they're coming

it's nearly dark.
they're coming.
I can almost hear
them
slipping into
their costumes.
readying their
bags, their pillow cases,
ghosts
and goblins,
witches,
vampires and other assorted
ghouls,
orange haired
and tweeting,
like the president.

the red fur coat

the rabid
fox creeps forward
in the early morning light,
dull eyed
and wobbling in her
red fur coat,
hardly
making a sound
as she approaches
to take a bite out
of my hand.
she reminds of someone
I once knew.

beyond all that

your shirt is
partially out,
there's
gum on your shoe,
you've missed several
spots in shaving,
a drop of blood has
coagulated on your chin.
there's
paint on your hand,
a shirt button
is missing,
a shoe lace has broken.
your zipper is half mast.
you're ready
to meet the love
of your life,
here she comes
with flowers in hand,
and strangely
she sees beyond all
that.

sleep in

it would be nice to sleep in.
you beside
me.
not a thing to do
but make love.
drink coffee, read.
maybe catch a movie,
have lunch.
tell each other things
we like to hear.
it would be nice to sleep in.
take advantage of
this weather,
the cold, the fog, the grey.
nice to have you
near, to sleep in.

drinking again

he's been drinking

again.
there's a new dent
in his car.
i smell bourbon
on his breath. 

the new black eye is 

already turning green 

and yellow.
he lights a cigarette
and inhales deeply
as he sits on the front
porch
taking a break
from work. i ask him

why he drinks so much,

and he says i drink to

celebrate and i drink

to drown my sorrows.

there is no in between.
at fifty eight, it goes on

like this,
this runaway train,
this fear of calm.
finding comfort in
his island of  whiskey.

cheerio

after three years
in England they come back
different.
I notice piping on her clothes,
and the children
buttoned down
with coats and gloves,
hats like small
Winston churchills.
they're
talking about butter pies
and tea
at four. pints of ale.
saying things like cheerio
good man,
are we having fun today, my love?
everything
said in a question.
early are we?
well, aren't we the happy
fellow, etc.
you'll be careful
of the bloody snake
in the yard, won't you?
we don't want to get bitten,
do we?

the rusted car on blocks

the car
without tires.
the rusted car on blocks.
the car with the seats torn,
the stuffing
coming out. the radio gone.
the car we drove to the beach,
the car
we made love
in. the car that went
to the drive-in
on Saturday nights.
the car I washed and waxed,
and polished the fenders.
the car that we wrecked
in the fog
when
the rain came down.
the car that squeaked,
that rattled,
that blew exhaust
out the back.
the car we drove
to our honeymoon
in Myrtle Beach.
the streamers on the back.
grand opening painted
on the side.
the car we drove the baby
home from the hospital in.
the car we drove to work,
drove the boy to school
in. the car I saw
one night
behind the motel at the edge
of town.
the car
I got in the settlement
when the divorce
came through.
the car without tires,
the rusted car on blocks.

on a night just like this

as we sit around
the campfire telling horror
stories,
I talk about a date I once
had with a woman
named Betty.
everyone screams, no, they
say, please don't tell
that story again,
I couldn't sleep for
days after hearing it
last year. I ignore
their pleas though,
and begin.
it was a cold, black night.
the rain was pelting the ground
in fury.
her house was nestled at the end
of a gravel road
in god forsaken wheaton Maryland.
loose shutters banged against
the side boards.
I met her on a scary sinister
dating site called
match dot com. she called
herself, the lady in red.
her photo was of a slinky
blonde haired woman in
heels, but now, in person
she was covered in
tattoos and holding a can
of beer. a cigarette dangled
from her pouty lips
when she answered the door.
a bathrobe was tied loosely
around her ample waist.
where was the lady in red?
perhaps this was her aunt.
a green cream was smeared on
her face, her hair was wrapped
in a turban, a wet towel
tightly wound, set high
like a dairy queen cone.
she said my name as she kicked
open the screen door with a bare foot.
you must be my date, right?
I nodded meekly, and said softly,
lady in red?
you got it buster, she said.
her voice was gravelly,
rough with scotch and smoke,
from gargling
broken shards of glass, perhaps.
come in she said,
come in my pretty
and have a seat. I just
need to put some clothes on.
don't worry I clean up well.
as if in a trance, I obeyed her.
I went in. my eyes glazed over
in fear. my life passed before
my eyes.
I listened for the sound
of a chain saw, but heard none.
beers in the fridge, she said,
pointing towards a dark
linoleum room.
her dogs howled, the moon
appeared through a broken cloud.
in the distance
a baby was crying.
the wind bent the trees
with a groan.

too much fun

it's a roller coaster
ride,
a ferris wheel,
i'm lost in the fun house,
dizzy in the lights.
I've got
sticky fingers
and lips from the cotton
candy,
the candied apple,
the fried
something or other.
I may be having fun, but
I may keel over,
I may get sick in
the corner,
I may die and i'm only
five. hold my
hand and lead me out
of here,
take me home mom, i'm
having too much fun,
too soon in life.

already here

it's Christmas again.
so soon.
I just took down the tree,
the string of lights
along the house.
I put the snow globe
away
just yesterday.
the dishes are still
in the sink. there's
eggnog in the fridge.
where's the ribbon,
where's
the paper, it's time
to start again,
where's the scissors,
the tape.

subtitles

the movie is too long.
she's drifting
in my arms
near sleep, her eyelids
closing, heavy
with the laborious
plot, the subtitles
in yellow,
the lush strings of violins
telling us how to feel.
she's a cat napping under
the warm blanket.
the movie may never end.
I hear her gentle snore,
feel her heart slow down.
the movie is too long,
it wasn't what we thought,

what is?

no regrets

we draw straws,
we flip coins, we go down
the highway
and visit the gypsy
woman.
we wipe our brows
of worry.
she's got nothing
in her tarot cards, her
crystal ball.
we don't know, they don't
know.
nobody knows what's
going on,
what's coming.
so relax.
have fun. kiss someone.
fall in love.
work hard, be good.
and when you fall asleep
for the last
time, have no regrets.

don't ever change

we measure
time. the hours spoon
fed
to us.
the months boxed,
the years
stored in the attic
with mothballs.
the edges of photographs
curled yellow.
the film
scratched with our
young faces, our voices.
the year books
crusted
in dust, the inked
inscriptions intact.
remember this,
remember that,
don't ever change, stay
just the way
you are.

how fast it turns

they are lost, roaming
the night
in parents cars,
stumbling through the woods
with puzzled
intentions.
good boys and good girls,
searching
for
footing, for their
place in
the world.
how fast it turns, from
mother's milk
to whiskey, to saying
I do to school, then love,
to work, to mowing
a lawn,
to walking the dog
to rocking a cradle
of a new born.

three nights and days

when I was lead singer
for a group
called the donuts back in the late
sixties
we had two songs, no three.
we got to get out of this place
was one,
Gloria the other,
and the notorious
louie louie the third.
all easy songs
to sing, except for the later.
who knows what in the ham
sandwich
we were singing.
no matter how long
we listened to the kingsmen
sing it,
spinning that 45,
we never got it right.

unfriending

ah, the unfriending
of friends.
the dismissal of those
no longer interested
in saying hello, saying
what's up.
what about this weather
we're having.
how short life is.
how kind and unkind we
can be
to one another
as life changes, as
the sun pours,
the rain shines.

