don't
listen.
we're in a sunny
frame of mind.
a happy disposition.
love has warmed us
to the brim.
let it rain.
who gives a damn.
the ping of contact
it's a slow
drip
that won't stop.
the ping
of contact
keeps me up.
the constant
tap
of drop
after drop.
it won't let go.
there's
nothing I can do
at this hour.
I close
the door, put
a pillow over
my head.
in the morning i'll
forget about
it.
or try to.
drip
that won't stop.
the ping
of contact
keeps me up.
the constant
tap
of drop
after drop.
it won't let go.
there's
nothing I can do
at this hour.
I close
the door, put
a pillow over
my head.
in the morning i'll
forget about
it.
or try to.
Thursday, February 22, 2018
come home
the dog is lonely
in the window.
his bark is just a yawn.
he stretches in
the sunlight, ignores
the mail man
as the mail falls
to the floor.
what's the point?
he looks down the street,
listens
for your car.
circles again
on the pillow, scratches
at the feathers
and shrugs.
what's taking him
so long.
in the window.
his bark is just a yawn.
he stretches in
the sunlight, ignores
the mail man
as the mail falls
to the floor.
what's the point?
he looks down the street,
listens
for your car.
circles again
on the pillow, scratches
at the feathers
and shrugs.
what's taking him
so long.
give her room
her sleep
is long now. her dreams,
are they
dreams,
or something else
beyond
what we know.
the glimmer of stars
in her
eyes
is fading.
the shallow breaths
she takes
are numbered.
let's hold her tightly
one last time,
then let her go,
give her room.
is long now. her dreams,
are they
dreams,
or something else
beyond
what we know.
the glimmer of stars
in her
eyes
is fading.
the shallow breaths
she takes
are numbered.
let's hold her tightly
one last time,
then let her go,
give her room.
the love within
I remember her differently.
not in this state
of skeleton
and skin,
hollowed out by the cruelness
of how
all life must end.
I remember what
thrived inside, the sun
the storms,
the clouds
and rain, her ice. and
When she finally makes
out,
i'll remember her for all
the good
she brought
to this world, all
the loved she shared,
and was given.
not in this state
of skeleton
and skin,
hollowed out by the cruelness
of how
all life must end.
I remember what
thrived inside, the sun
the storms,
the clouds
and rain, her ice. and
When she finally makes
out,
i'll remember her for all
the good
she brought
to this world, all
the loved she shared,
and was given.
some people
some apples
never make it to the hand.
never
get tasted for the glory
that they
are,
though perfect
red
and round,
or green as bright as any
leaf
on a tree.
some just ripen
and wait,
then
fall to the ground,
never to be bitten,
to be found.
never make it to the hand.
never
get tasted for the glory
that they
are,
though perfect
red
and round,
or green as bright as any
leaf
on a tree.
some just ripen
and wait,
then
fall to the ground,
never to be bitten,
to be found.
the stage mother
the stage mother
can't wait for the role to come
in.
she's aglow with what
it could mean.
she imagines
her self in the front
row
as the Oscars come in,
the Emmy,
the life time
achievement award.
she's patient and tells
everyone
about how well
the boy is doing. one
day, she says, you'll
see, you'll see,
he's only thirty three,
then she sits down
to sends him a check
to pay
the electric bill.
can't wait for the role to come
in.
she's aglow with what
it could mean.
she imagines
her self in the front
row
as the Oscars come in,
the Emmy,
the life time
achievement award.
she's patient and tells
everyone
about how well
the boy is doing. one
day, she says, you'll
see, you'll see,
he's only thirty three,
then she sits down
to sends him a check
to pay
the electric bill.
the picnic
we take the kids
out
on a picnic. we pack
the big basket,
full of sandwiches,
cookies and drinks.
something there for everyone.
we fold the checkered sheet
to lay down
upon some stretch of
hillside
grass.
we bring the dog,
his leash.
the kids bring a ball,
the wife
a radio,
a portable tv.
grandmother
brings her phone
in case
she gets a call for
a new prescription at
the pharmacy.
I bring a book or two.
the chairs.
we jump into the car
and drive.
we drive for two hours
until we see a spot
near the river.
it's there we park
and take everything
out of the car.
the dog runs off, the
kids chase him.
the sun slips behind
a cloud
and it begins to rain.
there's lightning
and thunder, but then it
clears up. we gather around
on the edge of red and white
sheet and eat. we should
do this more often I tell
the wife.
but she's lying on her
chair. the soft sun on
her beautiful face,
asleep.
out
on a picnic. we pack
the big basket,
full of sandwiches,
cookies and drinks.
something there for everyone.
we fold the checkered sheet
to lay down
upon some stretch of
hillside
grass.
we bring the dog,
his leash.
the kids bring a ball,
the wife
a radio,
a portable tv.
grandmother
brings her phone
in case
she gets a call for
a new prescription at
the pharmacy.
I bring a book or two.
the chairs.
we jump into the car
and drive.
we drive for two hours
until we see a spot
near the river.
it's there we park
and take everything
out of the car.
the dog runs off, the
kids chase him.
the sun slips behind
a cloud
and it begins to rain.
there's lightning
and thunder, but then it
clears up. we gather around
on the edge of red and white
sheet and eat. we should
do this more often I tell
the wife.
but she's lying on her
chair. the soft sun on
her beautiful face,
asleep.
where have you been
she'd collect
sand
from every land she
went to.
Timbuktu,
rhode island,
ocean city,
istantbul.
she kept the handful
of grains,
dirty blonde or white,
golden,
even black,
in small mason
jars
in the cellar.
marked clearly
with tape
and black ink
the places time
and dates.
if someone came over
she'd march them
into the basement
and say there you go,
this is where
I've been,
how about you?
sand
from every land she
went to.
Timbuktu,
rhode island,
ocean city,
istantbul.
she kept the handful
of grains,
dirty blonde or white,
golden,
even black,
in small mason
jars
in the cellar.
marked clearly
with tape
and black ink
the places time
and dates.
if someone came over
she'd march them
into the basement
and say there you go,
this is where
I've been,
how about you?
Wednesday, February 21, 2018
the long distance call
they were married for
thirteen years.
from 1950 until 1963.
the mother, the father.
unlucky 13?
she was a phone operator
in Philadelphia.
he was a navy man making
a long distance
call to boston.
she was going to connect
his call,
ready to plug in the wire
when he said
with a twinkle in his
sea blue eyes.
hey. let's meet for a
drink.
so they did.
seven children later
they were done.
the marriage was over.
off he went. off she went.
what fell between those
years is hard to put
down on paper.
each finding his or her
own way in life.
for better or for worse.
thirteen years.
from 1950 until 1963.
the mother, the father.
unlucky 13?
she was a phone operator
in Philadelphia.
he was a navy man making
a long distance
call to boston.
she was going to connect
his call,
ready to plug in the wire
when he said
with a twinkle in his
sea blue eyes.
hey. let's meet for a
drink.
so they did.
seven children later
they were done.
the marriage was over.
off he went. off she went.
what fell between those
years is hard to put
down on paper.
each finding his or her
own way in life.
for better or for worse.
i've made a mistake
i knew
i knew. i say that now
in hindsight.
four days after
saying i do,
i knew that she was dark.
sick.
a liar. an empty soul.
i knew that she was
trouble.
and yet, i said
i do.
possessed
with some vague hope
that she'd
be someone different
than what
she was.
i fear what's to come.
this will be
the hardest and strangest
year of my life.
i can feel it coming.
and i can't stop
what's coming.
not yet.
secret ingredients
I can tell you everything
about this recipe expect the last
few
ingredients, my friend
jimmy tells me
while he stirs a giant pot
of grey stew.
my grandmother swore me to
secrecy
on her death bed
about revealing the ingredients
of her venison
stew.
the key is to slow cook
and to find
a deer that hasn't been on
the road too long.
salt and pepper?
I ask him.
who told you that? i'm
not saying those are the
secret
ingredients, but i'm not
saying they aren't either.
now give me your word
that you won't ever tell
a soul though.
I promise I tell him,
then call in for a pizza.
hold the meat.
about this recipe expect the last
few
ingredients, my friend
jimmy tells me
while he stirs a giant pot
of grey stew.
my grandmother swore me to
secrecy
on her death bed
about revealing the ingredients
of her venison
stew.
the key is to slow cook
and to find
a deer that hasn't been on
the road too long.
salt and pepper?
I ask him.
who told you that? i'm
not saying those are the
secret
ingredients, but i'm not
saying they aren't either.
now give me your word
that you won't ever tell
a soul though.
I promise I tell him,
then call in for a pizza.
hold the meat.
gun control
if everyone who
owned a gun shot everyone
who owned
a gun
would that solve
the problem
once and for all
about gun violence,
the woman asked
at the community
center
talk
on violence and gun control.
perhaps, the man said,
a politician
with an NRA button
stuck to his
lapel.
but then,
he pondered out loud,
wouldn't innocent people
be dying
for no reason?
next question.
owned a gun shot everyone
who owned
a gun
would that solve
the problem
once and for all
about gun violence,
the woman asked
at the community
center
talk
on violence and gun control.
perhaps, the man said,
a politician
with an NRA button
stuck to his
lapel.
but then,
he pondered out loud,
wouldn't innocent people
be dying
for no reason?
next question.
doing laundry
I wait on the washer
at the blue iguana laundry mat.
I watch the slosh of suds
and grey water
splash against the glass.
the line of machines shine
in the morning light.
the dents
seem natural.
the rust, the lint, the open
doors
are just fine.
there's a basket in the corner
full of dark
wet clothes.
they've been there for
a week.
left and forgotten,
I suppose.
I see the same people
each time I come. we talk of
small things.
leaving out the big things.
we're doing laundry.
but now I come early
before they do.
before they start their
loads
of whites and coloreds.
carrying in their bleach
and detergents.
I want this time alone.
to hear
the spin, to hear the coins
fall into the slot.
to say nothing to no one.
and have nothing
said to me.
I want to fold my warm clothes
on the counter
without a word said,
then go home.
at the blue iguana laundry mat.
I watch the slosh of suds
and grey water
splash against the glass.
the line of machines shine
in the morning light.
the dents
seem natural.
the rust, the lint, the open
doors
are just fine.
there's a basket in the corner
full of dark
wet clothes.
they've been there for
a week.
left and forgotten,
I suppose.
I see the same people
each time I come. we talk of
small things.
leaving out the big things.
we're doing laundry.
but now I come early
before they do.
before they start their
loads
of whites and coloreds.
carrying in their bleach
and detergents.
I want this time alone.
to hear
the spin, to hear the coins
fall into the slot.
to say nothing to no one.
and have nothing
said to me.
I want to fold my warm clothes
on the counter
without a word said,
then go home.
doing laundry
I wait on the washer
at the blue iguana laundry mat.
I watch the slosh of suds
and grey water
splash against the glass.
the line of machines shine
in the morning light.
the dents
seem natural.
the rust, the lint, the open
doors
are just fine.
there's a basket in the corner
full of dark
wet clothes.
they've been there for
a week.
left and forgotten,
I suppose.
I see the same people
each time I come. we talk of
small things.
leaving out the big things.
we're doing laundry.
but now I come early
before they do.
before they start their
loads
of whites and coloreds.
carrying in their bleach
and detergents.
I want this time alone.
to hear
the spin, to hear the coins
fall into the slot.
to say nothing to no one.
and have nothing
said to me.
I want to fold my warm clothes
on the counter
without a word said,
then go home.
at the blue iguana laundry mat.
I watch the slosh of suds
and grey water
splash against the glass.
the line of machines shine
in the morning light.
the dents
seem natural.
the rust, the lint, the open
doors
are just fine.
there's a basket in the corner
full of dark
wet clothes.
they've been there for
a week.
left and forgotten,
I suppose.
I see the same people
each time I come. we talk of
small things.
leaving out the big things.
we're doing laundry.
but now I come early
before they do.
before they start their
loads
of whites and coloreds.
carrying in their bleach
and detergents.
I want this time alone.
to hear
the spin, to hear the coins
fall into the slot.
to say nothing to no one.
and have nothing
said to me.
I want to fold my warm clothes
on the counter
without a word said,
then go home.
nine pages
the angel on my left
shoulder
bickers all day with
the angel on
my right.
do this one says, don't
says the other.
write this,
say that, you deserve
to let others know
how you really feel.
how dare they,
how little they know
of you, or walked
in your shoes.
i breathe in and out.
exhale
slowly.
i come to my senses
shoving
the devil
out the door.
deleting the nine pages
of feelings I
wrote to get even.
shoulder
bickers all day with
the angel on
my right.
do this one says, don't
says the other.
write this,
say that, you deserve
to let others know
how you really feel.
how dare they,
how little they know
of you, or walked
in your shoes.
i breathe in and out.
exhale
slowly.
i come to my senses
shoving
the devil
out the door.
deleting the nine pages
of feelings I
wrote to get even.
nine pages
the angel on my left
shoulder
bickers all day with
the angel on
my right.
do this one says, don't
says the other.
write this,
say that, you deserve
to let others know
how you really feel.
how dare they,
how little they know
of you, or walked
in your shoes.
i breathe in and out.
exhale
slowly.
i come to my senses
shoving
the devil
out the door.
deleting the nine pages
of feelings I
wrote to get even.
shoulder
bickers all day with
the angel on
my right.
do this one says, don't
says the other.
write this,
say that, you deserve
to let others know
how you really feel.
how dare they,
how little they know
of you, or walked
in your shoes.
i breathe in and out.
exhale
slowly.
i come to my senses
shoving
the devil
out the door.
deleting the nine pages
of feelings I
wrote to get even.
in the moment
we carve
initials in the tree
draw
with a finger into
the wet
cement.
take a hand
onto sand before
the next
wave
comes in.
we try so hard to secure
the love
we share,
wanting it to last
without end,
but it's the moment
we're in
that counts most.
initials in the tree
draw
with a finger into
the wet
cement.
take a hand
onto sand before
the next
wave
comes in.
we try so hard to secure
the love
we share,
wanting it to last
without end,
but it's the moment
we're in
that counts most.