levitation

I leave my body
and hover over who I've
become.
thinking clearly what now,
just what
have we begun.
is this the path you want
to take,
is this the road
you've packed your bags
for and waited
so long?
yup I say. yup, she says,
so i float back down
to rejoin the me I have
become and begin.

the little devils

for Halloween
the mothers spray webs
onto
the porch, drape
sheets upon the shrubs,
dress their
little
devils into angels,
or critters
that roam the earth.
they tell them that today
it's okay
to take candy
from strangers. just today.
go on little one,
go up
to that scary
unlit door
where a witch awaits,
where a ghoulish
pumpkin sits,
go grab a handful
of sweets.

safe harbor

the ships
are coming in.
you can see them dot
the blue
uncertain sea.
the storm is behind
them, moving
fast.
the ships are coming
in.
their sails,
wide and white,
full of wind.

safe harbor

the ships
are coming in.
you can see them dot
the blue
uncertain sea.
the storm is behind
them, moving
fast.
the ships are coming
in.
their sails,
wide and white,
full of wind.

a sample of you

the doctor
wants a sample of you.
let's get to the bottom
of this, he says.
a drop or
two
will do.
a crimson tear
of what runs inside,
the stream
of life. you give
him your arm
beneath the light.
he taps a vein,
takes aim,
then pulls out
what he needs,
leaving the rest,
for now.

the cake

it's about the cake,
risen into three tiers.
a white cake.
a thick creamed icing.
it's about
that, a slice for me,
a slice for you.
pass it around the room.
the bread of life,
the blood of Christ,
then all the tomorrows
we can gather
together before us.

then spring

the violence
of trees, the death
and slow dying
of what once was green,
the leaves turning
to red,
to flame orange,
sweet yellows,
comes with cold.
there is no other path
but to end what was
before,
finding a new life,
a new way, then spring.

then spring

the violence
of trees, the death
and slow dying
of what once was green,
the leaves turning
to red,
to flame orange,
sweet yellows,
comes with cold.
there is no other path
but to end what was
before,
finding a new life,
a new way, then spring.

bring a friend

my therapist
wants me to come in more often.
she wants
a new car to go along
with her new boat
and new vacation home
down by the river.
she's house poor at the moment
and needs
a little more
therapeutic dough.
aren't you still confused
about your mother
and father she says.
I mean did they really
really love you?
don't you feel emotionally
distraught over
the estrangement with your
siblings.
no I reply. i'm good.
everything is great right now.
but, but
you don't even have a dog
at the moment,
what's up with that?
you need to come in. really,
you need to come in,
maybe for a double session.
it's for your own good,
bring a friend,
a really troubled one,
if you can.

unraveled

it's not the cats,
the boxes stacked,
the bundled paper bags,
or cardboard folded
and kept,
it's not the unswept
floors,
or broken
window, or the stains
and spills
on the rugs,
the parquet floors.
neither is it the one
room, with one light,
where she sleeps
and eats and carries
in her plate
and drink, or how
she never leaves
the house.
it's none of this.
it's something that began
when she was
a child, unseen now,
but forever broken.

what's wrong with you

are you coming down with
something, people say,
stopping you on the street.
you look happy, you're
smiling. you have this
spring in your step.
perhaps you should see
a physician and have this
condition checked out.
no one should be this
content, this happy
with their life. we're
worried sick about you.
here lie down, lets examine
you, let's find
something in you
that hurts.

better people

gravity is holding us
back from being who we really are.
keeping us from being
light on our feet.
sleep too,
what a waste of time.
all those hours unconscious
when we could be doing things
to help the world.
and buses. the hours we
stand on the corner waiting.
the relatives with their needs,
their long visits,
and children near the stove.
the weather, with its cold
snap, the clothes we have
to wear, hiding our true
nature. the goodness
in us cant show through
when so many people are rude.
we just have to
grumble and roll our eyes.
give it back.
the long lines at the store,
the post office.
why is there no half and
half on the counter
for my coffee? we'd all
be better people
without all of that.

a new light on things

we can't leave anything alone.
we dig
up the bodies,
release the files,
we rummage
through history
trying to make it
right, or better
than what we though it
was, or worse.
we have nothing better
to do
than
remake the dead,
to shine a brighter
light on what was,
not what's coming ahead.

hot soup

I call up my friend
Martha Stewart
and ask her for a fall
meal tip.
she's in the middle of
chopping celery, but stops
to take my call.
she says, ahhh,
a meal tip for autumn,
well, let's see.
it's a good day
for a hot bowl
of soup.
you have water, right?
an onion,
potatoes. salt and pepper.
a pot
to boil things in?
a nice wooden chopping board?
yes. I tell her.
I have all of that.
what about an apron?
umm, nope.
well you should have one.
I never cook without
an apron
and neither should you.
so let's not cook tonight.
maybe you should just
order Chinese instead,
okay?
okay.

making one up

not all grandmothers
have great stories to tell.
some are very
pedestrian,
in fact boring. remember
the time
the well ran dry,
or the chicken that got
away and never laid
a single egg?
you told us that one,
we'd say.
so she'd think
until
she'd made one up
about the time she robbed
a bank
with a gun carved out
of ivory soap
and was chased across
the county line into
another state which was
where she met
her husband, our grandfather
who handcuffed her
to a cemetery gate.

making one up

not all grandmothers
have great stories to tell.
some are very
pedestrian,
in fact boring. remember
the time
the well ran dry,
or the chicken that got
away and never laid
a single egg?
you told us that one,
we'd say.
so she'd think
until
she'd made one up
about the time she robbed
a bank
with a gun carved out
of ivory soap
and was chased across
the county line into
another state which was
where she met
her husband, our grandfather
who handcuffed her
to a cemetery gate.

falling behind

there is this book
I've been
meaning to read. it's
on the night stand
on top of other books
I've also been meaning
to read,
under them is
a magazine or two.
the atlantic monthly,
a new Yorker, vanity
fair, a june issue.
I've fallen so far
behind
on reading since
meeting you.

self gifting

a box arrives
at the door, the brown truck
pulls away.
I pick it up
and shake it.
no address is on it.
no name. just mine.
no rattle,
or much weight to whatever
is inside.
I bring it inside
and wrap it with
Christmas paper
then put it under
the tree with the others.
amazon is
a wonderful thing.

a romantic interlude

after dinner and one
drink too many,
we monkey around
for a while
in the back seat of the car,
parked in
a lot near the mall,
but I pinch
a nerve in my back,
reaching too far,
bumping my knee into
the gear shift while
trying to
unsnap a button.
then she starts to get
a cramp
in her leg, breaking
the heel
of her shoe
on the seat
belt, so we stop to
catch our breath
and take an aspirin.
but then
we hear knocking
so i rub a circle
of steam off the windows
to look out at a cop
rapping
with his knuckles,
holding a flashlight
and shaking his head,
while wagging a finger.

open all night

less is more,
they say, but I disagree.
I want more
of you.
not just a taste, a sip,
a nibble.
i'm done with appetizers
and closing hours.
I want to change
that sign on the window.
I want the banquet
that you are.
I want room service.
I want to order off
the full service menu
and feast.
I want you to be
open all night,
I want the lights on,
the key to the door.

the sign

on the knob,

do not disturb.

no rush

we're lost
in the city.
a left turn has taken
us downtown.
a right turn
has put us in a circle.
but it doesn't
matter,
slow and easy, she says,
there is no rush
to get where we are
going,
no rush to get home
again.
the here and now is
enough.
a memory as sweet as any.

the drama

the play goes
on,
on stage, far below the upper
seats,
but so many other
dramas
unfold to the left
and right of you.
lovers, old,
lovers new. marriages
and friends.
hands
linked,
eyes locked.
some in between love,
some beginning,
some nearing
an end.

the black mark

a dish falls
and scatters glass
shards
onto the floor.
the room stops eating
and looks.
but briefly.
we move on
to our bread, our
forks of food,
drinks
as a broom comes out
to sweep
and a mark
is made against
a name
by the register.

the black mark

a dish falls
and scatters glass
shards
onto the floor.
the room stops eating
and looks.
but briefly.
we move on
to our bread, our
forks of food,
drinks
as a broom comes out
to sweep
and a mark
is made against
a name
by the register.

languages

we speak
in different languages.
a variety of accents
formed by borders,
countries,
states,
dialects.
but we know
what each is saying.
we know
thirst
and hunger, love
and hate.
we know fear, or joy.
it's right there,
in the eyes.
in the lines upon
the face.

the yellow mg

his car, the yellow
mg
with a black rag top,
a luggage
rack on the snug back,
the leather seats,
and wrapped wheel,
had very few miles on it.
it had
more miles from being
towed on the back of a
truck, than driven,
but when it ran,
how glorious it was.
what fun
on the open road,
through the narrow
hills, fun
until it rained, or
the road got slick.
or something in the engine
went clank, clunk,
or sighed,
then stopped.

the good china

rare that someone takes out
the good china,
the good silver.
the crystal.
paper plates are in.
plastic cups.
sporks.
it's the new world.
each meal a picnic
in the park
with ants and barking
dogs.
boxed wine
and frozen pies.
we go to church in our
pajamas.
we let our hair down.
we talk at the movies.
don't worry about
the door
behind us.
we are strangers to
each other, never writing
a note
to say thank you.
I love you,
come again.

the weight lifter

the weight lifter,
though gentle in soul
looks
like he could bend steel
with his bare
hands.
and sometimes he does,
just for show.
he looks into the mirror
at his work.
turns for a side view.
he listens
to what people say to him
when they
comment on his
weight, or how his legs
might look.
he's worried
all the time and wonders
about the path
he's chosen.
then he lifts, he lifts
more,
again and again.
he wants what he can
never have, but keeps
trying just the same.

it's a good day

we sleep in.
the rain, the cold.
it's Monday.
we call in sick.
we turn off the alarm
and peek out the window
into the grey
blah
of the day.
we listen to the rain
tap against the roof,
the stream
of new water
run down the spout.
we say little
to one another, but
we know what we know.
we make love
then fall back to
sleep again.
it's a good day.

the busy cars

there's a woman flossing
her teeth
in the car next to me
while texting.
a man on the other side
is shaving
with an electric razor,
he's talking wildly
into his speaker.
behind me,
someone is making party
animals
out of balloons while
on her phone
and breast feeding a
child. up ahead I see
a car load of women
knitting scarves for Christmas.
traffic ain't what it
used to be.

the busy cars

there's a woman flossing
her teeth
in the car next to me
while texting.
a man on the other side
is shaving
with an electric razor,
he's talking wildly
into his speaker.
behind me,
someone is making party
animals
out of balloons while
on her phone
and breast feeding a
child. up ahead I see
a car load of women
knitting scarves for Christmas.
traffic ain't what it
used to be.

the big breakfast

they bring us too much
food.
the six of us.
the plates are heavy
with bacon
and eggs, sausage,
potatoes.
the cups over flow
with coffee and juice.
someone gets French toast.
pancakes
like pillows.
the syrup is poured.
but we're hungry.
the conversation slows.
we lather the toast
with butter
and jam,
we clink glasses and
go at it
on the cool morning
of a young autumn.

the big breakfast

they bring us too much
food.
the six of us.
the plates are heavy
with bacon
and eggs, sausage,
potatoes.
the cups over flow
with coffee and juice.
someone gets French toast.
pancakes
like pillows.
the syrup is poured.
but we're hungry.
the conversation slows.
we lather the toast
with butter
and jam,
we clink glasses and
go at it
on the cool morning
of a young autumn.

the unhappy meal

we would circle
the yellow
and red fine fast food
establishment
for another happy meal.
pulling into
the curved drive way
to yell
into the box.
the boy in the back
strapped into his space
seat was
unhappy at the last
happy meal toy.
his face frowned in tears.
that's not what he wanted.
they gave us the wrong
plastic toy.
let's try again,
the wife said. let's
try with another
order of chicken
nuggets,
small fries, and a soda.
we need to make him happy.
an omen of things
to come.

the unhappy meal

we would circle
the yellow
and red fine fast food
establishment
for another happy meal.
pulling into
the curved drive way
to yell
into the box.
the boy in the back
strapped into his space
seat was
unhappy at the last
happy meal toy.
his face frowned in tears.
that's not what he wanted.
they gave us the wrong
plastic toy.
let's try again,
the wife said. let's
try with another
order of chicken
nuggets,
small fries, and a soda.
we need to make him happy.
an omen of things
to come.

zoom zoom

we go zoom zoom
with affection,
infatuation,
sweet nothings
and vows of love.
we are in orbit
going at unimaginable
speeds,
rocketing about
in each other's arms,
into the thin
stratosphere.
we are travelers
to a new planet.
where we'll land,
who knows. who cares.

everything in its place

there's a place
for everything and everything
in its place.
so when things
go missing, we feel
the apple
cart
has been turned.
the milk
spilled,
a button dropped, a tire
gone flat,
the keys lost.
we miss what we can't
find,
and take for granted
that which
is there.
take love for example.

everything in its place

there's a place
for everything and everything
in its place.
so when things
go missing, we feel
the apple
cart
has been turned.
the milk
spilled,
a button dropped, a tire
gone flat,
the keys lost.
we miss what we can't
find,
and take for granted
that which
is there.
take love for example.

life clutter

boxes of papers
line the walls
of the closet.
a small personal Smithsonian.
old bills,
receipts, menus.
ticket stubs, tax filings.
Christmas cards.
what a fine
fire you could start
with
all that clutters up
your life, unable
to throw away
the ten year old
electric bill, poetry
your wrote,
no better than now,
when you were five.

the cold cruel world

a cold rain,
a cold shower.
a cold shoulder.
a cold
meal left on
the table.
the cold weather.
the cold
season.
the cold touch,
the cold kiss
on a cheek.
the cold
words.
cold blood.
the cold
car
that won't start.
the cold lover
who won't turn
over.
the cold cruel
world.

the cold cruel world

a cold rain,
a cold shower.
a cold shoulder.
a cold
meal left on
the table.
the cold weather.
the cold
season.
the cold touch,
the cold kiss
on a cheek.
the cold
words.
cold blood.
the cold
car
that won't start.
the cold lover
who won't turn
over.
the cold cruel
world.

other's problem

the infant on the bus
won't stop
crying
no matter how much love
the mother
gives it.
no milk, no rocking
can stop
the loud screams.
everyone turns
their head and wonders
what can
be done.
each with their own
ideas,
of what's best for
the child,
but hoping the bus will
go faster and quickly
get them home.

other's problem

the infant on the bus
won't stop
crying
no matter how much love
the mother
gives it.
no milk, no rocking
can stop
the loud screams.
everyone turns
their head and wonders
what can
be done.
each with their own
ideas,
of what's best for
the child,
but hoping the bus will
go faster and quickly
get them home.