Monday, February 19, 2018
as it should be
we wish
on the star zipping
along
the rug
of black sky.
we toss a coin into the well.
we avoid
cracks in the sidewalk.
black cats
and ladders.
we read our horoscope
and have
our palms read. we
look deeply
into the empty
crystal
ball.
we want to know what's
coming.
we want to wish
something into being.
we're a mess at
times, not letting it
all go on
as it should be
and leaving worry behind.
on the star zipping
along
the rug
of black sky.
we toss a coin into the well.
we avoid
cracks in the sidewalk.
black cats
and ladders.
we read our horoscope
and have
our palms read. we
look deeply
into the empty
crystal
ball.
we want to know what's
coming.
we want to wish
something into being.
we're a mess at
times, not letting it
all go on
as it should be
and leaving worry behind.
as it should be
we wish
on the star zipping
along
the rug
of black sky.
we toss a coin into the well.
we avoid
cracks in the sidewalk.
black cats
and ladders.
we read our horoscope
and have
our palms read. we
look deeply
into the empty
crystal
ball.
we want to know what's
coming.
we want to wish
something into being.
we're a mess at
times, not letting it
all go on
as it should be
and leaving worry behind.
on the star zipping
along
the rug
of black sky.
we toss a coin into the well.
we avoid
cracks in the sidewalk.
black cats
and ladders.
we read our horoscope
and have
our palms read. we
look deeply
into the empty
crystal
ball.
we want to know what's
coming.
we want to wish
something into being.
we're a mess at
times, not letting it
all go on
as it should be
and leaving worry behind.
spin the wheel
he takes his paycheck
to the
casino
has a drink. has another.
puts some of it
on black,
some on red.
he spins the wheel,
rolls the dice,
takes another
card.
it's a life.
it's a death.
pay day is next Friday,
hardly soon
enough.
to the
casino
has a drink. has another.
puts some of it
on black,
some on red.
he spins the wheel,
rolls the dice,
takes another
card.
it's a life.
it's a death.
pay day is next Friday,
hardly soon
enough.
the worst mistake i've ever made
i married
this crazy woman,
this anorexic
and suicidal angry witch.
this bleached
bag of bones.
a complete narcissistic
psychopath.
i saw the red flags,
the lies,
the cheating,
the married man still
in love with her.
i saw it all, and yet said
i do.
i blame myself.
what's wrong with me
that i would let
such evil person into my life,
into my bed,
my house?
i need to exit, to escape,
soon,
very soon.
Sunday, February 18, 2018
all hell broke loose
my gut told me no.
the dark look
in her eyes.
her lies.
my relatives,
my friends,
my therapist, my dog
even shook his head
and said no,
don't do it, don't marry
this woman.
she's not who she pretends
to be.
she's a fake.
she's a demon ready to destroy
your life.
crazy as a loon.
all the cards said no.
the stars were misaligned.
there was no luck in
this venture.
no joy. no future.
the pain and sorrow was about
to begin.
and did i listen?
sadly no.
i said i do and then all
hell broke loose.
into open arms
I fill the empty space
with what
can't be bought
or borrowed,
or stolen.
I find it where it can't
be found,
where it must
find me,
when i'm ready
with open arms to
say yes.
with what
can't be bought
or borrowed,
or stolen.
I find it where it can't
be found,
where it must
find me,
when i'm ready
with open arms to
say yes.
yes. me.
who needs a cake,
a gift
a balloon or card.
who needs
things to mark
the road
to bend the corner
of a page
to remember
this day.
who needs a kiss
or warm hug.
who needs a candle
to blow
out.
or a song sung
to celebrate another
year
on this good
cold earth
in the month of
February.
who needs a party.
yes. me.
a gift
a balloon or card.
who needs
things to mark
the road
to bend the corner
of a page
to remember
this day.
who needs a kiss
or warm hug.
who needs a candle
to blow
out.
or a song sung
to celebrate another
year
on this good
cold earth
in the month of
February.
who needs a party.
yes. me.
the black crow
the loud crow,
in mourning,
black as an omen
perches
at the highest point
of a bare tree,
the grey
arthritic branches
tangled
skyward.
what does he know
or see,
what can be told
by this single bird
so high
above you, above me.
in mourning,
black as an omen
perches
at the highest point
of a bare tree,
the grey
arthritic branches
tangled
skyward.
what does he know
or see,
what can be told
by this single bird
so high
above you, above me.
night walk
a blood orange
moon
unbitten shadows
this snow
in vague light. we
walk,
our steps left
behind us
in puddled ice.
our tomorrows before
us.
the bloom
of cold from our
warm lungs
telling us we're
still here.
moon
unbitten shadows
this snow
in vague light. we
walk,
our steps left
behind us
in puddled ice.
our tomorrows before
us.
the bloom
of cold from our
warm lungs
telling us we're
still here.
forward
the swallow of time.
the gulp
of hours
and minutes, fleeting.
the wind
of it all.
the dry thirst
quenched in love,
or not.
the spasm
of rush, the linger
of sleep
and dream.
how uneven and sure
this
life goes towards
its certain end.
the gulp
of hours
and minutes, fleeting.
the wind
of it all.
the dry thirst
quenched in love,
or not.
the spasm
of rush, the linger
of sleep
and dream.
how uneven and sure
this
life goes towards
its certain end.
why not
we all
want the golden egg.
the ring.
the watch.
the pile of retirement
dough.
the lake house
with a porch swing.
we want our feet up.
the sway of stars,
the melting moon. we
want
our backs rubbed.
we want
hot coffee, warm
food,
to be loved
without conditions.
we want nothing,
we want everything.
we want the golden egg.
why not.
want the golden egg.
the ring.
the watch.
the pile of retirement
dough.
the lake house
with a porch swing.
we want our feet up.
the sway of stars,
the melting moon. we
want
our backs rubbed.
we want
hot coffee, warm
food,
to be loved
without conditions.
we want nothing,
we want everything.
we want the golden egg.
why not.
so far away
the slush
of night. the pound of wipers
as the trucks
roll
by so close.
the snarl of traffic.
the dotted lines
of the wet road.
the wind
seering through
the cracked window
as the radio plays
carol king.
the destination so far away,
our head lights
muddled
in the falling sleet,
our bones
weary, our eyes tired
and red.
we dream of sleep.
we dream
of sleep. so much road
behind us,
so much more to go.
of night. the pound of wipers
as the trucks
roll
by so close.
the snarl of traffic.
the dotted lines
of the wet road.
the wind
seering through
the cracked window
as the radio plays
carol king.
the destination so far away,
our head lights
muddled
in the falling sleet,
our bones
weary, our eyes tired
and red.
we dream of sleep.
we dream
of sleep. so much road
behind us,
so much more to go.
the fast year
where did the year go.
the days
and hours
flying
into the wind.
swirling away
like so many leaves,
so much
paper,
flowers unleashed.
where did
the past go,
the laughs and tears,
the small
moments of joy,
the tenderness,
the fear.
where did it all go,
what place does it
land and rest,
living on
in memory.
the days
and hours
flying
into the wind.
swirling away
like so many leaves,
so much
paper,
flowers unleashed.
where did
the past go,
the laughs and tears,
the small
moments of joy,
the tenderness,
the fear.
where did it all go,
what place does it
land and rest,
living on
in memory.
Friday, February 16, 2018
stored away
a box
of yesterdays
goes
into the attic.
that happiness done,
now stored
away
forever or
for a time when a smile
or memory
is needed.
taped and sealed,
wrapped tight.
the secrets
forever resting
in shadows in the cool
dark
light.
of yesterdays
goes
into the attic.
that happiness done,
now stored
away
forever or
for a time when a smile
or memory
is needed.
taped and sealed,
wrapped tight.
the secrets
forever resting
in shadows in the cool
dark
light.
the old job
the circus
needs workers.
the bearded lady shaved
her beard
the other day.
the cannon ball
dare devil
wants no more of it.
he limps
around in a cast.
a broken leg.
the midgets
are tired
of being small.
cramped into trailers.
the trapeze family
are fighting,
no longer willing
to catch each other.
one has cut a hole into
the net.
the clowns are sad
and smoking
cigarettes in a bar
down the road.
the hunger artist
is
fat. there's
barbeque sauce all
over his face.
they've all grown
old
and tired.
there has to be a better
way
to make a living
than this they all
agree.
needs workers.
the bearded lady shaved
her beard
the other day.
the cannon ball
dare devil
wants no more of it.
he limps
around in a cast.
a broken leg.
the midgets
are tired
of being small.
cramped into trailers.
the trapeze family
are fighting,
no longer willing
to catch each other.
one has cut a hole into
the net.
the clowns are sad
and smoking
cigarettes in a bar
down the road.
the hunger artist
is
fat. there's
barbeque sauce all
over his face.
they've all grown
old
and tired.
there has to be a better
way
to make a living
than this they all
agree.
Thursday, February 15, 2018
get there from here
the window
left open for the night
lets
in the cool
air.
fallen leaves
scratch at the screen.
the cat wants out.
a fox
in the woods
with it's baby
cry
wants something else.
a moon
says nothing.
the stars
jumbled
like broken
glass
are far away.
we can never get there
from here.
though we
want to.
left open for the night
lets
in the cool
air.
fallen leaves
scratch at the screen.
the cat wants out.
a fox
in the woods
with it's baby
cry
wants something else.
a moon
says nothing.
the stars
jumbled
like broken
glass
are far away.
we can never get there
from here.
though we
want to.
rare fruit
how sweet her fruit
is.
the first bite.
the juice on my chin,
the drip of it
down my arm.
how nice it is
when ripe, when
picked in season.
right from the tree.
I could eat a basket
of her fruit.
so rare
these days. that
kind of love.
is.
the first bite.
the juice on my chin,
the drip of it
down my arm.
how nice it is
when ripe, when
picked in season.
right from the tree.
I could eat a basket
of her fruit.
so rare
these days. that
kind of love.
the buzz of silence
go away food.
beat it drink.
hit the road sunlight.
give me
rain.
give me wind and sleet
hail storms
under a darkened sky.
no books.
no television.
no computer.
my knees ache.
my hands
hurt from being pressed
together
for so long.
give me the buzz
of silence.
the dream
of yesterday.
beat it drink.
hit the road sunlight.
give me
rain.
give me wind and sleet
hail storms
under a darkened sky.
no books.
no television.
no computer.
my knees ache.
my hands
hurt from being pressed
together
for so long.
give me the buzz
of silence.
the dream
of yesterday.
the itch
the itch
returns. but I can't get
to it.
my arms don't
reach.
my fingers are too
short.
the spot escapes
me.
I need someone to help
me with this.
returns. but I can't get
to it.
my arms don't
reach.
my fingers are too
short.
the spot escapes
me.
I need someone to help
me with this.
Wednesday, February 14, 2018
condo association
they tow
and tow and tow.
one car after another.
the condo board is cruel
and efficient.
don't park here.
or there,
hang your pass where
it can be seen.
no refunds. no pay backs.
no remorse
or worry. too bad for you.
don't park on the line.
don't have
a flat tire, or a crack
in your windshield.
don't leave
your dome light on.
inspections, registration,
all must be
on time.
all night the parade
of cars
on hooks roll out the lot
by the predatory trucks,
while the president
sleeps with a crooked
smile on her
happy elected
face. what fun.
and tow and tow.
one car after another.
the condo board is cruel
and efficient.
don't park here.
or there,
hang your pass where
it can be seen.
no refunds. no pay backs.
no remorse
or worry. too bad for you.
don't park on the line.
don't have
a flat tire, or a crack
in your windshield.
don't leave
your dome light on.
inspections, registration,
all must be
on time.
all night the parade
of cars
on hooks roll out the lot
by the predatory trucks,
while the president
sleeps with a crooked
smile on her
happy elected
face. what fun.
a poem
what isn't
a metaphor. take that rock
for example.
your heart, perhaps.
that cold
stream
emptying into the wide
blue
sea.
your dreams?
what about the gulls,
the black birds
solemn
in their
wired rows?
what can't be written
and turned
into something more
than what it is.
a poem?
a metaphor. take that rock
for example.
your heart, perhaps.
that cold
stream
emptying into the wide
blue
sea.
your dreams?
what about the gulls,
the black birds
solemn
in their
wired rows?
what can't be written
and turned
into something more
than what it is.
a poem?
the beat
the work
is hard. the road
too.
the car won't start.
the tires
are gone.
we take the bus.
we walk.
we put out
a thumb.
the beat, the beat,
the beat.
goes on.
is hard. the road
too.
the car won't start.
the tires
are gone.
we take the bus.
we walk.
we put out
a thumb.
the beat, the beat,
the beat.
goes on.
the hearts
the world
is filled with hearts.
broken
unbroken. sad and
defeated, some blue,
some red
some filled with joy
and hope.
you can see
them dotting the open sky,
floating
like balloons up
into the blue
towards a sun
that will embrace each
and every one.
is filled with hearts.
broken
unbroken. sad and
defeated, some blue,
some red
some filled with joy
and hope.
you can see
them dotting the open sky,
floating
like balloons up
into the blue
towards a sun
that will embrace each
and every one.
the long book
farther
into the book.
I see the plot unfolding.
I see
what came
before
makes sense to what's
happening now
on this page
in this chapter.
I ear mark
the page, and close
the book
in my lap.
I like where it is
right now
and what's to come.
there's no need to
reread or go back
to the chaos
of chapter one.
into the book.
I see the plot unfolding.
I see
what came
before
makes sense to what's
happening now
on this page
in this chapter.
I ear mark
the page, and close
the book
in my lap.
I like where it is
right now
and what's to come.
there's no need to
reread or go back
to the chaos
of chapter one.
Tuesday, February 13, 2018
my therapist
my therapist
is quiet.
she lets me do most
of talking.
nodding sweetly at my thoughts
and words,
a stream of consciousness.
I settle into the long couch
and begin.
often it sounds
like confession,
without the forgiveness,
without the metal screen,
the dark booth.
the smell of candles burning
on the altar.
she asks
if i'm in danger, or if
anyone I love is
in danger.
I tell her no. I don't
think so.
she says good.
there's a long pause
which means something.
how's your mother,
she finally asks,
breaking the silence.
dying, I tell her.
we all are she says.
we all are.
is quiet.
she lets me do most
of talking.
nodding sweetly at my thoughts
and words,
a stream of consciousness.
I settle into the long couch
and begin.
often it sounds
like confession,
without the forgiveness,
without the metal screen,
the dark booth.
the smell of candles burning
on the altar.
she asks
if i'm in danger, or if
anyone I love is
in danger.
I tell her no. I don't
think so.
she says good.
there's a long pause
which means something.
how's your mother,
she finally asks,
breaking the silence.
dying, I tell her.
we all are she says.
we all are.
coffee talk
I've been to jail
he tells me.
I ain't afraid of being
incarcerated again.
I survived the jump,
but he won't
survive jimbo. no siree bob.
it makes
no never mind to me.
someone messes
with my money, then it's
lights out
for that dude.
you hear what i'm saying.
I sip my coffee
and nod.
i'm in the middle of a book
of Buddha quotations.
lingering on
the ones that strike
home.
don't look for the path.
be the path.
yes. I tell him.
taking a bite of my crumbly
blueberry scone.
I smell what you're cooking
brother.
i'll bust him up good
if he don't pay me by this
Friday.
I've got a 32 inch wood
bat sitting
inside my vehicle right now
just waiting to pop him.
he tells me.
I ain't afraid of being
incarcerated again.
I survived the jump,
but he won't
survive jimbo. no siree bob.
it makes
no never mind to me.
someone messes
with my money, then it's
lights out
for that dude.
you hear what i'm saying.
I sip my coffee
and nod.
i'm in the middle of a book
of Buddha quotations.
lingering on
the ones that strike
home.
don't look for the path.
be the path.
yes. I tell him.
taking a bite of my crumbly
blueberry scone.
I smell what you're cooking
brother.
i'll bust him up good
if he don't pay me by this
Friday.
I've got a 32 inch wood
bat sitting
inside my vehicle right now
just waiting to pop him.
as it should be
the neighbor
with her baby bump
is bright
with joy. the first born
now five no
longer crib or stroller
bound
but in ribbons
and dresses.
a small flower
in the winter sun.
they
walk as one
towards
the pathway that winds
between
the houses, into
the grey woods.
so quick
we take their hands,
then let go.
letting them find their
own path,
as it should be.
with her baby bump
is bright
with joy. the first born
now five no
longer crib or stroller
bound
but in ribbons
and dresses.
a small flower
in the winter sun.
they
walk as one
towards
the pathway that winds
between
the houses, into
the grey woods.
so quick
we take their hands,
then let go.
letting them find their
own path,
as it should be.
the weight
there is solace
in prayer.
in reading. in kneeling
with head
bowed.
forgives
and compassion so rare
in this fast
world.
what we do
and what's been to us
by others
weighs us
to the ground, but
opens our
eyes, our wounded
hearts to becoming
better.
in prayer.
in reading. in kneeling
with head
bowed.
forgives
and compassion so rare
in this fast
world.
what we do
and what's been to us
by others
weighs us
to the ground, but
opens our
eyes, our wounded
hearts to becoming
better.
just like that
the men
in the rain, jack hammers
pounding
the pavement.
the brittle noise
echoing
off the houses.
white hats,
green bibs,
boots laced high
covered
in yellow mud.
hammers at their side.
wheel barrows,
picks and axes.
the streets come
up in chunks,
in irregular stamps
of earth.
what seemed
forever is gone, just
like that.
in the rain, jack hammers
pounding
the pavement.
the brittle noise
echoing
off the houses.
white hats,
green bibs,
boots laced high
covered
in yellow mud.
hammers at their side.
wheel barrows,
picks and axes.
the streets come
up in chunks,
in irregular stamps
of earth.
what seemed
forever is gone, just
like that.
the pale sun
the illness of others
brings you
to your knees.
loved ones
or not,
the humbling way
we crumble
over time with no one
getting out alive.
it reduces
all else to pebbles
in our shoes,
the x ray
the blood
the testing all
blotting out a pale
sun with
bad news.
brings you
to your knees.
loved ones
or not,
the humbling way
we crumble
over time with no one
getting out alive.
it reduces
all else to pebbles
in our shoes,
the x ray
the blood
the testing all
blotting out a pale
sun with
bad news.
that look
at the wedding
when Jesus turned
the water into wine
there was
jimmy
at the table shaking
his head
taking a sip.
I can't drink this
red wine
he said, wiping
it off his beard.
white goes with fish.
then Jesus gave him
a look.
that Look.
and he said, oops.
my bad.
okay.
red is perfectly
fine.
when Jesus turned
the water into wine
there was
jimmy
at the table shaking
his head
taking a sip.
I can't drink this
red wine
he said, wiping
it off his beard.
white goes with fish.
then Jesus gave him
a look.
that Look.
and he said, oops.
my bad.
okay.
red is perfectly
fine.
the cave drawings
if you do the things I want
you to do
i'll be happy.
if you don't
i'll have to punish you
in some sort
of passive aggressive
way.
silence,
or short answers
without ever looking
at you
directly.
i'll come home late
and slam
the door.
watch tv all night
while you go to bed.
it's what we do.
what we learn
from
the cave men and women
who were
our parents.
you to do
i'll be happy.
if you don't
i'll have to punish you
in some sort
of passive aggressive
way.
silence,
or short answers
without ever looking
at you
directly.
i'll come home late
and slam
the door.
watch tv all night
while you go to bed.
it's what we do.
what we learn
from
the cave men and women
who were
our parents.
the new world
the next thing
we need
to do is
this.
then after that.
that.
but we will go through
the list
like a lumber jack
in a forest
of trees.
clearing the land
for a new
world.
we need
to do is
this.
then after that.
that.
but we will go through
the list
like a lumber jack
in a forest
of trees.
clearing the land
for a new
world.
Monday, February 12, 2018
every inch of your love
the scratch of a needle
on the old
hi fi reminds you of
the hours lying
in your room
listening to stacks
of wax.
the bands of your era.
credence.
the doors.
led zeppelin's
whole lotta love.
learning every line,
hitting every note,
strumming your
air guitar,
banging on drums
called pillows
until someone, perhaps
your mother,
pounded on your locked door
and yelled
turn that down
and open a window
those cigars you're
smoking
is smelling up
the whole house.
on the old
hi fi reminds you of
the hours lying
in your room
listening to stacks
of wax.
the bands of your era.
credence.
the doors.
led zeppelin's
whole lotta love.
learning every line,
hitting every note,
strumming your
air guitar,
banging on drums
called pillows
until someone, perhaps
your mother,
pounded on your locked door
and yelled
turn that down
and open a window
those cigars you're
smoking
is smelling up
the whole house.
bullets
once out
of the chamber
with the squeeze
of an angry finger,
and in the air,
you can't
put the bullets
back in gun.
the death or wounding
with words
of a loved one
has happened,
the damage is done.
of the chamber
with the squeeze
of an angry finger,
and in the air,
you can't
put the bullets
back in gun.
the death or wounding
with words
of a loved one
has happened,
the damage is done.
light starch
the dry cleaners
with
their squeaky wheel of a rack
that takes
up the whole
store.
a world of clothes wrapped
in the thinnest
of plastic.
the odor
of chemicals in the pink
air.
shirts
and dresses. pants
suits. all made new,
crisp again
for wear.
alterations.
adjustments.
a seam sewed tight again.
your ticket brings you
what you left
three days ago
and someone behind
you
tosses down his ball
of clothes.
and says, light starch
with
their squeaky wheel of a rack
that takes
up the whole
store.
a world of clothes wrapped
in the thinnest
of plastic.
the odor
of chemicals in the pink
air.
shirts
and dresses. pants
suits. all made new,
crisp again
for wear.
alterations.
adjustments.
a seam sewed tight again.
your ticket brings you
what you left
three days ago
and someone behind
you
tosses down his ball
of clothes.
and says, light starch
press on
guilt
is a bitter
taste. a rotten fruit
in one's mouth.
the harm
we do to others
stays with us
beyond
reason or logic.
we can't spit
it out,
ever, though
the taste lessens
over time
with confession.
no words can soothe
either soul.
press on.
is a bitter
taste. a rotten fruit
in one's mouth.
the harm
we do to others
stays with us
beyond
reason or logic.
we can't spit
it out,
ever, though
the taste lessens
over time
with confession.
no words can soothe
either soul.
press on.
Saturday, February 10, 2018
in colors
she wants pink.
the brightest pink on the chart.
one wall.
one long wall for
accent, for punch,
for pizzazz.
so you pour the can into
the tray
and roll it on.
three coats.
when she arrives home
to see
it.
she screams with joy.
it's perfect she says
I love it.
thank you.
some needs and wants,
desires
come easy
and in colors.
the brightest pink on the chart.
one wall.
one long wall for
accent, for punch,
for pizzazz.
so you pour the can into
the tray
and roll it on.
three coats.
when she arrives home
to see
it.
she screams with joy.
it's perfect she says
I love it.
thank you.
some needs and wants,
desires
come easy
and in colors.
the black bull
the matador,
is old.
he sits in his spangled
costume,
the tilted hat,
the shoes,
glittering gold.
blood on his sword.
the roar of the crowd
at the black
bull
kneeling towards
death in the middle.
his eyes
uncertain.
the ache
in his back.
so many bulls to kill,
so little time
left
to do so.
is old.
he sits in his spangled
costume,
the tilted hat,
the shoes,
glittering gold.
blood on his sword.
the roar of the crowd
at the black
bull
kneeling towards
death in the middle.
his eyes
uncertain.
the ache
in his back.
so many bulls to kill,
so little time
left
to do so.
this way
a troubled world
spins
on.
the restless night.
the ice
under our feet.
the glare of a low
sun
making us wince.
the coffee
bitter and luke warm
on our tongue.
it wasn't always
this way,
this
hard,
was it?
spins
on.
the restless night.
the ice
under our feet.
the glare of a low
sun
making us wince.
the coffee
bitter and luke warm
on our tongue.
it wasn't always
this way,
this
hard,
was it?
not a pretty cat
it's not a pretty
cat.
this black long hair thing
with
bottled green
eyes,
a tail like a feather,
black
and slick as a crow's
wing.
she's loud
and needy, cautious
between the cars,
under,
around
the wheels, then coming
to you
to slide between
your shoes and legs
telling you
about the world she lives
in,
which is so
unclear.
cat.
this black long hair thing
with
bottled green
eyes,
a tail like a feather,
black
and slick as a crow's
wing.
she's loud
and needy, cautious
between the cars,
under,
around
the wheels, then coming
to you
to slide between
your shoes and legs
telling you
about the world she lives
in,
which is so
unclear.
boxes
they arrive
in threes, these men
in dark
suits
boots,
hats and gloves.
their world is full
of boxes.
tools and knives
to cut
and open.
they park anywhere
they please.
they want it out
then in,
to get to the next
house
then leave.
in threes, these men
in dark
suits
boots,
hats and gloves.
their world is full
of boxes.
tools and knives
to cut
and open.
they park anywhere
they please.
they want it out
then in,
to get to the next
house
then leave.
Friday, February 9, 2018
the long road
we slow
down to see the cows
in the pasture.
brown and white,
slow to move, to look
up.
mouths chewing sideways
to a slow clock.
unencumbered
in the early sun.
the fence rails go on forever
on this road
that leads
to the blue ridge mountains,
the bent posts and wire
keeping them in,
keeping us
out.
so many fences in our
lives.
down to see the cows
in the pasture.
brown and white,
slow to move, to look
up.
mouths chewing sideways
to a slow clock.
unencumbered
in the early sun.
the fence rails go on forever
on this road
that leads
to the blue ridge mountains,
the bent posts and wire
keeping them in,
keeping us
out.
so many fences in our
lives.
coming out the other side
it's too hard
to see
when in the storm,
the flood
or fire
what it all means.
what
the blessing of
brokenness could be.
only
on the other side,
when the smoke
has cleared
when the water
subsides,
when the wounds
have heal
can we understand
or begin
to know what should
be.
to see
when in the storm,
the flood
or fire
what it all means.
what
the blessing of
brokenness could be.
only
on the other side,
when the smoke
has cleared
when the water
subsides,
when the wounds
have heal
can we understand
or begin
to know what should
be.
Thursday, February 8, 2018
we fall
we fall
we land hard.
we bleed
we cry, we get up.
we move
on.
we fall again.
then again.
in time
others reach down
with a hand.
it's there if we
want to take
it.
we need them
to keep us upright.
we land hard.
we bleed
we cry, we get up.
we move
on.
we fall again.
then again.
in time
others reach down
with a hand.
it's there if we
want to take
it.
we need them
to keep us upright.
the black leather coat
he takes
the coat gladly
from my hand.
feels its weight.
it's yours, I tell him.
I haven't worn
it in years.
the last time I was
in a winter storm,
snow up
to my knees.
I remember leaving
home,
looking back at the yellow
square of light
from the kitchen window,
the door already closed
behind me.
it saved my life
that coat, I tell him.
being untruthful
but
dramatic, to give
the coat
more life.
it's black. it's leather.
it's
been in the closet
for so many years
that I've lost track.
he puts it on,
buttons it.
zips it.
puts his hands in the
pockets,
then turns up the collar.
I like it
he says.
it's yours, I tell him.
wear it well.
the coat gladly
from my hand.
feels its weight.
it's yours, I tell him.
I haven't worn
it in years.
the last time I was
in a winter storm,
snow up
to my knees.
I remember leaving
home,
looking back at the yellow
square of light
from the kitchen window,
the door already closed
behind me.
it saved my life
that coat, I tell him.
being untruthful
but
dramatic, to give
the coat
more life.
it's black. it's leather.
it's
been in the closet
for so many years
that I've lost track.
he puts it on,
buttons it.
zips it.
puts his hands in the
pockets,
then turns up the collar.
I like it
he says.
it's yours, I tell him.
wear it well.
a month of birthdays
the month
of birthdays has arrived.
the coldest
month.
the white month of snow
and ice.
blue wind.
how the trees bend.
how the candles burn,
the flames
kneeling
in a circle.
so many years of cakes.
so
many blessings.
so many sins,
mistakes. but I've
changed. so
slice me a piece,
not small,
not just a taste,
but one to fill the
plate.
of birthdays has arrived.
the coldest
month.
the white month of snow
and ice.
blue wind.
how the trees bend.
how the candles burn,
the flames
kneeling
in a circle.
so many years of cakes.
so
many blessings.
so many sins,
mistakes. but I've
changed. so
slice me a piece,
not small,
not just a taste,
but one to fill the
plate.
no forwarding address
a letter arrives
in the mail.
the thin narrow
sealed
envelope of standard
proportions.
stamp in the corner,
a liberty
bell.
no scent to speak of.
no clue
as to who from.
no forwarding address.
the handwriting on
the front
unfamiliar
though a hand has
written my name
upon it.
my address too.
why open it?
why know
what's been said,
what's to enter my head.
what words
will be there
to make me change course.
to alter
my tomorrows.
perhaps it's nothing.
so often that's the case
these days
with mail.
in the mail.
the thin narrow
sealed
envelope of standard
proportions.
stamp in the corner,
a liberty
bell.
no scent to speak of.
no clue
as to who from.
no forwarding address.
the handwriting on
the front
unfamiliar
though a hand has
written my name
upon it.
my address too.
why open it?
why know
what's been said,
what's to enter my head.
what words
will be there
to make me change course.
to alter
my tomorrows.
perhaps it's nothing.
so often that's the case
these days
with mail.
a wrong turn
I remember the bat
that flew
into the house. a small
clump
of hair
and claws, mouse
sized, brown
black.
the zip of it's canvas
wings
spread
veined and thin,
frenetically flapping
from room
to lighted room
seeking
the shallow cool
of darkness.
I remember sweeping
it from
the low
sky he was trapped
in,
the stark whiteness
of walls
and ceiling,
moving him
towards the open door
until finally
he was
no more.
that flew
into the house. a small
clump
of hair
and claws, mouse
sized, brown
black.
the zip of it's canvas
wings
spread
veined and thin,
frenetically flapping
from room
to lighted room
seeking
the shallow cool
of darkness.
I remember sweeping
it from
the low
sky he was trapped
in,
the stark whiteness
of walls
and ceiling,
moving him
towards the open door
until finally
he was
no more.
form over function
is it form over function?
or practicality
that we need.
what serves us,
what gives us pleasure,
soothes our
minds eye,
saves
us time,
or both.
what are we storing
up so
many minutes for
to begin with?
let's go with form
this time.
or practicality
that we need.
what serves us,
what gives us pleasure,
soothes our
minds eye,
saves
us time,
or both.
what are we storing
up so
many minutes for
to begin with?
let's go with form
this time.
light over dark
some days
are without shadows.
we keep
it bright.
light.
our feet walk with
a spring.
our eyes
are wide open,
our hearts
alive.
we've left as
many yesterdays behind
as we can.
we savor
this day.
we want it to last,
to become
all of our tomorrows.
light over
dark.
are without shadows.
we keep
it bright.
light.
our feet walk with
a spring.
our eyes
are wide open,
our hearts
alive.
we've left as
many yesterdays behind
as we can.
we savor
this day.
we want it to last,
to become
all of our tomorrows.
light over
dark.
in the cave
they find
the skull in the bottom
of a shallow
pool, inside a cave
inside a mountain,
inside the earth.
the bones
follow her out
into the daylight
of blue
skies, a sun
not seen for a
thousand years.
they find what there
is to be known about
her.
give her a name,
give her
a place a time,
a reason to be where
she wandered,
then died.
how fast we live.
how quickly
these days disappear,
as we do,
in time.
the skull in the bottom
of a shallow
pool, inside a cave
inside a mountain,
inside the earth.
the bones
follow her out
into the daylight
of blue
skies, a sun
not seen for a
thousand years.
they find what there
is to be known about
her.
give her a name,
give her
a place a time,
a reason to be where
she wandered,
then died.
how fast we live.
how quickly
these days disappear,
as we do,
in time.