cooking class

I want to feed her.
to cut
her meat. to boil her
potatoes.
to spin
her lettuce.
I want to season her,
dice her,
tenderize her.
I want to spread her
dough
for baking,
to drop a can of
peaches
into her pan.
I want to open the oven
and see her
rising.
to smell her spices
in the air.
I want to feed her.
then it's her turn.
it's only fair.

submarines

we are all
submarines, arriving
and floating
on the surface,
then disappearing
from each other's lives.
down we go
into the dark cold sea.
we raise
our periscopes
to view
what's above, then
move on
to other ports,
where
the palm trees sway,
the sand is
warm,
and there is a chance
at love.

in search of

when in search of,
doing the online dating thing,
it's hard to write a profile
telling potential love
interests exactly who you
are, or what you want.
you take your shirt
off, flex a muscle and hold
the camera as far
away as possible
to hide your wrinkles,
you suck in your stomach,
then click.
you take a picture of your
car after washing it.
your kayak. your dog.
you take a photo of the large
mouth bass you just yanked
out of the bay.
you stand in the bathroom
and point the camera
at the mirror.
it's you in a bathrobe,
you in pants without a shirt.
you holding up a beer bottle.
you tell everyone where
you've been, what you've done.
the one time you almost jumped
out of a plane.
your one cruise to the Bahamas.
the time you zip lined
at water world. you don't mention
that you threw up.
you take a picture of
the scrambled eggs you just
cooked. with chopped onions
and cheese. yes.
you love to cook. you like
movies too. you like books
and plan on buying one if you
can find a bookstore.
you write that you're looking
for someone funny.
sexy. in shape. someone with
a job and teeth.
you set the bar high.
smart too. no dumb bells
need apply. must be single, or
almost divorced with no husbands
living in the basement.
she'd be perfect, you write,
if she was donna reed
with a whip. women write back
and ask,
who's donna reed
and do you have any friends
I can meet.

the impatience of love

the dog
is in the yard.
barking all day.
scratching at the door.
howling. whining.
scared,
lonely, wanting
attention.
I know the feeling.
pacing
back and forth
turning a stretch
of grass
into dirt.
waiting for her
to come home.

pedal to the metal

at some point
the gas pedal has been hit
on time.
the years
flying by.
I put my head out
the window
and feel the wind
in my face.
I see the new world,
as the old
world spins by.
oh well.
keep driving.
let's see where this
goes. there's still
time.

the classifieds

I remember seeing
the emerald
necklace, a Christmas gift,
that I bought the ex wife
in the community
classifieds one morning.
I had saved for months
to buy it.
for sale, it read.
one hardly used elegant
necklace.
one hundred dollars or
best offer.
I cringed. below that was
a pair of men's boots.
my boots.
a dozen books.
venus and mars.
how to make a marriage last
forever.
a leather recliner with
cup holders.
free.
I never did like that chair.

the yellow snow

eggs are good for you,
no wait,
they're bad, milk too.
meat.
forget it.
but you need your protein,
how about a soy
shake to fill you up.
too much
exercise
and you're dead,
not enough and well,
you're dead there too.
sugar, no. saccharin,
no.
wash those grapes,
eat free range chickens
if you can catch them.
steer clear
of farmed fish, what do
they know?
don't eat
the yellow snow.

what lies below

it's not
what you think it is.
the tip
of the ice berg just barely
jutting out
of the cold
water.
the drama, the chaos
lies below,
hidden
from your eyes, from
the bridge.
go slow.
veer away as best
you can. stay clear
of what
could mean the end.

stuck inside

I get stuck in a round
about for
an hour or two, circling.
no one
will let me in,
no one will let me make
the right hand
merge
to take the road out
of the city.
i'm too close to the center.
to the statue
draped in pigeons.
but it's a nice
morning, and I have coffee.
I have Pandora.
I have a book to read
when I run out
of gas.

je ne sais pas

wearing her long
black gloves
she slaps me playfully
across the cheek,
because
she is French.
she tosses her hair
back,
rolls her eyes
at my silly nature
and says my name
dismissively.
non, she says. no sugar
tonight for you.
no pastry,
no icing on the cake,
no nibbles, no bites.
nada.
but she's only kidding,
I hope.

less is more

what we need less
of
is what we cling to,
as if
that was air
and blood, water
and sustenance.
the breaking of need
and want
is hard, as is trust
and letting
go.

careless whisper

it's just
a splinter. hardly seen
beneath
the pinked skin.
a dot of crimson
where it slid
under.
so small, and yet
the pain
is severe. not unlike
careless words
that are whispered
without
thought into an ear.

what are your intentions

the parents
are skeptical. the new girl.
the new
boy.
what happened to the last one?
still,
they embrace, shake hands,
offer tea,
offer food.
say sit. please, sit
and tell
us who you are,
what are your intentions
with our child?
is it love, or something
less?
if that's the case,
go now
and give your heart
to another.

what we fear

the dream has a middle eastern
flair to it.
sand and sun.
the silhouette
of a camel on
the horizon,
the pyramids
in view from a hotel
window.
Egyptian sheets
upon her,
her long hair brushed
wild
around brown eyes.
we embrace what we fear
and go
forward.

a different light

in time each curb,
each door
is visited, the call made,
the siren,
the knock
and then the latch
broken
through a pane
of glass.
they find us in bed,
a grim sight.
stiff armed reaching
for what.
the phone, water?
an angel's hand pulling
us upward
into a different
light.

the pearl

sometimes
you find a pearl
inside
the shell.
it startles you.
the sheen of white,
the beauty
of it nestled
inside
this hard life.
it's not luck. it's
meant to be,
what washes ashore,
towards you,
once fathoms below
in a distant
blue sea.

such little things

he can't hear,
or see very well.
or walk far.
but he's still out there,
knees
in the dirt,
planting seeds,
plowing the ground
into small rows.
with his hands he feels
for ripeness,
when things grow, he
bends to smell
the skin, the vine.
knowing
all his life,
when to pick them,
or give them another
day or week
to get ripe.
he waters me
too in short calls
on a sunday night.
such little things as
this
seems to bring him joy,
keeps him
alive.

wait for it

in darkness
you appreciate the light.
the sliver
of sun
rising yellow
in twilight, the glimmer
of hope
blushing upward.
in bitter times,
the sweetness of life
becomes even
sweeter.
you can almost taste
it on your tongue,
savoring the joy
of what's to come.
all in good time.
all in good time.
wait for it.

lockdown

the house was
child proof. a plug in every
socket.
a gate
at every turn, you couldn't
get in
because of the rubber
wraps around
the knobs, the gates
were locked tight,
keeping the toddlers
from coming,
or going up the stairs,
or out a door.
pillows were everywhere.
table edges wrapped
in duct tape.
the monitors kept track
of their crawl,
the cameras
recorded eat burp,
each diaper getting full,
each cry
for food.
even the dog was
bewildered, stuck
in his cage
in the corner.

partly sunny

they call for sun, but
it rains.
they call for rain,
and it snows.
the radar, the weather
plane,
the satellite
orbiting the earth,
there is everything but
a window
at the weather center.
if you're here,
the meteorologist says,
pointing with a stick
to a spot on the map,
wear a jacket
and put some rocks
in your pocket, it's
gonna be windy.

the future

the gypsy
is tired. tired
of
telling the future
with mixed
results.
her crystal ball
is
fogged,
unclear.
the lines on palms
mean
nothing anymore.
she takes off her
robe,
her scarf,
her jewels, she leans
back,
rubs her hands
together
and wonders if
the end
is near.