Wednesday, February 7, 2018
what now
he looks at his gold watch.
his
rings.
his house, the one here,
the one
at the shore.
his fourth wife
in the yard
on the phone,
stretched out in a chair
doing her nails.
he looks at his boat
in the driveway.
the three cars in
the three car garage.
the sub zero fridge is empty.
water beer
leftovers in sterile
white boxes.
the Viking stove, cold
and clean.
he sees himself
in the black glass
of the patio door
and touches the lines
in his face.
he stretches and yawns
at the sun
peeking over
the pool.
it's early too early
in the day,
but too late
to figure out what
went wrong. what to do.
his
rings.
his house, the one here,
the one
at the shore.
his fourth wife
in the yard
on the phone,
stretched out in a chair
doing her nails.
he looks at his boat
in the driveway.
the three cars in
the three car garage.
the sub zero fridge is empty.
water beer
leftovers in sterile
white boxes.
the Viking stove, cold
and clean.
he sees himself
in the black glass
of the patio door
and touches the lines
in his face.
he stretches and yawns
at the sun
peeking over
the pool.
it's early too early
in the day,
but too late
to figure out what
went wrong. what to do.
the late letter
the brother
over seas, in the war.
in the trenches
sends a letter.
it's mud caked. blood?
there is the smell of carnage
in the words.
the heart felt
scroll scratched out
in ink.
the mustard gas
in tightening his throat.
the screams
of the dying
and the undead
barely alive drip
upon each page. i'll be
home soon the letter says,
between shells,
between the narrow line
of bullets
searing by,
but he'll be gone
before it gets here,
boxed and draped
in red white and blue
before a tear can fall
from his mother's
eyes.
over seas, in the war.
in the trenches
sends a letter.
it's mud caked. blood?
there is the smell of carnage
in the words.
the heart felt
scroll scratched out
in ink.
the mustard gas
in tightening his throat.
the screams
of the dying
and the undead
barely alive drip
upon each page. i'll be
home soon the letter says,
between shells,
between the narrow line
of bullets
searing by,
but he'll be gone
before it gets here,
boxed and draped
in red white and blue
before a tear can fall
from his mother's
eyes.
waiting for the sun
the ragged
clouds.
the spit of night ice.
the black lines
drooping
heavy
after the storm
but the black birds
that are still around,
still here
don't think twice.
they sit
in army lines across
the long
stretch of
wire,
beat their wings tight
and wait out the day.
wait for the sun,
as we all
do.
clouds.
the spit of night ice.
the black lines
drooping
heavy
after the storm
but the black birds
that are still around,
still here
don't think twice.
they sit
in army lines across
the long
stretch of
wire,
beat their wings tight
and wait out the day.
wait for the sun,
as we all
do.
Tuesday, February 6, 2018
rainy day money
with a little extra
cash on hand
I feel the fire
in my pocket.
it needs to be spent.
but on what?
what do I need that I
don't have,
that I can afford?
so little
comes to mind.
a warm
fire, a cold drink.
a good meal.
arms
around me.
most of what I need,
has nothing
to do with price
or purchase,
maybe i'll take
the cash
and give it away,
or save it,
save it for that rainy
night.
that rainy day.
cash on hand
I feel the fire
in my pocket.
it needs to be spent.
but on what?
what do I need that I
don't have,
that I can afford?
so little
comes to mind.
a warm
fire, a cold drink.
a good meal.
arms
around me.
most of what I need,
has nothing
to do with price
or purchase,
maybe i'll take
the cash
and give it away,
or save it,
save it for that rainy
night.
that rainy day.
the carnival date
we were having way too much
fun
at the carnival
eating candy apples,
caramel corn,
cotton candy and drinking
sodas,
going into the fun house
to stare into
the curved mirrors.
so it wasn't unexpected
when
she lost it all
on the ferris wheel
as it spun high above
the crowd
and fluorescent lights.
the date was over at that
point.
but she seemed less worried
about me, and more
concerned what her
mother would say
about her pretty pink
dress.
fun
at the carnival
eating candy apples,
caramel corn,
cotton candy and drinking
sodas,
going into the fun house
to stare into
the curved mirrors.
so it wasn't unexpected
when
she lost it all
on the ferris wheel
as it spun high above
the crowd
and fluorescent lights.
the date was over at that
point.
but she seemed less worried
about me, and more
concerned what her
mother would say
about her pretty pink
dress.
cow milk
i'm done with milk.
i used to love milk.
we've been
going steady since
birth.
mother's milk. cow milk.
skim, low fat,
whole.
half and half, light
cream,
heavy.
i just don't have a desire
for it anymore
despite how much i loved
a tall
cold glass with a
slice of cake.
so many things change with
age, but
it's a slow go.
i used to love milk.
we've been
going steady since
birth.
mother's milk. cow milk.
skim, low fat,
whole.
half and half, light
cream,
heavy.
i just don't have a desire
for it anymore
despite how much i loved
a tall
cold glass with a
slice of cake.
so many things change with
age, but
it's a slow go.
sleep walk
i used to sleep
walk
when i was young.
walking
into closets,
going down to the kitchen
to forage.
my mother
would
see me in the shadows
of the hall
and get up
to guide me
back to bed.
taking me by the shoulders
and steering
me
to my room.
goodnight, she'd say
again
and tuck me in.
not saying a word
to anyone.
walk
when i was young.
walking
into closets,
going down to the kitchen
to forage.
my mother
would
see me in the shadows
of the hall
and get up
to guide me
back to bed.
taking me by the shoulders
and steering
me
to my room.
goodnight, she'd say
again
and tuck me in.
not saying a word
to anyone.
what to sell
i'm running out
of things to sell on
craigslist.
the ladders, the sideboard,
the orange chair,
the three lamps
without shades.
one snow tire.
one bird cage.
one small dog kennel
with a rubber ball
still inside
ready for chewing.
I stare at my collection
of shoes.
brown and black.
some loafers,
some with laces,
some perfectly fine,
but I just never liked
them enough
to wear them in
daylight.
after dusting and polishing
them up,
I take a chance and
take a photo
of six pairs of slightly
worn dress shoes.
I throw a tie or
two into the mix,
one argyle one striped.
no charge.
i'm back in business.
of things to sell on
craigslist.
the ladders, the sideboard,
the orange chair,
the three lamps
without shades.
one snow tire.
one bird cage.
one small dog kennel
with a rubber ball
still inside
ready for chewing.
I stare at my collection
of shoes.
brown and black.
some loafers,
some with laces,
some perfectly fine,
but I just never liked
them enough
to wear them in
daylight.
after dusting and polishing
them up,
I take a chance and
take a photo
of six pairs of slightly
worn dress shoes.
I throw a tie or
two into the mix,
one argyle one striped.
no charge.
i'm back in business.
Monday, February 5, 2018
wood for the fire
we gather wood
for the fire.
we break sticks into twos
and threes.
we gather around
in a circle
as the flames
rise
and warm our hands,
our feet.
the snow is around
us.
the trees are bare.
spring is far
off in the distance.
we gather wood
for the fire, it's
what we need to do.
for the fire.
we break sticks into twos
and threes.
we gather around
in a circle
as the flames
rise
and warm our hands,
our feet.
the snow is around
us.
the trees are bare.
spring is far
off in the distance.
we gather wood
for the fire, it's
what we need to do.
never enough
the salesman
knows everyone. shakes
hands
has a smile
and quick word
and laugh
with all.
he's working the crowd.
selling.
selling.
selling.
it's the bottom line.
the tally
at the end of the day,
the year.
life.
how much do I have
now,
he whispers
to his accountant,
not enough
is the answer,
not enough.
knows everyone. shakes
hands
has a smile
and quick word
and laugh
with all.
he's working the crowd.
selling.
selling.
selling.
it's the bottom line.
the tally
at the end of the day,
the year.
life.
how much do I have
now,
he whispers
to his accountant,
not enough
is the answer,
not enough.
the funeral chit chat
some are crying.
bent over
in sorrow, grieving
the loss,
the memory of a loved
one.
some are
social,
slapping each other
on the back
saying things like
nice to see
you again, it's been
too long.
it is what it is.
so what are you up
to now?
are we heading over
to the house
for lunch?
bent over
in sorrow, grieving
the loss,
the memory of a loved
one.
some are
social,
slapping each other
on the back
saying things like
nice to see
you again, it's been
too long.
it is what it is.
so what are you up
to now?
are we heading over
to the house
for lunch?
Sunday, February 4, 2018
into rain
we
dance.
we sleep.
we eat.
we work and find
time
for
talk.
make love.
the days slip
away
like water
down
the stream
into the bay
the ocean
then up
again
into rain.
dance.
we sleep.
we eat.
we work and find
time
for
talk.
make love.
the days slip
away
like water
down
the stream
into the bay
the ocean
then up
again
into rain.
white rice
i can't even look at a roller
coast
these days
without getting dizzy
and sick
to my stomach
i tell my friend jimmy.
he says that he feels
that way too
when he sees a wedding
going on.
i can't even look at white
rice anymore, he says,
without almost fainting.
after four short
sprints
to the altar
he's done with marital
bliss.
his girlfriend
betty, who's
hanging on his arm
and chewing a massive
wad of gum
sighs and shakes
her head
and says
we'll see. we'll see.
coast
these days
without getting dizzy
and sick
to my stomach
i tell my friend jimmy.
he says that he feels
that way too
when he sees a wedding
going on.
i can't even look at white
rice anymore, he says,
without almost fainting.
after four short
sprints
to the altar
he's done with marital
bliss.
his girlfriend
betty, who's
hanging on his arm
and chewing a massive
wad of gum
sighs and shakes
her head
and says
we'll see. we'll see.
itemize
I ask my tax
lady
if I can write off
shoes.
lunch.
shirts and pants.
she
takes a look
at my paint splattered
clothes
and laughs.
and your hat too
she says.
have a seat
and let's
itemize your life
dear boy.
so where did you
have lunch today,
she asks.
did you take a client?
lady
if I can write off
shoes.
lunch.
shirts and pants.
she
takes a look
at my paint splattered
clothes
and laughs.
and your hat too
she says.
have a seat
and let's
itemize your life
dear boy.
so where did you
have lunch today,
she asks.
did you take a client?
Friday, February 2, 2018
crayola sunset
it was a Crayola
sunset.
a box
of crayons melting
on the palette
of a pale blue sky.
it looked religious
in a child like
way.
the lines wavy and off,
the crude struck colors
smudged,
green where it should
be red.
the sun too white
for winter.
sunset.
a box
of crayons melting
on the palette
of a pale blue sky.
it looked religious
in a child like
way.
the lines wavy and off,
the crude struck colors
smudged,
green where it should
be red.
the sun too white
for winter.
what did we eat last night
i can remember
the phone number i had when
i was
ten and the phone
was black and
hung from the kitchen
wall
with a thirty foot
gnarled cord, but i
can't remember where
i put my
keys an hour ago, or
what i had for dinner
last night.
some things i choose
to forget,
but other things just
don't stick.
it's not dark yet,
but it's getting there.
the phone number i had when
i was
ten and the phone
was black and
hung from the kitchen
wall
with a thirty foot
gnarled cord, but i
can't remember where
i put my
keys an hour ago, or
what i had for dinner
last night.
some things i choose
to forget,
but other things just
don't stick.
it's not dark yet,
but it's getting there.
animal food
i couldn't kill a cow.
or a chicken.
or any animal
unless it was attacking me
and i had
to defend myself.
the thought of trapping
a rabbit and making
stew with small
potatoes
seems crazy, unless of course
i was starving
and just
got off the mayflower
in my pilgrim
outfit
and musket.
famished
after months at sea
without a shower
or a hot meal.
i feel bad enough as it
is pulling
a fish out of the river.
how that hook
must hurt.
or a chicken.
or any animal
unless it was attacking me
and i had
to defend myself.
the thought of trapping
a rabbit and making
stew with small
potatoes
seems crazy, unless of course
i was starving
and just
got off the mayflower
in my pilgrim
outfit
and musket.
famished
after months at sea
without a shower
or a hot meal.
i feel bad enough as it
is pulling
a fish out of the river.
how that hook
must hurt.
the spoon of you
a teaspoon of you,
a small taste,
a dollop or drop
of you
makes
me want
the gallon jug,
the barrel,
the whole factory
that churns
you out.
don't tease me
with
the spoon, I can't
walk straight
with that.
a small taste,
a dollop or drop
of you
makes
me want
the gallon jug,
the barrel,
the whole factory
that churns
you out.
don't tease me
with
the spoon, I can't
walk straight
with that.
break out
there's been a break out
at the zoo.
giraffes are running
down the street.
monkeys are on the phone
wires.
elephants
are stampeding down
Connecticut avenue.
I see a gorilla
on the cross town bus
wearing a hipster hat
and shades,
reading the paper.
he slouches in his seat.
laying low as he makes
his escape.
a small bag is at his
side. an umbrella.
he sees me looking at
him and nods
good morning. tips his hat.
he's out and not looking
back.
I nod back,
maybe it's my turn soon.
at the zoo.
giraffes are running
down the street.
monkeys are on the phone
wires.
elephants
are stampeding down
Connecticut avenue.
I see a gorilla
on the cross town bus
wearing a hipster hat
and shades,
reading the paper.
he slouches in his seat.
laying low as he makes
his escape.
a small bag is at his
side. an umbrella.
he sees me looking at
him and nods
good morning. tips his hat.
he's out and not looking
back.
I nod back,
maybe it's my turn soon.
waiting on a friend
my man,
my main man
is outside the seven eleven
waiting for his
ride.
a lucky between
his lips.
a thermos.
his thin leather jacket
barely keeping
him warm.
his paint pants blow
wide in the wind,
bleached white,
streaked
in old dried paint.
his boots speckled,
his gloves torn.
his beard rides off
his chin
in blonde red
curls. he strokes
it patiently while
I arrive on time.
my main man
is outside the seven eleven
waiting for his
ride.
a lucky between
his lips.
a thermos.
his thin leather jacket
barely keeping
him warm.
his paint pants blow
wide in the wind,
bleached white,
streaked
in old dried paint.
his boots speckled,
his gloves torn.
his beard rides off
his chin
in blonde red
curls. he strokes
it patiently while
I arrive on time.
blabber mouth
I hear a secret
and promise
to never tell a single
soul what I just heard.
I vow to never repeat
what has
just come into my ear.
I put my hand
on my heart,
I swear on a stack
of Bibles,
I swear
on a loved one's
live
to never ever
tell anyone what I
just heard.
this last about
ten minutes
before i'm telling
someone on the phone
asking them
to put it in the vault.
and promise
to never tell a single
soul what I just heard.
I vow to never repeat
what has
just come into my ear.
I put my hand
on my heart,
I swear on a stack
of Bibles,
I swear
on a loved one's
live
to never ever
tell anyone what I
just heard.
this last about
ten minutes
before i'm telling
someone on the phone
asking them
to put it in the vault.
Thursday, February 1, 2018
a bright red hat
I know
things I shouldn't know.
and don't
know many things that
I should.
I have a cluttered
brain,
an attic of old thoughts,
webbed
memories, distorted
facts
and ideas
that don't get lost.
I know
who I am, by now.
where I live, what
my needs and wants are.
I know
each fault,
each wrong turn that I've
made along
the way.
I know this. I know that.
I know
that you look fabulous
beneath the sunlight
in a bright red hat.
things I shouldn't know.
and don't
know many things that
I should.
I have a cluttered
brain,
an attic of old thoughts,
webbed
memories, distorted
facts
and ideas
that don't get lost.
I know
who I am, by now.
where I live, what
my needs and wants are.
I know
each fault,
each wrong turn that I've
made along
the way.
I know this. I know that.
I know
that you look fabulous
beneath the sunlight
in a bright red hat.
tax season
it takes less
time each year gathering my
papers together
to take to betty,
my tax lady.
I have the annoyance down now.
she says the same thing,
how we'd do
as I plop my stack onto
the counter.
her little business
is in a small cape cod
cottage
next to a farm,
or what used to be a farm,
on the outskirts of
manassas.
she lives upstairs.
cats roam everywhere.
a window hasn't been opened
in years.
I've seen the same
coffee cups and ashtrays
for decades now.
the magazines too.
ancient.
liz taylor on the front
of People.
burt Reynolds on Us.
a few weeks go by and she
calls.
they're ready, she says.
come and get em.
time each year gathering my
papers together
to take to betty,
my tax lady.
I have the annoyance down now.
she says the same thing,
how we'd do
as I plop my stack onto
the counter.
her little business
is in a small cape cod
cottage
next to a farm,
or what used to be a farm,
on the outskirts of
manassas.
she lives upstairs.
cats roam everywhere.
a window hasn't been opened
in years.
I've seen the same
coffee cups and ashtrays
for decades now.
the magazines too.
ancient.
liz taylor on the front
of People.
burt Reynolds on Us.
a few weeks go by and she
calls.
they're ready, she says.
come and get em.
hot tub
I slip out of my
clothes and slip into
something more comfortable.
which
is a hot tub
of water.
the lights off.
the phone off.
the world off.
the water steams
the room
as I slide down
to my neck and chin.
I am back in the womb.
back in
the safe place
I started from.
clothes and slip into
something more comfortable.
which
is a hot tub
of water.
the lights off.
the phone off.
the world off.
the water steams
the room
as I slide down
to my neck and chin.
I am back in the womb.
back in
the safe place
I started from.
69
the boardwalk
wasn't always this way.
clean
and swept.
the stores aglow
with
what to buy.
there wasn't always
strollers
and families.
it was a different time.
the runaways,
the drugs,
the collection
of miscreants who
hitchhiked there
from everywhere to
sleep on the sand,
to ask for spare change.
to beg
and borrow their
way through
a weekend.
it wasn't always so
proper
and refined.
the Hilton, the Sheraton.
we'd stay at the Broadmore
on Pacific
and Vine
for two dollars and
fifty cents
a night.
a bare mattress,
a bulb overhead,
the window propped open
with a stick, but it
was fine.
wasn't always this way.
clean
and swept.
the stores aglow
with
what to buy.
there wasn't always
strollers
and families.
it was a different time.
the runaways,
the drugs,
the collection
of miscreants who
hitchhiked there
from everywhere to
sleep on the sand,
to ask for spare change.
to beg
and borrow their
way through
a weekend.
it wasn't always so
proper
and refined.
the Hilton, the Sheraton.
we'd stay at the Broadmore
on Pacific
and Vine
for two dollars and
fifty cents
a night.
a bare mattress,
a bulb overhead,
the window propped open
with a stick, but it
was fine.
the math of you
the numbers
don't always add up
when
I figure out the math of you.
the quadratic
equation
that you are.
I like the angles,
the curves,
each side of your
isosceles triangle.
it's hard to know
when
you're round
or square
or a line broken off
that trails into infinity.
my calculator
is on fire, my abacus
can't keep up. I've tossed
the slide rule into the air.
I need
Einstein to figure you
out at times.
don't always add up
when
I figure out the math of you.
the quadratic
equation
that you are.
I like the angles,
the curves,
each side of your
isosceles triangle.
it's hard to know
when
you're round
or square
or a line broken off
that trails into infinity.
my calculator
is on fire, my abacus
can't keep up. I've tossed
the slide rule into the air.
I need
Einstein to figure you
out at times.
Wednesday, January 31, 2018
the razor cut
the blood
is on the sheets, the pillows.
it's on my white
shirt. small crimson
drops like candy.
the razor cut
on the chin
won't stop
bleeding.
shaving in the dark
is not my thing,
but a scar there might
be attractive.
I could make up a story
about
the fight I was in
when
protecting a loved one.
or how I stopped
a robbery down at the bank,
saved a dog
from a burning building.
why waste a good cut
on a shaving
story.
is on the sheets, the pillows.
it's on my white
shirt. small crimson
drops like candy.
the razor cut
on the chin
won't stop
bleeding.
shaving in the dark
is not my thing,
but a scar there might
be attractive.
I could make up a story
about
the fight I was in
when
protecting a loved one.
or how I stopped
a robbery down at the bank,
saved a dog
from a burning building.
why waste a good cut
on a shaving
story.
back in time
I set the time machine
for ten minutes
earlier
to take back the things
I just said.
mean things about
how awful that person is.
I tell him that he keeps
doing the same things
over and over again
with no remorse.
this time
I don't say them,
instead,
after I get out
of the machine, I smile
and say, yes, I completely
understand
and if there's anything
I can do
to help you,
please let me know.
for ten minutes
earlier
to take back the things
I just said.
mean things about
how awful that person is.
I tell him that he keeps
doing the same things
over and over again
with no remorse.
this time
I don't say them,
instead,
after I get out
of the machine, I smile
and say, yes, I completely
understand
and if there's anything
I can do
to help you,
please let me know.
the water main
the water main
breaks
and the road collapses
which makes
the traffic back up
for miles, for hours.
there is no other way
to get home.
no way to get to our
warm
rooms, our table
of food,
our things
that wait for us
just five miles down
the road.
so we sit.
we wonder. we wish
we had a book
or someone nice to call
and tell them
about our troubles,
not just this one,
but all of them.
breaks
and the road collapses
which makes
the traffic back up
for miles, for hours.
there is no other way
to get home.
no way to get to our
warm
rooms, our table
of food,
our things
that wait for us
just five miles down
the road.
so we sit.
we wonder. we wish
we had a book
or someone nice to call
and tell them
about our troubles,
not just this one,
but all of them.
Tuesday, January 30, 2018
at ninety two
at ninety two
she's still picking out
wallpaper,
still shy,
her hair done in a glorious
silver
loaf
upon her wide forehead.
blue eyed in the light.
i want something similar,
she says.
can you find me something like
this? she waves to the room
as if to change it
now. there is subtle
bling on each wrist.
a diamond on her finger.
her nails done
yesterday by a daughter
who
comes by.
she sits on a blue velvet
chair.
her desk is large.
marie antionette would
have loved it.
her penmanship is
exquisite
as she writes a check
then delicately
with her
long veined hand
shakes mine.
she's still picking out
wallpaper,
still shy,
her hair done in a glorious
silver
loaf
upon her wide forehead.
blue eyed in the light.
i want something similar,
she says.
can you find me something like
this? she waves to the room
as if to change it
now. there is subtle
bling on each wrist.
a diamond on her finger.
her nails done
yesterday by a daughter
who
comes by.
she sits on a blue velvet
chair.
her desk is large.
marie antionette would
have loved it.
her penmanship is
exquisite
as she writes a check
then delicately
with her
long veined hand
shakes mine.
the traveling salesman
my acting career began
after my divorce.
I was looking for something
to do that
i'd been doing anyway
the entire marriage.
I played a part that came
strangely easy
to me. i hit my mark. stayed
up late, learning my lines.
my gestures, my
delivery was spot on.
it was a long running
play,
on a variety of stages.
mostly off broadway,
way off.
like in jersey.
my venue was the dinner
theater.
between acts I waited
on tables, served drinks.
if the food was good
I made money, if it was
bad, which it mostly was
they blamed me.
when the curtain opened
again for acts two or three,
my tables would wave
at me and say, look, there's
our waiter.
i'd wave back, blow them
a kiss before delivering my
lines. I was Willy
and sometimes Biff.
after my divorce.
I was looking for something
to do that
i'd been doing anyway
the entire marriage.
I played a part that came
strangely easy
to me. i hit my mark. stayed
up late, learning my lines.
my gestures, my
delivery was spot on.
it was a long running
play,
on a variety of stages.
mostly off broadway,
way off.
like in jersey.
my venue was the dinner
theater.
between acts I waited
on tables, served drinks.
if the food was good
I made money, if it was
bad, which it mostly was
they blamed me.
when the curtain opened
again for acts two or three,
my tables would wave
at me and say, look, there's
our waiter.
i'd wave back, blow them
a kiss before delivering my
lines. I was Willy
and sometimes Biff.
remember
it takes awhile
to
forget.
then it's not really
forgetting
but arranging
things so that when
thought of
it has a nice sepia
glow
to it, ready to
hang on the wall,
and be spoken
of in good terms
despite the truth.
to
forget.
then it's not really
forgetting
but arranging
things so that when
thought of
it has a nice sepia
glow
to it, ready to
hang on the wall,
and be spoken
of in good terms
despite the truth.
the hot meal
some foods are best
hot,
other's cold,
rarely
does the luke warm
meal
satisfy.
the middle is
not where we want to
be.
either burn
my tongue
and set my hair
on fire, or
bring it chilled
with you
to warm me.
hot,
other's cold,
rarely
does the luke warm
meal
satisfy.
the middle is
not where we want to
be.
either burn
my tongue
and set my hair
on fire, or
bring it chilled
with you
to warm me.
Sunday, January 28, 2018
sorry, but your dna results are ready
I send in a vial
of saliva
to the dna researchers.
but do I want to know where
i'm from,
whom I related to?
it's bad enough as it
is knowing
who i'm
blood tied to now.
what if someone worse comes
up.
a nut
from a tree of nuts.
all incarcerated
at some point in their lives
for misdeeds.
loons in straight jackets,
lost souls,
miscreants
of the first degree.
I hold my breath and open
the results,
praying for some brilliant
godly
soul to appear.
of saliva
to the dna researchers.
but do I want to know where
i'm from,
whom I related to?
it's bad enough as it
is knowing
who i'm
blood tied to now.
what if someone worse comes
up.
a nut
from a tree of nuts.
all incarcerated
at some point in their lives
for misdeeds.
loons in straight jackets,
lost souls,
miscreants
of the first degree.
I hold my breath and open
the results,
praying for some brilliant
godly
soul to appear.
forty seams
there are forty seams
of ancient wallpaper
to fixed.
grandma picked it out
in the Eisnenhower
administration.
there are stripes
in one room.
flowers in another.
periwinkle blue
in the bathroom,
but the paper is old.
the split
lines are brittle,
not unlike tree bark,
they will
resist any attempts
to lie back down,
to go straight
and together again.
but you try. you give
it a go in every room.
what are the other choices.
napalm?
of ancient wallpaper
to fixed.
grandma picked it out
in the Eisnenhower
administration.
there are stripes
in one room.
flowers in another.
periwinkle blue
in the bathroom,
but the paper is old.
the split
lines are brittle,
not unlike tree bark,
they will
resist any attempts
to lie back down,
to go straight
and together again.
but you try. you give
it a go in every room.
what are the other choices.
napalm?
under the weather
under the weather,
but
not dead,
not yet.
the bug has struck.
the bug
has laid down its
tent,
amassed its forces,
and planted
a flag,
demanding a surrender.
but I don't.
I fall back,
I lie between the sheets,
I engulf
myself
in books
and movies,
drench my thirst
in cold water.
chicken soup.
chicken soup.
chicken soup.
I find comfort in
the sweet sleep
of fever
and wait.
but
not dead,
not yet.
the bug has struck.
the bug
has laid down its
tent,
amassed its forces,
and planted
a flag,
demanding a surrender.
but I don't.
I fall back,
I lie between the sheets,
I engulf
myself
in books
and movies,
drench my thirst
in cold water.
chicken soup.
chicken soup.
chicken soup.
I find comfort in
the sweet sleep
of fever
and wait.
the light goes out
is the light
burning out an omen.
a sign
from up above
that a new day has
arrived.
a portent of things
to come,
or where we have
arrived.
is the bulbs
demise a hint
of some sort
that darkness
has come upon us?
or maybe,
it's just an old
light
whose time has come,
worn out its use.
we look too deeply
into
small things thinking
that the world
revolves around
us.
burning out an omen.
a sign
from up above
that a new day has
arrived.
a portent of things
to come,
or where we have
arrived.
is the bulbs
demise a hint
of some sort
that darkness
has come upon us?
or maybe,
it's just an old
light
whose time has come,
worn out its use.
we look too deeply
into
small things thinking
that the world
revolves around
us.
Saturday, January 27, 2018
frozen worms
some days you
got nothing.
nada. not a clue, not
an imaginative thought,
or word to
write.
you're numb and cold.
brooding.
the bird on the sill
shakes his
head. he's
wrapped in an overcoat,
and a lumber jack plaid
hat.
a frozen worm
dangles from
his shivering beak.
we look at one another,
then shrug and move
on with our day.
got nothing.
nada. not a clue, not
an imaginative thought,
or word to
write.
you're numb and cold.
brooding.
the bird on the sill
shakes his
head. he's
wrapped in an overcoat,
and a lumber jack plaid
hat.
a frozen worm
dangles from
his shivering beak.
we look at one another,
then shrug and move
on with our day.
negotiation
you throw a few things onto
craig's list
to get them out of the house
and to make a few bucks
in the process.
the calls come in. the texts.
the emails.
can you go lower?
when can I pick them up.
how old are those shoes.
those pants?
that mattress?
those black socks, do they
have any holes
in them?
is that toothbrush purple
or blue,
it's hard to tell from
the photo?
what's your best price
on that chipped
coffee mug?
craig's list
to get them out of the house
and to make a few bucks
in the process.
the calls come in. the texts.
the emails.
can you go lower?
when can I pick them up.
how old are those shoes.
those pants?
that mattress?
those black socks, do they
have any holes
in them?
is that toothbrush purple
or blue,
it's hard to tell from
the photo?
what's your best price
on that chipped
coffee mug?
cold aging
the milk
is sour. the cheese hard.
the lettuce
brown.
each apple has dent,
each
orange
a spot of green
where it leaned
against
the rack.
the cold air has done
little
to keep things right.
even the eggs
seem old.
your hand is
curled
and worn
as it reaches
in. your feet iced
against the tiled
floor. you can't
make
things
new again.
is sour. the cheese hard.
the lettuce
brown.
each apple has dent,
each
orange
a spot of green
where it leaned
against
the rack.
the cold air has done
little
to keep things right.
even the eggs
seem old.
your hand is
curled
and worn
as it reaches
in. your feet iced
against the tiled
floor. you can't
make
things
new again.