i can see the bridge

I can see the bridge from
my window.
how it glistens with steel
across
the blue stone river
that stretches north
and south.
a string of lights now
lit
adorn the wires.
the sails of small boats
are full of wind,
racing the sunlight home
as they plow
below the span,
the cars above, paying little
mind
to anything,
rushing, going places
they need to go.

leftovers

away for a week
you find
the bread stale,
the spoiled milk, eggs
left
on the counter,
butter softened by the sun.
lettuce
browned and apples
gone soft.
so much uneaten,
so little left to make
dinner on,
who delivers at this
hour,
where's the leftovers,
mom?

the reunion

some have lost love
in their eyes, others regret
of a road
not taken,
or one stayed on too long.
each a story
in a face,
a body, soul.
the reunion goes on into
the night,
the light
banter, the music
too soft to be heard.
the hugs and shared memories,
the graceful aging
of some,
the hard road years
of others, but
coming out whole
on the other side.
a mix of children
joined in classrooms,
eyes to books
and each other,
now men and women,
together, perhaps
one last time
for laughs, for tears.

catch

I can
see him on the field,
a cap on his head.
his small hands
in the air waiting for the ball
I've thrown.
how quickly
he's grown.
his hands, as large
as mine
now easily catch the ball
and throws it
back.
so swift
this time is.

rinse and repeat

you find religion,
a step forward, a step back.
trouble
brings you to your knees.
then things
get better and you run wild
for awhile, rinse and repeat.
God is so patient.
so patient.

someone like them

do we marry
our parents, daughters
finding fathers,
sons
finding mothers?
are we stuck in that wheel
of family.
replacing,
filling the void,
redoing what was done
to us,
then passing it on to
our children.
can we be different,
can we break free of who
they want us to be,
or is the die cast,
the deal settled?

lend me your ear

we talked
about him for an hour.
I put
him on speaker phone
and folded laundry,
I washed
the dishes.
did some bills.
uh huh, I offered
every now and then,
speaking loudly
into the phone across
the room.
on and on he went.
he needed
just an ear
to talk to. any ear.
his work,
his girlfriends, his
divorce. sports.
I've heard it all before,
a dozen times at
least. bored silly
with his rambling,
I let him go on.
for what are friends for.

the long party

we drank all the wine.
we opened
the windows to let the air
in.
someone spoke
of the moon in the sky.
someone recited a poem
about it.
we fell into our chairs
and sighed.
someone sat at the piano
and played.
no one felt like dancing.
we were older now,
older than we'd ever
hoped to be
with more days
behind us than in front,
but still alive.

my self help books

I decide to write
a series of self help books,
mostly to
help my self, but others
can buy them and help themselves
too
if they'd like
to dole out the twenty nine
ninety five
on amazon.
walk more and eat less,
is the first book. it's
about losing weight.
there are no special diets
whatsoever, so people should
like that. it will have pictures
of people taking long walks
and eating spinach.
that's to be
followed by,
stop, don't put that donut
in your mouth.
the cover is a chocolate
glazed donut, my favorite,
with a red line through the middle.
another book i'm working on
is how to stay
married and in love forever.
but being divorced twice
already
this one might be hard
to pull off, so i'm shelving
that idea for now.
a third book I've started is
called.
stop whining and complaining.
I need this book
the most.
step one is to stop talking
for twenty four hours,
and posting crazy self absorbed
things on face book,
then notice how much
people suddenly like you more.
this could be a best seller.

enjoy your life

the billboard along
the highway, frayed
and blowing at the corners
in the wind,
shows a woman
eating an orange.
her eyes are blue,
her skin
tanned, her cheeks
full.
she is someone you'd
like to meet and share
and orange with.
the word Florida
is below her arm,
close to her breast
barely covered by a silk
blouse.
she's sitting on a crate
of oranges.
come to Florida
it says below, enjoy
your life. visit soon.
behind the billboard
is a tattered house.
a dog in the yard.
a man
hammering a nail into
his roof
to keep the rain out
that's coming just over
the dark hills.

the daily melt

I understand
the parable of the melting
of metal
down to get
to the real thing. what
matters most
within.
that of value, burning
off the dross, but I
can't say
I enjoy the process.
at what age will I be
perfect, or at least close
to being who
i'm meant to be,
never seems to be
the answer.

on break

the angels,
on break, linger at
the coffee
shop.
tucking their wings
behind them,
discussing
their day. who did
what,
who needs saving
later on.
who needs a thought
of comfort.
I see my guardian
angel
drinking a latte,
he waves,
and says hey.
no worries today,
i'll be along
in a minute.

time travel

the clock has
wings when we're together.
the hours
are minutes, the days
swim by.
we hardly
spend a moment alone
when it's time to leave,
time
to say farewell
until next time,
give
a kiss goodbye.

is betty home

for a thin dime
I would call betty
from the phone booth
in the drug store.
i'd close
the accordion doors
and sip on a cherry
coke I bought at the counter.
I'd sit on the wooden seat,
take the folded piece of paper
that held her number
out of my pocket
and spin the dial.
i'd ask
her mother if betty
was home, if she
wasn't too busy, could
she come to the phone.
her mother would yell out,
betty, hey betty
I think it's that kid
in your class.
no, not jimmy, no,
not carl ether, the other
one. the little
fellow with the cow
lick. you know
the shy kid with
freckles. I think
he likes you.
at this point i'd hang
up the phone
and wipe the sweat off
my brow.
i'd gather myself,
put my hands on my knees
to get my legs
to stop shaking
then go read a few
comic books, trying to block
out
the disaster that
love could be.

the penguins at St. Thomas More

the nuns
never really cracked knuckles,
or whipped
us, too hard.
but like stoic penguins
they would stand
at the gate
of the chain link fence
that bordered
the black top
school yard and watch
for sins
to be committed.
God is watching you,
they'd say,
every second of every
day.
so be good, be kind,
turn the other cheek.
think
what Jesus
would do
when punched or
had his hair pulled,
or had His
lunch money stolen
that His mother Mary
gave him
to take to school.
we grumbled quietly
to ourselves,
believing that a thousand
angels would have
come to His rescue.

a loaf of bread

shoeless
and hungry. a thread bare
coat
on his back,
I hand
him a loaf of bread,
still warm
from the store's oven.
he's out there on the steps
all day,
all year.
stroking his long
beard.
what's this, he says,
looking up
with blue eyes
rimmed red. I don't
want bread. is
there nothing that
I can give
you to change things?
go away, he says.
you're making things
worse.

fixing my world

I can dream
the dead back to life.
heal wounds,
repair broken relationships
in the middle
of the night.
I can fix the world in
my sleep, but my
world only, which
seems to be the only
one that counts,
sometimes.
i'll leave the rest
for someone else.

summer's gone

the life guard
blows his whistle all
summer long.
get off the rope, no
diving off the side.
no yelling, no running.
no wrestling
in the pool. the adults
sleep on
their chairs,
the children grow restless,
splash in
the shallow end.
the water gets still
as the sun
falls. the leaves turn.
a chill sweeps
in the air.
summer is gone.
the whistle has stopped.
the lock
is on the gate.
the parents have taken
the children home.

tell me something

in the middle of the day,
she'd
come into the room
I was working in
and say
let's have a break,
is that okay?
she would sip
her tea,
push the sugar cubes
towards
me
cream? she'd say.
pouring
it into my cup.
I made cookies too.
have one.
tell me a story, she'd
say.
tell me something about
yourself
that I don't
already know.
she was nearly eighty
and I was forty.
do you think love can
last forever?
and i'd nod, sipping
my tea, taking a bite
of a cookie.
yes. I do.
me too, she'd say, me
too.
I still love the first boy
I ever kissed.

section eight

the renters have
gone wild and destroyed
the house. sketchy
people come and go
at all hours
of the night. screams
are heard,
police sirens.
they don't care
about the security
deposit. they don't care
about the leaks,
the fire,
broken locks or
windows. the peeling
paint means nothing,
as does the broken
steps,
the rotted boards.
the dogs have
eaten the carpet.
we're renters
they say spinning
around the room with
a beer
and baby in hand,
singing to the loud
radio.
we're moving on.

end of the road

there's a new Cadillac
parked in front of the dilapidated
house at the end
of road. shutters swing free,
the storm door
is off its rusted hinges.
I ring the broken bell taped
to the door,
then knock. I go in.
the senior home
woman tells me that they
are almost out of
ensure and diapers,
tiny jars of baby food.
straws and plastic spoons.
every visit they say the same thing.
I hand her forty dollars
in cash then ask
what about the four thousand
dollars
you get each month
for her being here.
where does that go?
she doesn't eat food so you
don't have to cook for her.
she doesn't
walk around,
she doesn't use electricity
or water, or
take up much space
other than this single
bed in the smallest room
in the house with no tv,
or radio.
oh, that, the woman says.
I don't know, you have to talk
to the owner about that,
but we need Ensure.
come in i'll wake her up
and let her know you're here.
Marie she yells,
flicking the ceiling light
on and off, Marie,
your son is here.

fake book

the picture
reaches you of family having
dinner, lunch
somewhere
over the bridge, they openly
despise one
another, but for the sake
of the camera
and face book
they smile,
put their arms around
one another and say cheese.
it gets posted and liked
over and over. it's
how the world is now.
what isn't real has become
real.
let's shine that apple
and turn
it so that no one
can see the worm.

quiet neighbors

the good neighbors
are quiet neighbors
on both sides
of the walls.
the baby never cries,
there's not
a single fight,
not one dish thrown
against
the walls in anger.
not even the dog barks
in the yard out back.
they're are so polite.
never nosy,
never a word of meanness,
or gossip,
or spite.
I hardly know they're
there
whether it's a summers day,
or a winters night.

sales men

this jive talking
salesman won't leave me alone
as I walk through the gravel lot
hoping to use the bathroom inside
the dealership.
he looks at me like a dog
looks at a pork chop in a frying pan,
licking his lips.
he wants to put me into
a new Lincoln
today. what can I do to
get you to drive this car
off the lot today,
he says, tapping the hood
of a long black car.
but I was just passing through.
he smiles, showing me his pearly whites.
tell me how I can get you into
a brand new car?
I dunno. I tell him.
my wife would kill me if
I came home with a new car.
we're not really car people
anyway.
we're walkers, bikers.
hitch hikers. we worry about
the ecology.
one of those, huh he says,
I love the whales too. Good God,
I mean what are we doing to those
baby seals? I nearly cry every time
I look at those videos.
he flicks his cigarette
into the street. do you have
a trade in? he asks. pull
it around back and we'll
have jimmy take a look see.
see what kind of deal we can
make for you.
I don't have a car, I tell him.
how old at you, if you don't
mind me asking, he says.
i'd guess 39, maybe 40 at
most, because good God you're
a handsome fellow. I
bet you can't keep the women
off of you. he winks
and puts his arm around me,
steering me into the show room.
sit over there, that's my desk.
can i get you anything, a coke,
coffee, i think one of the women
brought in some green tea? nothing?
i shake my head.
i'll be right back, I just want
to talk with my manager about the deals
we have on.
see all the balloons? yeah,
that means we're almost giving cars
away today, but it's the last
day, so let me see, be right back.
where's the bathroom I yell to him.

bad company

i used to be able to eat
more than i can now.
one sandwich is enough.
doesn't matter if it's tuna,
egg salad,
or ham.
i can barely finish that.
a bowl of cereal and i'm stuffed.
but when i was
a skinny long haired teenager
riding around with my
delinquent friends
in a dodge dart,
i could eat
and eat all night.
a foot long sub no problem,
a turkey leg
with all the trimmings,
easy.
hamburgers and fries, a
milkshake to wash it down,
bring it on. pizza with extra
mozzarella. yum.
of course
the cannabis we were smoking
may have had
something to do it.

the deadbolt

i have a bad dream
about my
ex wife and her boyfriend
carlos coming into my house
after i
die and taking everything
i own.
i wake up shaking,
in a cold sweat, my heart
beating like a rabbit's.
i look around
the room and see nothing
but shadows.
i go down stairs,
look out the peephole,
then turn the deadbolt
to lock the door.

roll me back a week doc

the plastic surgeon tells
me that he can make me look years
younger
with just a few cuts
of the knife,
some packing, some tightening.
I can uncrease
those furrows, lessen
the lines, decrease the dark
circles under your eyes.
I tell him no, but
thanks just the same.
I just need to roll
back the clock a week,
just one week.
last week was a tough one.

there's a man outside

there's a man outside
my house
looking in. I don't know him.
he's well dressed
and holding an umbrella
over his head.
it's raining.
maybe he used
to live here. or wants to live
here now.
I peek out the blinds.
he's very patient,
his hands are in his pockets,
he seems to have
all the time in the world.
he sees me looking out
and waves.
I lock the doors.
I turn off all the lights.
I lie in bed
and think about my own
life.
is there somewhere that i'd
rather be.
would I have the patience
to wait
and wait, like he's doing,
for someone else to leave.

time stops

it's a party, but no one
is in a party mood.
we sit outside in the oppressive
heat
and drink.
the colored lights are subdued
some blink,
some don't.
we stare at what's left
of a harvest moon.
time has stopped.
we take seats, making
them our own,
or lean
against the rail
above the darkened lawn.
no one eats, no one
has much to say.
we drink.
it happens.
not every party can be fun,
can be gay.

one small dog

the cops
are out there, gathered
around
a car.
there was a break in last night.
a gate
was left open
someone rattled
the door, shook the wreathe,
pressed
and pulled
trying to get in.
the cops are taking
finger prints.
things are missing from
a few cars
left unlocked.
they seem to be gentle
thieves,
careful not to break
anything
that's locked. the next
day
we set out the things
we no longer
want, the tvs, the stereos,
the shoes
and watches,
one small barking dog and hope
the thieves come back.