Friday, January 26, 2018
cup of joe
the line moves
slow.
but it's okay.
some drinks are complicated.
soy
and whipped cream,
latte
and skim,
double shots of this
or that.
dark or blonde.
half decaf.
extra caramel please.
coffee is a science
now.
we've romanced the bean.
learned
the history
of its travel from
a far away land to here.
gourmet blends
in sacks
on the backs of burros.
it's ground and percolated,
then dripped into a cup
of three different sizes,
all with a special name.
slow.
but it's okay.
some drinks are complicated.
soy
and whipped cream,
latte
and skim,
double shots of this
or that.
dark or blonde.
half decaf.
extra caramel please.
coffee is a science
now.
we've romanced the bean.
learned
the history
of its travel from
a far away land to here.
gourmet blends
in sacks
on the backs of burros.
it's ground and percolated,
then dripped into a cup
of three different sizes,
all with a special name.
from the same parents
how we
came apart, unglued.
this family of seven is beyond
me.
blame on a divorce,
perhaps, but that was fifty years
ago.
get over it.
blame it on living in
different states,
or being in a different
state of mind.
lack of spirituality,
of education,
or therapy,
lack of something.
maybe something in the water
across the bridge.
what makes
some angry and bitter,
forever victims,
while others live out their
lives
in peace?
came apart, unglued.
this family of seven is beyond
me.
blame on a divorce,
perhaps, but that was fifty years
ago.
get over it.
blame it on living in
different states,
or being in a different
state of mind.
lack of spirituality,
of education,
or therapy,
lack of something.
maybe something in the water
across the bridge.
what makes
some angry and bitter,
forever victims,
while others live out their
lives
in peace?
cigs
who didn't smoke
back then.
who didn't have a pack of
luckys,
a cartoon of kools
or tarreytons
in the cupboard.
an ashtray full of butts.
who didn't light up
in the morning, one last
cig
before bed.
one after dinner,
after breakfast,
while walking the dog,
after making love.
sneaking one in the boys
room.
who didn't smoke
back then.
a stogie
by the fire
with a tumbler of scotch.
a lung dart with a beer.
a bar full of blue haze.
doctors smoked.
pregnant women smoked.
the movie screen was full
of smoke.
the president smoked.
priests in their cloaks
lit up
behind the rectory.
light em if you got em
the GIs said.
one last puff before
the firing squad let loose
with a flurry
of bullets.
back then.
who didn't have a pack of
luckys,
a cartoon of kools
or tarreytons
in the cupboard.
an ashtray full of butts.
who didn't light up
in the morning, one last
cig
before bed.
one after dinner,
after breakfast,
while walking the dog,
after making love.
sneaking one in the boys
room.
who didn't smoke
back then.
a stogie
by the fire
with a tumbler of scotch.
a lung dart with a beer.
a bar full of blue haze.
doctors smoked.
pregnant women smoked.
the movie screen was full
of smoke.
the president smoked.
priests in their cloaks
lit up
behind the rectory.
light em if you got em
the GIs said.
one last puff before
the firing squad let loose
with a flurry
of bullets.
the tunnel
some days
are a tunnel.
a long mysterious
and silent tunnel.
we go slow, touching
the walls
in the darkness,
lifting our feet slowly.
listening
to what's up ahead.
but the flicker
of light, that small
glimmer
far down the road
is everything.
as in every tunnel
you've gone through
in life.
in the end,
you will be where
you should be.
it will be alright.
are a tunnel.
a long mysterious
and silent tunnel.
we go slow, touching
the walls
in the darkness,
lifting our feet slowly.
listening
to what's up ahead.
but the flicker
of light, that small
glimmer
far down the road
is everything.
as in every tunnel
you've gone through
in life.
in the end,
you will be where
you should be.
it will be alright.
the stray dog
the stray dog
without a leash, without
a collar
looks happy,
dodging cars
that fly down the street.
his tail wags,
his tongue out.
he sees the woods,
the open field
beyond
the city,
the tall grass,
the lake in the distance.
he sees the sun
rising.
he's over the fence
and free.
let's run with him.
without a leash, without
a collar
looks happy,
dodging cars
that fly down the street.
his tail wags,
his tongue out.
he sees the woods,
the open field
beyond
the city,
the tall grass,
the lake in the distance.
he sees the sun
rising.
he's over the fence
and free.
let's run with him.
nothing new
the therapist is kind
to my
plight. my tears
and confusion.
she's heard it all before,
but pretends
that it's all new to her
ears.
she smiles, she nods.
she accepts
my tale of woe
with a kind
and open heart.
despite the degrees
on the wall,
the books on her shelves,
she has no answers,
just questions that lead
me to my
own answers.
the clock ticks
on and when it's time to
stop,
we stop.
we stop and move on.
a step closer,
perhaps to peace
and understanding.
to my
plight. my tears
and confusion.
she's heard it all before,
but pretends
that it's all new to her
ears.
she smiles, she nods.
she accepts
my tale of woe
with a kind
and open heart.
despite the degrees
on the wall,
the books on her shelves,
she has no answers,
just questions that lead
me to my
own answers.
the clock ticks
on and when it's time to
stop,
we stop.
we stop and move on.
a step closer,
perhaps to peace
and understanding.
what to keep
there are things
left
over from every love gone wrong.
every infatuation
or affection
has some mark, some touch
stone
left behind.
to keep
and wallow in the grief,
or smile
at the joy
is a fine balance.
to toss, or save
so much that will disappear
in time, then
turn to dust
anyway makes for a long
hard night.
left
over from every love gone wrong.
every infatuation
or affection
has some mark, some touch
stone
left behind.
to keep
and wallow in the grief,
or smile
at the joy
is a fine balance.
to toss, or save
so much that will disappear
in time, then
turn to dust
anyway makes for a long
hard night.
dividing everything in two
in the divorce,
by law,
we divided everything
we divided everything
equally
regardless
of whose fault it was.
who lied,
who cheated,
meant nothing.
the house, the money.
the dishes,
the couch. the bed.
we split
it all down the middle.
the house, the money.
the dishes,
the couch. the bed.
we split
it all down the middle.
we were trying to be
reasonable and fair
to one another unlike
how we lived.
all things were torn
in two.
but the dog
and the child
winced and whimpered
and the child
winced and whimpered
at the sound
of the power saw
starting up
as we laid them down
as we laid them down
to cut.
make a left at the light
i need directions.
a map,
a pamphlet, a gps
to get me where i want
to go.
i need a gas station
attendant
to scratch his head
and say,
i think you made a wrong
turn back there.
i need
someone in the car
with me,
to say turn here,
go left at the light,
go right,
hit the pedal,
we're almost there.
a map,
a pamphlet, a gps
to get me where i want
to go.
i need a gas station
attendant
to scratch his head
and say,
i think you made a wrong
turn back there.
i need
someone in the car
with me,
to say turn here,
go left at the light,
go right,
hit the pedal,
we're almost there.
don't make me say it
you don't get it,
she says.
you're not listening.
how many times
do I have to
almost say what
I really mean to say
for you to get
what I mean.
why do I actually have
to say the words.
write the words.
shout the words
for the world to hear,
for you to know what
the truth is?
she says.
you're not listening.
how many times
do I have to
almost say what
I really mean to say
for you to get
what I mean.
why do I actually have
to say the words.
write the words.
shout the words
for the world to hear,
for you to know what
the truth is?
Thursday, January 25, 2018
the outlet coat
the zipper wouldn't move
on my brand
new Calvin Klein
winter coat purchased
smartly on sale
at the outlet store.
waterproof and warm it was.
stylish too, grey with black
trim. but
no matter hard i
pulled, or greased
or ironed
out the zipper, even
after thirty tries
at up and down, it wouldn't
budge.
i'd have to lift the coat
over my head to get
it off
then stretch the fabric
to pull the zipper free.
finally.
tired of the routine,
with both hands
I pulled as hard as I
could to break the zipper
free from the point where it
was stuck.
it was liberating
to hear the tear of fabric,
the flying pieces of
metal teeth and nylon
spraying across
the room. I liked
that coat for the whole
two weeks I had it, but
happily, now, I balled it up
and stuffed it
in the trash.
on my brand
new Calvin Klein
winter coat purchased
smartly on sale
at the outlet store.
waterproof and warm it was.
stylish too, grey with black
trim. but
no matter hard i
pulled, or greased
or ironed
out the zipper, even
after thirty tries
at up and down, it wouldn't
budge.
i'd have to lift the coat
over my head to get
it off
then stretch the fabric
to pull the zipper free.
finally.
tired of the routine,
with both hands
I pulled as hard as I
could to break the zipper
free from the point where it
was stuck.
it was liberating
to hear the tear of fabric,
the flying pieces of
metal teeth and nylon
spraying across
the room. I liked
that coat for the whole
two weeks I had it, but
happily, now, I balled it up
and stuffed it
in the trash.
the insurance claims
he had some bad luck.
his house
burned down.
the fire starting suspiciously
close
to his new baby grand
piano,
which he didn't know how
to play
to begin with,
then his boat sank.
then another sank,
both mysteriously while
no one was aboard.
a car would disappear.
there were break ins,
accidents when he slipped
on a puddle
going down an aisle
in a large chain store.
but he was always tanned
and smiling.
the happiest unfortunate
man
i'd ever known.
his house
burned down.
the fire starting suspiciously
close
to his new baby grand
piano,
which he didn't know how
to play
to begin with,
then his boat sank.
then another sank,
both mysteriously while
no one was aboard.
a car would disappear.
there were break ins,
accidents when he slipped
on a puddle
going down an aisle
in a large chain store.
but he was always tanned
and smiling.
the happiest unfortunate
man
i'd ever known.
Wednesday, January 24, 2018
puppets
we want
others to be who we want
them to be.
to be the Gods they are not.
we want them to do things
we want
them to do.
behave in a way
that makes us believe
that they are ours.
we want, like puppets,
to pull
their strings.
to dance when we need
them to dance,
to sing, when
we want them to sing.
how strange we are in
thinking others can make
us happy.
others to be who we want
them to be.
to be the Gods they are not.
we want them to do things
we want
them to do.
behave in a way
that makes us believe
that they are ours.
we want, like puppets,
to pull
their strings.
to dance when we need
them to dance,
to sing, when
we want them to sing.
how strange we are in
thinking others can make
us happy.
relief
it can't keep
raining like this, can
it?
this wind.
this cold.
the discomfort
of so many things.
at some point it has
to give up.
light needs
to come out
from behind
these fisted clouds
that pummel us
to sleep.
raining like this, can
it?
this wind.
this cold.
the discomfort
of so many things.
at some point it has
to give up.
light needs
to come out
from behind
these fisted clouds
that pummel us
to sleep.
the unseen
it's the black ice
we need
to watch out for.
the slick on the road,
that subtle freeze.
the shadow
in the alley.
it's the unknown
that gets us.
the unwanted call.
words whispered
beyond our reach.
the stalker in
the window.
the eyes in the woods
peering in.
carefully
we need to tread,
to turn
the key on the lock
to get us inside
away from what could
be grim.
we need
to watch out for.
the slick on the road,
that subtle freeze.
the shadow
in the alley.
it's the unknown
that gets us.
the unwanted call.
words whispered
beyond our reach.
the stalker in
the window.
the eyes in the woods
peering in.
carefully
we need to tread,
to turn
the key on the lock
to get us inside
away from what could
be grim.
Tuesday, January 23, 2018
work release
they hired men
mostly
from the jump, the county
jail,
the state pen,
the lock up
in the city. they hired
them to sweep,
to mop,
to take out the garbage.
it was a job
to get them on their
feet again.
minimum wage.
grey uniforms, with names.
some made
it. some took a broom
handle and broke
it in half before stabbing
someone.
some robbed
the apartments, or stole
fruit from
the basement store.
they were old men, for
the most part. even the young
ones.
some became friends.
some died, taking their
own lives
with cocaine or drink.
some though, made it out.
got free,
and never looked back.
mostly
from the jump, the county
jail,
the state pen,
the lock up
in the city. they hired
them to sweep,
to mop,
to take out the garbage.
it was a job
to get them on their
feet again.
minimum wage.
grey uniforms, with names.
some made
it. some took a broom
handle and broke
it in half before stabbing
someone.
some robbed
the apartments, or stole
fruit from
the basement store.
they were old men, for
the most part. even the young
ones.
some became friends.
some died, taking their
own lives
with cocaine or drink.
some though, made it out.
got free,
and never looked back.
the first time
the first time you see
the ocean
startles you. the vastness.
the shades
of green, blue.
those ships in the distance.
those gulls,
the waves
repeating on and on
forever
as they unfold.
the first time is the best.
the one
you'll hold
closest to your heart.
the ocean
startles you. the vastness.
the shades
of green, blue.
those ships in the distance.
those gulls,
the waves
repeating on and on
forever
as they unfold.
the first time is the best.
the one
you'll hold
closest to your heart.
start again
don't worry so much
about things
you have no control over.
let it go.
move on to other things.
the small
things will kill you
over time.
don't let your mind
play
that game.
don't let it fill
with darkness.
empty it.
breathe out, breathe
in.
start again.
about things
you have no control over.
let it go.
move on to other things.
the small
things will kill you
over time.
don't let your mind
play
that game.
don't let it fill
with darkness.
empty it.
breathe out, breathe
in.
start again.
the work week
i'll leave
the gate unlatched.
come
and go as you please,
i'll be working late,
wipe
your feet.
I've left you a note
on the counter,
next to the other ones
signed
me.
the gate unlatched.
come
and go as you please,
i'll be working late,
wipe
your feet.
I've left you a note
on the counter,
next to the other ones
signed
me.
reluctant pear
the pears
out
of season are still
sweet,
the soft
green color
splotched brown,
but the meat
is good,
the juice rolls
down your chin.
it's
a conscious effort
though,
to pick up a pear
and eat.
out
of season are still
sweet,
the soft
green color
splotched brown,
but the meat
is good,
the juice rolls
down your chin.
it's
a conscious effort
though,
to pick up a pear
and eat.
Monday, January 22, 2018
get what you want
i should get what i always
get and
stop looking at the menu.
i know what i like, what i
don't like
and yet, there's this urge
to experiment, take a chance,
to broaden my culinary
tastes.
it never fails though, i wish after
one bite
that's i'd gotten what i
really wanted, not this.
get and
stop looking at the menu.
i know what i like, what i
don't like
and yet, there's this urge
to experiment, take a chance,
to broaden my culinary
tastes.
it never fails though, i wish after
one bite
that's i'd gotten what i
really wanted, not this.
something else
we are here,
but not here. this feeling,
this
too will pass.
these clothes that hang
against my
skin
and bones.
this hair, these nails,
the eyes
and tongue,
are me, but will disappear.
the bed I lie in,
even that moon
beyond the trees.
all that is
doesn't last,
something else must
be going on.
but not here. this feeling,
this
too will pass.
these clothes that hang
against my
skin
and bones.
this hair, these nails,
the eyes
and tongue,
are me, but will disappear.
the bed I lie in,
even that moon
beyond the trees.
all that is
doesn't last,
something else must
be going on.
amy's soup
a can
of soup remains
in the cupboard. I just
can't
get rid of it.
it belongs to Amy.
at least that's what
the label says.