Gin for Christmas

my ex father in law
would hide his liquor from
his wife
under the kitchen sink,
behind the bottles
of bleach and canisters
of ajax.
bars of lava soap.
he nestled the pint
of old crow
in the moist
shadows under towels
and what not.
but his wife always
found it.
she spent the day looking
for it, knowing
it had to be somewhere,
sniffing brown whiskey
in the air he walked in.
he just needed a pop
now and then but
he was running
out of hiding places.
I may have made a mistake
when for Christmas
I bought him gin.

to run and run

the dog got loose
and died
on the road. we chased it.
we called
after it.
but it was thrilled
to be
off her chain, happy
to be free
and able to run fast
and long
through the woods,
across
the stream.
she looked back
gleefully, finally doing
what she always wanted
to do.
run and run.

almost a holiday

it's a rain day.
an almost holiday where
I plan
to get the oil changed,
to kill
that orange light
on the dashboard.
i'll visit my
mother
in her bed in the senior
hospice
facility an hour away.
i'll go hold
her hand. now bones
and veins.
stroke her white hair.
tell her things
she might like to hear
me say.
i'll shed tears,
light a candle,
then drive home
in the light rain, on
a day that's almost
a holiday.

the crowd of us

the crowd of us,
like minded friends, or
friends that are secretly
enemies
gather at the communal
table
outside the coffee shop.
we beat a dead horse
for hours, each taking a club
and giving it
another severe whack.
it's political
minded for the most part.
the big fat easy target
in the white
house.
but there is true sadness
in the eyes of
elders.
true angst, true shame
that we have reached a point
in this country
where such
a thing could take place.
exhausted, we tip our hats
and finally go home.

try this

taste this, she says,
holding out a spoon full of
salad
dressing
that she's concocted
out of thin
air
and onions, salt
and pepper, vinegar.
garlic perhaps?
delightful, i tell her,
smiling as best i can,
but blue cheese
will be fine
for me, thank you.

surrender

my way of prayer
has changed
over the years. love
and death
have beat me down, only
to rise again.
no longer
is there fear, no
longer do i wonder what
now.
I've surrendered
this life
a long time ago.
I've given up
the self
and ask only for
His will.

what's up

the empty bed.
the quiet room, not a bone
of china
rattling
below
in the kitchen. there's
nothing on the stove.
not a sound
from the radio.
it's stone cold
silent.
not even trees are
moving outside
the window.
they too want to know
what's up.

show me what you got

all my cards
are on the table.
I've pushed everything in
to the middle,
the cash, the coins,
the gold watch.
that's my heart
too, beating on a silver
platter.
i call
and turn
them over, then
wait for you
to show me what you got.

the early morning rain

I could run for hours,
miles
I could melt inside the rain,
my feet striking
the path,
onward.
my lungs pressing out
the air
I've taken in.
the bloom of breath
before me.
my body wet,
the swing of my arms,
my legs
easily carrying me
to the end.
I could run for hours
in the early
morning rain. I still can,
but in a different
way, striking this key board
time and time
again.

the night walkers

people are out walking
under the moon light.
three days after the harvest moon.
a handful of souls,
out
strolling in large circles
around
the parking lot.
we stand and talk, we
say something about the moon,
how the clouds
move like silk across it.
we watch as these
people walk silently
in the warm October air.
we hug and say goodbye.
we carry home our food,
we think about
these people walking
alone
between the curbs,
along the empty street,
under the soft umbrella
of moonlight.

where are you now

i find what was lost,
the key to the back door,
finally.
i scratch the itch that
i couldn't reach.
i get the pillows just right
before sleep.
the dust is gone.
the floors shine.
i know where everything
is,
at least for the moment.
everything but
you.

my own advice

i tell him
that he must remove all toxic
people
from his life.
all the needy and pessimistic
souls who cling
and want him to provide
emotional and monetary
funds. the dark cloud
people, the woe is me
crowd who live like
every day is a rainy day.
get rid
of all of them. in this way,
and in this way only
can he have peace
and finally
be able to sleep at night.
but does he do that,
no?
few do.
few listen, few can let go
of those that drag
them under. i don't even
listen to my
own advice, half the time,
so why should anyone else.

i need sleep

I need sleep.
I need
a good massage.
a kiss
on the back of my neck.
I need
a hot meal.
I need the person
I love to whisper
into my
ear
and say the words
I love you.
I need sincerity.
I could use a long vacation.
I could use some new
music too.
maybe a little
Italian sports car.
I need to not hear
a car horn barking
behind while
i'm in the slow lane.
I need to lose ten
pounds of unwanted fat.
I want
a miracle to happen.
I want a vision.
I want a goal for the day.
I want to pray about something
and get an immediate response.
I want a winning lottery
ticket.
I need someone to drive
me around
to take me places
I've never been.
I want a rib eye steak
with mushrooms and gravy.
garlic mashed potatoes.
an ice cold martini, shaken,
not stirred. I want what
I don't have,
I want to give away
what I do.
I need sleep.

the war goes on

during the war
we had to turn off the lights
in case
the planes
came over to bomb us, he
says, looking up at the sky
as if the zeros might
still be up there.
I yawn.
I stretch my arms over my
head, having heard
this story a thousands times
before.
rations.
collecting aluminum cans
for the cause.
war bonds. even women had
to work, he says,
can you believe that?
there was this one time
when the japs
had us pinned down and,
and,
but he can't remember what
happened next.
instead he pulls up shirt
and shows me
where a bullet went
in then went out through
his back.
an inch lower and
you wouldn't be here buddy boy,
he says. so thank your lucky
stars hotshot.
we better get going, I tell him.
it's almost five o'clock.
god forbid we miss the sunset
special.
i'm hungry.
denny's?
of course he says,
holding out a coupon, i'll
drive. i'm not riding
in that Honda of yours.

the human touch

we don't talk
anymore. we text. we don't
see one another
for a drink or coffee.
we look at our
pictures posted on facebook.
we don't send
cards, or hand written
letters,
we can barely hold a conversation
on the phone.
we e mail or text again
and again.
we have lost our
way.
we are losing ourselves
within ourselves,
every question answered
by our phone,
every direction to somewhere
a click away.
even the funerals
are full
of nothing, videos,
a bank of screens, the music
blaring,
short of love
and warmth,
of the human touch.
we don't talk anymore,
we text.

hear me out

we all get defensive
when accused
of something someone observes
about us,
whether friend
or foe.
you seem shallow
they might say.
or insensitive, you act
at times
like you really don't
care or truly love me.
you can be selfish
and narrow minded about
some things.
where were you on the night
of October 18th?
I become Clarence Darrow
at that point,
f. lee bailey.
I pace back and forth
across the room
with the evidence
and object loudly, throwing
my hands
into the air. I explain
as best I can what I can,
pleading with the jury,
shaking their heads,
to please hear me out.

colored lights

on a whim,
struck by the globe of
light i see in the store,
I buy it.
it's cheaply made. a
thin
white ball that when
turned on
glows blue, then red,
yellow,
orange, green
and pink.
I am a child when it
comes to color,
a bright light.
I run to it
hoping it will make
the room different,
better.

how's your day going

the mailman
tips his small grey hat
and says
my last name, then he hands
a bundle
of mail to me.
he's tall and lean,
Asian.
the leather bag is worn,
straps bending
at the shoulders of his
wet blue shirt.
he moves on.
it's a simple exchange.
no talk
about the weather,
no discussion
of kids or wife.
no, how's your day
going.
he moves on.
we all move on.

the wind

the wind
in us, is air leaving,
the exhale
and inhale
of life.
slow
breathing. the forehead
touching
one another,
the soft
blown kiss on a shoulder.
the listen
of hearts gone fast,
now slowed,
and slower still,
becoming one,
at last.

the front porch

smells like rain,
doesn't it, she says while
gently swaying
back and forth on the porch swing.
look at how
the leaves have turned
up, smell the air,
it's getting darker,
the slight breeze.
I could sit here all night,
she says,
drinking her wine,
my hand on her knee.
time could stop right here
and i'd be fine with that.
I agree.

down on the farm

maybe it was a mistake
buying
the farm
far away from town.
goats
and pigs included
and one
fat cow.
maybe I should have
thought things through,
not knowing a thing
about planting,
or harvesting,
or chickens,
not a single clue.
maybe the city life
is really who I am
I say out loud
to no one,
as I stare at the rusted
red tractor
with a strand of
hay dangling
between my lips. but I
did it for love,
I did it
for you. where's
my rake?