Amy's organic Lintel
soup.
with white beans, no less.
I feel as if I need
to hold onto it.
that I might regret
tossing it away
after all these years.
gathering dust
on the shelf.
so I put
it back, right next
to Ben's rice.
next to the smiling
face of Quaker Oats.
beside
Pete's skinny bottle
of hot sauce.
of soup remains
in the cupboard. I just
can't
get rid of it.
it belongs to Amy.
at least that's what
the label says.
Amy's organic Lintel
soup.
with white beans, no less.
I feel as if I need
to hold onto it.
that I might regret
tossing it away
after all these years.
gathering dust
on the shelf.
so I put
it back, right next
to Ben's rice.
next to the smiling
face of Quaker Oats.
beside
Pete's skinny bottle
of hot sauce.
what good is it
time to purge.
time to strip down
your
links on social media.
time to hunker
down
and go under.
to be free from the webs
of
this tangled world
of wires.
time to smell the air.
to get away.
to be done with the trivial
drama
that we
thrive on.
time to take your hands
off the key
board and put your hand
into another's
and walk away.
time to strip down
your
links on social media.
time to hunker
down
and go under.
to be free from the webs
of
this tangled world
of wires.
time to smell the air.
to get away.
to be done with the trivial
drama
that we
thrive on.
time to take your hands
off the key
board and put your hand
into another's
and walk away.
it's up to you
we can plug
the leaks in your tires
at a small fee, or
you can take the high risk
of driving on them,
and perhaps having a blow
out
flipping your car
over a guard rail
into on coming traffic,
risking your car going up
in a ball of flames,
or perhaps you can get our
four brand new
tires, which are on
sale this week
for presidents day
that happens next month,
newly balanced,
aligned, with a
three year warranty.
no pressure, but you choose.
death on the highway,
or take advantage of
our once in a lifetime
tire sale. it's up
to you. by the way,
there's coffee over there
near the bathroom,
made fresh weekly.
the leaks in your tires
at a small fee, or
you can take the high risk
of driving on them,
and perhaps having a blow
out
flipping your car
over a guard rail
into on coming traffic,
risking your car going up
in a ball of flames,
or perhaps you can get our
four brand new
tires, which are on
sale this week
for presidents day
that happens next month,
newly balanced,
aligned, with a
three year warranty.
no pressure, but you choose.
death on the highway,
or take advantage of
our once in a lifetime
tire sale. it's up
to you. by the way,
there's coffee over there
near the bathroom,
made fresh weekly.
Sunday, January 21, 2018
the vines
these vines
their small clawed nails
digging into
the fence,
the brick. crawling
with a mind of their
towards
no good.
gripping what they find
in their path.
are we like that?
trying to hold onto
things
we shouldn't,
going places we have
no place going?
at the root lies
the problem.
their small clawed nails
digging into
the fence,
the brick. crawling
with a mind of their
towards
no good.
gripping what they find
in their path.
are we like that?
trying to hold onto
things
we shouldn't,
going places we have
no place going?
at the root lies
the problem.
moon set nights
we drink long into the night.
we talk
about
God.
we talk about our sons.
what work means.
we discuss
the meaning
of life.
the question of divine
intervention,
free will.
the drinking does little
to uncloud
our minds.
but we try. we try to
get somewhere
where it all makes sense.
where we
no longer worry about
what the next
day might bring.
we take small steps
into the light as the moon
sets
and the sun rises.
we talk
about
God.
we talk about our sons.
what work means.
we discuss
the meaning
of life.
the question of divine
intervention,
free will.
the drinking does little
to uncloud
our minds.
but we try. we try to
get somewhere
where it all makes sense.
where we
no longer worry about
what the next
day might bring.
we take small steps
into the light as the moon
sets
and the sun rises.
the long ladders
I have memories of these
ladders.
these long extension metal
things
that I climbed
one boot after the other
up the sides of buildings
in the wind
in rain.
thirty two feet skyward,
forty feet.
some fell,
some crashed to the side,
some I tumbled from
when careless and hurried
trying to win a clock that
beat inside.
so many days I pulled
on the braided ropes
raising
the rungs higher and
higher
to get to the highest
point,
then carried buckets
and brushes, tools
to the top
where a bird's nest might
be, where
bats might hang by their
clawed feet.
I climbed into the sky
closer to the clouds,
to the sun,
to a place I knew so well
when I was young.
ladders.
these long extension metal
things
that I climbed
one boot after the other
up the sides of buildings
in the wind
in rain.
thirty two feet skyward,
forty feet.
some fell,
some crashed to the side,
some I tumbled from
when careless and hurried
trying to win a clock that
beat inside.
so many days I pulled
on the braided ropes
raising
the rungs higher and
higher
to get to the highest
point,
then carried buckets
and brushes, tools
to the top
where a bird's nest might
be, where
bats might hang by their
clawed feet.
I climbed into the sky
closer to the clouds,
to the sun,
to a place I knew so well
when I was young.
split life
you live
a split life. one side
good
the other
not so good.
one shoe clean, the other
in mud.
words fall
from your mouth
at times,
spewing
what lies within, while
other times
silence
is what you need to do,
choosing
a higher road,
not sin.
a split life. one side
good
the other
not so good.
one shoe clean, the other
in mud.
words fall
from your mouth
at times,
spewing
what lies within, while
other times
silence
is what you need to do,
choosing
a higher road,
not sin.
Saturday, January 20, 2018
return to sender
there's new mail.
old mail.
junk mail.
trash.
recently deleted mail.
blocked mail.
there's spam,
unable to send
mail,
unable to receive
mail.
mail
from stores, from
banks,
from gas stations.
medicare mail.
insurance mail.
tax mail.
mail from someone
in Russia
named Olga.
it keeps coming. it
keeps pouring in
while my calloused
thumb
leans on the delete
button.
old mail.
junk mail.
trash.
recently deleted mail.
blocked mail.
there's spam,
unable to send
mail,
unable to receive
mail.
from stores, from
banks,
from gas stations.
medicare mail.
insurance mail.
tax mail.
mail from someone
in Russia
named Olga.
it keeps coming. it
keeps pouring in
while my calloused
thumb
leans on the delete
button.
touch stones
we attach ourselves
to things.
that coat, that glove,
a ring.
we want to remember,
to make
the past feel real
once more,
not just a memory
fading
in time. we want a
touch stone,
a card, a letter to hold
in our hands
something lost
that we can still find,
no matter
what the day or hour
as our life
slips by.
to things.
that coat, that glove,
a ring.
we want to remember,
to make
the past feel real
once more,
not just a memory
fading
in time. we want a
touch stone,
a card, a letter to hold
in our hands
something lost
that we can still find,
no matter
what the day or hour
as our life
slips by.
Friday, January 19, 2018
the first one's free
the lick of a flame
under
the silver
spoon, heats this
insidious brew,
the crystals,
a fine white powder
melting
into a forever
stew.
how sublime
the light is cascading
through the window,
how soft
the rain sounds
falling down,
how hopeless the world
becomes
with a needle in
your vein.
under
the silver
spoon, heats this
insidious brew,
the crystals,
a fine white powder
melting
into a forever
stew.
how sublime
the light is cascading
through the window,
how soft
the rain sounds
falling down,
how hopeless the world
becomes
with a needle in
your vein.
another place to be
we all want
to reach chapter five.
the chapter in portia nelson's
succinct
and difficult poem.
how easily
we slip into holes
time and time
again.
climbing out
as if we had no clue
they were
there to begin with.
some holes
are deeper than others.
some are shallow
full of old rain water.
we repeat the chaos
of our lives thinking it's
home.
some holes you can
never get out of without
divine intervention.
without courage,
without knowing
where the bottom
lies,
but you can, so
let's find another street
to walk on.
another place
to be.
to reach chapter five.
the chapter in portia nelson's
succinct
and difficult poem.
how easily
we slip into holes
time and time
again.
climbing out
as if we had no clue
they were
there to begin with.
some holes
are deeper than others.
some are shallow
full of old rain water.
we repeat the chaos
of our lives thinking it's
home.
some holes you can
never get out of without
divine intervention.
without courage,
without knowing
where the bottom
lies,
but you can, so
let's find another street
to walk on.
another place
to be.
the hair cut
i tell the barber
to leave
a little on the top this time.
maybe part it on
the side.
I've got a job interview
tomorrow
and I've met someone
that really melts my butter.
the other barbers
chuckle
and shake their heads.
okay,
he says. you're the boss.
i'll leave some.
three minutes go by
and he swings the chair
around to the long mirrored
wall.
nice, i tell him. nice.
he splashes
some blue fragrant water
onto my cheeks
and brushes me down.
go get him handsome,
he says.
i'm ten years old all
over again.
to leave
a little on the top this time.
maybe part it on
the side.
I've got a job interview
tomorrow
and I've met someone
that really melts my butter.
the other barbers
chuckle
and shake their heads.
okay,
he says. you're the boss.
i'll leave some.
three minutes go by
and he swings the chair
around to the long mirrored
wall.
nice, i tell him. nice.
he splashes
some blue fragrant water
onto my cheeks
and brushes me down.
go get him handsome,
he says.
i'm ten years old all
over again.
vive la difference
she says can you pass
me another vol-au-vent
sil vous plait.
I say what.
you mean the canapés,
no, she says, pointing
at the small dish
of puffed pastries filled
with meat.
those, she says,
her delicate finger
bent in their direction.
so I do.
merci, she says.
more champagne, I ask.
certainment, she says.
oui.
I put down my Budweiser
and leg of chicken
and pour
the bubbly into her
flute.
she smiles, she winks.
she puckers her lips and blows
me a kiss.
me another vol-au-vent
sil vous plait.
I say what.
you mean the canapés,
no, she says, pointing
at the small dish
of puffed pastries filled
with meat.
those, she says,
her delicate finger
bent in their direction.
so I do.
merci, she says.
more champagne, I ask.
certainment, she says.
oui.
I put down my Budweiser
and leg of chicken
and pour
the bubbly into her
flute.
she smiles, she winks.
she puckers her lips and blows
me a kiss.
the ball and chain days
I remember when the boss
used to whip
us.
he had a long leather whip
black
and oiled
with barbs on the end.
it was office
work. we were hunched over desks
in cubicles,
a ball and chain strapped
to our ankles,
but in the back there
was a dungeon,
next to the copier,
and reams of paper
where we'd be punished
for our many transgressions.
sometimes
they'd lay us out on
the stretching machine and
pull our arms
and legs in four different
directions.
did we work more efficiently,
yes,
did we take shorter
coffee and lunch breaks, yes.
did we drink more
at happy hour, and steal staplers,
yes.
used to whip
us.
he had a long leather whip
black
and oiled
with barbs on the end.
it was office
work. we were hunched over desks
in cubicles,
a ball and chain strapped
to our ankles,
but in the back there
was a dungeon,
next to the copier,
and reams of paper
where we'd be punished
for our many transgressions.
sometimes
they'd lay us out on
the stretching machine and
pull our arms
and legs in four different
directions.
did we work more efficiently,
yes,
did we take shorter
coffee and lunch breaks, yes.
did we drink more
at happy hour, and steal staplers,
yes.
places beside home
there are places
beside
home, Dorothy.
better places in fact.
peaceful and safe places.
most of the pain
and suffering endured
by many
started in a childhood home.
and it's lingered
until they place you
in another home,
the sunset home,
not yours of course,
but one where they feed
you oatmeal
with a spoon.
beside
home, Dorothy.
better places in fact.
peaceful and safe places.
most of the pain
and suffering endured
by many
started in a childhood home.
and it's lingered
until they place you
in another home,
the sunset home,
not yours of course,
but one where they feed
you oatmeal
with a spoon.
Thursday, January 18, 2018
meant to be
careless
about the bills in my pocket
some fall out.
get caught in the wind.
I watch them
as they curve upwards
into the air,
crossing the street,
the wind
making them swirl, pushing
them away.
a part of me wants to chase
them,
but another part
says let them go, this
was meant to be.
about the bills in my pocket
some fall out.
get caught in the wind.
I watch them
as they curve upwards
into the air,
crossing the street,
the wind
making them swirl, pushing
them away.
a part of me wants to chase
them,
but another part
says let them go, this
was meant to be.
the downed tree
I see a tree down
behind
the fence.
a large old oak.
we had no relationship,
this tree and I
despite passing it daily,
looking out
as it swayed
in the summer,
full of leaves
and emptied itself
come fall.
we were not unfriendly,
or unaware
of one another,
but respectful
and distant
in a neighborly
sort of way.
behind
the fence.
a large old oak.
we had no relationship,
this tree and I
despite passing it daily,
looking out
as it swayed
in the summer,
full of leaves
and emptied itself
come fall.
we were not unfriendly,
or unaware
of one another,
but respectful
and distant
in a neighborly
sort of way.
lava lamp musings
the lava
lamp
with it's swirl
of orange
and purple, how it made
the room
swim in color.
the black light
under jimi
and Janis, their posters
pinned
on the far wall.
the stereo
playing scratched
records.
the thump of pioneer
speakers
churning out a whole
lotta love
by zeppelin.
the bottle of wine.
the candles
slouching in cold
wax. a cloud of smoke
in the air.
wild talk about God,
if there was one,
and the universe.
it was a different
era then,
a different time.
lamp
with it's swirl
of orange
and purple, how it made
the room
swim in color.
the black light
under jimi
and Janis, their posters
pinned
on the far wall.
the stereo
playing scratched
records.
the thump of pioneer
speakers
churning out a whole
lotta love
by zeppelin.
the bottle of wine.
the candles
slouching in cold
wax. a cloud of smoke
in the air.
wild talk about God,
if there was one,
and the universe.
it was a different
era then,
a different time.
asleep
the line of her
beneath the sheets,
asleep,
the soft curve of her.
the brush of hair,
the arm
over her eyes.
the smell, the taste
of her
on my lips, on my
hands.
how deep she's fallen
into sleep,
hardly moving, hardly
breathing,
away in a dream
she won't remember,
hoping it's of me.
beneath the sheets,
asleep,
the soft curve of her.
the brush of hair,
the arm
over her eyes.
the smell, the taste
of her
on my lips, on my
hands.
how deep she's fallen
into sleep,
hardly moving, hardly
breathing,
away in a dream
she won't remember,
hoping it's of me.
we had words
we had words.
then we had other words.
the floor was littered
with them.
words we hadn't used before
with each other. there were
letters strewn about.
punctuation marks,
periods
and questions,
exclamation points.
there was small print
on our hands.
large case
letters inked on
our foreheads.
at some point she spoke
in French.
and I in Italian.
at times we didn't know
what the other one was
talking about.
but oh the words,
so many words.
some in red, in black.
it was a talk that
went on for hours.
on into the early morning
until we finally
ran out of things to say,
and said alright, enough.
let's go to bed.
then we had other words.
the floor was littered
with them.
words we hadn't used before
with each other. there were
letters strewn about.
punctuation marks,
periods
and questions,
exclamation points.
there was small print
on our hands.
large case
letters inked on
our foreheads.
at some point she spoke
in French.
and I in Italian.
at times we didn't know
what the other one was
talking about.
but oh the words,
so many words.
some in red, in black.
it was a talk that
went on for hours.
on into the early morning
until we finally
ran out of things to say,
and said alright, enough.
let's go to bed.
no where to run
it smells like
rain.
feels like snow.
taste
like burned ashes.
something's in the air.
there's a fire
burning
to keep someone warm,
or did it start
while we were sleeping.
shovels lean
against the wall.
salt and sand.
the bags stacked and ready.
batteries.
water. dried food.
a pistol or two.
the news on, waiting for
word
to tell us which direction
we should run.
rain.
feels like snow.
taste
like burned ashes.
something's in the air.
there's a fire
burning
to keep someone warm,
or did it start
while we were sleeping.
shovels lean
against the wall.
salt and sand.
the bags stacked and ready.
batteries.
water. dried food.
a pistol or two.
the news on, waiting for
word
to tell us which direction
we should run.
ships at sea
there's a crowd
at the docks. they lean
out towards the sea,
peering across the long water
under a gull
frenzied sky.
they wait.
all waiting for that
ship to come in.
that golden vessel.
the silver liner.
anxious for what lies
ahead.
where the money might be.
waiting for someone
up on the food
chain who might leave them
something, anything
to help them get by.
at the docks. they lean
out towards the sea,
peering across the long water
under a gull
frenzied sky.
they wait.
all waiting for that
ship to come in.
that golden vessel.
the silver liner.
anxious for what lies
ahead.
where the money might be.
waiting for someone
up on the food
chain who might leave them
something, anything
to help them get by.