see you soon

it's just a cold.
a sneeze
or two. I promise it won't
get in
the way
of me,
and you.
it's just a slight
fever,
a cough, a sweat,
nothing
to concern yourself
about.
a tickle in the throat,
some aches
and pains, but
it's nothing honest.
i'm fine. don't worry,
don't fret.
see you soon.

john and dave

I miss my two best friends,
john
and dave.
both dead now for years.
both younger than me.
we would talk on the phone
for hours
about everything,
anything that would
cross our minds, we were
like girls
in high school. no offense
to girls.
and yes I know I should
use the word women,
instead of girls,
but for this poem I choose
the word girls.
please accept my apologies
for anyone that might
be offended.
back to john and dave.
oil and water.
sweet and sour.
right and left.
two different souls, as
different as any two
men could be,
but I loved them both
and miss them
nearly every day of my
life.
i wish that I could
pick up the phone this second
and talk
to them, listen to them
breathe.

never say never

for nearly forever
i'd say, why get married again.
why
have a business contract
for an emotion
that could change at the click
of a button,
the drop of a hat.
like the weather,
love could disappear, as
could loyalty
and devotion.
however,
I was so much older then,
as Dylan would say, but
i'm younger than that now.

the boy with red hair

the boy
with red hair
in the old neighbor hood
knew
everything
there was to know about
sex.
a walking encyclopedia
of the female
anatomy.
he was fourteen,
we were ten and eleven.
he would
gather us
around in the alley
and tell us
how a woman worked.
describing each part of
a girl
in detail. the legs, the arms,
the breasts.
we were in awe.
do this, he would say,
do that,
they love when you
touch them there,
just so.
we took notes in our mind.
we couldn't
wait for the next lesson.
we couldn't
wait when it was our turn
to kiss
a girl and put our lessons
into play.
in time he went off to
Vietnam
and came back broken,
the blue eyes
had lost their shine.
he spoke little of women
anymore, but we were older
then,
and he would never
be the same, nor would we.

shedding skins

when I met her,
painted her house, hung
a flock
wallpaper
in the bathroom,
helped her throw a rug
down
in the living room,
she was
on drugs
and drinking.
pale and red eyed,
from too much vodka
and not enough sun,
her hands trembled.
there was always
a new man
in her hot tub which
bubbled
hot on the deck
out back. he would wave
to me as I worked.
she wanted out, wanted
a new skin,
a new life.
flash forward five
years later.
I see her on face book,
clear eyed
and calm,
doing self help
videos, doling out
long sessions of
sage advice.
,

the last of it

when his car broke down,
his
58 chevy,
he left it there
on the side of the road
somewhere near Atlanta,
he grabbed
his duffle bag
full of clothes
from
the trunk,
put his thumb
out. he kept going.
we got a post card
from him
in Miami, saying
little but, i'm in Miami
now.
it's hot here.
that was the last of it.

suburbs

it's a fine
house. brick and mortar.
hard woods,
a strong door and shutters.
the fence
goes around, entered
by a latched gate
to keep
the dog in, the cats.
the future kids.
just starting out,
they are,
the wedding album
still on the table.
new to this life of living
beyond the beltway,
in the woods,
where people wave and say
hey
when out and about.
the noise of the city
is far away, but strangely,
deeply,
they miss it.

be there

the wrong thing to say
is
yes, but you are so blessed,
you have
so much to be thankful
for,
don't be sad,
don't cry, when in
fact
it would be better
to listen,
to be there,
and let her be where
she needs
to be in the moment,
accept her pain
and grief and let her
work through
the darkness that she's
in.

the clock and calendar

a job, three squares.
a shingle on the wall.
a house,
a fence a dog.
a wife
two kids, a car in
the driveway
a chicken
in the oven.
a yard full of grass.
a roof over
our heads.
just the bare necessities
and a tad more.
a clock and a calendar
keeping track
of it all,
but what about
love?

letting love have its way

adrift,
a boat idles beside
me
on my small flat raft.
the bones of trees
strapped together.
do you need help, he says.
water?
anything, could I tow
you to shore?
i'm fine, I tell him.
squinting into
the harsh light of day.
my hair is long,
my beard
grey. the sun has done
hard time
upon my face.
i'm fine, I tell him,
nothing can bother me
in this state,
I could drift for
days or years
as I grow weary and ill.
i'm fine.
I am letting love
have its way with me.

nothing changes

the lights go out.
you find a flashlight
in the hall
closet and shine it on
the room.
others are there.
they've come in from
the rain,
wind blown and with
stories
to tell.
the water rises, the roof
shakes.
we huddle
onto the floor and light
candles.
we remember
other times like these
when we were young.
nothing changes,
nothing remains the same.
the storms
keep coming.

driving all night

the black wet highway
is loud
with the windows down.
the radio off.
the wipers slapping
back and forth.
not a soul on the road.
just you,
heading south
for a while, then north,
making a u turn
where the sign
says detour.
the motel lights go by,
flashing
no vacancy, the long
wires
strung from pole
to pole are glazed in
the awful light.
you drive on. you drive
on. you don't want
the night to end.
the days are just
too hard without her.

the cautious heart

the careful heart,
the cautious heart, the timid
one,
gets
left behind.
the chance
of love is frightening,
losing
what you want
after so much, so much,
water
under the bridge
and time.

the fire fly

each fire fly
we'd catch, we'd place
inside a jar
and see how long
they'd last.
not long.
soon, they'd grow
sad
and no longer
light up and glow
the way they wanted to,
trapped.
a lesson in
not holding too tight
to those we love,
perhaps.

night songs

the play is rich
in song,
and mirth, the words
almost too fast
to catch each one
and laugh.
the lights dim
and darken,
or go bright with
each new mood
of plot. the orchestra
up high
behind the screen
plays on. you could
sit there
with the one you
love, her warm
hand in yours
and listen, and watch,
all night.

do you play?

he loves
golf. talks about it all
the time.
tells me about his back swing,
his stroke,
his sand traps and
almost perfect holes.
he takes his bag of new
clubs out of the trunk,
still in his
cleated shoes.
poor tiger, he shakes
his head and sighs.
if only is a phrase
that comes up a lot,
if only i'd used the other
club, if
it hadn't been so windy,
or the rain had waited.
if only i'd hit
the ball more left
on the eighteenth green.
what about you, he asks.
do you play?

red wins

I put my money down
on the number five horse
in blue.
the jockey seems confident,
proud
in his silk suit upon
this gleaming horse.
he looks like a winner.
how could he not come
in first, how could he
stumble how of the starting
gate and nearly fall?
how could he not lead
the field
without a challenge
and break the tape before
the others?
off they go and red
wins.

red wins

I put my money down
on the number five horse
in blue.
the jockey seems confident,
proud
in his silk suit upon
this gleaming horse.
he looks like a winner.
how could he not come
in first, how could he
stumble how of the starting
gate and nearly fall?
how could he not lead
the field
without a challenge
and break the tape before
the others?
off they go and red
wins.

the scratch

the record skips in
the same spot it did
thirty years ago.
on the same song, in
the same
vinyl groove.
I wait for it then
get up to move the needle.
it's like an old
friend
who hasn't changed,
that you accept for
all their scratches,
enjoying the rest
of their music.

the inside

a block
of stone to
the sculptor
means
nothing.
what's inside
matters.
it just takes time
to get to who we
really are,
to chisel away
the rough,
the useless rock
within,
then shine.