Wednesday, January 17, 2018
maid visit
nearly
done after hours
of going
up and down and under.
the maids
are weary.
I've given them more
dust and dirt
than
they're used to.
who knew so many webs
could
form beneath
the beds. so many
places to scrub
that
haven't been scrubbed
and cleaned
in ages.
the house sings
with the smell of cleaning
tonics.
the lemons,
the pine.
the air swims with a
a fragrance
i'm unused to.
a place for everything.
the books so neatly
lined against
one another.
the glasses clean,
the bed made.
when are you coming back
dear maids.
I miss you
already.
done after hours
of going
up and down and under.
the maids
are weary.
I've given them more
dust and dirt
than
they're used to.
who knew so many webs
could
form beneath
the beds. so many
places to scrub
that
haven't been scrubbed
and cleaned
in ages.
the house sings
with the smell of cleaning
tonics.
the lemons,
the pine.
the air swims with a
a fragrance
i'm unused to.
a place for everything.
the books so neatly
lined against
one another.
the glasses clean,
the bed made.
when are you coming back
dear maids.
I miss you
already.
Tuesday, January 16, 2018
truth be told.
if we knew the truth
about everything,
about everyone,
about every e mail, every
text.
every word whispered
when not around,
each phone call taken
in the dead of night.
would it be better then?
about everything,
about everyone,
about every e mail, every
text.
every word whispered
when not around,
each phone call taken
in the dead of night.
would it be better then?
truth be told.
if we knew the truth
about everything,
about everyone,
about every e mail, every
text.
every word whispered
when not around,
each phone call taken
in the dead of night.
would it be better then?
about everything,
about everyone,
about every e mail, every
text.
every word whispered
when not around,
each phone call taken
in the dead of night.
would it be better then?
judgemental
it's hard to be a judge
whether behind
the bench, or walking the street.
holding
each apple
to the light.
each word uttered, weighed
and examined.
watching the body
language,
looking deep into the eyes
of those he
meets.
to believe
or not believe is a daily
chore.
even when the barista says
it's nice day
today,
he can't help but say,
is it really?
whether behind
the bench, or walking the street.
holding
each apple
to the light.
each word uttered, weighed
and examined.
watching the body
language,
looking deep into the eyes
of those he
meets.
to believe
or not believe is a daily
chore.
even when the barista says
it's nice day
today,
he can't help but say,
is it really?
nearly gone
I don't want to say
that I have my father's hands,
his shoulders,
the way
his hair line recedes.
I don't want to say
that I have his sense of humor.
his sadness
and joy.
I don't want to say anything
like that.
it makes me feel
that he's nearly gone
when he's not.
that I have my father's hands,
his shoulders,
the way
his hair line recedes.
I don't want to say
that I have his sense of humor.
his sadness
and joy.
I don't want to say anything
like that.
it makes me feel
that he's nearly gone
when he's not.
nearly gone
I don't want to say
that I have my father's hands,
his shoulders,
the way
his hair line recedes.
I don't want to say
that I have his sense of humor.
his sadness
and joy.
I don't want to say anything
like that.
it makes me feel
that he's nearly gone
when he's not.
that I have my father's hands,
his shoulders,
the way
his hair line recedes.
I don't want to say
that I have his sense of humor.
his sadness
and joy.
I don't want to say anything
like that.
it makes me feel
that he's nearly gone
when he's not.
needs
i need little
to be content.
a hot bath, a nap.
some food
and a drink.
coffee.
i need my books, my
music.
my friends.
a hard days work.
beyond that is a blessing.
love
a cherry.
to be content.
a hot bath, a nap.
some food
and a drink.
coffee.
i need my books, my
music.
my friends.
a hard days work.
beyond that is a blessing.
love
a cherry.
needs
i need little
to be content.
a hot bath, a nap.
some food
and a drink.
coffee.
i need my books, my
music.
my friends.
a hard days work.
beyond that is a blessing.
love
a cherry.
to be content.
a hot bath, a nap.
some food
and a drink.
coffee.
i need my books, my
music.
my friends.
a hard days work.
beyond that is a blessing.
love
a cherry.
Monday, January 15, 2018
carryout
a man comes
in wearing a green luminous vest.
he's been
outside all day
in the cold.
his face raw, his hair
pulled back,
red and grey behind his
work helmet.
he's not old,
but his body leans
against
the counter as if in pain.
he pulls out
a pair of glasses
from his baggy pants
and reads the menu.
he counts the money that
he has,
letting the bills
unfold in his large in hand
then whispers, tiredly
what he wants
to the waitress.
a beer comes to him.
he doesn't look around.
he's not looking into anyone's
for anything.
he's hungry.
in wearing a green luminous vest.
he's been
outside all day
in the cold.
his face raw, his hair
pulled back,
red and grey behind his
work helmet.
he's not old,
but his body leans
against
the counter as if in pain.
he pulls out
a pair of glasses
from his baggy pants
and reads the menu.
he counts the money that
he has,
letting the bills
unfold in his large in hand
then whispers, tiredly
what he wants
to the waitress.
a beer comes to him.
he doesn't look around.
he's not looking into anyone's
for anything.
he's hungry.
carryout
a man comes
in wearing a green luminous vest.
he's been
outside all day
in the cold.
his face raw, his hair
pulled back,
red and grey behind his
work helmet.
he's not old,
but his body leans
against
the counter as if in pain.
he pulls out
a pair of glasses
from his baggy pants
and reads the menu.
he counts the money that
he has,
letting the bills
unfold in his large in hand
then whispers, tiredly
what he wants
to the waitress.
a beer comes to him.
he doesn't look around.
he's not looking into anyone's
for anything.
he's hungry.
in wearing a green luminous vest.
he's been
outside all day
in the cold.
his face raw, his hair
pulled back,
red and grey behind his
work helmet.
he's not old,
but his body leans
against
the counter as if in pain.
he pulls out
a pair of glasses
from his baggy pants
and reads the menu.
he counts the money that
he has,
letting the bills
unfold in his large in hand
then whispers, tiredly
what he wants
to the waitress.
a beer comes to him.
he doesn't look around.
he's not looking into anyone's
for anything.
he's hungry.
boys in striped shirts
when things
were slow we'd go outside
and sit
on the porch.
when our legs were tired
from running
from kicking balls
across the yard,
when our mouths had no
more words to say,
our arms weary from games,
we'd go out
and sit on the porch.
the bunch of us.
the sun would linger
until nine or so,
then settle behind the buildings
across the ravine.
we were young.
boys
in striped shirts, short
hair,
dungarees.
were slow we'd go outside
and sit
on the porch.
when our legs were tired
from running
from kicking balls
across the yard,
when our mouths had no
more words to say,
our arms weary from games,
we'd go out
and sit on the porch.
the bunch of us.
the sun would linger
until nine or so,
then settle behind the buildings
across the ravine.
we were young.
boys
in striped shirts, short
hair,
dungarees.
boys in striped shirts
when things
were slow we'd go outside
and sit
on the porch.
when our legs were tired
from running
from kicking balls
across the yard,
when our mouths had no
more words to say,
our arms weary from games,
we'd go out
and sit on the porch.
the bunch of us.
the sun would linger
until nine or so,
then settle behind the buildings
across the ravine.
we were young.
boys
in striped shirts, short
hair,
dungarees.
were slow we'd go outside
and sit
on the porch.
when our legs were tired
from running
from kicking balls
across the yard,
when our mouths had no
more words to say,
our arms weary from games,
we'd go out
and sit on the porch.
the bunch of us.
the sun would linger
until nine or so,
then settle behind the buildings
across the ravine.
we were young.
boys
in striped shirts, short
hair,
dungarees.
are we there yet
are we there yet,
have we done enough,
have we said enough.
have we driven
the long
road long and far enough
to get there.
are we there yet.
have we not gone
to school,
have we not kneeled
in church
and prayed fervently,
do we watch what
goes into our mouth,
measure what
comes out.
have we given enough love
in return.
are we there yet.
have we read enough books.
have we learned enough lessons,
gone past
what was before
that tried to ruin us.
is it ever enough.
how much further on this
road do we need to go.
where and when
can we stop and get out.
and say,
that we've arrived.
we're there.
it's so.
have we done enough,
have we said enough.
have we driven
the long
road long and far enough
to get there.
are we there yet.
have we not gone
to school,
have we not kneeled
in church
and prayed fervently,
do we watch what
goes into our mouth,
measure what
comes out.
have we given enough love
in return.
are we there yet.
have we read enough books.
have we learned enough lessons,
gone past
what was before
that tried to ruin us.
is it ever enough.
how much further on this
road do we need to go.
where and when
can we stop and get out.
and say,
that we've arrived.
we're there.
it's so.
are we there yet
are we there yet,
have we done enough,
have we said enough.
have we driven
the long
road long and far enough
to get there.
are we there yet.
have we not gone
to school,
have we not kneeled
in church
and prayed fervently,
do we watch what
goes into our mouth,
measure what
comes out.
have we given enough love
in return.
are we there yet.
have we read enough books.
have we learned enough lessons,
gone past
what was before
that tried to ruin us.
is it ever enough.
how much further on this
road do we need to go.
where and when
can we stop and get out.
and say,
that we've arrived.
we're there.
it's so.
have we done enough,
have we said enough.
have we driven
the long
road long and far enough
to get there.
are we there yet.
have we not gone
to school,
have we not kneeled
in church
and prayed fervently,
do we watch what
goes into our mouth,
measure what
comes out.
have we given enough love
in return.
are we there yet.
have we read enough books.
have we learned enough lessons,
gone past
what was before
that tried to ruin us.
is it ever enough.
how much further on this
road do we need to go.
where and when
can we stop and get out.
and say,
that we've arrived.
we're there.
it's so.
no boundaries
the rabbits find
a way in.
the moles.
the snakes too. the squirrels.
a black
bird sits on the fence
and makes his
noise.
a hawk circles.
a vulture sits nearby
in his black robe.
it's judgement day.
it appears.
they've all gathered
to tell me what
I already know,
which is you can't keep
us out
if we don't want you to.
a way in.
the moles.
the snakes too. the squirrels.
a black
bird sits on the fence
and makes his
noise.
a hawk circles.
a vulture sits nearby
in his black robe.
it's judgement day.
it appears.
they've all gathered
to tell me what
I already know,
which is you can't keep
us out
if we don't want you to.
slow boat
someone gives me a ticket
to take a trip.
here, he says.
you look like a man who
needs a rest.
I look at the ticket.
china
it says.
I go down to the docks
with my suitcase
and look at the boat.
it's a small boat
with a wooden mast and old
yellowed sails.
it looks slow.
very very slow.
perfect.
I climb aboard and go.
to take a trip.
here, he says.
you look like a man who
needs a rest.
I look at the ticket.
china
it says.
I go down to the docks
with my suitcase
and look at the boat.
it's a small boat
with a wooden mast and old
yellowed sails.
it looks slow.
very very slow.
perfect.
I climb aboard and go.
forget about it
it's fifteen out there
the weatherman says.
but it feels like thirteen\
with the wind chill.
the wind
is gusting at six miles per
hour,
so button up.
bring the kids in,
the dogs
and cats
and if you have any tomato
plants in the yard,
forget about it.
the weatherman says.
but it feels like thirteen\
with the wind chill.
the wind
is gusting at six miles per
hour,
so button up.
bring the kids in,
the dogs
and cats
and if you have any tomato
plants in the yard,
forget about it.
home cooking
home cooking
would be nice. a meal
at
the table.
a glass of wine.
take the warm bread out
and set it here.
the tray of butter,
the gems
of salt and paper
in their shakers.
bring
the pot over.
the hot steam rising
in our faces.
we could less
than this. this home
cooked meal,
this simple act of
human kindness.
would be nice. a meal
at
the table.
a glass of wine.
take the warm bread out
and set it here.
the tray of butter,
the gems
of salt and paper
in their shakers.
bring
the pot over.
the hot steam rising
in our faces.
we could less
than this. this home
cooked meal,
this simple act of
human kindness.
Sunday, January 14, 2018
the high bid
the bid
is too high.
he tells me. others are
half that,
some a third.
why
is yours so high.
I want to use you,
but why
can't you go less?
can you do this for me?
I have more
work down
the road.
I promise. you won't
regret.
is too high.
he tells me. others are
half that,
some a third.
why
is yours so high.
I want to use you,
but why
can't you go less?
can you do this for me?
I have more
work down
the road.
I promise. you won't
regret.
the get away
she leans back on her hotel
lounge chair
positioned just
so. pointing to where
the sun must go.
white sand, blue water,
a cold
drink in hand.
she just had to get away.
away from winter
to this post card
paradise. but
the food doesn't taste
right.
the beds don't cradle
her to sleep.
the hum of the fan is
a freight train.
her mind is elsewhere.
in a place,
in a far away place where
she wants to be.
lounge chair
positioned just
so. pointing to where
the sun must go.
white sand, blue water,
a cold
drink in hand.
she just had to get away.
away from winter
to this post card
paradise. but
the food doesn't taste
right.
the beds don't cradle
her to sleep.
the hum of the fan is
a freight train.
her mind is elsewhere.
in a place,
in a far away place where
she wants to be.
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